CZ-Ps MS DG IV 47 (Strahov Codex)

Strahov Monastery Library (Museum of Czech Literature, Strahov Library), Prague, Czech Republic

manuscript of polyphony: 1460-80

Archive	Strahov Monastery Library (Museum of Czech Literature, Strahov Library), Prague, Czech Republic (CZ-Ps)
Shelfmark	MS DG IV 47 (Strahov Codex)
Image Availability	DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface	Paper
Format	portrait
Measurements	215 x 150 mm
Other Identifiers	CCM: PragP 47
Relationships	Strahov Premonstratensian Monastery (owner) ? Olomouc Cathedral (commissioned/made for)
External Links	Library online catalogue catalogue description and images
Provenance	Bavaria, Germany
Contents	Contains 327 compositions, 65 from 18 composers, 262 are anonymous.

General Description

Copied by one main scribe; five additional scribes, as follows: (1) assembled folios in present order and added substantial number of pieces on openings left blank by main scribe; (2) wrote Mass on ff. 121'-126' + 127'-131; (3) wrote Mass on ff. 132-138; (4) wrote textless piece on f. 123; (5) made later additions at various places throughout manuscript (SnowM).

Repertory in five main sections: I (ff. 1-46): Introits, with earliest layer generally ordered according to liturgical calendar; II (ff. 46'-175'): Mass Ordinary cycles and sections; III (ff. 176-257'): motets, miscellaneous liturgical pieces, and other works; IV (ff. 258-286'): hymns; V (ff. 287-305'): Magnificats.

Probably copied in Bohemia or Silesia (SnowM); possibly copied in Moravia, perhaps for use at Olomouc Cathedral or similar institution (StroNA). Acquired at an unknown time by Strahov Premonstratensian monastery (subsequently disbanded) in Prague; library of former monastery now administered by Czech National Literary Academy.

DIAMM, 2017

Binding

Original covers of leather over wooden boards, with metal hinges and clasps.

DIAMM, 2017

Notation

gothic chant and black void mensural

DIAMM, 2017

Foliation

Modern foliation on upper right rectos, 1-306 ('68' applied to two consecutive folios; several other errors subsequently corrected); modern pagination on lower center margins, 1-611 ('91,' '235,' and '247' each applied to two consecutive pages).

DIAMM, 2017

Foliation

1-307

DIAMM, 2017

Decoration

Some inked initials, most in Gothic style, a few in calligraphic style; initials on ff. 176, 186', 206', 210, and 258 larger and more elaborately decorated; initials on f. 176 and f. 186' include floral borders. Identified watermarks all of southeast German provenance (SnowM).

DIAMM, 2017

Surface

paper

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

10 Masses, 2 Kyrie-Gloria pairs, 2 Gloria-Credo pairs, 1 Sanctus-Agnus pair, 21 Kyries, 1 Gloria, 8 Sanctus, 2 Agnus, 58 Mass Proper sections (mostly Introits), 14 Magnificats, 60 office hymns, 9 processional hymns (1 fragmentary), 73 motets (1 without text), 1 German sacred piece, 2 German secular pieces, 1 French secular piece, 1 Italian secular piece, 1 Latin secular piece, 16 textless pieces = 283 + 9 duplicates = 292

(Barbingant)-1, Basiron? [Philipi]-3 + 1?, Batty-2, (Brolo)-1, (Cornago)-1, (Du Fay)-1 + 2?, Du Fay-anon-1, Flemmik-3, Frye [watlin frew]-2, Pullois [Piloys Iohannes]-3, Sandley [Standly]-1, (Tinctoris)-1, Touront [Thauranth]-11, (Vincenet)-1, (P. Wilhelmi?)-1, anon-247

307 paper folios, 215 x 150. Modern foliation on upper right rectos, 1-306 ("68" applied to two consecutive folios; several other errors subsequently corrected); modern pagination on lower center margins, 1-611 ("91," "235," and "247" each applied to two consecutive pages). Blank folios or blank staves only on ff. 7'-9, 14'-15, 18, 24', 25'-26, 27'-29, 33'-34, 35'-36, 41'-42, 50'-51, 68[a]', 98'-99, 100'-101, 104'-105, 119'-121, 139', 151', 175', 183', 192, 201'-202, 228, 266'-267, 278', 286', 306-306'. Original covers of leather over wooden boards, with metal hinges and clasps. No index.

Gothic chant notation used for some incipits and, occasionally, entire voice parts; all other music in white mensural notation. Copied by one main scribe; five additional scribes, as follows: (1) assembled folios in present order and added substantial number of pieces on openings left blank by main scribe; (2) wrote Mass on ff. 121'-126' + 127'-131; (3) wrote Mass on ff. 132-138; (4) wrote textless piece on f. 123; (5) made later additions at various places throughout manuscript (SnowM). Some inked initials, most in Gothic style, a few in calligraphic style; initials on ff. 176, 186', 206', 210, and 258 larger and more elaborately decorated; initials on f. 176 and f. 186' include floral borders. Identified watermarks all of southeast German provenance (SnowM).

