I-MOe MS {alpha}.M.1.13 (Modena D)

Biblioteca Estense, Modena, Italy

manuscript of polyphony: 1481

Archive Biblioteca Estense, Modena, Italy (I-MOe)
Shelfmark MS {alpha}.M.1.13 (Modena D)
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Parchment
Numbering System Foliation
Measurements 560 x 385-90 mm
Other Identifiers
  • RISM: I-MOe M. 1.13
  • CCM: ModE M.1.13
  • olim (Former shelfmark): V.H.10
  • olim (Former shelfmark): Cod. Lat. 456
Copyists
Relationships
External Links
Provenance
  • Italy
Contents 84 pieces from 9 composers
General Description

Copied by Fra Philippo di San Giorgio, whose activity as a copyist at the Este court in Ferrara is documented in payment records; Fra Philippo also copied ModE M.1.11-2 (LockF). Copied in Ferrara, for use at the ducal court of Ercole I d'Este (reigned 1471-1505). Este family library transferred from Ferrara to Modena in 1598; joined to Modena university library in 1892.

DIAMM, 2017
Physical Description

Due to removal of 10-15 original folios at end, last Mass is fragment only (beginning of Kyrie on f. 224'); f. 1' mutilated (initial and border decoration cut out).

DIAMM, 2017
Binding

Covers of leather over boards, with inscription 'Liber Choralis' stamped in gold on spine, may date from 19th century, or may be 19th-century restorations of original covers. (Similar covers also found on ModE M.1.2, ModE M.1.11-2, and ModE X.1.11).

DIAMM, 2017
Notation

not indicated

DIAMM, 2017
Date

1481 (LockF).

DIAMM, 2017
Ruling

Staff height 28

DIAMM, 2017
Foliation

New pencil foliation, 1-224.

DIAMM, 2017
Foliation

Other numberings: Original numbering of pieces, I-XVIII, on upper right rectos.

DIAMM, 2017
Foliation

224 ff

DIAMM, 2017
Decoration

Illuminated initials in gold, purple, red, blue, and green, with filigree work and foliage designs; decoration similar to ModE M.1.2 and ModE M.1.11-2.

DIAMM, 2017
Index

Original index on f. 1 lists all pieces in order of appearance; some piece numbers obliterated by removal of initial and border decoration on f. 1'.

DIAMM, 2017
Surface

parchment

DIAMM, 2017
RISM Description

RISM

XVe s. 224 ff. Parchemin, 561x390 mm. Foliotation moderne en haut des ff. et numérotation ancienne de chaque pièce en chiffres romains correspondant à ceux de la Table. Le f. 1 très mutilé. Notation mesurée blanche. 9 portées par p. Initiales ornées or et couleurs. Au f. 1: Tabula. Reliure cuir postérieure au ms. (XVIIe s.?)

Ce 3e ms. géant pour grands choeurs a été copié aussi pour les Este à Ferrare, très probablement à l'époque où Martini était au service d'Ercole Io (ca. 1471 à 1492) car il domine nettement sur les autres musiciens avec 8 compositions dans le ms.

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of any of this content without permission may result in legal action.

Répertoire International des Sources Musicales
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

17 Masses, 1 Mass fragment = 18

Caron-1, Domarto-1, Dufay-1 + 1?, Faugues-2, Martini-8, Martini/(Josquin)-1, Vincenet-1, Weerbecke-1, anon-1

i + 224 + i parchment folios, 560 x 385-90. Due to removal of 10-15 original folios at end, last Mass is fragment only (beginning of Kyrie on f. 224'); f. 1' mutilated (initial and border decoration cut out). New pencil foliation, 1-224. Original numbering of pieces, I-XVIII, on upper right rectos. Covers of leather over boards, with inscription "Liber Choralis" stamped in gold on spine, may date from 19th century, or may be 19th-century restorations of original covers. (Similar covers also found on ModE M.1.2, ModE M.1.11-2, and ModE X.1.11). Original index on f. 1 lists all pieces in order of appearance; some piece numbers obliterated by removal of initial and border decoration on f. 1'. The scribe was Fra Philippo di San Giorgio, whose activity as a copyist at the Este court in Ferrara is documented in payment records; Fra Philippo also copied ModE M.1.11-2 (LockF). Staff height 28. Illuminated initials in gold, purple, red, blue, and green, with filigree work and foliage designs; decoration similar to ModE M.1.2 and ModE M.1.11-2.

