CH-SGs Cod. Sang. 462 (Heer Liederbuch)

Stiftsbibliothek, Saint Gall (Sankt Gallen), Switzerland

manuscript of polyphony: 1510-c. 1530

Archive	Stiftsbibliothek, Saint Gall (Sankt Gallen), Switzerland (CH-SGs)
Shelfmark	Cod. Sang. 462 (Heer Liederbuch)
Image Availability	The images on this record are linked using IIIF.
Surface	Paper
Numbering System	None
Measurements	183 x 250 mm
Other Identifiers	CCM: SGallS 462
Copyists	Heer, Johannes Text and Music
Relationships	Tschudi, Aegidius (owner)
External Links	images IIIF Manifest
Provenance	France
Contents	93 pieces from 20 composers

General Description

Copied mostly by Johannes Heer, with a few additions by several other scribes (probably Heer's associates at University of Paris). Some pieces have text incipits or titles only. Copied mostly in Paris, with later additions in Glarus. Compiled by Johannes Heer (ca. 1489-1553) of Glarus (inscription inside front cover and on f. 87': 'Johannes Heer est possessor huius libri'; 'Je suys au maistre Jehan her de glaris Lesquel moy / tient en grand honneur'); Heer was a friend of the chronicler Aegidius Tschudi (1505-72), also of Glarus. Manuscript passed to Tschudi following Heer's death; subsequent history same as for SGallS 463 and SGallS 464.

DIAMM, 2017

Binding

Original covers of brown leather stamped with ornamental designs; parchment spine

DIAMM, 2017

Watermark

No watermarks visible.

DIAMM, 2017

Notation

not indicated

DIAMM, 2017

Ruling

Single multi-stave rastrum used throughout, but staff height on each page varies (13-15)

DIAMM, 2017

Foliation

Original ink foliation, 1-71 + modern foliation, 72-87. Modern pencil pagination, 1-182, includes flyleaves

DIAMM, 2017

Foliation

1-87

DIAMM, 2017

Decoration

First five folios have large inked Gothic initials decorated with tracery, floral motifs, and grotesque faces; red ink used for some texts, headings, etc. Monogram of Johannes Heer and coat of arms of Heer family on f. 30.

DIAMM, 2017

Surface

paper

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

2 Mass Ordinary sections (both without text), 12 motets (2 without text), 2 motet-chansons, 1 German sacred piece, 49 German secular pieces, 13 French secular pieces, 5 Italian secular pieces, 3 textless pieces = 87

Adam von Fulda-3, (A. Agricola)-3, (A. Agricola/Ghiselin)-1, A. Agricola [Alexander]-(Isaac)-1, (Bauldeweyn/La Rue)-1, (Brumel)-1, (Busnois-anon)-1, (Busnois/Compère/Mureau)-1, (Compère)-4, (Craen/C. Festa/A. Févin/Josquin/Morales)-1, Dietrich-1, Heer [IA. HER.]-2 + 1?, (Hofhaimer)-1, Isaac-5, (Josquin)- 1, Obrecht/(Barbireau/Isaac)-1, (Prioris)-2, (Rigo de Bergis) -1, Senfl-2, anon-53

iv + 87 paper folios, 183 x 250. Original ink foliation, 1-71 + modern foliation, 72-87. Modern pencil pagination, 1-182, includes flyleaves. Original covers of brown leather stamped with ornamental designs; parchment spine. No index. Copied mostly by Johannes Heer, with a few additions by several other scribes (probably Heer's associates at University of Paris). Single multi-stave rastrum used throughout, but staff height on each page varies (13-15). First five folios have large inked Gothic initials decorated with tracery, floral motifs, and grotesque faces; red ink used for some texts, headings, etc. Monogram of Johannes Heer and coat of arms of Heer family on f. 30. No watermarks visible. Some pieces have text incipits or titles only.

1510 (earliest layer), with additions to ca. 1530. Copied mostly in Paris, with later additions in Glarus. Compiled by Johannes Heer (ca. 1489-1553) of Glarus (inscription inside front cover and on f. 87': "Johannes Heer est possessor huius libri"; "Je suys au maistre Jehan her de glaris Lesquel moy / tient en grand honneur"); Heer was a friend of the chronicler Aegidius Tschudi (1505-72), also of Glarus. Manuscript passed to Tschudi following Heer's death; subsequent history same as for SGallS 463 and SGallS 464.

Vol 4

Composers: Change "(Bauldeweyn/La Rue)-1" to "(Bauldeweyn/Büchner/ La Rue)-1."