Ca. 1460-80. Probably copied in Bohemia or Silesia (SnowM); possibly copied in Moravia, perhaps for use at Olomouc Cathedral or similar institution (StroNA). Acquired at an unknown time by Strahov Premonstratensian monastery (subsequently disbanded) in Prague; library of former monastery now administered by Czech National Literary Academy.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Number of voices	Source attribution	Composers (? Uncertain)
1r	Salve sancta parens	3	-	Anonymous
Salve sancta parens Anonymous Appears on: 1r Genres: Introit, Proper Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Salve sancta parens Item Bibliography Snow, Robert Joseph. 1968. The Manuscript Strahov D.G.IV.47. University of Illinois, Unpublished Ph.D. dissertation. Pages: 174-176.
1v–3r	De ventre matris meae vocavit me Dominus	3	-	Anonymous
De ventre matris meae vocavit me Dominus Anonymous Appears on: 1v–3r Genres: Introit, Proper Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: De ventre matris General Note 2 copies: 1v-2r, 2v-3r
3v–4r	Nunc scio vere	3	-	Anonymous
Nunc scio vere Anonymous Appears on: 3v–4r Genres: Introit, Proper Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Nunc scio vere
3v–4r	Scio cui credidi	3	-	Anonymous
Scio cui credidi Anonymous Appears on: 3v–4r Genres: Introit, Proper Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Scio cui credidi Item Bibliography Snow, Robert Joseph. 1968. The Manuscript Strahov D.G.IV.47. University of Illinois, Unpublished Ph.D. dissertation. Pages: 177-178.
4v–5r	Salve sancta parens	3	-	Anonymous
Salve sancta parens Anonymous Appears on: 4v–5r Genres: Introit, Proper Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Salve sancta parens
5v–6r	Salve sancta parens	4	-	Anonymous
Salve sancta parens Anonymous Appears on: 5v–6r Genres: Introit, Proper Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Salve sancta parens
6v–7r	Mihi autem nimis	3	-	Du Fay, Guillaume (1397–1474)
Mihi autem nimis Du Fay, Guillaume (1397–1474) Appears on: 6v–7r Genres: Introit, Proper Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Mihi autem nimis
6v–7r	Mihi autem nimis	3	-	Anonymous
Mihi autem nimis Anonymous Appears on: 6v–7r Genres: Introit, Proper Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Mihi autem nimis
9v–10r	Statuit ei Dominus	4	-	Anonymous
Statuit ei Dominus Anonymous Appears on: 9v–10r Genres: Introit, Proper Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Statuit ei dominus
10v	Laetabitur justus	3	-	Du Fay, Guillaume (1397–1474) (?)
Laetabitur justus Du Fay, Guillaume (1397–1474) (?) Appears on: 10v Genres: Motet Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Laetabitur iustus Item Bibliography Feininger, Laurence K (editor). 1947-48. Series I: Ordinarium missae (1948) & Series II: Poprium missae (1947). Monumenta Polyphoniae Liturgicae Sanctae Ecclesiae Romanae. Rome.
10r	Sapientiam sanctorum	3	-	Du Fay, Guillaume (1397–1474)
Sapientiam sanctorum Du Fay, Guillaume (1397–1474) Appears on: 10r Genres: Introit, Proper Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Sapientiam sanctorum
11v–12r	Os justi meditabitur	3	-	Du Fay, Guillaume (1397–1474)
Os justi meditabitur Du Fay, Guillaume (1397–1474) Appears on: 11v–12r Genres: Introit, Proper Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Os iusti meditabitur
12v	Os justi meditabitur	3	-	Anonymous
Os justi meditabitur Anonymous Appears on: 12v Genres: Introit, Proper Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Os iusti meditabitur
13r	Gaudeamus omnes in Domino	3	-	Anonymous
Gaudeamus omnes in Domino Anonymous Appears on: 13r Genres: Introit, Proper Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Gaudeamus omnes in domino
13v–14r	Rorate caeli desuper et nubes pluant Vs: Caeli enarrant gloriam Dei Et opera	3	-	Anonymous
Rorate caeli desuper et nubes pluant Vs: Caeli enarrant gloriam Dei Et opera Anonymous Appears on: 13v–14r Genres: Introit, Proper Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Rorate caeli desuper
15v–16r	Gaudeamus omnes in Domino	3	-	Anonymous
Gaudeamus omnes in Domino Anonymous Appears on: 15v–16r Genres: Introit, Proper Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Gaudeamus omnes in domino Concordances also at 166v-167 and in Munich 3154 (11v, 2vv only)
16v–17r	Puer natus est nobis	4	-	Anonymous
Puer natus est nobis Anonymous Appears on: 16v–17r Genres: Introit, Proper Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Puer natus est nobis
17v	Puer natus est nobis	3	-	Anonymous
Puer natus est nobis Anonymous Appears on: 17v Genres: Introit, Proper Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Puer natus est nobis
18v–19r	Ecce advenit dominator Dominus	3	-	Anonymous
Ecce advenit dominator Dominus Anonymous Appears on: 18v–19r Genres: Introit, Proper Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Ecce advenit dominator
19r	Ecce advenit dominator Dominus	3	-	Anonymous
Ecce advenit dominator Dominus Anonymous Appears on: 19r Genres: Introit, Proper Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Ecce advenit dominator
19v–20r	Suscepimus Deus misericordiam tuam in medio Vs: Magnus Dominus In civitate Dei nostri	3	-	Anonymous
Suscepimus Deus misericordiam tuam in medio Vs: Magnus Dominus In civitate Dei nostri Anonymous Appears on: 19v–20r Genres: Introit, Proper Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Suscepimus deus
20v–21r	Resurrexi et adhuc tecum sum	3	-	Anonymous
Resurrexi et adhuc tecum sum Anonymous Appears on: 20v–21r Genres: Introit, Proper Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Resurrexi et adhuc tecum sum
21v–22r	Resurrexi et adhuc tecum sum	3	-	Anonymous
Resurrexi et adhuc tecum sum Anonymous Appears on: 21v–22r Genres: Introit, Proper Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Resurrexi et adhuc tecum sum
22v–23r	Resurrexi et adhuc tecum sum	3	-	Anonymous
Resurrexi et adhuc tecum sum Anonymous Appears on: 22v–23r Genres: Introit, Proper Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Resurrexi et adhuc tecum sum
23v	Resurrexi et adhuc tecum sum	3	-	Anonymous
Resurrexi et adhuc tecum sum Anonymous Appears on: 23v Genres: Introit, Proper Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Resurrexi et adhuc tecum sum
24r	Resurrexi et adhuc tecum sum	3	-	Anonymous
Resurrexi et adhuc tecum sum Anonymous Appears on: 24r Genres: Introit, Proper Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Resurrexi et adhuc tecum sum
25r	Terribilis est locus iste	3	-	Anonymous
Terribilis est locus iste Anonymous Appears on: 25r Genres: Introit, Proper Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Terribilis est locus iste
26v–27r	Protexisti me Deus	3	-	Du Fay, Guillaume (1397–1474) (?)
Protexisti me Deus Du Fay, Guillaume (1397–1474) (?) Appears on: 26v–27r Genres: Gradual Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Protexisti me deus
29v	Spiritus Domini Replevit orbem terrarum Vs: Confirma hoc Deus A templo sancto	3	-	Anonymous
Spiritus Domini Replevit orbem terrarum Vs: Confirma hoc Deus A templo sancto Anonymous Appears on: 29v Genres: Introit, Proper Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Spiritus domini replevit
30r	Spiritus Domini Replevit orbem terrarum Vs: Confirma hoc Deus A templo sancto	3	-	Du Fay, Guillaume (1397–1474)
Spiritus Domini Replevit orbem terrarum Vs: Confirma hoc Deus A templo sancto Du Fay, Guillaume (1397–1474) Appears on: 30r Genres: Introit, Proper Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Spiritus domini replevit
30v–31r	Spiritus Domini Replevit orbem terrarum Vs: Confirma hoc Deus A templo sancto	3	-	Anonymous
Spiritus Domini Replevit orbem terrarum Vs: Confirma hoc Deus A templo sancto Anonymous Appears on: 30v–31r Genres: Introit, Proper Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Spiritus domini replevit
31v–32r	Spiritus Domini Replevit orbem terrarum Vs: Confirma hoc Deus A templo sancto	3	-	Anonymous
Spiritus Domini Replevit orbem terrarum Vs: Confirma hoc Deus A templo sancto Anonymous Appears on: 31v–32r Genres: Introit, Proper Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Spiritus domini replevit
32v–33r	Spiritus Domini Replevit orbem terrarum Vs: Confirma hoc Deus A templo sancto	3	-	Anonymous
Spiritus Domini Replevit orbem terrarum Vs: Confirma hoc Deus A templo sancto Anonymous Appears on: 32v–33r Genres: Introit, Proper Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Spiritus domini replevit
34v–35r	Cibavit eos ex adipe	3	-	Anonymous
Cibavit eos ex adipe Anonymous Appears on: 34v–35r Genres: Introit, Proper Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Cibavit eos ex adipe
36v	Salve sancta parens (= Ecce advenit)	3	-	Anonymous
Salve sancta parens (= Ecce advenit) Anonymous Appears on: 36v Genres: Introit, Proper Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Salve sancta parens
37r	Suscepimus Deus misericordiam tuam in medio Vs: Magnus Dominus In civitate Dei nostri	3	-	Anonymous
Suscepimus Deus misericordiam tuam in medio Vs: Magnus Dominus In civitate Dei nostri Anonymous Appears on: 37r Genres: Introit, Proper Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Suscepimus deus
37v–38r	Et enim sederunt principes	3	-	Anonymous
Et enim sederunt principes Anonymous Appears on: 37v–38r Genres: Introit, Proper Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Etenim sederunt principes
38v	Scio cui credidi	3	-	Anonymous
Scio cui credidi Anonymous Appears on: 38v Genres: Introit, Proper Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Scio cui credidi
39r	Nunc scio vere	3	-	Anonymous
Nunc scio vere Anonymous Appears on: 39r Genres: Introit, Proper Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Nunc scio vere
39v–40r	In medio ecclesiae	3	-	Anonymous
In medio ecclesiae Anonymous Appears on: 39v–40r Genres: Introit, Proper Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: In medio ecclesiae
40v	Salve sancta parens (= Ecce advenit)	4	-	Anonymous
Salve sancta parens (= Ecce advenit) Anonymous Appears on: 40v Genres: Introit, Proper Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Salve sancta parens
40v–41r	Terribilis est locus iste	3	-	Anonymous
Terribilis est locus iste Anonymous Appears on: 40v–41r Genres: Introit, Proper Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Terribilis est locus iste
42v–43r	Gaudeamus omnes in Domino	3	-	Anonymous
Gaudeamus omnes in Domino Anonymous Appears on: 42v–43r Genres: Introit, Proper Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Gaudeamus omnes in domino
43v	Terribilis est locus iste	3	-	Anonymous
Terribilis est locus iste Anonymous Appears on: 43v Genres: Introit, Proper Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Terribilis est locus iste
44r	Terribilis est locus iste	3	-	Anonymous
Terribilis est locus iste Anonymous Appears on: 44r Genres: Introit, Proper Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Terribilis est locus iste
44v–45r	Cibavit eos ex adipe	3	-	Anonymous
Cibavit eos ex adipe Anonymous Appears on: 44v–45r Genres: Introit, Proper Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Cibavit eos ex adipe
45v	Nos autem gloriari	3	-	Anonymous
Nos autem gloriari Anonymous Appears on: 45v Genres: Introit, Proper Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Nos autem gloriari
46r	Suscepimus Deus misericordiam tuam in medio Vs: Magnus Dominus In civitate Dei nostri	3	-	Anonymous
Suscepimus Deus misericordiam tuam in medio Vs: Magnus Dominus In civitate Dei nostri Anonymous Appears on: 46r Genres: Introit, Proper Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Suscepimus deus
46v	Kyrie	3	-	Anonymous
Kyrie Anonymous Appears on: 46v Genres: Kyrie eleison, Mass Ordinary Number of voices: 3
47v–48r	Kyrie	3	-	Anonymous
Kyrie Anonymous Appears on: 47v–48r Genres: Kyrie eleison, Mass Ordinary Number of voices: 3
48v–49r	Kyrie fons bonitatis	3	-	Anonymous
Kyrie fons bonitatis Anonymous Appears on: 48v–49r Genres: Kyrie eleison, Mass Ordinary Number of voices: 3
49v–50r	Kyrie fons bonitatis, Virginitatis amator	3	-	Grudencz, Petrus Wilhelmi de (1392–ca. 1480)
Kyrie fons bonitatis, Virginitatis amator Grudencz, Petrus Wilhelmi de (1392–ca. 1480) Appears on: 49v–50r Genres: Mass Ordinary, Troped Kyrie Number of voices: 3
51v–52r	Kyrie	3	-	Anonymous
Kyrie Anonymous Appears on: 51v–52r Genres: Kyrie eleison, Mass Ordinary Number of voices: 3
52v	Kyrie	3	-	Anonymous
Kyrie Anonymous Appears on: 52v Genres: Kyrie eleison, Mass Ordinary Number of voices: 3
53r–53v	Missa: Kyrie	3	Standly	Standley
Missa: Kyrie Standley Appears on: 53r–53v Genres: Kyrie eleison, Mass Ordinary Source Attribution: Standly Number of voices: 3 General Note remainder of mass cycle at ff. 164v-171r
53v–54r	Kyrie Magne Deus	3	-	Anonymous
Kyrie Magne Deus Anonymous Appears on: 53v–54r Genres: Mass Ordinary, Troped Kyrie Number of voices: 3
54v–55r	Kyrie	3	-	Anonymous
Kyrie Anonymous Appears on: 54v–55r Genres: Kyrie eleison, Mass Ordinary Number of voices: 3
56r	Kyrie Pascale	3	-	Roullet, Johannes
Kyrie Pascale Roullet, Johannes Appears on: 56r Genres: Kyrie eleison, Mass Ordinary Number of voices: 3
56v	Kyrie	3	-	Anonymous
Kyrie Anonymous Appears on: 56v Genres: Kyrie eleison, Mass Ordinary Number of voices: 3
57r	Kyrie	3	-	Anonymous
Kyrie Anonymous Appears on: 57r Genres: Kyrie eleison, Mass Ordinary Number of voices: 3
57v–58r	Kyrie Fons bonitatis	3	-	Anonymous
Kyrie Fons bonitatis Anonymous Appears on: 57v–58r Genres: Mass Ordinary, Troped Kyrie Number of voices: 3
58v–59r	Kyrie Magne Deus	3	-	Anonymous
Kyrie Magne Deus Anonymous Appears on: 58v–59r Genres: Mass Ordinary, Troped Kyrie Number of voices: 3
59v	Kyrie	3	-	Anonymous
Kyrie Anonymous Appears on: 59v Genres: Kyrie eleison, Mass Ordinary Number of voices: 3
59v–60r	Kyrie Fons bonitatis	3	-	Anonymous
Kyrie Fons bonitatis Anonymous Appears on: 59v–60r Genres: Mass Ordinary, Troped Kyrie Number of voices: 3
60v	Kyrie eleison	3	-	Anonymous
Kyrie eleison Anonymous Appears on: 60v Genres: Kyrie eleison, Mass Ordinary Number of voices: 3 Concordances another copy at 64v; also Tr90, f. 94v-95r
61r	Kyrie	2	-	Anonymous
Kyrie Anonymous Appears on: 61r Genres: Kyrie eleison, Mass Ordinary Number of voices: 2
61v–62r	Kyrie-Gloria pair: Kyrie	3	-	Anonymous
Kyrie-Gloria pair: Kyrie Anonymous Appears on: 61v–62r Genres: Kyrie eleison, Mass Ordinary Number of voices: 3
62v–64r	Kyrie-Gloria pair: Gloria	3	-	Anonymous
Kyrie-Gloria pair: Gloria Anonymous Appears on: 62v–64r Genres: Gloria (et in terra pax), Mass Ordinary Number of voices: 3
64v	Kyrie eleison	3	-	Anonymous
Kyrie eleison Anonymous Appears on: 64v Genres: Kyrie eleison, Mass Ordinary Number of voices: 3 Concordances another copy at 60v; also Tr90, f. 94v-95r
64v–66r	Kyrie Fons bonitatis	4	-	Anonymous
Kyrie Fons bonitatis Anonymous Appears on: 64v–66r Genres: Mass Ordinary, Troped Kyrie Number of voices: 4
66v–67r	Kyrie Magne Deus	4	-	Anonymous
Kyrie Magne Deus Anonymous Appears on: 66v–67r Genres: Mass Ordinary, Troped Kyrie Number of voices: 4
67v	Kyrie	3	-	Anonymous
Kyrie Anonymous Appears on: 67v Genres: Kyrie eleison, Mass Ordinary Number of voices: 3
67v–68r	Kyrie Magne Deus, Cuius natus	3	-	Anonymous
Kyrie Magne Deus, Cuius natus Anonymous Appears on: 67v–68r Genres: Mass Ordinary, Troped Kyrie Number of voices: 3 General Note Kyrie to be repeated after Christe so is double-texted (Magne Deus, Cuius natus)
68bis v–69v	Missa Sine nomine: Kyrie	-	Tauranth	Touront, Johannes (ca. 1450–ca. 1475)
Missa Sine nomine: Kyrie Touront, Johannes (ca. 1450–ca. 1475) Appears on: 68bis v–69v Genres: Kyrie eleison, Mass Ordinary Source Attribution: Tauranth
69v–71r	Missa Sine nomine: Gloria	3	-	Touront, Johannes (ca. 1450–ca. 1475)
Missa Sine nomine: Gloria Touront, Johannes (ca. 1450–ca. 1475) Appears on: 69v–71r Genres: Gloria (et in terra pax), Mass Ordinary Number of voices: 3
71v–73v	Missa Sine nomine: Credo	3	-	Touront, Johannes (ca. 1450–ca. 1475)
Missa Sine nomine: Credo Touront, Johannes (ca. 1450–ca. 1475) Appears on: 71v–73v Genres: Credo (patrem omnipotentem), Mass Ordinary Number of voices: 3
74r–75v	Missa Sine nomine: Sanctus	3	-	Touront, Johannes (ca. 1450–ca. 1475)
Missa Sine nomine: Sanctus Touront, Johannes (ca. 1450–ca. 1475) Appears on: 74r–75v Genres: Mass Ordinary, Sanctus [& Benedictus] Number of voices: 3
75v–77v	Gloria-Credo: Gloria	3	-	Anonymous
Gloria-Credo: Gloria Anonymous Appears on: 75v–77v Genres: Gloria (et in terra pax), Mass Ordinary Number of voices: 3
77v–79r	Gloria-Credo: Credo	3	-	Anonymous
Gloria-Credo: Credo Anonymous Appears on: 77v–79r Genres: Credo (patrem omnipotentem), Mass Ordinary Number of voices: 3
79v	Missa Sine nomine: Agnus Dei	3	Tauranth	Touront, Johannes (ca. 1450–ca. 1475)
Missa Sine nomine: Agnus Dei Touront, Johannes (ca. 1450–ca. 1475) Appears on: 79v Genres: Agnus Dei, Mass Ordinary Source Attribution: Tauranth Number of voices: 3
80v–81r	Missa Sine nomine: Sanctus	3	-	Vincenet, Johannes (–ca. 1480)
Missa Sine nomine: Sanctus Vincenet, Johannes (–ca. 1480) Appears on: 80v–81r Genres: Mass Ordinary, Sanctus [& Benedictus] Number of voices: 3 General Note Lacks Benedictus duet, & renames 'Osanna' as Benedictus instead
81r	Salve festa dies toto venerabilis	3	-	Anonymous
Salve festa dies toto venerabilis Anonymous Appears on: 81r Genres: Hymn Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Salve festa dies toto venerabilis
81v–82r	Missa Sig sald und hail: Sanctus	3	-	Touront, Johannes (ca. 1450–ca. 1475) (?)
Missa Sig sald und hail: Sanctus Touront, Johannes (ca. 1450–ca. 1475) (?) Appears on: 81v–82r Genres: Mass Ordinary, Sanctus [& Benedictus] Number of voices: 3 Concordances 3vv; the version in Tr91 (221v-223) is in 4vv