1481 (LockF). Copied in Ferrara, for use at the ducal court of Ercole I d'Este (reigned 1471-1505). Este family library transferred from Ferrara to Modena in 1598; joined to Modena university library in 1892.

Vol 4

Composers: Change "Dufay-1 + 1?" to "Dufay-1"; change "Martini-8" to "Martini-8 + 1?."

Date: Probably 1480 (BurkJM).

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1v–2 Missa Orsus orsus: Kyrie [J. MARTINI]*
Appears on: 1v–2
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: [J. MARTINI]*
Voice: [no designation]
Languages: Latin, Greek
Voice Text: [Missa] (Orsus) Kyrie
Concordances

*Rvat 51, VEcap 755 et 761: Ct et B différents

General Note

First page incomplete - loss of initial and left margin, with consequent missing notes in Cantus & Tenor

2v–5 Missa Orsus orsus: Gloria -
Appears on: 2v–5
Genres: Gloria (et in terra pax), Mass Ordinary
5v–9 Missa Orsus orsus: Credo -
Appears on: 5v–9
Genres: Credo (patrem omnipotentem), Mass Ordinary
9v–12 Missa Orsus orsus: Sanctus -
Appears on: 9v–12
Genres: Mass Ordinary, Sanctus [& Benedictus]
12v–14 Missa Orsus orsus: Agnus Dei -
Appears on: 12v–14
Genres: Agnus Dei, Mass Ordinary
General Note

In the bass of the Agnus: Or sus or sus par desus tous les aultres benit soit le cucu.

14v–16 Missa La mort de saint Gothardo: Kyrie - Anonymous
Appears on: 14v–16
Genres: Kyrie eleison, Mass Ordinary
Voice: [no designation]
Languages: Latin, Greek
Voice Text: [Missa] (La mort de saint Gothardo )Kyrie

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: II (attrib. à Dufay).

16v–18 Missa La mort de saint Gothardo: Gloria - Anonymous
Appears on: 16v–18
Genres: Gloria (et in terra pax), Mass Ordinary
18v–21 Missa La mort de saint Gothardo: Credo - Anonymous
Appears on: 18v–21
Genres: Credo (patrem omnipotentem), Mass Ordinary
21v–23 Missa La mort de saint Gothardo: Sanctus - Anonymous
Appears on: 21v–23
Genres: Mass Ordinary, Sanctus [& Benedictus]
23v–25 Missa La mort de saint Gothardo: Agnus Dei - Anonymous
Appears on: 23v–25
Genres: Agnus Dei, Mass Ordinary
25v–27 Missa Io ne tengo quando a te: Kyrie [J. MARTINI]
Appears on: 25v–27
Genres: Agnus Dei, Credo (patrem omnipotentem), Gloria (et in terra pax), Liturgical work, Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: [J. MARTINI]
Voice: [no designation]
Languages: Latin, Greek
Voice Text: [Missa] (Io ne tengo quanto a te) Kyrie
General Note