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
1	Dulcis amica Dei rosa vernans stella	-	Prioris, Johannes (Denis, Dionisius) (–1515)
Dulcis amica Dei rosa vernans stella Prioris, Johannes (Denis, Dionisius) (–1515) Appears on: 1 Genres: Lauda Voice: [no designation] Languages: Latin Voice Text: Dulcis amica dei rosa vernans stella
1v	Officium de Cruce - 1a pars (of 9): In nomine Jesu omne genuflectator	-	Compère, Loyset (ca. 1445–1518)
Officium de Cruce - 1a pars (of 9): In nomine Jesu omne genuflectator Compère, Loyset (ca. 1445–1518) Appears on: 1v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: In nomine Iesu omne genuflectatur
2	Officium de Cruce - 2a pars (of 9): Adoramus te Christe et benedicimus	-	Compère, Loyset (ca. 1445–1518)
Officium de Cruce - 2a pars (of 9): Adoramus te Christe et benedicimus Compère, Loyset (ca. 1445–1518) Appears on: 2 Genres: Motet
2v–3	O praeclara virginum Maria vernans lilium	-	Anonymous
O praeclara virginum Maria vernans lilium Anonymous Appears on: 2v–3 Genres: Cantio Voice: [no designation] Languages: Latin Voice Text: O praeclara virginum Maria vernans lilium
3v–4	Ach hilf mich leid und sehnlich klag	-	von Fulda, Adam (ca. 1445–1505)
Ach hilf mich leid und sehnlich klag von Fulda, Adam (ca. 1445–1505) Appears on: 3v–4 Genres: Song
4v–5	Ach hulf mich leid (alia compositio super...)	-	Anonymous
Ach hulf mich leid (alia compositio super...) Anonymous Appears on: 4v–5 Genres: Lied
5v–6	Fortuna desperata	-	Anonymous
Fortuna desperata Anonymous Appears on: 5v–6 Genres: Chanson
6v–7	Fortuna desperata iniqua e maledecta	-	Busnoys, Antoine (ca. 1430–1492) (?)
Fortuna desperata iniqua e maledecta Busnoys, Antoine (ca. 1430–1492) (?) Appears on: 6v–7 Genres: Italian secular
7v–8	Olmytz gän [Olmütz gehen?]	-	Anonymous
Olmytz gän [Olmütz gehen?] Anonymous Appears on: 7v–8 Genres: Lied
8v–9	Ach unfals g'walt	-	Anonymous
Ach unfals g'walt Anonymous Appears on: 8v–9 Genres: Lied
9v–10	Fruntlichen gruss in truwen gar	-	Anonymous
Fruntlichen gruss in truwen gar Anonymous Appears on: 9v–10 Genres: Lied
10v–11	Fruntlichen gruss zu aller stund	-	Anonymous
Fruntlichen gruss zu aller stund Anonymous Appears on: 10v–11 Genres: Lied
11v–12	Fügs hoster hort	-	Anonymous
Fügs hoster hort Anonymous Appears on: 11v–12 Genres: Lied
12v–13	Ich seufftz [sunfftz] und klag all mein tag	H. L.	H. L.
Ich seufftz [sunfftz] und klag all mein tag H. L. Appears on: 12v–13 Genres: Lied Source Attribution: H. L.
13v–14	Viel Hinterlist jetzt üben ist Venus	-	Anonymous
Viel Hinterlist jetzt üben ist Venus Anonymous Appears on: 13v–14 Genres: Song
14v–15	Mein herziges herz nimms nicht zu scherz	-	Anonymous
Mein herziges herz nimms nicht zu scherz Anonymous Appears on: 14v–15 Genres: Lied
15v–16	Verlangen hart hat sich	Ha. Her: (=Johannes Heer)	Heer, Johannes
Verlangen hart hat sich Heer, Johannes Appears on: 15v–16 Genres: Song Source Attribution: Ha. Her: (=Johannes Heer)
16v–17	Ganz kurz davon mein edler hort	-	Anonymous
Ganz kurz davon mein edler hort Anonymous Appears on: 16v–17 Genres: Lied
17v–18	Ich bin verirrt	-	Anonymous
Ich bin verirrt Anonymous Appears on: 17v–18 Genres: Lied
18v–19	Min Herz lidt Schmerz	-	Senfl, Ludwig (ca. 1486–ca. 1543) (?)
Min Herz lidt Schmerz Senfl, Ludwig (ca. 1486–ca. 1543) (?) Appears on: 18v–19 Genres: Lied
19v–20	Zu Trost erwählt lieblich gesellt in Freud	-	Anonymous
Zu Trost erwählt lieblich gesellt in Freud Anonymous Appears on: 19v–20 Genres: Song
20v–21	Ach got, wie we tut scheiden	-	Anonymous
Ach got, wie we tut scheiden Anonymous Appears on: 20v–21 Genres: Lied
21v–22	Ob aller schön ir wiblich er tut mir	-	Anonymous
Ob aller schön ir wiblich er tut mir Anonymous Appears on: 21v–22 Genres: Song
22v–23	O[h]n Freud verzer ich mengen Tag	-	Anonymous
O[h]n Freud verzer ich mengen Tag Anonymous Appears on: 22v–23 Genres: Lied
23v–24	Mein höchste zart dein lieblich art	-	Anonymous
Mein höchste zart dein lieblich art Anonymous Appears on: 23v–24 Genres: Lied