82v–84r	Sanctus	4	-	Anonymous
Sanctus Anonymous Appears on: 82v–84r Genres: Mass Ordinary, Sanctus [& Benedictus] Number of voices: 4
84v–85r	Missa [de BMV]: Sanctus	3	-	Tik, Henricus
Missa [de BMV]: Sanctus Tik, Henricus Appears on: 84v–85r Genres: Mass Ordinary, Sanctus [& Benedictus] Number of voices: 3 General Note incomplete
85v–87r	Missa Meditatio cordis: Gloria	4	-	Anonymous
Missa Meditatio cordis: Gloria Anonymous Appears on: 85v–87r Genres: Gloria (et in terra pax), Mass Ordinary Number of voices: 4
87v–89r	Missa Meditatio cordis: Credo	4	-	Anonymous
Missa Meditatio cordis: Credo Anonymous Appears on: 87v–89r Genres: Credo (patrem omnipotentem), Mass Ordinary Number of voices: 4
89v–91r	Missa Meditatio cordis: Sanctus	4	-	Anonymous
Missa Meditatio cordis: Sanctus Anonymous Appears on: 89v–91r Genres: Mass Ordinary, Sanctus [& Benedictus] Number of voices: 4
91v–92r	Missa Meditatio cordis: Agnus Dei	4	-	Anonymous
Missa Meditatio cordis: Agnus Dei Anonymous Appears on: 91v–92r Genres: Agnus Dei, Mass Ordinary Number of voices: 4
92v–93r	Alleluia. Vox exultationis et salutis	3	-	Anonymous
Alleluia. Vox exultationis et salutis Anonymous Appears on: 92v–93r Genres: Alleluia, Proper Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Alleluia. Vox exultationis et salutis
93v–94r	Alleluia. Dies sanctificatus illuxit nobis	3	-	Anonymous
Alleluia. Dies sanctificatus illuxit nobis Anonymous Appears on: 93v–94r Genres: Alleluia, Proper Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Alleluia. Dies sanctificatus illuxit nobis
94v–95r	Alleluia. Dulcis mater dulci nato	3	-	Du Fay, Guillaume (1397–1474) (?)
Alleluia. Dulcis mater dulci nato Du Fay, Guillaume (1397–1474) (?) Appears on: 94v–95r Genres: Alleluia, Proper Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Alleluia. Dulcis mater dulci nato
95v–96r	Missa la mapa mundi apud Neapolim et la Missa nostra donna sancta Maria: Kyrie.	3	-	Cornago, Juan de
Missa la mapa mundi apud Neapolim et la Missa nostra donna sancta Maria: Kyrie. Cornago, Juan de Appears on: 95v–96r Genres: Kyrie eleison, Mass Ordinary Number of voices: 3 General Note Kyrie-Gloria are followed by 3 empty but ruled openings, perhaps intended for the Credo (& more?) of the Cornago mass. On one of these a German lied was later copied.
96v–98r	Missa la mapa mundi apud Neapolim et la Missa nostra donna sancta Maria: Et in terra pax [Gloria]	3	-	Cornago, Juan de
Missa la mapa mundi apud Neapolim et la Missa nostra donna sancta Maria: Et in terra pax [Gloria] Cornago, Juan de Appears on: 96v–98r Genres: Gloria (et in terra pax), Mass Ordinary Number of voices: 3 General Note Kyrie-Gloria are followed by 3 empty but ruled openings, perhaps intended for the Credo (& more?) of the Cornago mass. On one of these a German lied was later copied.
99v–100r	Kain mier	3	-	Anonymous
Kain mier Anonymous Appears on: 99v–100r Genres: Lied Number of voices: 3 General Note The Cornago Kyrie-Gloria are followed by 3 empty but ruled openings, perhaps intended for the Credo (& more?) of the same mass. This German lied was later copied on one of these openings.
101v–103r	Missa [Tr89-2]: Et in terra pax [Gloria]	3	-	Anonymous
Missa [Tr89-2]: Et in terra pax [Gloria] Anonymous Appears on: 101v–103r Genres: Gloria (et in terra pax), Mass Ordinary Number of voices: 3
103v–104r	Missa [Tr89-2]: Patrem omnipotentem [Credo]	3	-	Anonymous
Missa [Tr89-2]: Patrem omnipotentem [Credo] Anonymous Appears on: 103v–104r Genres: Credo (patrem omnipotentem), Mass Ordinary Number of voices: 3
105v–107r	Missa Hilf und gib rat: Gloria	4	-	Basiron, Philippe (ca. 1449–1491)
Missa Hilf und gib rat: Gloria Basiron, Philippe (ca. 1449–1491) Appears on: 105v–107r Genres: Gloria (et in terra pax), Mass Ordinary Number of voices: 4
107v–109r	Missa Hilf und gib rat: Credo	4	-	Basiron, Philippe (ca. 1449–1491)
Missa Hilf und gib rat: Credo Basiron, Philippe (ca. 1449–1491) Appears on: 107v–109r Genres: Credo (patrem omnipotentem), Mass Ordinary Number of voices: 4
109v–110v	Missa Hilf und gib rat: Sanctus	4	-	Basiron, Philippe (ca. 1449–1491)
Missa Hilf und gib rat: Sanctus Basiron, Philippe (ca. 1449–1491) Appears on: 109v–110v Genres: Mass Ordinary, Sanctus [& Benedictus] Number of voices: 4
111r–112r	Missa Hilf und gib rat: Agnus Dei	4	-	Basiron, Philippe (ca. 1449–1491)
Missa Hilf und gib rat: Agnus Dei Basiron, Philippe (ca. 1449–1491) Appears on: 111r–112r Genres: Agnus Dei Number of voices: 4
112v–114r	O gloriosa mater - 1a pars (of 2): O gloriosa mater	5	-	Basiron, Philippe (ca. 1449–1491)
O gloriosa mater - 1a pars (of 2): O gloriosa mater Basiron, Philippe (ca. 1449–1491) Appears on: 112v–114r Genres: BVM, Motet, Salve Regina Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: O gloriosa mater Concordances Tr89 (ff.354v-356) lacks 5th voice 'contratenor concordans cum omnibus'
112v–114r	O gloriosa mater - 2a pars (of 2): Eia ergo / Gaude rosa	-	-	Basiron, Philippe (ca. 1449–1491)
O gloriosa mater - 2a pars (of 2): Eia ergo / Gaude rosa Basiron, Philippe (ca. 1449–1491) Appears on: 112v–114r Genres: BVM, Motet, Salve Regina
114v–115r	Missa Nos amis ('Wunsliche schone'): Et in terra pax [Gloria]	3	-	Tinctoris, Johannes (ca. 1435–1511)
Missa Nos amis ('Wunsliche schone'): Et in terra pax [Gloria] Tinctoris, Johannes (ca. 1435–1511) Appears on: 114v–115r Genres: Gloria (et in terra pax), Mass Ordinary Number of voices: 3
115v–116r	Missa Nos amis ('Wunsliche schone'): Credo	3	-	Tinctoris, Johannes (ca. 1435–1511)
Missa Nos amis ('Wunsliche schone'): Credo Tinctoris, Johannes (ca. 1435–1511) Appears on: 115v–116r Number of voices: 3 Concordances Specialnik 168-170, as an isolated Credo
116v–117r	Gloria	3	-	Anonymous
Gloria Anonymous Appears on: 116v–117r Genres: Gloria (et in terra pax), Mass Ordinary Number of voices: 3 General Note contratenor incomplete
117v–118r	Missa Nos amis ('Wunsliche schone'): Sanctus	3	-	Tinctoris, Johannes (ca. 1435–1511)
Missa Nos amis ('Wunsliche schone'): Sanctus Tinctoris, Johannes (ca. 1435–1511) Appears on: 117v–118r Genres: Mass Ordinary, Sanctus [& Benedictus] Number of voices: 3
118v	Missa Nos amis ('Wunsliche schone'): Kyrie eleison	3	-	Tinctoris, Johannes (ca. 1435–1511)
Missa Nos amis ('Wunsliche schone'): Kyrie eleison Tinctoris, Johannes (ca. 1435–1511) Appears on: 118v Genres: Kyrie eleison, Mass Ordinary Number of voices: 3
119r	Missa Nos amis ('Wunsliche schone'): Agnus Dei	3	-	Tinctoris, Johannes (ca. 1435–1511)
Missa Nos amis ('Wunsliche schone'): Agnus Dei Tinctoris, Johannes (ca. 1435–1511) Appears on: 119r Genres: Agnus Dei Number of voices: 3
121v–124r	Missa Rozel im gortn: Et in terra pax [Gloria]	4	-	Anonymous
Missa Rozel im gortn: Et in terra pax [Gloria] Anonymous Appears on: 121v–124r Genres: Gloria (et in terra pax), Mass Ordinary Number of voices: 4 General Note Tenor inscription: Officium Rozel im gortn andersch franszozel ['another Frenchman'? Sometimes interpreted as meaning Touront - though unlikely.] Concordances complete cycle also in Tr88 ff. 295v-304
123r	[untexted contratenor]	1	-	Anonymous
[untexted contratenor] Anonymous Appears on: 123r Genres: textless Number of voices: 1
124v–126r	Missa Rozel im gortn: Patrem omnipotentem [Credo]	4	-	Anonymous
Missa Rozel im gortn: Patrem omnipotentem [Credo] Anonymous Appears on: 124v–126r Genres: Credo (patrem omnipotentem), Mass Ordinary Number of voices: 4
127r	Sanctus	3	-	Anonymous
Sanctus Anonymous Appears on: 127r Genres: Mass Ordinary, Sanctus [& Benedictus] Number of voices: 3
127v–130r	Missa Rozel im gortn: Sanctus	4	-	Anonymous
Missa Rozel im gortn: Sanctus Anonymous Appears on: 127v–130r Genres: Mass Ordinary, Sanctus [& Benedictus] Number of voices: 4
130r	Agnus Dei	3	Philipi Francis [=Basiron?]	Basiron, Philippe (ca. 1449–1491) (?)
Agnus Dei Basiron, Philippe (ca. 1449–1491) (?) Appears on: 130r Genres: Agnus Dei, Mass Ordinary Source Attribution: Philipi Francis [=Basiron?] Number of voices: 3 General Note incipits of the Sup & Ten are written at end of the Sanctus on f. 131v, suggesting the Sanctus & Agnus form a pair
130v–131r	Missa Rozel im gortn: Agnus Dei	4	-	Anonymous
Missa Rozel im gortn: Agnus Dei Anonymous Appears on: 130v–131r Genres: Agnus Dei, Mass Ordinary Number of voices: 4 General Note Agnus III only
131r	Lumen ad revelationem gentium et gloriam	4	-	Anonymous
Lumen ad revelationem gentium et gloriam Anonymous Appears on: 131r Genres: Motet Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Lumen ad revelationem gentium et gloriam
131v	Sanctus	3	-	Basiron, Philippe (ca. 1449–1491) (?)
Sanctus Basiron, Philippe (ca. 1449–1491) (?) Appears on: 131v Genres: Mass Ordinary, Sanctus [& Benedictus] Number of voices: 3 General Note incipits of the Sup & Ten for the Agnus at f. 130r are written at end of the Sanctus, suggesting the Sanctus & Agnus form a pair
132r–133r	Missa Veni creator spiritus: Kyrie Cunctipotens genitor	3	-	Anonymous
Missa Veni creator spiritus: Kyrie Cunctipotens genitor Anonymous Appears on: 132r–133r Genres: Mass Ordinary, Troped Kyrie Number of voices: 3
133v–135r	Missa Veni creator spiritus: Gloria	3	-	Anonymous
Missa Veni creator spiritus: Gloria Anonymous Appears on: 133v–135r Genres: Gloria (et in terra pax), Mass Ordinary Number of voices: 3
134r	Lumen ad revelationem	4	-	Anonymous
Lumen ad revelationem Anonymous Appears on: 134r Genres: Antiphon Number of voices: 4
135v	Missa Veni creator spiritus: Credo	3	-	Anonymous
Missa Veni creator spiritus: Credo Anonymous Appears on: 135v Genres: Credo (patrem omnipotentem), Mass Ordinary Number of voices: 3
136r–136v	Missa Veni creator spiritus: Sanctus	3	-	Anonymous
Missa Veni creator spiritus: Sanctus Anonymous Appears on: 136r–136v Genres: Mass Ordinary, Sanctus [& Benedictus] Number of voices: 3 General Note beginning of Sanctus missing
136v–138r	Missa Veni creator spiritus: Agnus Dei	3	-	Anonymous
Missa Veni creator spiritus: Agnus Dei Anonymous Appears on: 136v–138r Genres: Agnus Dei, Mass Ordinary Number of voices: 3 General Note sections out of order
137v	[Gloria laus et honor] Israel es tu rex	2	-	Anonymous
[Gloria laus et honor] Israel es tu rex Anonymous Appears on: 137v Genres: Hymn Number of voices: 2 Concordances also at f. 280v
138r	Jesus Christus nostra salus	3	-	Anonymous
Jesus Christus nostra salus Anonymous Appears on: 138r Genres: Cantio, Lauda Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Iesus Christus nostra salus
138v–139r	Sanctus (lacks Benedictus/Osanna II)	3	-	Anonymous
Sanctus (lacks Benedictus/Osanna II) Anonymous Appears on: 138v–139r Genres: Mass Ordinary, Sanctus [& Benedictus] Number of voices: 3
140r	Missa Veterem hominem: Agnus Dei	4	-	Anonymous
Missa Veterem hominem: Agnus Dei Anonymous Appears on: 140r Genres: Agnus Dei, Mass Ordinary Number of voices: 4 General Note conclusion of piece; the beginning is at ff. 146v-147
140v–142r	Missa Veterem hominem: Et in terra pax [Gloria]	4	-	Anonymous
Missa Veterem hominem: Et in terra pax [Gloria] Anonymous Appears on: 140v–142r Genres: Gloria (et in terra pax), Mass Ordinary Number of voices: 4
142r	Procedentem sponsum	3	-	Anonymous
Procedentem sponsum Anonymous Appears on: 142r Genres: Antiphon Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Procedentem spiritum
142v–144r	Missa Veterem hominem: Patrem omnipotentem [Credo]	4	-	Anonymous
Missa Veterem hominem: Patrem omnipotentem [Credo] Anonymous Appears on: 142v–144r Genres: Credo (patrem omnipotentem), Mass Ordinary Number of voices: 4
144v–146r	Missa Veterem hominem: Sanctus	4	-	Anonymous
Missa Veterem hominem: Sanctus Anonymous Appears on: 144v–146r Genres: Mass Ordinary, Sanctus [& Benedictus] Number of voices: 4
146v–147r	Missa Veterem hominem: Agnus Dei	4	-	Anonymous
Missa Veterem hominem: Agnus Dei Anonymous Appears on: 146v–147r Genres: Agnus Dei, Mass Ordinary Number of voices: 4 General Note beginning only - the end of the piece is at f. 140r
147v–148r	Missa Sine nomine: Et in terra pax [Gloria]	3	pilois	Pullois, Johannes
Missa Sine nomine: Et in terra pax [Gloria] Pullois, Johannes Appears on: 147v–148r Genres: Gloria (et in terra pax), Mass Ordinary Source Attribution: pilois Number of voices: 3
148v–150r	Missa Sine nomine: Patrem omnipotentem [Credo]	3	-	Pullois, Johannes
Missa Sine nomine: Patrem omnipotentem [Credo] Pullois, Johannes Appears on: 148v–150r Genres: Credo (patrem omnipotentem), Mass Ordinary Number of voices: 3
150v–151r	Missa Sine nomine: Sanctus	3	-	Pullois, Johannes
Missa Sine nomine: Sanctus Pullois, Johannes Appears on: 150v–151r Genres: Mass Ordinary, Sanctus [& Benedictus] Number of voices: 3
152v–153r	Missa O rosa bella [III]: Kyrie	4	-	Anonymous
Missa O rosa bella [III]: Kyrie Anonymous Appears on: 152v–153r Genres: Mass Ordinary, Troped Kyrie Number of voices: 4
153v–155r	Missa O rosa bella [III]: Et in terra pax [Gloria]	4	-	Anonymous
Missa O rosa bella [III]: Et in terra pax [Gloria] Anonymous Appears on: 153v–155r Genres: Gloria (et in terra pax), Mass Ordinary Number of voices: 4
155v–157r	Missa O rosa bella [III]. Patrem omnipotentem [Credo]	4	-	Anonymous
Missa O rosa bella [III]. Patrem omnipotentem [Credo] Anonymous Appears on: 155v–157r Genres: Credo (patrem omnipotentem), Mass Ordinary Number of voices: 4
157v–159r	Missa O rosa bella [III]: Sanctus	4	-	Anonymous
Missa O rosa bella [III]: Sanctus Anonymous Appears on: 157v–159r Genres: Mass Ordinary, Sanctus [& Benedictus] Number of voices: 4
159v–160r	Missa O rosa bella [III]: Agnus Dei	4	-	Anonymous
Missa O rosa bella [III]: Agnus Dei Anonymous Appears on: 159v–160r Genres: Agnus Dei, Mass Ordinary Number of voices: 4
160v–161r	O Admirabile comertium = O pater o fili patris	4	-	Anonymous
O Admirabile comertium = O pater o fili patris Anonymous Appears on: 160v–161r Genres: Motet Number of voices: 4
161v–163r	Recordare virgo mater - 1a pars (of 2): Recordare virgo mater dum steteris	4	-	Touront, Johannes (ca. 1450–ca. 1475)
Recordare virgo mater - 1a pars (of 2): Recordare virgo mater dum steteris Touront, Johannes (ca. 1450–ca. 1475) Appears on: 161v–163r Genres: Offertory Number of voices: 4
161v–163r	Recordare virgo mater - 2a pars (of 2): Ab hac familia	4	-	Touront, Johannes (ca. 1450–ca. 1475)
Recordare virgo mater - 2a pars (of 2): Ab hac familia Touront, Johannes (ca. 1450–ca. 1475) Appears on: 161v–163r Genres: Offertory Number of voices: 4
163v	Salve festa dies toto venerabilis	3	-	Anonymous
Salve festa dies toto venerabilis Anonymous Appears on: 163v Genres: Hymn Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Salve festa dies toto venerabilis Concordances also at f. 256v (4vv version)
164r–165v	Missa: Gloria	3	-	Standley
Missa: Gloria Standley Appears on: 164r–165v Genres: Gloria (et in terra pax), Mass Ordinary Number of voices: 3 General Note music in wrong order: correct sequence 164v, 165r, 164r
165v–166r	Gaudeamus omnes in Domino	3	-	Anonymous
Gaudeamus omnes in Domino Anonymous Appears on: 165v–166r Genres: Introit, Proper Number of voices: 3
166v–167r	Gaudeamus omnes in Domino	3	-	Anonymous
Gaudeamus omnes in Domino Anonymous Appears on: 166v–167r Genres: Introit, Proper Number of voices: 3 Concordances also at 15v-16 and in Munich 3154 (11v, 2vv only)
167v–168v	Missa: Credo	3	-	Standley
Missa: Credo Standley Appears on: 167v–168v Genres: Credo (patrem omnipotentem), Mass Ordinary Number of voices: 3
168v–170r	Missa: Sanctus	3	-	Standley
Missa: Sanctus Standley Appears on: 168v–170r Genres: Mass Ordinary, Sanctus [& Benedictus] Number of voices: 3
170v–171r	Missa: Agnus Dei	3	-	Standley
Missa: Agnus Dei Standley Appears on: 170v–171r Genres: Agnus Dei, Mass Ordinary Number of voices: 3
171r	Missa Sine nomine: Agnus Dei	3	piloys	Pullois, Johannes
Missa Sine nomine: Agnus Dei Pullois, Johannes Appears on: 171r Genres: Agnus Dei, Mass Ordinary Source Attribution: piloys Number of voices: 3
171v	Agnus	3	Standly [crossed through]	Standley (?)
Agnus Standley (?) Appears on: 171v Genres: Agnus Dei, Mass Ordinary Source Attribution: Standly [crossed through] Number of voices: 3 General Note headed 'Agnus tertium' (being the 3rd Agnus in a row in the ms, rather than a 3rd Agnus for Standly's Missa (whose Agnus is 2 pieces earlier in ms)?
171v–172r	Agnus Dei	4	flemmik	Flemmik
Agnus Dei Flemmik Appears on: 171v–172r Genres: Agnus Dei, Mass Ordinary Source Attribution: flemmik Number of voices: 4
172r	Ascendo ad patrem meum et patrem vestrum	3	-	Anonymous
Ascendo ad patrem meum et patrem vestrum Anonymous Appears on: 172r Genres: Motet Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Ascendo ad patrem meum
172v–174r	Sanctus 'Kliczhovo'	4	flemmik	Flemmik
Sanctus 'Kliczhovo' Flemmik Appears on: 172v–174r Genres: Mass Ordinary, Sanctus [& Benedictus] Source Attribution: flemmik Number of voices: 4
174v–175r	Sanctus Veni creator 'Srotyrzssyke'	4	flemmik	Flemmik
Sanctus Veni creator 'Srotyrzssyke' Flemmik Appears on: 174v–175r Genres: Mass Ordinary, Sanctus [& Benedictus] Source Attribution: flemmik Number of voices: 4
176r–177r	Jube Domine	-	-	Anonymous
Jube Domine Anonymous Appears on: 176r–177r Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Iube domine
177v–178r	Jube Domine	3	-	Anonymous
Jube Domine Anonymous Appears on: 177v–178r Genres: Motet Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Iube domine
178v–179r	Jube Domine	3	-	Anonymous
Jube Domine Anonymous Appears on: 178v–179r Genres: Motet Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Iube domine
179v	Dies est laetitiae in ortu regali	3	-	Anonymous
Dies est laetitiae in ortu regali Anonymous Appears on: 179v Genres: Cantio Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Dies est laetitiae in ortu regali