Publ. cf. Md 2268 n° 20

27v–30 Missa Io ne tengo quando a te: Gloria -
Appears on: 27v–30
Genres: Gloria (et in terra pax), Mass Ordinary
30v–34 Missa Io ne tengo quando a te: Credo -
Appears on: 30v–34
Genres: Credo (patrem omnipotentem), Mass Ordinary
34v–37 Missa Io ne tengo quando a te: Sanctus -
Appears on: 34v–37
Genres: Mass Ordinary, Sanctus [& Benedictus]
37v–40 Missa Io ne tengo quando a te: Agnus Dei -
Appears on: 37v–40
Genres: Agnus Dei, Mass Ordinary
40v–42 Missa Nos amis [Modena]: Kyrie - Anonymous
Appears on: 40v–42
Genres: Kyrie eleison, Mass Ordinary
Voice: [no designation]
Languages: Latin, Greek
Voice Text: [Missa] (Nos amis) Kyrie
42v–46 Missa Nos amis [Modena]: Gloria - Anonymous
Appears on: 42v–46
Genres: Gloria (et in terra pax), Mass Ordinary
46v–50 Missa Nos amis [Modena]: Credo - Anonymous
Appears on: 46v–50
Genres: Credo (patrem omnipotentem), Mass Ordinary
50v–53 Missa Nos amis [Modena]: Sanctus - Anonymous
Appears on: 50v–53
Genres: Mass Ordinary, Sanctus [& Benedictus]
53v–55 Missa Nos amis [Modena]: Agnus Dei - Anonymous
Appears on: 53v–55
Genres: Agnus Dei, Mass Ordinary
55v–57 Missa Entrepris: Kyrie VINCENET
Appears on: 55v–57
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: VINCENET
Voice: [no designation]
Languages: Latin, Greek
Voice Text: [Missa] (Entrepris) Kyrie
57v–60 Missa Entrepris: Gloria -
Appears on: 57v–60
Genres: Gloria (et in terra pax), Mass Ordinary
60v–64 Missa Entrepris: Credo -
Appears on: 60v–64
Genres: Credo (patrem omnipotentem), Mass Ordinary
64v–67 Missa Entrepris: Sanctus -
Appears on: 64v–67
Genres: Mass Ordinary, Sanctus [& Benedictus]
67v–69 Missa Entrepris: Agnus Dei -
Appears on: 67v–69
Genres: Agnus Dei, Mass Ordinary
69v–70 Missa Dio te salvi Gotarello: Kyrie JO. MARTINI
Appears on: 69v–70
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: JO. MARTINI
Voice: [no designation]
Languages: Latin, Greek
Voice Text: [Missa] Dio te salvi gotarello. Kyrie
70v–73 Missa Dio te salvi Gotarello: Gloria -
Appears on: 70v–73
Genres: Gloria (et in terra pax), Mass Ordinary
73v–76 Missa Dio te salvi Gotarello: Credo -
Appears on: 73v–76
Genres: Credo (patrem omnipotentem), Mass Ordinary
76v–78 Missa Dio te salvi Gotarello: Sanctus -
Appears on: 76v–78
Genres: Mass Ordinary, Sanctus [& Benedictus]
78v–80 Missa Dio te salvi Gotarello: Agnus Dei -
Appears on: 78v–80
Genres: Agnus Dei, Mass Ordinary
80v–82 Missa Dominicalis: Kyrie JO. MARTINI
Appears on: 80v–82
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: JO. MARTINI
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Missa dominicalis. Kyrie
82v–86 Missa Dominicalis: Gloria -
Appears on: 82v–86
Genres: Gloria (et in terra pax), Mass Ordinary
86v–90 Missa Dominicalis: Credo -
Appears on: 86v–90
Genres: Credo (patrem omnipotentem), Mass Ordinary
90v–92 Missa Dominicalis: Sanctus -
Appears on: 90v–92
Genres: Mass Ordinary, Sanctus [& Benedictus]
92v–94 Missa Dominicalis: Agnus Dei -
Appears on: 92v–94
Genres: Agnus Dei, Mass Ordinary
94v–95 Missa Ma bouche rit et mon cœur pleure: Kyrie JO. MARTINI
Appears on: 94v–95
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: JO. MARTINI
Voice: [no designation]
Languages: Latin, French, Greek
Voice Text: [Missa] Ma buche rit.. Kyrie
General Note