24v	Exultandi tempus est Deus homo factus est	-	Anonymous
Exultandi tempus est Deus homo factus est Anonymous Appears on: 24v Genres: Cantio Voice: [no designation] Languages: Latin Voice Text: Exultandi tempus est deus homo factus est
25	Es gieng guot troscher uber Land	-	Anonymous
Es gieng guot troscher uber Land Anonymous Appears on: 25 Genres: Lied
25v–26	Die vollen Brueder	-	Anonymous
Die vollen Brueder Anonymous Appears on: 25v–26 Genres: Lied
26v	Von tugent milt	-	Anonymous
Von tugent milt Anonymous Appears on: 26v Genres: Lied
27	Tres sunt in carne una	-	Anonymous
Tres sunt in carne una Anonymous Appears on: 27 Genres: Motet
27v	Es sass ein Meitlin unde spann	-	Obrecht, Jacobus (ca. 1457–1505) (?)
Es sass ein Meitlin unde spann Obrecht, Jacobus (ca. 1457–1505) (?) Appears on: 27v Genres: Lied
28	Zum neuen Jahr ganz offenbar	-	Anonymous
Zum neuen Jahr ganz offenbar Anonymous Appears on: 28 Genres: Lied
28v	Je ne soyt plus je ne disz	-	Anonymous
Je ne soyt plus je ne disz Anonymous Appears on: 28v Genres: Chanson
28v–29	Ein frölich wesen hab ich erlesen	Obrecht	Isaac, Heinrich (ca. 1450–1517) (?) Obrecht, Jacobus (ca. 1457–1505) (?) Barbireau, Jacobus (1455–1491) (?)
Ein frölich wesen hab ich erlesen Isaac, Heinrich (ca. 1450–1517) (?) Obrecht, Jacobus (ca. 1457–1505) (?) Barbireau, Jacobus (1455–1491) (?) Appears on: 28v–29 Genres: Song Source Attribution: Obrecht
29v–30	Ein frölich wesen hab ich erlesen	J(ohannes) A. He(er)	Heer, Johannes
Ein frölich wesen hab ich erlesen Heer, Johannes Appears on: 29v–30 Genres: Lied Source Attribution: J(ohannes) A. He(er)
30v–31	In friem wesen was ein prass	P. B.	P. B.
In friem wesen was ein prass P. B. Appears on: 30v–31 Genres: Lied Source Attribution: P. B.
31v–32	Erhoer mich, lieb	-	Anonymous
Erhoer mich, lieb Anonymous Appears on: 31v–32 Genres: Lied
32v–33	Unfal wie tust must du allein mein	-	Anonymous
Unfal wie tust must du allein mein Anonymous Appears on: 32v–33 Genres: Song
33v–34	Hans, der het ein wib genommen	-	Anonymous
Hans, der het ein wib genommen Anonymous Appears on: 33v–34 Genres: Lied
34v–35	Cupido hat in mir erdacht	-	Anonymous
Cupido hat in mir erdacht Anonymous Appears on: 34v–35 Genres: Lied
35v–36	Si dedero somnum oculis meis	-	Agricola, Alexander (ca. 1445–1506)
Si dedero somnum oculis meis Agricola, Alexander (ca. 1445–1506) Appears on: 35v–36 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Si dedero somnum oculis meis
36v	Tristitia vestra vertetur in gaudium	-	Isaac, Heinrich (ca. 1450–1517)
Tristitia vestra vertetur in gaudium Isaac, Heinrich (ca. 1450–1517) Appears on: 36v Genres: Motet Voice: [no designation] Languages: Italian Voice Text: Tristitia vestra vertetur in gaudium
37	Belles sur toutes / Tota pulcrà es amica mea a 3	-	Agricola, Alexander (ca. 1445–1506)
Belles sur toutes / Tota pulcrà es amica mea a 3 Agricola, Alexander (ca. 1445–1506) Appears on: 37 Genres: Chanson
37v–38	Cum audisset Job nuntiorum verba	-	Bergis, Cornelius Rigo de
Cum audisset Job nuntiorum verba Bergis, Cornelius Rigo de Appears on: 37v–38 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Cum audisset Job nuntiorum verba
38v	Nigra sum sed formosa	-	Anonymous
Nigra sum sed formosa Anonymous Appears on: 38v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Nigra sum sed formosa
39	Je ne fais plus je ne dis ne escris = Au joli mois de may	-	Busnoys, Antoine (ca. 1430–1492) (?) Mureau, Gilles (?) Compère, Loyset (ca. 1445–1518) (?)
Je ne fais plus je ne dis ne escris = Au joli mois de may Busnoys, Antoine (ca. 1430–1492) (?) Mureau, Gilles (?) Compère, Loyset (ca. 1445–1518) (?) Appears on: 39 Genres: Chanson
39v–40	Allez regrets	H. B.	H. B.
Allez regrets H. B. Appears on: 39v–40 Genres: Chanson Source Attribution: H. B.
40v–41	Adieu mes amours/Adieu vous command (28.3) - 1a pars (of 2): Adieu mes amours on m'atent/Adieu vous command	-	Despres, Josquin (ca. 1450–1521)
Adieu mes amours/Adieu vous command (28.3) - 1a pars (of 2): Adieu mes amours on m'atent/Adieu vous command Despres, Josquin (ca. 1450–1521) Appears on: 40v–41 Genres: Chanson