180r	O sapientia qui ex ore	3	-	Anonymous
O sapientia qui ex ore Anonymous Appears on: 180r Genres: Motet Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: O sapientia qui ex ore
180v–181r	Haec est dies quam fecit Dominus exultemus	3	-	Anonymous
Haec est dies quam fecit Dominus exultemus Anonymous Appears on: 180v–181r Genres: Motet Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Haec est dies quam fecit dominus
181v–182r	O sacrum mysterium	3	-	Anonymous
O sacrum mysterium Anonymous Appears on: 181v–182r Genres: Motet Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: O sacrum mysterium
182v–183r	O gloriosa regina mundi succurre nobis	3	[none]	Touront, Johannes (ca. 1450–ca. 1475)
O gloriosa regina mundi succurre nobis Touront, Johannes (ca. 1450–ca. 1475) Appears on: 182v–183r Genres: Motet Source Attribution: [none] Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: O gloriosa regina mundi succurre nobis General Note Sup & Ten both texted in this source
183r	[untexted]	3	-	Anonymous
[untexted] Anonymous Appears on: 183r Genres: textless Number of voices: 3
184r	[Salve festa dies] ... domino dona redisse suo ...	1	-	Anonymous
[Salve festa dies] ... domino dona redisse suo ... Anonymous Appears on: 184r Genres: Hymn Number of voices: 1 General Note fragment: conclusion of Sup only. Remainder of Sup & other parts(?) on previous leaf (leaves?) which have been torn out Non-music contents description Canonic inscription: Pausa unius temporis habebis secundum discantum super Salve dies
184v–185r	Vidi aquam egredientem de templo	3	-	Anonymous
Vidi aquam egredientem de templo Anonymous Appears on: 184v–185r Genres: Motet Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Vidi aquam egredientem
185v	Salve festa dies toto venerabilis	3	-	Anonymous
Salve festa dies toto venerabilis Anonymous Appears on: 185v Genres: Hymn Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Salve festa dies toto venerabilis
186r–187r	Regina caeli laetare alleluia	3	Batty	Batty (fl. c1450-80)
Regina caeli laetare alleluia Batty (fl. c1450-80) Appears on: 186r–187r Genres: Marian antiphon, Motet, Regina caeli laetare Source Attribution: Batty Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Regina caeli laetare alleluia
187v–189r	Regina caeli laetare alleluia	4	Batty	Batty (fl. c1450-80)
Regina caeli laetare alleluia Batty (fl. c1450-80) Appears on: 187v–189r Genres: Marian antiphon, Motet, Regina caeli laetare Source Attribution: Batty Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Regina caeli laetare alleluia
189v–190r	Regina caeli laetare alleluia	3	-	Anonymous
Regina caeli laetare alleluia Anonymous Appears on: 189v–190r Genres: Marian antiphon, Motet, Regina caeli laetare Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Regina caeli laetare alleluia
190v	Regina caeli laetare alleluia	3	Phi[lippus]	Basiron, Philippe (ca. 1449–1491)
Regina caeli laetare alleluia Basiron, Philippe (ca. 1449–1491) Appears on: 190v Genres: Motet, Regina caeli laetare Source Attribution: Phi[lippus] Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Regina caeli laetare alleluia
191r	Also heilig ist der tag der dan halig gottes sun	-	-	Anonymous
Also heilig ist der tag der dan halig gottes sun Anonymous Appears on: 191r Genres: Lied
191r	Salve festa dies toto venerabilis	3	-	Anonymous
Salve festa dies toto venerabilis Anonymous Appears on: 191r Genres: Hymn Number of voices: 3 Concordances also at f.81r
191v	Alle Dei filius ab hoste superbissimo	3	-	Nachtigal, Sebald (?)
Alle Dei filius ab hoste superbissimo Nachtigal, Sebald (?) Appears on: 191v Genres: Motet Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Alle dei filius ab hoste superbissimo
192v–193r	Victimae paschali laudes immolent Christiani Agnus redemit oves Christus innocens	3	-	Anonymous
Victimae paschali laudes immolent Christiani Agnus redemit oves Christus innocens Anonymous Appears on: 192v–193r Genres: Sequence Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Victimae paschali laudes
193v–194r	Alleluia. Pascha nostrum immolatus est	3	-	Anonymous
Alleluia. Pascha nostrum immolatus est Anonymous Appears on: 193v–194r Genres: Alleluia, Proper Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Alleluia. Pascha nostrum immolatus est
194v–195r	[Victimae paschali laudes] Agnus redemit oves Christus innocens	3	-	Anonymous
[Victimae paschali laudes] Agnus redemit oves Christus innocens Anonymous Appears on: 194v–195r Genres: Sequence Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Victimae paschali laudes
195r	Pascha nostrum immolatus est Christus	3	-	Anonymous
Pascha nostrum immolatus est Christus Anonymous Appears on: 195r Genres: Motet Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Pascha nostrum immolatus est Christus
195v–197r	Lauda Sion salvatorem	3	-	Anonymous
Lauda Sion salvatorem Anonymous Appears on: 195v–197r Genres: Sequence Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Lauda Sion salvatorem
197v	Bonum vinum cum sapore	3	-	Anonymous
Bonum vinum cum sapore Anonymous Appears on: 197v Genres: Cantio Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Bonum vinum cum sapore
198r	Magistralis nimphula = La plus dolente	3	-	Anonymous
Magistralis nimphula = La plus dolente Anonymous Appears on: 198r Genres: Cantio, Contrafactum, Rondeau Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Magistralis nimphula [= La plus dolente]
198v	Ave virgo gloriosa = O preclare Jhesu	3	[none]	Touront, Johannes (ca. 1450–ca. 1475)
Ave virgo gloriosa = O preclare Jhesu Touront, Johannes (ca. 1450–ca. 1475) Appears on: 198v Genres: Motet Source Attribution: [none] Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Ave virgo gloriosa
199r	In natali Domini	3	-	Anonymous
In natali Domini Anonymous Appears on: 199r Genres: Cantio, Rondeau Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: In natali domini
199v	Insignis triumphator	3	-	Anonymous
Insignis triumphator Anonymous Appears on: 199v Genres: Contrafactum, Motet, Rondeau Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Insignis triumphator
200r	Imperatrix virgo gloriosa	3	-	Anonymous
Imperatrix virgo gloriosa Anonymous Appears on: 200r Genres: Cantio, Rondeau Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Imperatrix virgo gloriosa
200v–201r	Compangant omnes in hoc festo corde = O generosa nata David quia te predixere	3	Thauranth	Touront, Johannes (ca. 1450–ca. 1475)
Compangant omnes in hoc festo corde = O generosa nata David quia te predixere Touront, Johannes (ca. 1450–ca. 1475) Appears on: 200v–201r Genres: Contrafactum Source Attribution: Thauranth Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: O generosa nata David quia te predixere [= Compangant omnes in hoc festo corde]
202v–203r	O lumen ecclesiae doctor veritatis	3	-	Anonymous
O lumen ecclesiae doctor veritatis Anonymous Appears on: 202v–203r Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: O lumen ecclesiae doctor veritatis
203v–204r	O florens rosa mater Domini speciosa	3	Thauranth	Touront, Johannes (ca. 1450–ca. 1475)
O florens rosa mater Domini speciosa Touront, Johannes (ca. 1450–ca. 1475) Appears on: 203v–204r Genres: Motet Source Attribution: Thauranth Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: O florens rosa mater domini speciosa
204v–205r	O florens rosa mater Domini speciosa	3	[none]	Frye, Walter (–ca. 1475)
O florens rosa mater Domini speciosa Frye, Walter (–ca. 1475) Appears on: 204v–205r Genres: Marian antiphon Source Attribution: [none] Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: O florens rosa mater domini speciosa Concordances also at f. 251v-252 Similar to Ave regina celorum at Tr.90 372v-373 (SnowM)
205v–206r	Anima mea liquefacta est	3	-	Anonymous
Anima mea liquefacta est Anonymous Appears on: 205v–206r Genres: Motet Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Anima mea liquefacta est
206v–208r	Surge amica mea speciosa mea et veni	3	-	Anonymous
Surge amica mea speciosa mea et veni Anonymous Appears on: 206v–208r Genres: Motet Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Surge amica mea speciosa mea et veni
208v–210r	Quam pulchra es	3	-	Anonymous
Quam pulchra es Anonymous Appears on: 208v–210r Genres: Motet Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Quam pulchra es
210v–211v	Salve regina mater misericordiae	3	-	Anonymous
Salve regina mater misericordiae Anonymous Appears on: 210v–211v Genres: Marian antiphon, Salve Regina Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Salve regina
212r	Imperatrix orphanorum	4	-	Anonymous
Imperatrix orphanorum Anonymous Appears on: 212r Genres: Motet, Rondeau Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Imperatrix orphanorum
212v–213r	O speciosa facta est	3	-	Anonymous
O speciosa facta est Anonymous Appears on: 212v–213r Genres: Motet Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: O speciosa facta est
213v–214r	Myn hrcz freyden ist	3	-	Anonymous
Myn hrcz freyden ist Anonymous Appears on: 213v–214r Genres: Lied Number of voices: 3
214v–216r	Alma redemptoris mater	3	-	Anonymous
Alma redemptoris mater Anonymous Appears on: 214v–216r Genres: Alma redemptoris mater, Motet Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Alma redemptoris mater
216v–217v	Vox dilecti mei	4	-	Anonymous
Vox dilecti mei Anonymous Appears on: 216v–217v Genres: Contrafactum Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Vox dilecti mei
217v–218r	Ave virgo speciosa = Der Pfauenschwanz = O quam clara testimonia	4	-	Barbingant, Pierre (fl. c1445-60)
Ave virgo speciosa = Der Pfauenschwanz = O quam clara testimonia Barbingant, Pierre (fl. c1445-60) Appears on: 217v–218r Genres: Contrafactum Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Ave virgo speciosa [= Der Pfauenschwanz]
218v–219r	Flos de spina - 1a pars (of 2): Flos de spina procreatur et flos flore fecundatur	4	pilois Iohannes	Pullois, Johannes
Flos de spina - 1a pars (of 2): Flos de spina procreatur et flos flore fecundatur Pullois, Johannes Appears on: 218v–219r Genres: Motet Source Attribution: pilois Iohannes Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Flos de spina procreatur
219v–220r	Flos de spina - 2a pars (of 2): Quod celerat umbra legis	4	-	Pullois, Johannes
Flos de spina - 2a pars (of 2): Quod celerat umbra legis Pullois, Johannes Appears on: 219v–220r Genres: Motet Number of voices: 4
220r	Vox dilecti mei Felix porta paradisi	3	-	Anonymous
Vox dilecti mei Felix porta paradisi Anonymous Appears on: 220r Genres: Contrafactum Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Vox dilecti mei [Felix porta paradisi]
220v–221r	Quam pulchra es	3	-	Anonymous
Quam pulchra es Anonymous Appears on: 220v–221r Genres: Motet Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Quam pulchra es
221v–222r	Anima mea liquefacta est	3	-	Anonymous
Anima mea liquefacta est Anonymous Appears on: 221v–222r Genres: Motet Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Anima mea liquefacta est
222v–223r	O intemerata - 1a pars (of 2): O intemerata et in aeternum	4	-	Anonymous
O intemerata - 1a pars (of 2): O intemerata et in aeternum Anonymous Appears on: 222v–223r Genres: Motet Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: O intemerata et in aeternum
223v–224r	O intemerata - 2a pars (of 2): O Maria audi nos	-	-	Anonymous
O intemerata - 2a pars (of 2): O Maria audi nos Anonymous Appears on: 223v–224r Genres: Motet
224v	O Deus in quandis aviis	4	-	Anonymous
O Deus in quandis aviis Anonymous Appears on: 224v Genres: Motet Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: O deus in quantis aviis
225r	[untexted]	3	-	Anonymous
[untexted] Anonymous Appears on: 225r Genres: Chanson, Rondeau Number of voices: 3
225v	De ma dame = O pastor aeterne = O beata Maria filia Dei	3	[none]	Pullois, Johannes
De ma dame = O pastor aeterne = O beata Maria filia Dei Pullois, Johannes Appears on: 225v Genres: Chanson, Contrafactum, Motet, Rondeau Source Attribution: [none] Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: O pastor aeterne [= De madame] General Note textless but labelled 'O pater eterne' texted 'O beata Maria' in Cgm.810, with 'De madame' written at top of page 'De madame' in Tr.90 and Escorial IV.a.24
226r	Ave gemma claritas	3	-	Anonymous
Ave gemma claritas Anonymous Appears on: 226r Genres: Chanson, Contrafactum, Motet, Rondeau Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Ave gemma claritatis
226v–227r	O rosa bella	3	-	Anonymous
O rosa bella Anonymous Appears on: 226v–227r Genres: Chanson Number of voices: 3
227v	[untexted]	3	-	Anonymous
[untexted] Anonymous Appears on: 227v Genres: Rondeau Number of voices: 3
227v	Natum infantulum	3	-	Anonymous
Natum infantulum Anonymous Appears on: 227v Genres: Cantio, Rondeau Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Natum infantulum
228v–229r	Sancta Maria tu dulcedo	3	-	Anonymous
Sancta Maria tu dulcedo Anonymous Appears on: 228v–229r Genres: Motet Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Sancta Maria tu dulcedo
229v–230r	Adest dies celebris - 1a pars (of 2): Adest dies celebris	4	-	Anonymous
Adest dies celebris - 1a pars (of 2): Adest dies celebris Anonymous Appears on: 229v–230r Genres: Motet Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Adest dies celebris
230v–231r	Adest dies celebris - 2a pars (of 2): In diebus tuis - Inter quos mala	4	-	Anonymous
Adest dies celebris - 2a pars (of 2): In diebus tuis - Inter quos mala Anonymous Appears on: 230v–231r Genres: Motet Number of voices: 4
231v–232r	Gaude flore virginali - 1a pars (of 2): Gaude flore virginali	4	-	Anonymous
Gaude flore virginali - 1a pars (of 2): Gaude flore virginali Anonymous Appears on: 231v–232r Genres: Motet Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Gaude flore virginali
232v–233r	Gaude flore virginali - 2a pars (of 2): Gaude splendens vas virtutum	4	-	Anonymous
Gaude flore virginali - 2a pars (of 2): Gaude splendens vas virtutum Anonymous Appears on: 232v–233r Genres: Motet Number of voices: 4
233v–234r	O sacrum convivium - 1a pars (of 2): O sacrum convivium in quo Christus sumitur	3	-	Anonymous
O sacrum convivium - 1a pars (of 2): O sacrum convivium in quo Christus sumitur Anonymous Appears on: 233v–234r Genres: Motet Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: O sacrum convivium
234v–235r	O sacrum convivium - 2a pars (of 2): Mens impletur gratia	3	-	Anonymous
O sacrum convivium - 2a pars (of 2): Mens impletur gratia Anonymous Appears on: 234v–235r Genres: Motet Number of voices: 3
235v–236r	Natum jam collaudemus	3	-	Anonymous
Natum jam collaudemus Anonymous Appears on: 235v–236r Genres: Ballade, Cantio Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Natum iam collaudemus
236v–237r	Nobis instat carminis	3	-	Anonymous
Nobis instat carminis Anonymous Appears on: 236v–237r Genres: Ballade, Cantio Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Nobis instat carminis
237v–238r	Novalia instant christicolis	3	-	Anonymous
Novalia instant christicolis Anonymous Appears on: 237v–238r Genres: Cantio, Rondeau Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Novalia instant christicolis
238v	[untexted]	3	-	Anonymous
[untexted] Anonymous Appears on: 238v Genres: Rondeau Number of voices: 3
239r	Ornatam in monilibus	3	-	Anonymous
Ornatam in monilibus Anonymous Appears on: 239r Genres: Ballade, Contrafactum, Motet Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Ornatam in monilibus
239v–240r	Entrepris suis = Congratulamini mihi omnes	3	[none]	Brollo, Bartolomeo
Entrepris suis = Congratulamini mihi omnes Brollo, Bartolomeo Appears on: 239v–240r Genres: Contrafactum Source Attribution: [none] Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Congratulamini mihi omnes [= Entrepris suis]
240v	Alma mater	3	-	Anonymous
Alma mater Anonymous Appears on: 240v Genres: Contrafactum, Motet, Rondeau Number of voices: 3
241r	[untexted]	3	-	Anonymous
[untexted] Anonymous Appears on: 241r Genres: Rondeau Number of voices: 3
241v	[untexted]	3	-	Anonymous
[untexted] Anonymous Appears on: 241v Genres: Rondeau Number of voices: 3
242r	[untexted]	3	-	Anonymous
[untexted] Anonymous Appears on: 242r Genres: Rondeau Number of voices: 3
242v	[untexted]	3	-	Anonymous
[untexted] Anonymous Appears on: 242v Genres: Rondeau Number of voices: 3
243r	[untexted]	3	-	Anonymous
[untexted] Anonymous Appears on: 243r Genres: textless Number of voices: 3
243v	[untexted]	3	-	Anonymous
[untexted] Anonymous Appears on: 243v Genres: textless Number of voices: 3
244r	[untexted]	3	-	Anonymous
[untexted] Anonymous Appears on: 244r Genres: Rondeau Number of voices: 3
244v	[untexted]	3	-	Anonymous
[untexted] Anonymous Appears on: 244v Genres: Rondeau Number of voices: 3
245r	[untexted]	3	-	Anonymous
[untexted] Anonymous Appears on: 245r Genres: Ballade Number of voices: 3
245v	[untexted]	2	-	Anonymous
[untexted] Anonymous Appears on: 245v Genres: Ballade Number of voices: 2
246r	Chorus iste pie Christe hunc in dulci carmine = Mon seul plaisir	3	Tauranth	Touront, Johannes (ca. 1450–ca. 1475)
Chorus iste pie Christe hunc in dulci carmine = Mon seul plaisir Touront, Johannes (ca. 1450–ca. 1475) Appears on: 246r Genres: Contrafactum Source Attribution: Tauranth Number of voices: 3 Concordances textless here; Specialnik 424 has text 'Chorus iste'
246v	Nova instant cantica	3	Tauranth	Touront, Johannes (ca. 1450–ca. 1475)
Nova instant cantica Touront, Johannes (ca. 1450–ca. 1475) Appears on: 246v Genres: Cantio, Rondeau Source Attribution: Tauranth Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Nova instant cantica
247r	Nunc instant collaudare =Er hat mein lieb	3	-	Touront, Johannes (ca. 1450–ca. 1475)