Publ. cf. Md 2268 n° 7

95v–97 Missa Ma bouche rit et mon cœur pleure: Gloria -
Appears on: 95v–97
Genres: Gloria (et in terra pax), Mass Ordinary
97v–101 Missa Ma bouche rit et mon cœur pleure: Credo -
Appears on: 97v–101
Genres: Credo (patrem omnipotentem), Mass Ordinary
101v–103 Missa Ma bouche rit et mon cœur pleure: Sanctus -
Appears on: 101v–103
Genres: Mass Ordinary, Sanctus [& Benedictus]
103v–104 Missa Ma bouche rit et mon cœur pleure: Agnus Dei -
Appears on: 103v–104
Genres: Agnus Dei, Mass Ordinary
104v–106 Missa O rosa bella [III]: Kyrie [anon] 'O rosa bella' Anonymous
Appears on: 104v–106
Genres: Mass Ordinary, Troped Kyrie
Source Attribution: [anon] 'O rosa bella'
Voice: [no designation]
Languages: Latin, Greek
Voice Text: [Missa] O rosa bella. Kyrie
106v–108 Missa O rosa bella [III]: Et in terra pax [Gloria] - Anonymous
Appears on: 106v–108
Genres: Gloria (et in terra pax), Mass Ordinary
108v–112 Missa O rosa bella [III]. Patrem omnipotentem [Credo] - Anonymous
Appears on: 108v–112
Genres: Credo (patrem omnipotentem), Mass Ordinary
112v–114 Missa O rosa bella [III]: Sanctus - Anonymous
Appears on: 112v–114
Genres: Mass Ordinary, Sanctus [& Benedictus]
114v–117 Missa O rosa bella [III]: Agnus Dei - Anonymous
Appears on: 114v–117
Genres: Agnus Dei, Mass Ordinary
117v–119 Missa Spiritus almus: Kyrie P. DE DOMARTO
Appears on: 117v–119
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: P. DE DOMARTO
Voice: [no designation]
Languages: Latin, Greek
Voice Text: [Missa] Spiritus almus. Kyrie
119v–122 Missa Spiritus almus: Et in terra pax [Gloria] -
Appears on: 119v–122
Genres: Gloria (et in terra pax), Mass Ordinary
122v–126 Missa Spiritus almus. Patrem omnipotentem [Credo] -
Appears on: 122v–126
Genres: Credo (patrem omnipotentem), Mass Ordinary
126v–128 Missa Spiritus almus: Sanctus -
Appears on: 126v–128
Genres: Mass Ordinary, Sanctus [& Benedictus]
128v–129 Missa Spiritus almus: Agnus Dei -
Appears on: 128v–129
Genres: Agnus Dei, Mass Ordinary
129v–130 Missa Coda di pavon: Kyrie JO. MARTINI
Appears on: 129v–130
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: JO. MARTINI
Voice: [no designation]
Languages: Latin, Greek
Voice Text: [Missa] Coda de pavum. Kyrie
General Note

Publ. cf. Md 2268 n° 6

130v–132 Missa Coda di pavon: Gloria -
Appears on: 130v–132
Genres: Gloria (et in terra pax), Mass Ordinary
132v–135 Missa Coda di pavon: Credo -
Appears on: 132v–135
Genres: Credo (patrem omnipotentem), Mass Ordinary
135v–137 Missa Coda di pavon: Sanctus -
Appears on: 135v–137
Genres: Mass Ordinary, Sanctus [& Benedictus]
137v–140 Missa Coda di pavon: Agnus Dei -
Appears on: 137v–140
Genres: Agnus Dei, Mass Ordinary
140v–141 Missa Clemens et benigna: Kyrie CARON
Appears on: 140v–141
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: CARON
Voice: [no designation]
Languages: Latin, Greek
Voice Text: [Missa] Clemens et benigna. Kyrie

Item Bibliography

Schuetze, George C, Jr. 1960-80. Collected works of Faugues, Transcription and introduction by G.C. Schuetze, jr. Collected works. Gesamtausgaben.  New York. Pages: VI,1 (avec facs. ff. 140v-141).

141v–145 Missa Clemens et benigna: Et in terra pax [Gloria] -
Appears on: 141v–145
Genres: Gloria (et in terra pax), Mass Ordinary
145v–149 Missa Clemens et benigna: Patrem omnipotentem [Credo] -
Appears on: 145v–149
Genres: Credo (patrem omnipotentem), Mass Ordinary
149v–151 Missa Clemens et benigna: Sanctus -
Appears on: 149v–151
Genres: Mass Ordinary, Sanctus [& Benedictus]
151v–152 Missa Clemens et benigna: Agnus Dei -
Appears on: 151v–152
Genres: Agnus Dei, Mass Ordinary
152v–153 Missa Feria 4.1: Kyrie JO. MARTINI [ou JOSQUIN*]
Appears on: 152v–153
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: JO. MARTINI [ou JOSQUIN*]
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Missa ferialis. Kyrie
General Note

. [Sans Gloria ni Credo.]

Concordances

*1505'; SartoriB n° 23

Item Bibliography

Sartori, Claudio. 1948. Bibliografia delle opere musicali stampate da Ottaviano Petrucci.  Firenze. Pages: no 23.

153v–156 Missa Feria 4.1: Sanctus -
Appears on: 153v–156
Genres: Mass Ordinary, Sanctus [& Benedictus]
156v–159 Missa Feria 4.1: Agnus Dei -
Appears on: 156v–159
Genres: Agnus Dei, Mass Ordinary
159v–161 Missa Ave regina caelorum: Kyrie G. DUFAY
Appears on: 159v–161
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: G. DUFAY
Voice: [no designation]
Languages: Latin, Greek
Voice Text: [Missa] Ave regina. Kyrie
Concordances

On the differences between the versions of the Kyrie in Br5557, SP B80 & ModD, see WegmanMSD & PlanchartD

Item Bibliography

Planchart, Alejandro Enrique. 2018. Guillaume Du Fay.  Cambridge: CUP. Pages: 613-618. Notes: seeks to reduce the different versions of the Kyrie to two versions 'public' and 'private'.