41v–42	L'amour de moy si est enclose	P. B.	P. B.
L'amour de moy si est enclose P. B. Appears on: 41v–42 Genres: Chanson Source Attribution: P. B.
42v	L'amour de moy si est enclose	-	Anonymous
L'amour de moy si est enclose Anonymous Appears on: 42v Genres: Chanson
43	La saison en est ou jamais que je cognoisce	-	Agricola, Alexander (ca. 1445–1506) (?) Compère, Loyset (ca. 1445–1518)
La saison en est ou jamais que je cognoisce Agricola, Alexander (ca. 1445–1506) (?) Compère, Loyset (ca. 1445–1518) Appears on: 43 Genres: Chanson
43v–44	Le jardinet est si plaisant	P. B.	P. B.
Le jardinet est si plaisant P. B. Appears on: 43v–44 Genres: Chanson Source Attribution: P. B.
44v	Je ne suis pas en ma plesaunte	-	Anonymous
Je ne suis pas en ma plesaunte Anonymous Appears on: 44v Genres: Chanson
45	Si j'aime mon amy (= In minen sin)	-	Agricola, Alexander (ca. 1445–1506)
Si j'aime mon amy (= In minen sin) Agricola, Alexander (ca. 1445–1506) Appears on: 45 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Sy iayme mon amy trop
45v	Adieu solas	-	Anonymous
Adieu solas Anonymous Appears on: 45v Genres: Chanson
46	Magie danger popera magdeleine	-	Anonymous
Magie danger popera magdeleine Anonymous Appears on: 46 Genres: Chanson
46v–47	On doibt bien aymer lay solet	-	Anonymous
On doibt bien aymer lay solet Anonymous Appears on: 46v–47 Genres: Chanson
47	Guillaume va se chaufer	-	Anonymous
Guillaume va se chaufer Anonymous Appears on: 47 Genres: Chanson
47v	La grand pena que yo sento my tormento	-	Anonymous
La grand pena que yo sento my tormento Anonymous Appears on: 47v Genres: Chanson
48	Consumo la mia vita a poco a poco	-	Prioris, Johannes (Denis, Dionisius) (–1515)
Consumo la mia vita a poco a poco Prioris, Johannes (Denis, Dionisius) (–1515) Appears on: 48 Genres: Motet
48v	O du armer Judas	-	Anonymous
O du armer Judas Anonymous Appears on: 48v Genres: Sacred Song
49	Christus surrexit mala nostra texit	-	Anonymous
Christus surrexit mala nostra texit Anonymous Appears on: 49 Genres: Cantio Voice: [no designation] Languages: Latin Voice Text: Christus surrexit mala nostra texit
49v–51	Der Hund (2p. 'canis')	-	Isaac, Heinrich (ca. 1450–1517)
Der Hund (2p. 'canis') Isaac, Heinrich (ca. 1450–1517) Appears on: 49v–51 Genres: Lied
51v–52	Sancta Trinitas unus Deus miserere nobis (4vv)	H. Tus. [?]	Fevin, Antoine de (ca. 1470–ca. 1512)
Sancta Trinitas unus Deus miserere nobis (4vv) Fevin, Antoine de (ca. 1470–ca. 1512) Appears on: 51v–52 Genres: Motet Source Attribution: H. Tus. [?] Voice: [no designation] Languages: Latin Voice Text: Sancta trinitas unus deus miserere General Note Publ. Motetti de la Corona, libro primo, Venezia, Ottaviano Petrucci, 1514, no 13, fol. 9 (supremus), fol. 26 (tenor), fol. 42 (altus) et fol. 57 (bassus) – [RISM 15141]; Réédition : Rome, Giovanni Giacomo Pasoti et Valerio Dorico, 1526 – [RISM 15261]
52v–53	Uss hertzen grund	-	Anonymous
Uss hertzen grund Anonymous Appears on: 52v–53 Genres: Lied
53v–54	Circumdederunt me / Male bouche la decevable	-	Compère, Loyset (ca. 1445–1518)
Circumdederunt me / Male bouche la decevable Compère, Loyset (ca. 1445–1518) Appears on: 53v–54 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Circumdederunt me/Male bouche la decevable
54v–55	O werder mundt von dir ist wundt	-	Anonymous
O werder mundt von dir ist wundt Anonymous Appears on: 54v–55 Genres: Song
55v–56	Meins herzen kron ob aller freud	-	Anonymous
Meins herzen kron ob aller freud Anonymous Appears on: 55v–56 Genres: Lied
56v–57	Bleib an mir stett ob man	-	Anonymous
Bleib an mir stett ob man Anonymous Appears on: 56v–57 Genres: Lied
57v	Wie möcht ich fröhlich werden kein trost	-	Anonymous
Wie möcht ich fröhlich werden kein trost Anonymous Appears on: 57v Genres: Song
58	Herzlieb glaub mir dass du mir bist	-	Anonymous
Herzlieb glaub mir dass du mir bist Anonymous Appears on: 58 Genres: Song
58v–59	Wach auf herz liebster schatz	-	Anonymous