Nunc instant collaudare =Er hat mein lieb Touront, Johannes (ca. 1450–ca. 1475) Appears on: 247r Genres: Contrafactum, Lied Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Nunc instant collaudare [= Er hat mein lieb] General Note text 'Nunc instant collaudare'
247v	[untexted]	3	-	Anonymous
[untexted] Anonymous Appears on: 247v Genres: textless Number of voices: 3
248r	Beati qui esuriunt	3	-	Anonymous
Beati qui esuriunt Anonymous Appears on: 248r Genres: Cantio Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Beati qui esuriunt
248v–249r	Domine Deus noster	3	-	Anonymous
Domine Deus noster Anonymous Appears on: 248v–249r Genres: Motet Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Domine deus noster
249v	Martinus nam pusillus	4	-	Anonymous
Martinus nam pusillus Anonymous Appears on: 249v Genres: Cantio Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Martinus nam pusillus
250r	Fortune	-	-	Anonymous
Fortune Anonymous Appears on: 250r Genres: Chanson, Rondeau
250v–251r	O intemerata castitas = Videte videte Quia ego sum solus	3	-	Anonymous
O intemerata castitas = Videte videte Quia ego sum solus Anonymous Appears on: 250v–251r Genres: Ballade, Contrafactum, Motet Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: O intemerata castitas Concordances text 'Videte videte Quia ego sum solus' In Cgm.810 'O intemerata castitas' (In Buxheim orgelbuch, 'O intemerata virginitas')
251v–252r	O florens rosa mater Domini speciosa	3	[none]	Frye, Walter (–ca. 1475)
O florens rosa mater Domini speciosa Frye, Walter (–ca. 1475) Appears on: 251v–252r Genres: Marian antiphon Source Attribution: [none] Number of voices: 3 Concordances also at f. 204v-205
252v–253r	Viminibus cinge tristantem	4	-	Anonymous
Viminibus cinge tristantem Anonymous Appears on: 252v–253r Genres: Cantio Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Viminibus cinge tristantem General Note Tenor written in a 'Musica Enchiriadis' style ie syllables located on staves to indicate pitch [ditto in Ber.40098] Concordances notated a fifth higher in Ber.40098
253v–254r	Speciosa facta es	3	-	Anonymous
Speciosa facta es Anonymous Appears on: 253v–254r Genres: Motet Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Speciosa facta es
254v–255r	Vidi aquam egredientem de templo	3	-	Anonymous
Vidi aquam egredientem de templo Anonymous Appears on: 254v–255r Genres: Motet Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Vidi aquam egredientem
255v	Salve festa dies toto venerabilis	3	-	Anonymous
Salve festa dies toto venerabilis Anonymous Appears on: 255v Genres: Hymn Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Salve festa dies toto venerabilis
256r	Salve festa dies toto venerabilis	3	-	Anonymous
Salve festa dies toto venerabilis Anonymous Appears on: 256r Genres: Hymn Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Salve festa dies toto venerabilis
256v	Salve festa dies toto venerabilis	4	-	Anonymous
Salve festa dies toto venerabilis Anonymous Appears on: 256v Genres: Hymn Number of voices: 4 Concordances also at f. 163v (3vv version)
257r–257v	Regina caeli laetare alleluia	3	-	Anonymous
Regina caeli laetare alleluia Anonymous Appears on: 257r–257v Genres: Marian antiphon, Motet, Regina caeli laetare Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Regina caeli laetare alleluia General Note final Alleluia troped 'Alle Domine nate'
257v	Maria mater gratiae	2	-	Anonymous
Maria mater gratiae Anonymous Appears on: 257v Genres: Motet Number of voices: 2 Voice: [no designation] Languages: Latin Voice Text: Maria mater gratiae
257v	Ave Maria gratia plena Dominus tecum	2	-	Anonymous
Ave Maria gratia plena Dominus tecum Anonymous Appears on: 257v Genres: Ave Maria, Motet Number of voices: 2 Voice: [no designation] Languages: Latin Voice Text: Ave Maria gratia plena
258r	Da pacem Domine in diebus nostris	3	-	Anonymous
Da pacem Domine in diebus nostris Anonymous Appears on: 258r Genres: Motet Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Da pacem domine in diebus nostris
258v	Cuius sacrata viscera	4	-	Anonymous
Cuius sacrata viscera Anonymous Appears on: 258v Genres: Hymn Number of voices: 4
259r	[Confessor Dei lucidus] Nam ipsius suffragia	3	-	Anonymous
[Confessor Dei lucidus] Nam ipsius suffragia Anonymous Appears on: 259r Genres: Hymn Number of voices: 3
259v	[O sancta mundi Domina] Emerge dulcis filia	4	-	Anonymous
[O sancta mundi Domina] Emerge dulcis filia Anonymous Appears on: 259v Genres: Hymn Number of voices: 4
260r	O sancta mundi Domina - Emerge dulcis filia	3	-	Anonymous
O sancta mundi Domina - Emerge dulcis filia Anonymous Appears on: 260r Genres: Hymn Number of voices: 3
260r	[O sancta mundi Domina]	3	-	Anonymous
[O sancta mundi Domina] Anonymous Appears on: 260r Genres: Hymn, textless Number of voices: 3
260v	[Veni redemptor gentium] Non ex virili semine	3	-	Anonymous
[Veni redemptor gentium] Non ex virili semine Anonymous Appears on: 260v Genres: Hymn Number of voices: 3
261r	Quem terra, pontus, aetherna	4	-	Anonymous
Quem terra, pontus, aetherna Anonymous Appears on: 261r Genres: Motet Number of voices: 4
261v	Quem terra pontus aethera	3	-	Anonymous
Quem terra pontus aethera Anonymous Appears on: 261v Genres: Motet Number of voices: 3
261v–262r	Quem terra, pontus, aethera	4	-	Anonymous
Quem terra, pontus, aethera Anonymous Appears on: 261v–262r Genres: Hymn Number of voices: 4
262r	Quem terra pontus ethera	3	-	Anonymous
Quem terra pontus ethera Anonymous Appears on: 262r Genres: Motet Number of voices: 3
262v–263r	Dies venit victoriae	3	-	Anonymous
Dies venit victoriae Anonymous Appears on: 262v–263r Genres: Hymn Number of voices: 3
263v	Quod chorus vatum	3	-	Anonymous
Quod chorus vatum Anonymous Appears on: 263v Genres: Hymn Number of voices: 3
264r	Veni redemptor gentium ostende partum	4	-	Anonymous
Veni redemptor gentium ostende partum Anonymous Appears on: 264r Genres: Hymn Number of voices: 4
264v–265r	A solis ortus cardine ad usque terrae / Salvator mundi Domine nacens [1]	5	-	Binchois, Gilles (ca. 1400–1460)
A solis ortus cardine ad usque terrae / Salvator mundi Domine nacens [1] Binchois, Gilles (ca. 1400–1460) Appears on: 264v–265r Genres: Motet Number of voices: 5
265r	[Veni redemptor gentium] Non ex virili nemine	3	-	Anonymous
[Veni redemptor gentium] Non ex virili nemine Anonymous Appears on: 265r Genres: Hymn Number of voices: 3
265r	Veni redemptor gentium / Christe redemptor omnium	3	-	Anonymous
Veni redemptor gentium / Christe redemptor omnium Anonymous Appears on: 265r Genres: Motet Number of voices: 3
265v	A solis ortus cardine	3	-	Anonymous
A solis ortus cardine Anonymous Appears on: 265v Genres: Hymn Number of voices: 3
265v–266r	A solis ortus	3	-	Anonymous
A solis ortus Anonymous Appears on: 265v–266r Genres: Hymn Number of voices: 3
267v	Vita sanctorum.	3	-	Anonymous
Vita sanctorum. Anonymous Appears on: 267v Genres: Motet Number of voices: 3
267v–268r	Vita sanctorum	3	-	Anonymous
Vita sanctorum Anonymous Appears on: 267v–268r Genres: Hymn Number of voices: 3
268v–269r	Vita sanctorum	5	-	Anonymous
Vita sanctorum Anonymous Appears on: 268v–269r Genres: Motet Number of voices: 5
269r	Pange lingua gloriosa	3	-	Anonymous
Pange lingua gloriosa Anonymous Appears on: 269r Genres: Motet Number of voices: 3 Concordances text: 'Veni creator spiritus' chant used in Sup is that of 'Pange lingua' (concordance in Tr.90 (334r) is texted 'Pange lingua') also at Strahov 276v, 'Pange lingua'
269v–270r	[Festum nunc celebre] Qui scandens	3	-	Anonymous
[Festum nunc celebre] Qui scandens Anonymous Appears on: 269v–270r Genres: Hymn Number of voices: 3
270r	[Festum nunc celebre] Qui scandens	3	-	Anonymous
[Festum nunc celebre] Qui scandens Anonymous Appears on: 270r Genres: Hymn Number of voices: 3
270v	[Festum nunc celebre] Conscendit	3	-	Anonymous
[Festum nunc celebre] Conscendit Anonymous Appears on: 270v Genres: Hymn Number of voices: 3
271r	Veni creator spiritus	4	-	Anonymous
Veni creator spiritus Anonymous Appears on: 271r Genres: Hymn Number of voices: 4
271v–272r	Festum nunc celebre	4	-	Anonymous
Festum nunc celebre Anonymous Appears on: 271v–272r Genres: Hymn Number of voices: 4
272r	[Veni creator spiritus] Qui paraclitus diceris	3	-	Anonymous
[Veni creator spiritus] Qui paraclitus diceris Anonymous Appears on: 272r Genres: Hymn Number of voices: 3
272v–273r	Veni creator spiritus	5	-	Anonymous
Veni creator spiritus Anonymous Appears on: 272v–273r Genres: Hymn, Veni creator spiritus Number of voices: 5
273r	Veni creator	3	-	Anonymous
Veni creator Anonymous Appears on: 273r Genres: Hymn Number of voices: 3
273v	Veni creator spiritus	4	-	Anonymous
Veni creator spiritus Anonymous Appears on: 273v Genres: Hymn Number of voices: 4
273v–274r	Veni creator	3	-	Anonymous
Veni creator Anonymous Appears on: 273v–274r Genres: Veni creator spiritus Number of voices: 3
274r	O lux beata trinitas - 1a pars (of 2): O lux beata trinitas et principalis	3	-	Anonymous
O lux beata trinitas - 1a pars (of 2): O lux beata trinitas et principalis Anonymous Appears on: 274r Genres: Hymn Number of voices: 3 Concordances Tr.88, 229r
274v	[Veni creator spiritus] Qui paraclitus	3	-	Anonymous
[Veni creator spiritus] Qui paraclitus Anonymous Appears on: 274v Genres: Hymn Number of voices: 3
275r	[Pange lingua] Nobis natus	3	-	Anonymous
[Pange lingua] Nobis natus Anonymous Appears on: 275r Genres: Hymn Number of voices: 3
275v–276r	Pange lingua gloriosi corporis misterium	4	[none]	Touront, Johannes (ca. 1450–ca. 1475) (?) Du Fay, Guillaume (1397–1474) (?)
Pange lingua gloriosi corporis misterium Touront, Johannes (ca. 1450–ca. 1475) (?) Du Fay, Guillaume (1397–1474) (?) Appears on: 275v–276r Genres: Motet Source Attribution: [none] Number of voices: 4
276r	Ave maris stella / Ave Katherina	3	-	Anonymous
Ave maris stella / Ave Katherina Anonymous Appears on: 276r Genres: Ave maris stella, BVM, Motet Number of voices: 3 General Note v 2, 4, 6 underlaid v2 = Costi regis nata Concordances Tr.89, 1r & Tr.90, 344r - bith 'Ave maris stella' Text here 'Ave Katherina'
276v	Pange lingua gloriosa	3	-	Anonymous
Pange lingua gloriosa Anonymous Appears on: 276v Genres: Motet Number of voices: 3 Concordances also at f. 269r Tr.90, 334
276v–277r	Pange lingua gloriosi corporis misterium	3	-	Anonymous
Pange lingua gloriosi corporis misterium Anonymous Appears on: 276v–277r Genres: Motet Number of voices: 3 Concordances Tr.93, 381v
277r	Pange lingua	3	-	Anonymous
Pange lingua Anonymous Appears on: 277r Genres: Hymn Number of voices: 3
277v	Pange lingua gloriosi	4	-	Anonymous
Pange lingua gloriosi Anonymous Appears on: 277v Genres: Hymn Number of voices: 4
278r	Exultet celum	4	duffay	Du Fay, Guillaume (1397–1474)
Exultet celum Du Fay, Guillaume (1397–1474) Appears on: 278r Genres: Hymn Source Attribution: duffay Number of voices: 4
278r	[Gloria laus et honor] Israhel es rex	3	-	Anonymous
[Gloria laus et honor] Israhel es rex Anonymous Appears on: 278r Genres: Hymn Number of voices: 3
279r	Ut queant laxis	3	-	Anonymous
Ut queant laxis Anonymous Appears on: 279r Genres: Hymn Number of voices: 3
279r	Procedentem sponsum	3	-	Anonymous
Procedentem sponsum Anonymous Appears on: 279r Genres: Hymn, Troped benedicamus Number of voices: 3
279v	[Ut queant laxis] Nuncius celso	3	-	Anonymous
[Ut queant laxis] Nuncius celso Anonymous Appears on: 279v Genres: Hymn Number of voices: 3
279v–280r	Gloria laus et honor tibi sit	2-3	-	Anonymous
Gloria laus et honor tibi sit Anonymous Appears on: 279v–280r Genres: Hymn Number of voices: 2-3
280r	Gaude visceribus.	3	-	Anonymous
Gaude visceribus. Anonymous Appears on: 280r Genres: Motet Number of voices: 3 Concordances Tr.93, 378v
280v	Jhesu corona virginum	3	-	Anonymous
Jhesu corona virginum Anonymous Appears on: 280v Genres: Hymn Number of voices: 3
280v	[Gloria laus et honor] Israel es tu rex	2	-	Anonymous
[Gloria laus et honor] Israel es tu rex Anonymous Appears on: 280v Genres: Hymn Number of voices: 2 Concordances also at 137r
281r	Iste confessor Domini / Orbis exultans / Ut queant laxis	3	-	Anonymous
Iste confessor Domini / Orbis exultans / Ut queant laxis Anonymous Appears on: 281r Genres: Motet Number of voices: 3 Concordances Tr.88, 240
281r	[Urbs beata Jerusalem] Nova veniens	3	-	Anonymous
[Urbs beata Jerusalem] Nova veniens Anonymous Appears on: 281r Genres: Hymn Number of voices: 3 Concordances Tr.90, 330 Tr.91, 225v
281v	[Christe redemptor] Beata quoque agmina	3	-	Anonymous
[Christe redemptor] Beata quoque agmina Anonymous Appears on: 281v Genres: Hymn Number of voices: 3
281v	[Veni creator spiritus] Qui paraclitus diceris	3	-	Anonymous
[Veni creator spiritus] Qui paraclitus diceris Anonymous Appears on: 281v Genres: Hymn Number of voices: 3
282r	Deus tuorum militum	3	-	Anonymous
Deus tuorum militum Anonymous Appears on: 282r Genres: Hymn Number of voices: 3 Concordances Glog 187-210-208 (=H.6r)
282v	Exultet celum laudibus	3	-	Anonymous
Exultet celum laudibus Anonymous Appears on: 282v Genres: Hymn Number of voices: 3
282v–283r	Sanctorum meritis	3	-	Anonymous
Sanctorum meritis Anonymous Appears on: 282v–283r Genres: Hymn Number of voices: 3
283r	O lux beata Trinitas	3	-	Anonymous
O lux beata Trinitas Anonymous Appears on: 283r Genres: Hymn Number of voices: 3
283v	Ave maris stella	3	-	Anonymous
Ave maris stella Anonymous Appears on: 283v Genres: Ave maris stella, Hymn Number of voices: 3
283v–284r	Ave maris stella	3	-	Anonymous
Ave maris stella Anonymous Appears on: 283v–284r Genres: Ave maris stella, BVM, Hymn Number of voices: 3 Concordances Tr.90, 364
284r	[Exultet coelum laudibus] Vos secli iudices	3	-	Anonymous
[Exultet coelum laudibus] Vos secli iudices Anonymous Appears on: 284r Genres: Hymn Number of voices: 3
284v	[Sanctorum meritis]	3	-	Anonymous
[Sanctorum meritis] Anonymous Appears on: 284v Genres: Hymn, textless Number of voices: 3
285r	Ave maris stella	4	-	Anonymous
Ave maris stella Anonymous Appears on: 285r Genres: Ave maris stella, BVM, Hymn Number of voices: 4 Concordances Tr.88, 236v Magl XIX 112bis, 9v-10r
285v–286r	[Quam terra pontus aethera] Cui luna sol et omnia	3	-	Anonymous
[Quam terra pontus aethera] Cui luna sol et omnia Anonymous Appears on: 285v–286r Genres: Hymn Number of voices: 3
287v–289r	Magnificat quarti toni: Et exultavit [K.243]	3	-	Anonymous
Magnificat quarti toni: Et exultavit [K.243] Anonymous Appears on: 287v–289r Genres: BVM, Canticle, Magnificat Number of voices: 3 General Note superscription 'quarti toni' Concordances Tr.89, 21v-25r
289v–290r	Magnificat sexti toni: Et exultavit [K.303]	3	-	Anonymous
Magnificat sexti toni: Et exultavit [K.303] Anonymous Appears on: 289v–290r Genres: BVM, Magnificat Number of voices: 3 Concordances Tr.88, 227v-228
290v–292r	Magnificat sexti toni: Et exultavit [K.295]	4	-	Anonymous
Magnificat sexti toni: Et exultavit [K.295] Anonymous Appears on: 290v–292r Genres: BVM, Canticle, Magnificat Number of voices: 4 Concordances Tr.89, 143v-145
292v–293r	Magnificat octavi toni: Et exultavit [K.365]	4	-	Anonymous
Magnificat octavi toni: Et exultavit [K.365] Anonymous Appears on: 292v–293r Genres: BVM, Magnificat Number of voices: 4 Concordances Tr.88 243v-245
293v–294r	Magnificat quarti toni: Et exultavit [K.236]	4	-	Anonymous
Magnificat quarti toni: Et exultavit [K.236] Anonymous Appears on: 293v–294r Genres: BVM, Canticle, Magnificat Number of voices: 4 General Note headed 'octavi toni' incorrectly (SnowM)
294v–296r	Magnificat sexti toni: Et exultavit [K.668]	3	[none]	Touront, Johannes (ca. 1450–ca. 1475)
Magnificat sexti toni: Et exultavit [K.668] Touront, Johannes (ca. 1450–ca. 1475) Appears on: 294v–296r Genres: BVM, Canticle, Magnificat Source Attribution: [none] Number of voices: 3 General Note verses out of order (2, 4, 8, 6, 10, 12) Concordances Per. 431, 125v-130r & 133v-134r
296v–298r	Magnificat sexti toni: Et exultavit [K.299]	3	-	Anonymous
Magnificat sexti toni: Et exultavit [K.299] Anonymous Appears on: 296v–298r Genres: BVM, Canticle, Magnificat Number of voices: 3
298v–299r	Magnificat octavi toni: Et exultavit [K.382]	3	-	Anonymous
Magnificat octavi toni: Et exultavit [K.382] Anonymous Appears on: 298v–299r Genres: BVM, Canticle, Magnificat Number of voices: 3 General Note incomplete Concordances Tr.89 173v-175
299v–300r	Magnificat sexti toni: Et exultavit [K.300]	3	-	Anonymous
Magnificat sexti toni: Et exultavit [K.300] Anonymous Appears on: 299v–300r Genres: BVM, Canticle, Magnificat Number of voices: 3
300v–302r	Magnificat secundi toni: Et exultavit [K.194]	3	-	Anonymous
Magnificat secundi toni: Et exultavit [K.194] Anonymous Appears on: 300v–302r Genres: BVM, Canticle, Magnificat Number of voices: 3 General Note Tone 2 transposed, or Tone 8 with variant termination on a? (SnowM) Concordances Tr. 90, 373v-374 Tr. 93, 8v-9v
302v–303r	Magnificat sexti toni: Et exultavit [K.448]	3	-	Anonymous
Magnificat sexti toni: Et exultavit [K.448] Anonymous Appears on: 302v–303r Genres: BVM, Canticle, Magnificat Number of voices: 3 Concordances Tr. 90, 370r-v
303r–304r	Magnificat: Et exultavit [K.449]	3	-	Anonymous
Magnificat: Et exultavit [K.449] Anonymous Appears on: 303r–304r Genres: BVM, Canticle, Magnificat Number of voices: 3 General Note Tone uncertain as at least 2 of 3 clefs are wrong. Perhaps Tone 6 (SnowM)
304v–305r	Magnificat octavi toni: Et exultavit [K.410]	4	-	Anonymous
Magnificat octavi toni: Et exultavit [K.410] Anonymous Appears on: 304v–305r Genres: BVM, Canticle, Magnificat Number of voices: 4
305v	Magnificat primi toni: Et exultavit [K.133]	3	-	Anonymous
Magnificat primi toni: Et exultavit [K.133] Anonymous Appears on: 305v Genres: BVM, Canticle, Magnificat Number of voices: 3 General Note incomplete copy - only Sup of v.2, 4, 6, 8, 12; Ten of v. 2, 4 (part) - though facing page is blank Concordances Tr 91, 187v-188