Wegman, Rob C. 1995. Miserere Supplicanti Dufay: the Creation and Transmission of Guillaume Dufay's Missa Ave regina celorum. Journal of Musicology, 18-54. Notes: explores the different versions of the Kyrie.

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 1, III.

161v–165 Missa Ave regina caelorum: Gloria. Et in terra -
Appears on: 161v–165
Genres: Gloria (et in terra pax), Mass Ordinary
165v–169 Missa Ave regina caelorum: Credo -
Appears on: 165v–169
Genres: Credo (patrem omnipotentem), Mass Ordinary
169v–173 Missa Ave regina caelorum: Sanctus -
Appears on: 169v–173
Genres: Mass Ordinary, Sanctus [& Benedictus]
173v–176 Missa Ave regina caelorum: Agnus Dei -
Appears on: 173v–176
Genres: Agnus Dei, Mass Ordinary
176v–178 Missa L'homme armé: Kyrie FAUGUES
Appears on: 176v–178
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: FAUGUES
Voice: [no designation]
Languages: Latin, French, Greek
Voice Text: [Missa] (L'om armé) Kyrie

Item Bibliography

Schuetze, George C, Jr. 1960-80. Collected works of Faugues, Transcription and introduction by G.C. Schuetze, jr. Collected works. Gesamtausgaben.  New York. Pages: I.

Schuetze, George C, Jr (editor). 1959. Opera omnia Faugues, Facsimile of the compositions of Faugues from the mss. Trent 88, Trent 91, Cappella Sistina 14, Cappella Sistina 51, Verona 761, Modena a M. 1. 13. Publications of Mediaeval Musical Manuscripts [Veröffentlichungen mittelalterlicher Musikhandschriften].  Pages: 7 (facs).

Feininger, Laurence K (editor). 1947-48. Series I: Ordinarium missae (1948) & Series II: Poprium missae (1947). Monumenta Polyphoniae Liturgicae Sanctae Ecclesiae Romanae.  Rome. Pages: 1, I.

178v–182 Missa L'homme armé: Gloria -
Appears on: 178v–182
Genres: Gloria (et in terra pax), Mass Ordinary
182v–187 Missa L'homme armé: Credo -
Appears on: 182v–187
Genres: Credo (patrem omnipotentem), Mass Ordinary
187v–190 Missa L'homme armé: Sanctus -
Appears on: 187v–190
Genres: Mass Ordinary, Sanctus [& Benedictus]
190v–192 Missa L'homme armé: Agnus Dei -
Appears on: 190v–192
Genres: Agnus Dei
192v–194 Missa Je suis en la mer: Kyrie G. FAUGUES
Appears on: 192v–194
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: G. FAUGUES
Voice: [no designation]
Languages: Latin, Greek
Voice Text: [Missa] Je suis en la mer. Kyrie

Item Bibliography

Schuetze, George C, Jr. 1960-80. Collected works of Faugues, Transcription and introduction by G.C. Schuetze, jr. Collected works. Gesamtausgaben.  New York. Pages: 1.

Schuetze, George C, Jr (editor). 1959. Opera omnia Faugues, Facsimile of the compositions of Faugues from the mss. Trent 88, Trent 91, Cappella Sistina 14, Cappella Sistina 51, Verona 761, Modena a M. 1. 13. Publications of Mediaeval Musical Manuscripts [Veröffentlichungen mittelalterlicher Musikhandschriften].  Pages: 7, (facs).

194v–198 Missa Je suis en la mer: Gloria -
Appears on: 194v–198
Genres: Gloria (et in terra pax), Mass Ordinary
198v–201 Missa Je suis en la mer: Credo -
Appears on: 198v–201
Genres: Credo (patrem omnipotentem), Mass Ordinary
201v–204 Missa Je suis en la mer: Sanctus -
Appears on: 201v–204
Genres: Mass Ordinary, Sanctus [& Benedictus]
204v–207 Missa Je suis en la mer: Agnus Dei -
Appears on: 204v–207
Genres: Agnus Dei, Mass Ordinary
207v–210 Missa O Venus bant: Kyrie GUASPAR WARBEC
Appears on: 207v–210
Genres: Gloria (et in terra pax), Kyrie eleison, Mass Ordinary
Source Attribution: GUASPAR WARBEC
Voice: [no designation]
Languages: Latin, Greek
Voice Text: [Missa] O venus bant. Kyrie

Item Bibliography

[No Author] 1935-1959. Reihe: Reichsdenkmale. Das Erbe deutscher Musik.  Pages: 33 (Et incarnatus seul' sous le titre: Respice virgo pura d'après D—ddr—LEu 1494).