Wach auf herz liebster schatz Anonymous Appears on: 58v–59 Genres: Lied
59v–60	Nach allem wunsch	-	Anonymous
Nach allem wunsch Anonymous Appears on: 59v–60 Genres: Song
60v	Jetzund fart har die zeit	-	Anonymous
Jetzund fart har die zeit Anonymous Appears on: 60v Genres: Lied
61	Erkennen	-	Anonymous
Erkennen Anonymous Appears on: 61 Genres: Lied
61v	Unser meister hat ein magt die ist frisch	-	Anonymous
Unser meister hat ein magt die ist frisch Anonymous Appears on: 61v Genres: Song
62	Pour voz plaisirs et solas	-	Agricola, Alexander (ca. 1445–1506)
Pour voz plaisirs et solas Agricola, Alexander (ca. 1445–1506) Appears on: 62 Genres: Chanson, Rondeau
62v–63	Caecus non iudicat - 1a pars (of 2): Caecus non iudicat de coloribus = Regali quam decet [= contrafact of Isaac's Ave ancilla trinitas]	Alexander [Agricola]/[Isaac]	Ferdinandus et frater eius (?) Isaac, Heinrich (ca. 1450–1517) (?) Agricola, Alexander (ca. 1445–1506) (?)
Caecus non iudicat - 1a pars (of 2): Caecus non iudicat de coloribus = Regali quam decet [= contrafact of Isaac's Ave ancilla trinitas] Ferdinandus et frater eius (?) Isaac, Heinrich (ca. 1450–1517) (?) Agricola, Alexander (ca. 1445–1506) (?) Appears on: 62v–63 Genres: Contrafactum Source Attribution: Alexander [Agricola]/[Isaac] Voice: [no designation] Languages: Latin Voice Text: Caecus non iudicat de coloribus
63v–64	Caecus non iudicat - 2a pars (of 2): (no text) = Gaude virgo singularis (=Ave mundi domina Maria)	Alexander	Agricola, Alexander (ca. 1445–1506) (?) Ferdinandus et frater eius (?)
Caecus non iudicat - 2a pars (of 2): (no text) = Gaude virgo singularis (=Ave mundi domina Maria) Agricola, Alexander (ca. 1445–1506) (?) Ferdinandus et frater eius (?) Appears on: 63v–64 Genres: textless Source Attribution: Alexander
64v–65	La morra dona gentile (= Veni sancte spiritus Reple tuorum corda fidelium) (= Elaes) (= O regina)	Isaac	Isaac, Heinrich (ca. 1450–1517)
La morra dona gentile (= Veni sancte spiritus Reple tuorum corda fidelium) (= Elaes) (= O regina) Isaac, Heinrich (ca. 1450–1517) Appears on: 64v–65 Genres: Italian secular Source Attribution: Isaac
65v	Ein frölich wesen hab ich erlesen	-	Anonymous
Ein frölich wesen hab ich erlesen Anonymous Appears on: 65v Genres: Lied
66	Cantilena iucundissima (trium vocum)	-	Anonymous
Cantilena iucundissima (trium vocum) Anonymous Appears on: 66 Genres: Cantilena
66v–67	Freuntlicher hort du klagst dich ser	-	Anonymous
Freuntlicher hort du klagst dich ser Anonymous Appears on: 66v–67 Genres: Lied
67v–68	Ach Jupiter hetzt du gewalt so manigfalt	Adam von Fulda auctor	von Fulda, Adam (ca. 1445–1505)
Ach Jupiter hetzt du gewalt so manigfalt von Fulda, Adam (ca. 1445–1505) Appears on: 67v–68 Genres: Song Source Attribution: Adam von Fulda auctor
68v–69	Apollo aller Kunst ein hort, vernimm mein Wort	-	von Fulda, Adam (ca. 1445–1505)
Apollo aller Kunst ein hort, vernimm mein Wort von Fulda, Adam (ca. 1445–1505) Appears on: 68v–69
69v–71	Ach hulf mich leid und sehnlich klag	-	Anonymous
Ach hulf mich leid und sehnlich klag Anonymous Appears on: 69v–71 Genres: Lied
71v–72	[untexted]	-	Anonymous
[untexted] Anonymous Appears on: 71v–72 Genres: textless
72v–73	Was wird es doch des wunders noch [S329 - 4vv/7vv]	Ludovicus Senfli auctor	Senfl, Ludwig (ca. 1486–ca. 1543)
Was wird es doch des wunders noch [S329 - 4vv/7vv] Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 72v–73 Genres: Song Source Attribution: Ludovicus Senfli auctor
73v–78	[blank pages]	-	-
[blank pages] Appears on: 73v–78
78v–79	Nur nerrisch sein ist mein monier nichts	auctor sixt dietrich	Dietrich, Sixt (ca. 1493–1548)
Nur nerrisch sein ist mein monier nichts Dietrich, Sixt (ca. 1493–1548) Appears on: 78v–79 Genres: Song Source Attribution: auctor sixt dietrich
79v	[blank staves]	-	-
[blank staves] Appears on: 79v Voice: [no designation] Languages: Latin Voice Text: Deus meus ad te levavi
80–84	[blank pages]	-	-
[blank pages] Appears on: 80–84
84v–87v	[astrological notes]	-	Anonymous
[astrological notes] Anonymous Appears on: 84v–87v