Composer	Compositions
Anonymous	A solis ortus – 265v–266r A solis ortus cardine – 265v Adest dies celebris - 1a pars (of 2): Adest dies celebris – 229v–230r Adest dies celebris - 2a pars (of 2): In diebus tuis - Inter quos mala – 230v–231r Alleluia. Dies sanctificatus illuxit nobis – 93v–94r Alleluia. Pascha nostrum immolatus est – 193v–194r Alleluia. Vox exultationis et salutis – 92v–93r Alma mater – 240v Alma redemptoris mater – 214v–216r Also heilig ist der tag der dan halig gottes sun – 191r Anima mea liquefacta est – 205v–206r Anima mea liquefacta est – 221v–222r Ascendo ad patrem meum et patrem vestrum – 172r Ave Maria gratia plena Dominus tecum – 257v Ave gemma claritas – 226r Ave maris stella – 283v Ave maris stella – 285r Ave maris stella – 283v–284r Ave maris stella / Ave Katherina – 276r Beati qui esuriunt – 248r Bonum vinum cum sapore – 197v Cibavit eos ex adipe – 44v–45r Cibavit eos ex adipe – 34v–35r Cuius sacrata viscera – 258v Da pacem Domine in diebus nostris – 258r De ventre matris meae vocavit me Dominus – 1v–3r Deus tuorum militum – 282r Dies est laetitiae in ortu regali – 179v Dies venit victoriae – 262v–263r Domine Deus noster – 248v–249r Ecce advenit dominator Dominus – 18v–19r Ecce advenit dominator Dominus – 19r Et enim sederunt principes – 37v–38r Exultet celum laudibus – 282v Festum nunc celebre – 271v–272r Fortune – 250r Gaude flore virginali - 1a pars (of 2): Gaude flore virginali – 231v–232r Gaude flore virginali - 2a pars (of 2): Gaude splendens vas virtutum – 232v–233r Gaude visceribus. – 280r Gaudeamus omnes in Domino – 13r Gaudeamus omnes in Domino – 165v–166r Gaudeamus omnes in Domino – 166v–167r Gaudeamus omnes in Domino – 15v–16r Gaudeamus omnes in Domino – 42v–43r Gloria – 116v–117r Gloria laus et honor tibi sit – 279v–280r Gloria-Credo: Credo – 77v–79r Gloria-Credo: Gloria – 75v–77v Haec est dies quam fecit Dominus exultemus – 180v–181r Imperatrix orphanorum – 212r Imperatrix virgo gloriosa – 200r In medio ecclesiae – 39v–40r In natali Domini – 199r Insignis triumphator – 199v Iste confessor Domini / Orbis exultans / Ut queant laxis – 281r Jesus Christus nostra salus – 138r Jhesu corona virginum – 280v Jube Domine – 176r–177r Jube Domine – 177v–178r Jube Domine – 178v–179r Kain mier – 99v–100r Kyrie – 56v Kyrie – 61r Kyrie – 52v Kyrie – 47v–48r Kyrie – 46v Kyrie – 59v Kyrie – 51v–52r Kyrie – 54v–55r Kyrie – 57r Kyrie – 67v Kyrie Fons bonitatis – 59v–60r Kyrie Fons bonitatis – 64v–66r Kyrie Fons bonitatis – 57v–58r Kyrie Magne Deus – 53v–54r Kyrie Magne Deus – 66v–67r Kyrie Magne Deus – 58v–59r Kyrie Magne Deus, Cuius natus – 67v–68r Kyrie eleison – 60v Kyrie eleison – 64v Kyrie fons bonitatis – 48v–49r Kyrie-Gloria pair: Gloria – 62v–64r Kyrie-Gloria pair: Kyrie – 61v–62r Lauda Sion salvatorem – 195v–197r Lumen ad revelationem – 134r Lumen ad revelationem gentium et gloriam – 131r Magistralis nimphula = La plus dolente – 198r Magnificat octavi toni: Et exultavit [K.365] – 292v–293r Magnificat octavi toni: Et exultavit [K.382] – 298v–299r Magnificat octavi toni: Et exultavit [K.410] – 304v–305r Magnificat primi toni: Et exultavit [K.133] – 305v Magnificat quarti toni: Et exultavit [K.236] – 293v–294r Magnificat quarti toni: Et exultavit [K.243] – 287v–289r Magnificat secundi toni: Et exultavit [K.194] – 300v–302r Magnificat sexti toni: Et exultavit [K.295] – 290v–292r Magnificat sexti toni: Et exultavit [K.299] – 296v–298r Magnificat sexti toni: Et exultavit [K.300] – 299v–300r Magnificat sexti toni: Et exultavit [K.303] – 289v–290r Magnificat sexti toni: Et exultavit [K.448] – 302v–303r Magnificat: Et exultavit [K.449] – 303r–304r Maria mater gratiae – 257v Martinus nam pusillus – 249v Mihi autem nimis – 6v–7r Missa Meditatio cordis: Agnus Dei – 91v–92r Missa Meditatio cordis: Credo – 87v–89r Missa Meditatio cordis: Gloria – 85v–87r Missa Meditatio cordis: Sanctus – 89v–91r Missa O rosa bella [III]. Patrem omnipotentem [Credo] – 155v–157r Missa O rosa bella [III]: Agnus Dei – 159v–160r Missa O rosa bella [III]: Et in terra pax [Gloria] – 153v–155r Missa O rosa bella [III]: Kyrie – 152v–153r Missa O rosa bella [III]: Sanctus – 157v–159r Missa Rozel im gortn: Agnus Dei – 130v–131r Missa Rozel im gortn: Et in terra pax [Gloria] – 121v–124r Missa Rozel im gortn: Patrem omnipotentem [Credo] – 124v–126r Missa Rozel im gortn: Sanctus – 127v–130r Missa Veni creator spiritus: Agnus Dei – 136v–138r Missa Veni creator spiritus: Credo – 135v Missa Veni creator spiritus: Gloria – 133v–135r Missa Veni creator spiritus: Kyrie Cunctipotens genitor – 132r–133r Missa Veni creator spiritus: Sanctus – 136r–136v Missa Veterem hominem: Agnus Dei – 146v–147r Missa Veterem hominem: Agnus Dei – 140r Missa Veterem hominem: Et in terra pax [Gloria] – 140v–142r Missa Veterem hominem: Patrem omnipotentem [Credo] – 142v–144r Missa Veterem hominem: Sanctus – 144v–146r Missa [Tr89-2]: Et in terra pax [Gloria] – 101v–103r Missa [Tr89-2]: Patrem omnipotentem [Credo] – 103v–104r Myn hrcz freyden ist – 213v–214r Natum infantulum – 227v Natum jam collaudemus – 235v–236r Nobis instat carminis – 236v–237r Nos autem gloriari – 45v Novalia instant christicolis – 237v–238r Nunc scio vere – 3v–4r Nunc scio vere – 39r O Admirabile comertium = O pater o fili patris – 160v–161r O Deus in quandis aviis – 224v O intemerata - 1a pars (of 2): O intemerata et in aeternum – 222v–223r O intemerata - 2a pars (of 2): O Maria audi nos – 223v–224r O intemerata castitas = Videte videte Quia ego sum solus – 250v–251r O lumen ecclesiae doctor veritatis – 202v–203r O lux beata Trinitas – 283r O lux beata trinitas - 1a pars (of 2): O lux beata trinitas et principalis – 274r O rosa bella – 226v–227r O sacrum convivium - 1a pars (of 2): O sacrum convivium in quo Christus sumitur – 233v–234r O sacrum convivium - 2a pars (of 2): Mens impletur gratia – 234v–235r O sacrum mysterium – 181v–182r O sancta mundi Domina - Emerge dulcis filia – 260r O sapientia qui ex ore – 180r O speciosa facta est – 212v–213r Ornatam in monilibus – 239r Os justi meditabitur – 12v Pange lingua – 277r Pange lingua gloriosa – 276v Pange lingua gloriosa – 269r Pange lingua gloriosi – 277v Pange lingua gloriosi corporis misterium – 276v–277r Pascha nostrum immolatus est Christus – 195r Procedentem sponsum – 142r Procedentem sponsum – 279r Puer natus est nobis – 16v–17r Puer natus est nobis – 17v Quam pulchra es – 220v–221r Quam pulchra es – 208v–210r Quem terra pontus aethera – 261v Quem terra pontus ethera – 262r Quem terra, pontus, aethera – 261v–262r Quem terra, pontus, aetherna – 261r Quod chorus vatum – 263v Regina caeli laetare alleluia – 257r–257v Regina caeli laetare alleluia – 189v–190r Resurrexi et adhuc tecum sum – 24r Resurrexi et adhuc tecum sum – 22v–23r Resurrexi et adhuc tecum sum – 23v Resurrexi et adhuc tecum sum – 21v–22r Resurrexi et adhuc tecum sum – 20v–21r Rorate caeli desuper et nubes pluant Vs: Caeli enarrant gloriam Dei Et opera – 13v–14r Salve festa dies toto venerabilis – 185v Salve festa dies toto venerabilis – 256r Salve festa dies toto venerabilis – 81r Salve festa dies toto venerabilis – 191r Salve festa dies toto venerabilis – 255v Salve festa dies toto venerabilis – 256v Salve festa dies toto venerabilis – 163v Salve regina mater misericordiae – 210v–211v Salve sancta parens – 1r Salve sancta parens – 4v–5r Salve sancta parens – 5v–6r Salve sancta parens (= Ecce advenit) – 36v Salve sancta parens (= Ecce advenit) – 40v Sancta Maria tu dulcedo – 228v–229r Sanctorum meritis – 282v–283r Sanctus – 127r Sanctus – 82v–84r Sanctus (lacks Benedictus/Osanna II) – 138v–139r Scio cui credidi – 38v Scio cui credidi – 3v–4r Speciosa facta es – 253v–254r Spiritus Domini Replevit orbem terrarum Vs: Confirma hoc Deus A templo sancto – 30v–31r Spiritus Domini Replevit orbem terrarum Vs: Confirma hoc Deus A templo sancto – 31v–32r Spiritus Domini Replevit orbem terrarum Vs: Confirma hoc Deus A templo sancto – 32v–33r Spiritus Domini Replevit orbem terrarum Vs: Confirma hoc Deus A templo sancto – 29v Statuit ei Dominus – 9v–10r Surge amica mea speciosa mea et veni – 206v–208r Suscepimus Deus misericordiam tuam in medio Vs: Magnus Dominus In civitate Dei nostri – 46r Suscepimus Deus misericordiam tuam in medio Vs: Magnus Dominus In civitate Dei nostri – 37r Suscepimus Deus misericordiam tuam in medio Vs: Magnus Dominus In civitate Dei nostri – 19v–20r Terribilis est locus iste – 25r Terribilis est locus iste – 44r Terribilis est locus iste – 43v Terribilis est locus iste – 40v–41r Ut queant laxis – 279r Veni creator – 273r Veni creator – 273v–274r Veni creator spiritus – 271r Veni creator spiritus – 273v Veni creator spiritus – 272v–273r Veni redemptor gentium / Christe redemptor omnium – 265r Veni redemptor gentium ostende partum – 264r Victimae paschali laudes immolent Christiani Agnus redemit oves Christus innocens – 192v–193r Vidi aquam egredientem de templo – 254v–255r Vidi aquam egredientem de templo – 184v–185r Viminibus cinge tristantem – 252v–253r Vita sanctorum – 268v–269r Vita sanctorum – 267v–268r Vita sanctorum. – 267v Vox dilecti mei – 216v–217v Vox dilecti mei Felix porta paradisi – 220r [Christe redemptor] Beata quoque agmina – 281v [Confessor Dei lucidus] Nam ipsius suffragia – 259r [Exultet coelum laudibus] Vos secli iudices – 284r [Festum nunc celebre] Conscendit – 270v [Festum nunc celebre] Qui scandens – 270r [Festum nunc celebre] Qui scandens – 269v–270r [Gloria laus et honor] Israel es tu rex – 137v [Gloria laus et honor] Israel es tu rex – 280v [Gloria laus et honor] Israhel es rex – 278r [O sancta mundi Domina] – 260r [O sancta mundi Domina] Emerge dulcis filia – 259v [Pange lingua] Nobis natus – 275r [Quam terra pontus aethera] Cui luna sol et omnia – 285v–286r [Salve festa dies] ... domino dona redisse suo ... – 184r [Sanctorum meritis] – 284v [Urbs beata Jerusalem] Nova veniens – 281r [Ut queant laxis] Nuncius celso – 279v [Veni creator spiritus] Qui paraclitus – 274v [Veni creator spiritus] Qui paraclitus diceris – 281v [Veni creator spiritus] Qui paraclitus diceris – 272r [Veni redemptor gentium] Non ex virili nemine – 265r [Veni redemptor gentium] Non ex virili semine – 260v [Victimae paschali laudes] Agnus redemit oves Christus innocens – 194v–195r [untexted contratenor] – 123r [untexted] – 242v [untexted] – 183r [untexted] – 244v [untexted] – 245r [untexted] – 227v [untexted] – 243v [untexted] – 225r [untexted] – 243r [untexted] – 242r [untexted] – 241v [untexted] – 238v [untexted] – 247v [untexted] – 245v [untexted] – 244r [untexted] – 241r
Barbingant, Pierre (c1445-60)	Ave virgo speciosa = Der Pfauenschwanz = O quam clara testimonia – 217v–218r
Basiron, Philippe (ca. 1449-1491)	(?) Agnus Dei – 130r Missa Hilf und gib rat: Agnus Dei – 111r–112r Missa Hilf und gib rat: Credo – 107v–109r Missa Hilf und gib rat: Gloria – 105v–107r Missa Hilf und gib rat: Sanctus – 109v–110v O gloriosa mater - 1a pars (of 2): O gloriosa mater – 112v–114r O gloriosa mater - 2a pars (of 2): Eia ergo / Gaude rosa – 112v–114r Regina caeli laetare alleluia – 190v (?) Sanctus – 131v
Batty (c1450-80)	Regina caeli laetare alleluia – 186r–187r Regina caeli laetare alleluia – 187v–189r
Binchois, Gilles (ca. 1400-1460)	A solis ortus cardine ad usque terrae / Salvator mundi Domine nacens [1] – 264v–265r
Brollo, Bartolomeo	Entrepris suis = Congratulamini mihi omnes – 239v–240r
Cornago, Juan de	Missa la mapa mundi apud Neapolim et la Missa nostra donna sancta Maria: Et in terra pax [Gloria] – 96v–98r Missa la mapa mundi apud Neapolim et la Missa nostra donna sancta Maria: Kyrie. – 95v–96r
Du Fay, Guillaume (1397-1474)	(?) Alleluia. Dulcis mater dulci nato – 94v–95r Exultet celum – 278r (?) Laetabitur justus – 10v Mihi autem nimis – 6v–7r Os justi meditabitur – 11v–12r (?) Pange lingua gloriosi corporis misterium – 275v–276r (?) Protexisti me Deus – 26v–27r Sapientiam sanctorum – 10r Spiritus Domini Replevit orbem terrarum Vs: Confirma hoc Deus A templo sancto – 30r
Flemmik	Agnus Dei – 171v–172r Sanctus 'Kliczhovo' – 172v–174r Sanctus Veni creator 'Srotyrzssyke' – 174v–175r
Frye, Walter (-ca. 1475)	O florens rosa mater Domini speciosa – 251v–252r O florens rosa mater Domini speciosa – 204v–205r
Grudencz, Petrus Wilhelmi de (1392-ca. 1480)	Kyrie fons bonitatis, Virginitatis amator – 49v–50r
Nachtigal, Sebald	(?) Alle Dei filius ab hoste superbissimo – 191v
Pullois, Johannes	De ma dame = O pastor aeterne = O beata Maria filia Dei – 225v Flos de spina - 1a pars (of 2): Flos de spina procreatur et flos flore fecundatur – 218v–219r Flos de spina - 2a pars (of 2): Quod celerat umbra legis – 219v–220r Missa Sine nomine: Agnus Dei – 171r Missa Sine nomine: Et in terra pax [Gloria] – 147v–148r Missa Sine nomine: Patrem omnipotentem [Credo] – 148v–150r Missa Sine nomine: Sanctus – 150v–151r
Roullet, Johannes	Kyrie Pascale – 56r
Standley	(?) Agnus – 171v Missa: Agnus Dei – 170v–171r Missa: Credo – 167v–168v Missa: Gloria – 164r–165v Missa: Kyrie – 53r–53v Missa: Sanctus – 168v–170r
Tik, Henricus	Missa [de BMV]: Sanctus – 84v–85r
Tinctoris, Johannes (ca. 1435-1511)	Missa Nos amis ('Wunsliche schone'): Agnus Dei – 119r Missa Nos amis ('Wunsliche schone'): Credo – 115v–116r Missa Nos amis ('Wunsliche schone'): Et in terra pax [Gloria] – 114v–115r Missa Nos amis ('Wunsliche schone'): Kyrie eleison – 118v Missa Nos amis ('Wunsliche schone'): Sanctus – 117v–118r
Touront, Johannes (ca. 1450-ca. 1475)	Ave virgo gloriosa = O preclare Jhesu – 198v Chorus iste pie Christe hunc in dulci carmine = Mon seul plaisir – 246r Compangant omnes in hoc festo corde = O generosa nata David quia te predixere – 200v–201r Magnificat sexti toni: Et exultavit [K.668] – 294v–296r (?) Missa Sig sald und hail: Sanctus – 81v–82r Missa Sine nomine: Agnus Dei – 79v Missa Sine nomine: Credo – 71v–73v Missa Sine nomine: Gloria – 69v–71r Missa Sine nomine: Kyrie – 68bis v–69v Missa Sine nomine: Sanctus – 74r–75v Nova instant cantica – 246v Nunc instant collaudare =Er hat mein lieb – 247r O florens rosa mater Domini speciosa – 203v–204r O gloriosa regina mundi succurre nobis – 182v–183r (?) Pange lingua gloriosi corporis misterium – 275v–276r Recordare virgo mater - 1a pars (of 2): Recordare virgo mater dum steteris – 161v–163r Recordare virgo mater - 2a pars (of 2): Ab hac familia – 161v–163r
Vincenet, Johannes (-ca. 1480)	Missa Sine nomine: Sanctus – 80v–81r