210v–213 Missa O Venus bant: Gloria -
Appears on: 210v–213
Genres: Gloria (et in terra pax), Mass Ordinary
213v–217 Missa O Venus bant: Credo -
Appears on: 213v–217
Genres: Credo (patrem omnipotentem), Mass Ordinary
217v–221 Missa O Venus bant: Sanctus -
Appears on: 217v–221
Genres: Mass Ordinary, Sanctus [& Benedictus]
221v–224 Missa O Venus bant: Agnus Dei -
Appears on: 221v–224
Genres: Agnus Dei, Mass Ordinary
224v Missa Cucu: Kyrie JO. MARTINI
Appears on: 224v
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: JO. MARTINI
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Missa Cucu. Kyrie
General Note

(incomplete). 1er Kyrie et Christe.Sup. et T seul'

Item Bibliography

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich.  Graz and Vienna. Pages: 120.

Composer Compositions
Anonymous
Caron, Firminus (ca. 1460–ca. 1475)
Despres, Josquin (ca. 1450–1521)
Domarto, Petrus de
Du Fay, Guillaume (1397–1474)
Faugues, Guillaume
Martini, Johannes (ca. 1430–1497)
Vincenet, Johannes (–ca. 1480)
Weerbecke, Gaspar van (ca. 1445–ca. 1516)
Composition Composers (? Uncertain) Folios / Pages
Missa Ave regina caelorum: Agnus Dei 173v–176
Missa Ave regina caelorum: Credo 165v–169
Missa Ave regina caelorum: Gloria. Et in terra 161v–165
Missa Ave regina caelorum: Kyrie 159v–161
Missa Ave regina caelorum: Sanctus 169v–173
Missa Clemens et benigna: Agnus Dei 151v–152
Missa Clemens et benigna: Et in terra pax [Gloria] 141v–145
Missa Clemens et benigna: Kyrie 140v–141
Missa Clemens et benigna: Patrem omnipotentem [Credo] 145v–149
Missa Clemens et benigna: Sanctus 149v–151
Missa Coda di pavon: Agnus Dei 137v–140
Missa Coda di pavon: Credo 132v–135
Missa Coda di pavon: Gloria 130v–132
Missa Coda di pavon: Kyrie 129v–130
Missa Coda di pavon: Sanctus 135v–137
Missa Cucu: Kyrie 224v
Missa Dio te salvi Gotarello: Agnus Dei 78v–80
Missa Dio te salvi Gotarello: Credo 73v–76
Missa Dio te salvi Gotarello: Gloria 70v–73
Missa Dio te salvi Gotarello: Kyrie 69v–70
Missa Dio te salvi Gotarello: Sanctus 76v–78
Missa Dominicalis: Agnus Dei 92v–94
Missa Dominicalis: Credo 86v–90
Missa Dominicalis: Gloria 82v–86
Missa Dominicalis: Kyrie 80v–82
Missa Dominicalis: Sanctus 90v–92
Missa Entrepris: Agnus Dei 67v–69
Missa Entrepris: Credo 60v–64
Missa Entrepris: Gloria 57v–60
Missa Entrepris: Kyrie 55v–57
Missa Entrepris: Sanctus 64v–67
Missa Feria 4.1: Agnus Dei 156v–159
Missa Feria 4.1: Kyrie 152v–153
Missa Feria 4.1: Sanctus 153v–156
Missa Io ne tengo quando a te: Agnus Dei 37v–40
Missa Io ne tengo quando a te: Credo 30v–34
Missa Io ne tengo quando a te: Gloria 27v–30
Missa Io ne tengo quando a te: Kyrie 25v–27
Missa Io ne tengo quando a te: Sanctus 34v–37
Missa Je suis en la mer: Agnus Dei 204v–207
Missa Je suis en la mer: Credo 198v–201
Missa Je suis en la mer: Gloria 194v–198
Missa Je suis en la mer: Kyrie 192v–194
Missa Je suis en la mer: Sanctus 201v–204
Missa L'homme armé: Agnus Dei 190v–192
Missa L'homme armé: Credo 182v–187
Missa L'homme armé: Gloria 178v–182
Missa L'homme armé: Kyrie 176v–178
Missa L'homme armé: Sanctus 187v–190
Missa La mort de saint Gothardo: Agnus Dei Anonymous 23v–25
Missa La mort de saint Gothardo: Credo Anonymous 18v–21
Missa La mort de saint Gothardo: Gloria Anonymous 16v–18
Missa La mort de saint Gothardo: Kyrie Anonymous 14v–16
Missa La mort de saint Gothardo: Sanctus Anonymous 21v–23
Missa Ma bouche rit et mon cœur pleure: Agnus Dei 103v–104
Missa Ma bouche rit et mon cœur pleure: Credo 97v–101
Missa Ma bouche rit et mon cœur pleure: Gloria 95v–97
Missa Ma bouche rit et mon cœur pleure: Kyrie 94v–95
Missa Ma bouche rit et mon cœur pleure: Sanctus 101v–103
Missa Nos amis [Modena]: Credo Anonymous 46v–50
Missa Nos amis [Modena]: Agnus Dei Anonymous 53v–55
Missa Nos amis [Modena]: Gloria Anonymous 42v–46
Missa Nos amis [Modena]: Kyrie Anonymous 40v–42
Missa Nos amis [Modena]: Sanctus Anonymous 50v–53
Missa O rosa bella [III]. Patrem omnipotentem [Credo] Anonymous 108v–112
Missa O rosa bella [III]: Agnus Dei Anonymous 114v–117
Missa O rosa bella [III]: Et in terra pax [Gloria] Anonymous 106v–108
Missa O rosa bella [III]: Kyrie Anonymous 104v–106
Missa O rosa bella [III]: Sanctus Anonymous 112v–114
Missa O Venus bant: Agnus Dei 221v–224
Missa O Venus bant: Credo 213v–217
Missa O Venus bant: Gloria 210v–213
Missa O Venus bant: Kyrie 207v–210
Missa O Venus bant: Sanctus 217v–221
Missa Orsus orsus: Agnus Dei 12v–14
Missa Orsus orsus: Credo 5v–9
Missa Orsus orsus: Gloria 2v–5
Missa Orsus orsus: Kyrie 1v–2
Missa Orsus orsus: Sanctus 9v–12
Missa Spiritus almus. Patrem omnipotentem [Credo] 122v–126
Missa Spiritus almus: Agnus Dei 128v–129
Missa Spiritus almus: Et in terra pax [Gloria] 119v–122
Missa Spiritus almus: Kyrie 117v–119
Missa Spiritus almus: Sanctus 126v–128