Composer	Compositions
Agricola, Alexander (ca. 1445–1506)	Belles sur toutes / Tota pulcrà es amica mea a 3 – 37 (?) Caecus non iudicat - 1a pars (of 2): Caecus non iudicat de coloribus = Regali quam decet [= contrafact of Isaac's Ave ancilla trinitas] – 62v–63 (?) Caecus non iudicat - 2a pars (of 2): (no text) = Gaude virgo singularis (=Ave mundi domina Maria) – 63v–64 (?) La saison en est ou jamais que je cognoisce – 43 Pour voz plaisirs et solas – 62 Si dedero somnum oculis meis – 35v–36 Si j'aime mon amy (= In minen sin) – 45
Anonymous	Ach got, wie we tut scheiden – 20v–21 Ach hulf mich leid (alia compositio super...) – 4v–5 Ach hulf mich leid und sehnlich klag – 69v–71 Ach unfals g'walt – 8v–9 Adieu solas – 45v Bleib an mir stett ob man – 56v–57 Cantilena iucundissima (trium vocum) – 66 Christus surrexit mala nostra texit – 49 Cupido hat in mir erdacht – 34v–35 Die vollen Brueder – 25v–26 Ein frölich wesen hab ich erlesen – 65v Erhoer mich, lieb – 31v–32 Erkennen – 61 Es gieng guot troscher uber Land – 25 Exultandi tempus est Deus homo factus est – 24v Fortuna desperata – 5v–6 Freuntlicher hort du klagst dich ser – 66v–67 Fruntlichen gruss in truwen gar – 9v–10 Fruntlichen gruss zu aller stund – 10v–11 Fügs hoster hort – 11v–12 Ganz kurz davon mein edler hort – 16v–17 Guillaume va se chaufer – 47 Hans, der het ein wib genommen – 33v–34 Herzlieb glaub mir dass du mir bist – 58 Ich bin verirrt – 17v–18 Je ne soyt plus je ne disz – 28v Je ne suis pas en ma plesaunte – 44v Jetzund fart har die zeit – 60v L'amour de moy si est enclose – 42v La grand pena que yo sento my tormento – 47v Magie danger popera magdeleine – 46 Mein herziges herz nimms nicht zu scherz – 14v–15 Mein höchste zart dein lieblich art – 23v–24 Meins herzen kron ob aller freud – 55v–56 Nach allem wunsch – 59v–60 Nigra sum sed formosa – 38v O du armer Judas – 48v O praeclara virginum Maria vernans lilium – 2v–3 O werder mundt von dir ist wundt – 54v–55 O[h]n Freud verzer ich mengen Tag – 22v–23 Ob aller schön ir wiblich er tut mir – 21v–22 Olmytz gän [Olmütz gehen?] – 7v–8 On doibt bien aymer lay solet – 46v–47 Tres sunt in carne una – 27 Unfal wie tust must du allein mein – 32v–33 Unser meister hat ein magt die ist frisch – 61v Uss hertzen grund – 52v–53 Viel Hinterlist jetzt üben ist Venus – 13v–14 Von tugent milt – 26v Wach auf herz liebster schatz – 58v–59 Wie möcht ich fröhlich werden kein trost – 57v Zu Trost erwählt lieblich gesellt in Freud – 19v–20 Zum neuen Jahr ganz offenbar – 28 [astrological notes] – 84v–87v [untexted] – 71v–72 [No description] – 79v [No description] – 73v–78 [No description] – 80–84
Barbireau, Jacobus (1455–1491)	(?) Ein frölich wesen hab ich erlesen – 28v–29
Bergis, Cornelius Rigo de	Cum audisset Job nuntiorum verba – 37v–38
Busnoys, Antoine (ca. 1430–1492)	(?) Fortuna desperata iniqua e maledecta – 6v–7 (?) Je ne fais plus je ne dis ne escris = Au joli mois de may – 39
Compère, Loyset (ca. 1445–1518)	Circumdederunt me / Male bouche la decevable – 53v–54 (?) Je ne fais plus je ne dis ne escris = Au joli mois de may – 39 La saison en est ou jamais que je cognoisce – 43 Officium de Cruce - 1a pars (of 9): In nomine Jesu omne genuflectator – 1v Officium de Cruce - 2a pars (of 9): Adoramus te Christe et benedicimus – 2
Despres, Josquin (ca. 1450–1521)	Adieu mes amours/Adieu vous command (28.3) - 1a pars (of 2): Adieu mes amours on m'atent/Adieu vous command – 40v–41
Dietrich, Sixt (ca. 1493–1548)	Nur nerrisch sein ist mein monier nichts – 78v–79
Ferdinandus et frater eius	(?) Caecus non iudicat - 1a pars (of 2): Caecus non iudicat de coloribus = Regali quam decet [= contrafact of Isaac's Ave ancilla trinitas] – 62v–63 (?) Caecus non iudicat - 2a pars (of 2): (no text) = Gaude virgo singularis (=Ave mundi domina Maria) – 63v–64
Fevin, Antoine de (ca. 1470–ca. 1512)	Sancta Trinitas unus Deus miserere nobis (4vv) – 51v–52
H. B.	Allez regrets – 39v–40
H. L.	Ich seufftz [sunfftz] und klag all mein tag – 12v–13
Heer, Johannes	Ein frölich wesen hab ich erlesen – 29v–30 Verlangen hart hat sich – 15v–16
Isaac, Heinrich (ca. 1450–1517)	(?) Caecus non iudicat - 1a pars (of 2): Caecus non iudicat de coloribus = Regali quam decet [= contrafact of Isaac's Ave ancilla trinitas] – 62v–63 Der Hund (2p. 'canis') – 49v–51 (?) Ein frölich wesen hab ich erlesen – 28v–29 La morra dona gentile (= Veni sancte spiritus Reple tuorum corda fidelium) (= Elaes) (= O regina) – 64v–65 Tristitia vestra vertetur in gaudium – 36v
Mureau, Gilles	(?) Je ne fais plus je ne dis ne escris = Au joli mois de may – 39
Obrecht, Jacobus (ca. 1457–1505)	(?) Ein frölich wesen hab ich erlesen – 28v–29 (?) Es sass ein Meitlin unde spann – 27v
P. B.	In friem wesen was ein prass – 30v–31 L'amour de moy si est enclose – 41v–42 Le jardinet est si plaisant – 43v–44
Prioris, Johannes (Denis, Dionisius) (–1515)	Consumo la mia vita a poco a poco – 48 Dulcis amica Dei rosa vernans stella – 1
Senfl, Ludwig (ca. 1486–ca. 1543)	(?) Min Herz lidt Schmerz – 18v–19 Was wird es doch des wunders noch [S329 - 4vv/7vv] – 72v–73
von Fulda, Adam (ca. 1445–1505)	Ach Jupiter hetzt du gewalt so manigfalt – 67v–68 Ach hilf mich leid und sehnlich klag – 3v–4 Apollo aller Kunst ein hort, vernimm mein Wort – 68v–69