Composition	Composers (? Uncertain)	Folios / Pages
[Christe redemptor] Beata quoque agmina	Anonymous	281v
[Confessor Dei lucidus] Nam ipsius suffragia	Anonymous	259r
[Exultet coelum laudibus] Vos secli iudices	Anonymous	284r
[Festum nunc celebre] Conscendit	Anonymous	270v
[Festum nunc celebre] Qui scandens	Anonymous	269v–270r
[Festum nunc celebre] Qui scandens	Anonymous	270r
[Gloria laus et honor] Israel es tu rex	Anonymous	137v
[Gloria laus et honor] Israel es tu rex	Anonymous	280v
[Gloria laus et honor] Israhel es rex	Anonymous	278r
[O sancta mundi Domina]	Anonymous	260r
[O sancta mundi Domina] Emerge dulcis filia	Anonymous	259v
[Pange lingua] Nobis natus	Anonymous	275r
[Quam terra pontus aethera] Cui luna sol et omnia	Anonymous	285v–286r
[Salve festa dies] ... domino dona redisse suo ...	Anonymous	184r
[Sanctorum meritis]	Anonymous	284v
[untexted contratenor]	Anonymous	123r
[untexted]	Anonymous	183r
[untexted]	Anonymous	225r
[untexted]	Anonymous	227v
[untexted]	Anonymous	238v
[untexted]	Anonymous	241r
[untexted]	Anonymous	241v
[untexted]	Anonymous	242r
[untexted]	Anonymous	242v
[untexted]	Anonymous	243r
[untexted]	Anonymous	243v
[untexted]	Anonymous	244r
[untexted]	Anonymous	244v
[untexted]	Anonymous	245r
[untexted]	Anonymous	245v
[untexted]	Anonymous	247v
[Urbs beata Jerusalem] Nova veniens	Anonymous	281r
[Ut queant laxis] Nuncius celso	Anonymous	279v
[Veni creator spiritus] Qui paraclitus	Anonymous	274v
[Veni creator spiritus] Qui paraclitus diceris	Anonymous	272r
[Veni creator spiritus] Qui paraclitus diceris	Anonymous	281v
[Veni redemptor gentium] Non ex virili nemine	Anonymous	265r
[Veni redemptor gentium] Non ex virili semine	Anonymous	260v
[Victimae paschali laudes] Agnus redemit oves Christus innocens	Anonymous	194v–195r
A solis ortus	Anonymous	265v–266r
A solis ortus cardine	Anonymous	265v
A solis ortus cardine ad usque terrae / Salvator mundi Domine nacens [1]	Binchois, Gilles (ca. 1400–1460)	264v–265r
Adest dies celebris - 1a pars (of 2): Adest dies celebris	Anonymous	229v–230r
Adest dies celebris - 2a pars (of 2): In diebus tuis - Inter quos mala	Anonymous	230v–231r
Agnus	Standley (?)	171v
Agnus Dei	Basiron, Philippe (ca. 1449–1491) (?)	130r
Agnus Dei	Flemmik	171v–172r
Alle Dei filius ab hoste superbissimo	Nachtigal, Sebald (?)	191v
Alleluia. Dies sanctificatus illuxit nobis	Anonymous	93v–94r
Alleluia. Dulcis mater dulci nato	Du Fay, Guillaume (1397–1474) (?)	94v–95r
Alleluia. Pascha nostrum immolatus est	Anonymous	193v–194r
Alleluia. Vox exultationis et salutis	Anonymous	92v–93r
Alma mater	Anonymous	240v
Alma redemptoris mater	Anonymous	214v–216r
Also heilig ist der tag der dan halig gottes sun	Anonymous	191r
Anima mea liquefacta est	Anonymous	205v–206r
Anima mea liquefacta est	Anonymous	221v–222r
Ascendo ad patrem meum et patrem vestrum	Anonymous	172r
Ave gemma claritas	Anonymous	226r
Ave Maria gratia plena Dominus tecum	Anonymous	257v
Ave maris stella	Anonymous	283v
Ave maris stella	Anonymous	283v–284r
Ave maris stella	Anonymous	285r
Ave maris stella / Ave Katherina	Anonymous	276r
Ave virgo gloriosa = O preclare Jhesu	Touront, Johannes (ca. 1450–ca. 1475)	198v
Ave virgo speciosa = Der Pfauenschwanz = O quam clara testimonia	Barbingant, Pierre (fl. c1445-60)	217v–218r
Beati qui esuriunt	Anonymous	248r
Bonum vinum cum sapore	Anonymous	197v
Chorus iste pie Christe hunc in dulci carmine = Mon seul plaisir	Touront, Johannes (ca. 1450–ca. 1475)	246r
Cibavit eos ex adipe	Anonymous	34v–35r
Cibavit eos ex adipe	Anonymous	44v–45r
Compangant omnes in hoc festo corde = O generosa nata David quia te predixere	Touront, Johannes (ca. 1450–ca. 1475)	200v–201r
Cuius sacrata viscera	Anonymous	258v
Da pacem Domine in diebus nostris	Anonymous	258r
De ma dame = O pastor aeterne = O beata Maria filia Dei	Pullois, Johannes	225v
De ventre matris meae vocavit me Dominus	Anonymous	1v–3r
Deus tuorum militum	Anonymous	282r
Dies est laetitiae in ortu regali	Anonymous	179v
Dies venit victoriae	Anonymous	262v–263r
Domine Deus noster	Anonymous	248v–249r
Ecce advenit dominator Dominus	Anonymous	18v–19r
Ecce advenit dominator Dominus	Anonymous	19r
Entrepris suis = Congratulamini mihi omnes	Brollo, Bartolomeo	239v–240r
Et enim sederunt principes	Anonymous	37v–38r
Exultet celum	Du Fay, Guillaume (1397–1474)	278r
Exultet celum laudibus	Anonymous	282v
Festum nunc celebre	Anonymous	271v–272r
Flos de spina - 1a pars (of 2): Flos de spina procreatur et flos flore fecundatur	Pullois, Johannes	218v–219r
Flos de spina - 2a pars (of 2): Quod celerat umbra legis	Pullois, Johannes	219v–220r
Fortune	Anonymous	250r
Gaude flore virginali - 1a pars (of 2): Gaude flore virginali	Anonymous	231v–232r
Gaude flore virginali - 2a pars (of 2): Gaude splendens vas virtutum	Anonymous	232v–233r
Gaude visceribus.	Anonymous	280r
Gaudeamus omnes in Domino	Anonymous	13r
Gaudeamus omnes in Domino	Anonymous	15v–16r
Gaudeamus omnes in Domino	Anonymous	42v–43r
Gaudeamus omnes in Domino	Anonymous	165v–166r
Gaudeamus omnes in Domino	Anonymous	166v–167r
Gloria	Anonymous	116v–117r
Gloria laus et honor tibi sit	Anonymous	279v–280r
Gloria-Credo: Credo	Anonymous	77v–79r
Gloria-Credo: Gloria	Anonymous	75v–77v
Haec est dies quam fecit Dominus exultemus	Anonymous	180v–181r
Imperatrix orphanorum	Anonymous	212r
Imperatrix virgo gloriosa	Anonymous	200r
In medio ecclesiae	Anonymous	39v–40r
In natali Domini	Anonymous	199r
Insignis triumphator	Anonymous	199v
Iste confessor Domini / Orbis exultans / Ut queant laxis	Anonymous	281r
Jesus Christus nostra salus	Anonymous	138r
Jhesu corona virginum	Anonymous	280v
Jube Domine	Anonymous	176r–177r
Jube Domine	Anonymous	177v–178r
Jube Domine	Anonymous	178v–179r
Kain mier	Anonymous	99v–100r
Kyrie	Anonymous	46v
Kyrie	Anonymous	47v–48r
Kyrie	Anonymous	51v–52r
Kyrie	Anonymous	52v
Kyrie	Anonymous	54v–55r
Kyrie	Anonymous	56v
Kyrie	Anonymous	57r
Kyrie	Anonymous	59v
Kyrie	Anonymous	61r
Kyrie	Anonymous	67v
Kyrie eleison	Anonymous	60v
Kyrie eleison	Anonymous	64v
Kyrie fons bonitatis	Anonymous	48v–49r
Kyrie Fons bonitatis	Anonymous	57v–58r
Kyrie Fons bonitatis	Anonymous	59v–60r
Kyrie Fons bonitatis	Anonymous	64v–66r
Kyrie fons bonitatis, Virginitatis amator	Grudencz, Petrus Wilhelmi de (1392–ca. 1480)	49v–50r
Kyrie Magne Deus	Anonymous	53v–54r
Kyrie Magne Deus	Anonymous	58v–59r
Kyrie Magne Deus	Anonymous	66v–67r
Kyrie Magne Deus, Cuius natus	Anonymous	67v–68r
Kyrie Pascale	Roullet, Johannes	56r
Kyrie-Gloria pair: Gloria	Anonymous	62v–64r
Kyrie-Gloria pair: Kyrie	Anonymous	61v–62r
Laetabitur justus	Du Fay, Guillaume (1397–1474) (?)	10v
Lauda Sion salvatorem	Anonymous	195v–197r
Lumen ad revelationem	Anonymous	134r
Lumen ad revelationem gentium et gloriam	Anonymous	131r
Magistralis nimphula = La plus dolente	Anonymous	198r
Magnificat octavi toni: Et exultavit [K.365]	Anonymous	292v–293r
Magnificat octavi toni: Et exultavit [K.382]	Anonymous	298v–299r
Magnificat octavi toni: Et exultavit [K.410]	Anonymous	304v–305r
Magnificat primi toni: Et exultavit [K.133]	Anonymous	305v
Magnificat quarti toni: Et exultavit [K.236]	Anonymous	293v–294r
Magnificat quarti toni: Et exultavit [K.243]	Anonymous	287v–289r
Magnificat secundi toni: Et exultavit [K.194]	Anonymous	300v–302r
Magnificat sexti toni: Et exultavit [K.295]	Anonymous	290v–292r
Magnificat sexti toni: Et exultavit [K.299]	Anonymous	296v–298r
Magnificat sexti toni: Et exultavit [K.300]	Anonymous	299v–300r
Magnificat sexti toni: Et exultavit [K.303]	Anonymous	289v–290r
Magnificat sexti toni: Et exultavit [K.448]	Anonymous	302v–303r
Magnificat sexti toni: Et exultavit [K.668]	Touront, Johannes (ca. 1450–ca. 1475)	294v–296r
Magnificat: Et exultavit [K.449]	Anonymous	303r–304r
Maria mater gratiae	Anonymous	257v
Martinus nam pusillus	Anonymous	249v
Mihi autem nimis	Du Fay, Guillaume (1397–1474)	6v–7r
Mihi autem nimis	Anonymous	6v–7r
Missa [de BMV]: Sanctus	Tik, Henricus	84v–85r
Missa [Tr89-2]: Et in terra pax [Gloria]	Anonymous	101v–103r
Missa [Tr89-2]: Patrem omnipotentem [Credo]	Anonymous	103v–104r
Missa Hilf und gib rat: Agnus Dei	Basiron, Philippe (ca. 1449–1491)	111r–112r
Missa Hilf und gib rat: Credo	Basiron, Philippe (ca. 1449–1491)	107v–109r
Missa Hilf und gib rat: Gloria	Basiron, Philippe (ca. 1449–1491)	105v–107r
Missa Hilf und gib rat: Sanctus	Basiron, Philippe (ca. 1449–1491)	109v–110v
Missa la mapa mundi apud Neapolim et la Missa nostra donna sancta Maria: Et in terra pax [Gloria]	Cornago, Juan de	96v–98r
Missa la mapa mundi apud Neapolim et la Missa nostra donna sancta Maria: Kyrie.	Cornago, Juan de	95v–96r
Missa Meditatio cordis: Agnus Dei	Anonymous	91v–92r
Missa Meditatio cordis: Credo	Anonymous	87v–89r
Missa Meditatio cordis: Gloria	Anonymous	85v–87r
Missa Meditatio cordis: Sanctus	Anonymous	89v–91r
Missa Nos amis ('Wunsliche schone'): Agnus Dei	Tinctoris, Johannes (ca. 1435–1511)	119r
Missa Nos amis ('Wunsliche schone'): Credo	Tinctoris, Johannes (ca. 1435–1511)	115v–116r
Missa Nos amis ('Wunsliche schone'): Et in terra pax [Gloria]	Tinctoris, Johannes (ca. 1435–1511)	114v–115r
Missa Nos amis ('Wunsliche schone'): Kyrie eleison	Tinctoris, Johannes (ca. 1435–1511)	118v
Missa Nos amis ('Wunsliche schone'): Sanctus	Tinctoris, Johannes (ca. 1435–1511)	117v–118r
Missa O rosa bella [III]. Patrem omnipotentem [Credo]	Anonymous	155v–157r
Missa O rosa bella [III]: Agnus Dei	Anonymous	159v–160r
Missa O rosa bella [III]: Et in terra pax [Gloria]	Anonymous	153v–155r
Missa O rosa bella [III]: Kyrie	Anonymous	152v–153r
Missa O rosa bella [III]: Sanctus	Anonymous	157v–159r
Missa Rozel im gortn: Agnus Dei	Anonymous	130v–131r
Missa Rozel im gortn: Et in terra pax [Gloria]	Anonymous	121v–124r
Missa Rozel im gortn: Patrem omnipotentem [Credo]	Anonymous	124v–126r
Missa Rozel im gortn: Sanctus	Anonymous	127v–130r
Missa Sig sald und hail: Sanctus	Touront, Johannes (ca. 1450–ca. 1475) (?)	81v–82r
Missa Sine nomine: Agnus Dei	Touront, Johannes (ca. 1450–ca. 1475)	79v
Missa Sine nomine: Agnus Dei	Pullois, Johannes	171r
Missa Sine nomine: Credo	Touront, Johannes (ca. 1450–ca. 1475)	71v–73v
Missa Sine nomine: Et in terra pax [Gloria]	Pullois, Johannes	147v–148r
Missa Sine nomine: Gloria	Touront, Johannes (ca. 1450–ca. 1475)	69v–71r
Missa Sine nomine: Kyrie	Touront, Johannes (ca. 1450–ca. 1475)	68bis v–69v
Missa Sine nomine: Patrem omnipotentem [Credo]	Pullois, Johannes	148v–150r
Missa Sine nomine: Sanctus	Touront, Johannes (ca. 1450–ca. 1475)	74r–75v
Missa Sine nomine: Sanctus	Vincenet, Johannes (–ca. 1480)	80v–81r
Missa Sine nomine: Sanctus	Pullois, Johannes	150v–151r
Missa Veni creator spiritus: Agnus Dei	Anonymous	136v–138r
Missa Veni creator spiritus: Credo	Anonymous	135v
Missa Veni creator spiritus: Gloria	Anonymous	133v–135r
Missa Veni creator spiritus: Kyrie Cunctipotens genitor	Anonymous	132r–133r
Missa Veni creator spiritus: Sanctus	Anonymous	136r–136v
Missa Veterem hominem: Agnus Dei	Anonymous	140r
Missa Veterem hominem: Agnus Dei	Anonymous	146v–147r
Missa Veterem hominem: Et in terra pax [Gloria]	Anonymous	140v–142r
Missa Veterem hominem: Patrem omnipotentem [Credo]	Anonymous	142v–144r
Missa Veterem hominem: Sanctus	Anonymous	144v–146r
Missa: Agnus Dei	Standley	170v–171r
Missa: Credo	Standley	167v–168v
Missa: Gloria	Standley	164r–165v
Missa: Kyrie	Standley	53r–53v
Missa: Sanctus	Standley	168v–170r
Myn hrcz freyden ist	Anonymous	213v–214r
Natum infantulum	Anonymous	227v
Natum jam collaudemus	Anonymous	235v–236r
Nobis instat carminis	Anonymous	236v–237r
Nos autem gloriari	Anonymous	45v
Nova instant cantica	Touront, Johannes (ca. 1450–ca. 1475)	246v
Novalia instant christicolis	Anonymous	237v–238r
Nunc instant collaudare =Er hat mein lieb	Touront, Johannes (ca. 1450–ca. 1475)	247r
Nunc scio vere	Anonymous	3v–4r
Nunc scio vere	Anonymous	39r
O Admirabile comertium = O pater o fili patris	Anonymous	160v–161r
O Deus in quandis aviis	Anonymous	224v
O florens rosa mater Domini speciosa	Touront, Johannes (ca. 1450–ca. 1475)	203v–204r
O florens rosa mater Domini speciosa	Frye, Walter (–ca. 1475)	204v–205r
O florens rosa mater Domini speciosa	Frye, Walter (–ca. 1475)	251v–252r
O gloriosa mater - 1a pars (of 2): O gloriosa mater	Basiron, Philippe (ca. 1449–1491)	112v–114r
O gloriosa mater - 2a pars (of 2): Eia ergo / Gaude rosa	Basiron, Philippe (ca. 1449–1491)	112v–114r
O gloriosa regina mundi succurre nobis	Touront, Johannes (ca. 1450–ca. 1475)	182v–183r
O intemerata - 1a pars (of 2): O intemerata et in aeternum	Anonymous	222v–223r
O intemerata - 2a pars (of 2): O Maria audi nos	Anonymous	223v–224r
O intemerata castitas = Videte videte Quia ego sum solus	Anonymous	250v–251r
O lumen ecclesiae doctor veritatis	Anonymous	202v–203r
O lux beata Trinitas	Anonymous	283r
O lux beata trinitas - 1a pars (of 2): O lux beata trinitas et principalis	Anonymous	274r
O rosa bella	Anonymous	226v–227r
O sacrum convivium - 1a pars (of 2): O sacrum convivium in quo Christus sumitur	Anonymous	233v–234r
O sacrum convivium - 2a pars (of 2): Mens impletur gratia	Anonymous	234v–235r
O sacrum mysterium	Anonymous	181v–182r
O sancta mundi Domina - Emerge dulcis filia	Anonymous	260r
O sapientia qui ex ore	Anonymous	180r
O speciosa facta est	Anonymous	212v–213r
Ornatam in monilibus	Anonymous	239r
Os justi meditabitur	Du Fay, Guillaume (1397–1474)	11v–12r
Os justi meditabitur	Anonymous	12v
Pange lingua	Anonymous	277r
Pange lingua gloriosa	Anonymous	269r
Pange lingua gloriosa	Anonymous	276v
Pange lingua gloriosi	Anonymous	277v
Pange lingua gloriosi corporis misterium	Touront, Johannes (ca. 1450–ca. 1475) (?) Du Fay, Guillaume (1397–1474) (?)	275v–276r
Pange lingua gloriosi corporis misterium	Anonymous	276v–277r
Pascha nostrum immolatus est Christus	Anonymous	195r
Procedentem sponsum	Anonymous	142r
Procedentem sponsum	Anonymous	279r
Protexisti me Deus	Du Fay, Guillaume (1397–1474) (?)	26v–27r
Puer natus est nobis	Anonymous	16v–17r
Puer natus est nobis	Anonymous	17v
Quam pulchra es	Anonymous	208v–210r
Quam pulchra es	Anonymous	220v–221r
Quem terra pontus aethera	Anonymous	261v
Quem terra pontus ethera	Anonymous	262r
Quem terra, pontus, aethera	Anonymous	261v–262r
Quem terra, pontus, aetherna	Anonymous	261r
Quod chorus vatum	Anonymous	263v
Recordare virgo mater - 1a pars (of 2): Recordare virgo mater dum steteris	Touront, Johannes (ca. 1450–ca. 1475)	161v–163r
Recordare virgo mater - 2a pars (of 2): Ab hac familia	Touront, Johannes (ca. 1450–ca. 1475)	161v–163r
Regina caeli laetare alleluia	Batty (fl. c1450-80)	186r–187r
Regina caeli laetare alleluia	Batty (fl. c1450-80)	187v–189r
Regina caeli laetare alleluia	Anonymous	189v–190r
Regina caeli laetare alleluia	Basiron, Philippe (ca. 1449–1491)	190v
Regina caeli laetare alleluia	Anonymous	257r–257v
Resurrexi et adhuc tecum sum	Anonymous	20v–21r
Resurrexi et adhuc tecum sum	Anonymous	21v–22r
Resurrexi et adhuc tecum sum	Anonymous	22v–23r
Resurrexi et adhuc tecum sum	Anonymous	23v
Resurrexi et adhuc tecum sum	Anonymous	24r
Rorate caeli desuper et nubes pluant Vs: Caeli enarrant gloriam Dei Et opera	Anonymous	13v–14r
Salve festa dies toto venerabilis	Anonymous	81r
Salve festa dies toto venerabilis	Anonymous	163v
Salve festa dies toto venerabilis	Anonymous	185v
Salve festa dies toto venerabilis	Anonymous	191r
Salve festa dies toto venerabilis	Anonymous	255v
Salve festa dies toto venerabilis	Anonymous	256r
Salve festa dies toto venerabilis	Anonymous	256v
Salve regina mater misericordiae	Anonymous	210v–211v
Salve sancta parens	Anonymous	1r
Salve sancta parens	Anonymous	4v–5r
Salve sancta parens	Anonymous	5v–6r
Salve sancta parens (= Ecce advenit)	Anonymous	36v
Salve sancta parens (= Ecce advenit)	Anonymous	40v
Sancta Maria tu dulcedo	Anonymous	228v–229r
Sanctorum meritis	Anonymous	282v–283r
Sanctus	Anonymous	82v–84r
Sanctus	Anonymous	127r
Sanctus	Basiron, Philippe (ca. 1449–1491) (?)	131v
Sanctus 'Kliczhovo'	Flemmik	172v–174r
Sanctus (lacks Benedictus/Osanna II)	Anonymous	138v–139r
Sanctus Veni creator 'Srotyrzssyke'	Flemmik	174v–175r
Sapientiam sanctorum	Du Fay, Guillaume (1397–1474)	10r
Scio cui credidi	Anonymous	3v–4r
Scio cui credidi	Anonymous	38v
Speciosa facta es	Anonymous	253v–254r
Spiritus Domini Replevit orbem terrarum Vs: Confirma hoc Deus A templo sancto	Anonymous	29v
Spiritus Domini Replevit orbem terrarum Vs: Confirma hoc Deus A templo sancto	Du Fay, Guillaume (1397–1474)	30r
Spiritus Domini Replevit orbem terrarum Vs: Confirma hoc Deus A templo sancto	Anonymous	30v–31r
Spiritus Domini Replevit orbem terrarum Vs: Confirma hoc Deus A templo sancto	Anonymous	31v–32r
Spiritus Domini Replevit orbem terrarum Vs: Confirma hoc Deus A templo sancto	Anonymous	32v–33r
Statuit ei Dominus	Anonymous	9v–10r
Surge amica mea speciosa mea et veni	Anonymous	206v–208r
Suscepimus Deus misericordiam tuam in medio Vs: Magnus Dominus In civitate Dei nostri	Anonymous	19v–20r
Suscepimus Deus misericordiam tuam in medio Vs: Magnus Dominus In civitate Dei nostri	Anonymous	37r
Suscepimus Deus misericordiam tuam in medio Vs: Magnus Dominus In civitate Dei nostri	Anonymous	46r
Terribilis est locus iste	Anonymous	25r
Terribilis est locus iste	Anonymous	40v–41r
Terribilis est locus iste	Anonymous	43v
Terribilis est locus iste	Anonymous	44r
Ut queant laxis	Anonymous	279r
Veni creator	Anonymous	273r
Veni creator	Anonymous	273v–274r
Veni creator spiritus	Anonymous	271r
Veni creator spiritus	Anonymous	272v–273r
Veni creator spiritus	Anonymous	273v
Veni redemptor gentium / Christe redemptor omnium	Anonymous	265r
Veni redemptor gentium ostende partum	Anonymous	264r
Victimae paschali laudes immolent Christiani Agnus redemit oves Christus innocens	Anonymous	192v–193r
Vidi aquam egredientem de templo	Anonymous	184v–185r
Vidi aquam egredientem de templo	Anonymous	254v–255r
Viminibus cinge tristantem	Anonymous	252v–253r
Vita sanctorum	Anonymous	267v–268r
Vita sanctorum	Anonymous	268v–269r
Vita sanctorum.	Anonymous	267v
Vox dilecti mei	Anonymous	216v–217v
Vox dilecti mei Felix porta paradisi	Anonymous	220r