denotes primary source study

Taruskin, Richard. 1986. Antoine Busnoys and the L'Homme armé Tradition. Journal of the American Musicological Society, 255-93. Pages: 262. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Burkholder, J Peter. 1985. Johannes Martini and the Imitation Mass of the Late Fifteenth Century. Journal of the American Musicological Society, 470-523. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Lockwood, Lewis Henry. 1984. Music in Renaissance Ferrara 1400-1505: The Creation of a Musical Center in the Fifteenth Century.  Cambridge, Massachusetts. Pages: 168,171,216-7,222-4, Fig. 10. Notes: physical description; contents list (partial); concordances (partial); transcriptions (partial); facsimile (partial); mention of MS; discussion.

Roth, Adalbert. 1982. Studien zum frühen Repertoire der Päpstlichen Kapelle unter dem Pontifikat Sixtus' IV. (1471-1484). Die Chorbücher 14 und 51 des Fondo Cappella Sistina der Biblioteca Apostolica Vaticana. Johann Wolfgang Goethe-Universität (Frankfurt am Main), Unpublished Ph.D. dissertation. Pages: 209-12,348,365, 376,392-3, passim. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Hamm, Charles E, and Herbert Kellman (editors). 1979-1988. Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550. Renaissance Manuscript Studies. 5 vols. Neuhausen nr. Stuttgart: American Institute of Musicology, Hänssler Verlag. Pages: II, 167-168.

Planchart, Alejandro Enrique. 1976. Guillaume Dufay's Masses: A View of the Manuscript Traditions. Papers read at the Dufay Quincentenary Conference, Brooklyn College, December 6-7, 1974, 26-60,150-1. Brooklyn. Pages: 44-8, 151. Notes: contents list (partial); transcriptions (partial); mention of MS; discussion.