Composition	Composers (? Uncertain)	Folios / Pages
[astrological notes]	Anonymous	84v–87v
[untexted]	Anonymous	71v–72
Ach got, wie we tut scheiden	Anonymous	20v–21
Ach hilf mich leid und sehnlich klag	von Fulda, Adam (ca. 1445–1505)	3v–4
Ach hulf mich leid (alia compositio super...)	Anonymous	4v–5
Ach hulf mich leid und sehnlich klag	Anonymous	69v–71
Ach Jupiter hetzt du gewalt so manigfalt	von Fulda, Adam (ca. 1445–1505)	67v–68
Ach unfals g'walt	Anonymous	8v–9
Adieu mes amours/Adieu vous command (28.3) - 1a pars (of 2): Adieu mes amours on m'atent/Adieu vous command	Despres, Josquin (ca. 1450–1521)	40v–41
Adieu solas	Anonymous	45v
Allez regrets	H. B.	39v–40
Apollo aller Kunst ein hort, vernimm mein Wort	von Fulda, Adam (ca. 1445–1505)	68v–69
Belles sur toutes / Tota pulcrà es amica mea a 3	Agricola, Alexander (ca. 1445–1506)	37
Bleib an mir stett ob man	Anonymous	56v–57
Caecus non iudicat - 1a pars (of 2): Caecus non iudicat de coloribus = Regali quam decet [= contrafact of Isaac's Ave ancilla trinitas]	Ferdinandus et frater eius (?) Isaac, Heinrich (ca. 1450–1517) (?) Agricola, Alexander (ca. 1445–1506) (?)	62v–63
Caecus non iudicat - 2a pars (of 2): (no text) = Gaude virgo singularis (=Ave mundi domina Maria)	Agricola, Alexander (ca. 1445–1506) (?) Ferdinandus et frater eius (?)	63v–64
Cantilena iucundissima (trium vocum)	Anonymous	66
Christus surrexit mala nostra texit	Anonymous	49
Circumdederunt me / Male bouche la decevable	Compère, Loyset (ca. 1445–1518)	53v–54
Consumo la mia vita a poco a poco	Prioris, Johannes (Denis, Dionisius) (–1515)	48
Cum audisset Job nuntiorum verba	Bergis, Cornelius Rigo de	37v–38
Cupido hat in mir erdacht	Anonymous	34v–35
Der Hund (2p. 'canis')	Isaac, Heinrich (ca. 1450–1517)	49v–51
Die vollen Brueder	Anonymous	25v–26
Dulcis amica Dei rosa vernans stella	Prioris, Johannes (Denis, Dionisius) (–1515)	1
Ein frölich wesen hab ich erlesen	Isaac, Heinrich (ca. 1450–1517) (?) Obrecht, Jacobus (ca. 1457–1505) (?) Barbireau, Jacobus (1455–1491) (?)	28v–29
Ein frölich wesen hab ich erlesen	Heer, Johannes	29v–30
Ein frölich wesen hab ich erlesen	Anonymous	65v
Erhoer mich, lieb	Anonymous	31v–32
Erkennen	Anonymous	61
Es gieng guot troscher uber Land	Anonymous	25
Es sass ein Meitlin unde spann	Obrecht, Jacobus (ca. 1457–1505) (?)	27v
Exultandi tempus est Deus homo factus est	Anonymous	24v
Fortuna desperata	Anonymous	5v–6
Fortuna desperata iniqua e maledecta	Busnoys, Antoine (ca. 1430–1492) (?)	6v–7
Freuntlicher hort du klagst dich ser	Anonymous	66v–67
Fruntlichen gruss in truwen gar	Anonymous	9v–10
Fruntlichen gruss zu aller stund	Anonymous	10v–11
Fügs hoster hort	Anonymous	11v–12
Ganz kurz davon mein edler hort	Anonymous	16v–17
Guillaume va se chaufer	Anonymous	47
Hans, der het ein wib genommen	Anonymous	33v–34
Herzlieb glaub mir dass du mir bist	Anonymous	58
Ich bin verirrt	Anonymous	17v–18
Ich seufftz [sunfftz] und klag all mein tag	H. L.	12v–13
In friem wesen was ein prass	P. B.	30v–31
Je ne fais plus je ne dis ne escris = Au joli mois de may	Busnoys, Antoine (ca. 1430–1492) (?) Mureau, Gilles (?) Compère, Loyset (ca. 1445–1518) (?)	39
Je ne soyt plus je ne disz	Anonymous	28v
Je ne suis pas en ma plesaunte	Anonymous	44v
Jetzund fart har die zeit	Anonymous	60v
L'amour de moy si est enclose	P. B.	41v–42
L'amour de moy si est enclose	Anonymous	42v
La grand pena que yo sento my tormento	Anonymous	47v
La morra dona gentile (= Veni sancte spiritus Reple tuorum corda fidelium) (= Elaes) (= O regina)	Isaac, Heinrich (ca. 1450–1517)	64v–65
La saison en est ou jamais que je cognoisce	Agricola, Alexander (ca. 1445–1506) (?) Compère, Loyset (ca. 1445–1518)	43
Le jardinet est si plaisant	P. B.	43v–44
Magie danger popera magdeleine	Anonymous	46
Mein herziges herz nimms nicht zu scherz	Anonymous	14v–15
Mein höchste zart dein lieblich art	Anonymous	23v–24
Meins herzen kron ob aller freud	Anonymous	55v–56
Min Herz lidt Schmerz	Senfl, Ludwig (ca. 1486–ca. 1543) (?)	18v–19
Nach allem wunsch	Anonymous	59v–60
Nigra sum sed formosa	Anonymous	38v
Nur nerrisch sein ist mein monier nichts	Dietrich, Sixt (ca. 1493–1548)	78v–79
O du armer Judas	Anonymous	48v
O praeclara virginum Maria vernans lilium	Anonymous	2v–3
O werder mundt von dir ist wundt	Anonymous	54v–55
O[h]n Freud verzer ich mengen Tag	Anonymous	22v–23
Ob aller schön ir wiblich er tut mir	Anonymous	21v–22
Officium de Cruce - 1a pars (of 9): In nomine Jesu omne genuflectator	Compère, Loyset (ca. 1445–1518)	1v
Officium de Cruce - 2a pars (of 9): Adoramus te Christe et benedicimus	Compère, Loyset (ca. 1445–1518)	2
Olmytz gän [Olmütz gehen?]	Anonymous	7v–8
On doibt bien aymer lay solet	Anonymous	46v–47
Pour voz plaisirs et solas	Agricola, Alexander (ca. 1445–1506)	62
Sancta Trinitas unus Deus miserere nobis (4vv)	Fevin, Antoine de (ca. 1470–ca. 1512)	51v–52
Si dedero somnum oculis meis	Agricola, Alexander (ca. 1445–1506)	35v–36
Si j'aime mon amy (= In minen sin)	Agricola, Alexander (ca. 1445–1506)	45
Tres sunt in carne una	Anonymous	27
Tristitia vestra vertetur in gaudium	Isaac, Heinrich (ca. 1450–1517)	36v
Unfal wie tust must du allein mein	Anonymous	32v–33
Unser meister hat ein magt die ist frisch	Anonymous	61v
Uss hertzen grund	Anonymous	52v–53
Verlangen hart hat sich	Heer, Johannes	15v–16
Viel Hinterlist jetzt üben ist Venus	Anonymous	13v–14
Von tugent milt	Anonymous	26v
Wach auf herz liebster schatz	Anonymous	58v–59
Was wird es doch des wunders noch [S329 - 4vv/7vv]	Senfl, Ludwig (ca. 1486–ca. 1543)	72v–73
Wie möcht ich fröhlich werden kein trost	Anonymous	57v
Zu Trost erwählt lieblich gesellt in Freud	Anonymous	19v–20
Zum neuen Jahr ganz offenbar	Anonymous	28

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‡ denotes primary source study

Jonas, Luise. 1983. Das Augsburger Liederbuch: Die Musikhandschrift 2° Codex 142a der Staats- und Stadtbibliothek Augsburg. Edition und Kommentar. Berliner Musikwissenschaftliche Arbeiten. Munich and Salzburg. Pages: II,9, passim.

Keahey, Thomas Herman, and Conrad Edward Mary Douglas (editors). 1982-85. Johannes Prioris: Opera Omnia. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: III,xi-xii,xix-xx, 126-30. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Bernstein, Lawrence F. 1982. Notes on the Origin of the Parisian Chanson. The Journal of Musicology, 275-326. Pages: 290,296,304-5. Notes: contents list (partial); transcriptions (partial); mention of MS; discussion.

Böker-Heil, Norbert, Harald Heckmann, and Ilse Kindermann. 1982. Das Tenorlied: Mehrstimmige Lieder in deutschen Quellen 1450-1580. (Band 2: Handschriften). Catalogus Musicus. Kassel, Basel, and London. Pages: 266-73. Notes: contents list; incipits.

Marx, Hans Joachim. 1980. Neues zur Tabulatur-Handschrift St. Gallen, Stiftsbibliothek, Cod. 530. Archiv für Musikwissenschaft, 264-91. Pages: 269-70,272,285,288. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Staehelin, Martin. 1977. Die Messen Heinrich Isaacs. Publikationen der Schweizerischen Musikforschenden Gesellschaft Serie II. Bern and Stuttgart. Pages: I,xl,32-4,81,84; II1,78. Notes: physical description; contents list (partial); concordances (partial).

Wexler, Richard. 1974. The Complete Works of Johannes Prioris. . Pages: 236-7,304ff,373-4,377. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Drake, George Warren James. 1972. The first printed book of motets, Petrucci's Motteti A numero trentatre (Venice 1502) and Motetti de Passione De cruce De sacramento De beata virgine et huius modi B (Venice 1503): A critical study and complete edition. University of Illinois, Ph.D. Dissertation. Pages: 189-90. Notes: contents list (partial); mention of MS; discussion.

Kämper, Dietrich. 1970. Studien zur Instrumentalen Ensemblemusik des 16. Jahrhunderts in Italien. Analecta Musicologica, . Pages: I,53,68-9,287ff, passim. Notes: contents list (partial); concordances (partial); transcriptions (partial); texts (partial); mention of MS; discussion.

Douglas, Conrad Edward Mary. 1969. The motets of Johannes Prioris with a prefatory bio-bibliographical study. University of Illinois, Ph.D. Dissertation. Pages: 84-5. Notes: contents list (partial); mention of MS; discussion.

Jeppesen, Knud. 1968-70. La Frottola. Acta Jutlandica. 3 vols. Copenhagen. Pages: II, 63, 152-3, passim.

Geering, Arnold, and Hans Trümpy (editors). 1967. Das Liederbuch des Johannes Heer von Glarus: Ein Musikheft aus der Zeit des Humanismus. Schweizerische Musikdenkmaler. Basel: Bärenreiter. Pages: x-xi. Notes: dating of assembly of MS.

Clinkscale, Edward Henry. 1966. Josquin and Louis XI. Acta Musicologica, 67-9. Pages: ["Guillaume se va chauffer" not attributed to Josquin in RISM 1547/1—Kellman]. Notes: contents list (partial); transcriptions (partial); facsimile (partial); mention of MS; discussion.

Lerner, Edward R (editor). 1961-70. Alexandrí Agricola: Opera Omnia. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: IV, xv-xviii; V, xxxiv, liv-lv, lxxvi, lxxxvii, 102-5. Notes: contents list (partial); concordances (partial); transcriptions (partial); texts (partial).

Picker, Martin. 1960. The Chanson Albums of Marguerite of Austria: Manuscripts 228 and 11239 of the Bibliothèque Royale de Belgique, Bruxelles. University of California at Berkeley, Unpublished Ph.D. dissertation. Pages: I, 369. Notes: physical description; contents list (partial); concordances (partial); t.

Geering, Arnold (editor). 1955-. Schweizerische Musikdenkmäler. Basel. Pages: V. Notes: contents list; concordances (partial); texts; facsimile (partial); mention of MS; discussion.

Riedel, Johannes. 1951. Leisen Formulae: Their Polyphonic Settings in the Renaissance and Reformation. University of Southern California, Unpublished Ph.D. dissertation. Pages: 22,284ff,677,736-7. Notes: physical description (partial); contents list (partial); transcriptions (partial); mention of MS; discussion.

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik. Kassel. Pages: VI,17-8; XIII,928. Notes: physical description (partial); contents list (partial); facsimile (partial).

Geering, Arnold (editor). 1949-. Ludwig Senfl: Sämtliche Werke. Wolfenbüttel and Zürich. Pages: VM, 40-1,94,100. Notes: physical description; contents list (partial); concordances (partial); transcriptions (partial).

Geering, Arnold (editor). 1935. Das Erbe Deutscher Musik. Leipzig, Kassel, Wolfenbüttel, and Wiesbaden. Pages: XV,142,148; XXXIV,398,402-3. Notes: physical description; contents list (partial); concordances (partial).

Geering, Arnold. 1933. Die Vokalmusik in der Schweiz zur Zeit der Reformation. Schweizerisches Jahrbuch für Musikwissenschaft, . Pages: 186-7,224-6. Notes: contents list; discussion.

Plamenac, Dragan. 1928. Autour d'Ockeghem. La Revue Musicale, 26-47. Pages: 43-7. Notes: contents list (partial); transcriptions (partial); mention of MS; discussion.

Bernoulli, Eduard. 1910. Aus Liederbüchern der Humanistenzeit: Eine Bibliographische und Notentypographische Studie. Leipzig. Pages: 16ff, 36-7,63-5,84-97,100-1. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Wolf, Johannes (editor). 1908-21. Reprint: Farnborough, England, 1968. Werken van Jacob Obrecht. Leipzig and Amsterdam,. Pages: XV/XVI,vii-viii, xxii [reference in XXX, x to SGallS 462 as source for "Si sumpsero" incorrect motet actually in SGallS 463]). Notes: physical description; contents list (partial); concordances (partial).

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: XXVIII, 173, 193-4; LXXII, 75-6, 106. Notes: physical description; contents list (partial); concordances (partial); transcriptions (partial).

Fritzsche, Otto Fridolin. 1890. Glarean: Sein Leben und Seine Schriften. Frauenfeld. Pages: 117. Notes: physical description (partial).

Scherrer, Gustav. 1875. Verzeichniss der Handschriften der Stiftsbibliothek von St. Gallen. Halle. Pages: 152. Notes: physical description (partial).

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Benjamin Ory

Friday, 19 May, 2023

Corrected shelfmark of Cod. Sang. 462 & 463

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description