Hamm, Charles E, and Ann Besser Scott. 1972. A Study and Inventory of the Manuscript Modena, Biblioteca Estense, a.X.I.11 (ModB). Musica Disciplina, 101-43. Pages: 109. Notes: physical description (partial).

Vander Straeten, Edmond. 1969. La Musique aux Pays-Bas Avant le XIX' Siècle.  Brussels, 1867-88. Reprinted New York. Pages: VI, 49-50. Notes: physical description (partial).

Nitschke, Wolfgang. 1968. Studien zu den Cantus-Firmus-Messen Guillaume Dufays. Berliner Studien zur Musikwissenschaft.  Berlin. Pages: I, 322ff, 424, 457; II, 37-43. Notes: contents list (partial); concordances (partial); transcriptions (partial); facsimile (partial); mention of MS; discussion.

Snow, Robert Joseph. 1968. The Manuscript Strahov D.G.IV.47. University of Illinois, Unpublished Ph.D. dissertation. Pages: 44, 82, 99-101, 537-8. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Davis, Bertran Earl. 1960. The Works of Johannes Vincenet. University of North Carolina, Unpublished Ph.D. dissertation. Pages: I, E, 7, 10-l, 150, passim; II,107-79. Notes: physical description (partial); contents list (partial); transcriptions (partial); facsimile (partial); mention of MS; discussion.

Schuetze, George C, Jr (editor). 1960. Faugues. No. I of Collected Works. The Collected Works of Faugues.  Brooklyn. Pages: 117-78. Notes: transcription (partial).

Schuetze, George C, Jr. 1960. An Introduction to Faugues. Musicological Studies.  Brooklyn. Pages: 15, 71. Notes: transcription (partial); mention of MS; discussion.

Schuetze, George C, Jr. 1960. The Works of Guillaume Faugues. New York University, Unpublished Ph.D. dissertation. Pages: 15-6, passim. Notes: physical description; contents list (partial); transcriptions (partial); mention of MS; discussion.

Villard, Leon Jacques. 1960. Text Underlay in the Mass Ordinary of Dufay and Some of His Contemporaries. Northwestern University, Unpublished Ph.D. dissertation. Pages: 33-4, 105, 128, 138-40, 154-8. Notes: physical description (partial); contents list (partial); transcriptions (partial); facsimile (partial); mention of MS; discussion.

Schuetze, George C, Jr (editor). 1959. Opera omnia Faugues, Facsimile of the compositions of Faugues from the mss. Trent 88, Trent 91, Cappella Sistina 14, Cappella Sistina 51, Verona 761, Modena a M. 1. 13. Publications of Mediaeval Musical Manuscripts [Veröffentlichungen mittelalterlicher Musikhandschriften].  Pages: 7, p. VIIff.

Schuetze, George C, Jr (editor). 1959. Opera Omnia Faugues. Publications of Mediaeval Musical Manuscripts.  Brooklyn. Pages: vii-ix, 79-109. Notes: physical description (partial); contents list (partial); concordances (partial); facsimile (partial).

Gottlieb, Louis Edward. 1958. The cyclic masses of Trent Codex 89. University of California, Los Angeles, Ph.D. Dissertation. Pages: I, 106, 122ff. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Bukofzer, Manfred F. 1950. The beginnings of choral polyphony. Studies in Medieval and Renaissance Music, 176ff. New York: W. W. Norton and Co. Pages: 181.

de Van, Guillaume, and Heinrich Besseler (editors). 1948-66. Guillaume Dufay: Opera Omnia. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: II-III, passim. Notes: contents list (partial); concordances (partial); transcriptions (partial); facsimile (partial).

Feininger, Laurence K (editor). 1947-48. Series I: Ordinarium missae (1948) & Series II: Poprium missae (1947). Monumenta Polyphoniae Liturgicae Sanctae Ecclesiae Romanae.  Rome. Pages: Series I, II/3. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Lodi, Pio. 1917. Catalogo delle Opere Musicali teoriche e pratiche ... Città di Modena R. Biblioteca Estense. Bollettino dell'Associazione dei Musicologi Italiani.  Parma. Pages: 17-8. Notes: physical description; contents list.

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Brice Ramondenc

Monday, 12 November, 2018

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DIAMM, 2016

Monday, 23 January, 2017

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

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Répertoire Internationale des Sources Musicales

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