‡ denotes primary source study

Mrackova, Veronika. 2014. Polyphonic Office Hymns with Local Traits in the Prague Strahov Codex. Hudebni Veda (Musical Science), Vol 51 (1-2): 91-104. Notes: provenance.

‡ Gancarczyk, Pawel. 2006. The Dating and Chronology of the Strahov Codex. Hudebni Veda (Musical Science), Vol 46 issue 2: 135-145. Notes: watermarks, physical structure.

[No Author] 2005. Proceedings?

Gancarczyk, Pawel. 2004. The Links between the Strahov Codex and Austria and the Imperial Court of Frederick III. Muzyka (Music), Vol 49 issue 2(193): 79-88. Notes: provenance.

Curtis, Gareth R K, and Andrew B Wathey. 1994. Fifteenth-Century English Liturgical Music: A List of the Surviving Repertory. Royal Musical Association Research Chronicle, 27: 1-69.

Curtis, Gareth R K. 1981. Jean Pullois and the Cyclic Mass-Or a Case of Mistaken Identity? Music and Letters, 62: 41-59. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Strohm, Reinhard. 1979. Die Missa super 'Nos amis' von Johannes Tinctoris. Die Musikforschung, 32: 34-51. Notes: contents list (partial); concordances (partial); incipits (partial); mention of MS; discussion.

Ward, Tom Robert. 1979. The Polyphonic Office Hymn from 1400 to 1520: A Descriptive Inventory. RMS, vol. 3. American Institute of Musicology. Notes: contents list (partial); concordances (partial); incipits (partial).

Černý, Jaromír. 1975. Petrus Wilhelmi de Grudencz: Neznámy Skladatel Doby Dufayovy v Ceskych Pramenech. Hudební Veda, 12: 195-238. Pages: 234. Notes: contents list (partial); concordances (partial); incipits (partial).

Schmalz, Robert F, II. 1971. Selected Fifteenth Century Polyphonic Mass Ordinaries Based Upon Pre-existent German Material. University of Pittsburgh, Unpublished Ph.D. dissertation. Pages: 43-73,84,138-53,232-8,265-87. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Snow, Robert Joseph. 1969. The Mass-Motet Cycle: A Mid-Fifteenth-Century Experiment. Essays in Musicology in Honor of Dragan Plamenac on His 70th Birthday, 301-20. Pittsburgh. Notes: physical description (partial); contents list (partial); concordances (partial); incipits (partial); transcription (partial); mention of MS; discussion.

Ward, Tom Robert. 1969. The Polyphonic Office Hymn from the Late Fourteenth Century Until the Early Sixteenth Century. University of Pittsburgh, Unpublished Ph.D. dissertation. Pages: 115-24,158-60,224ff, 576-81, passim. Notes: contents list (partial); concordances (partial); incipits (partial); transcription (partial); mention of MS; discussion.

‡ Snow, Robert Joseph. 1968. The Manuscript Strahov D.G.IV.47. University of Illinois, Unpublished Ph.D. dissertation. Notes: physical description; contents list; concordances; incipits; transcription (partial); texts (partial); facsimile (partial); mention of MS; discussion.

Gülke, Peter (editor). 1967. Johannis Pullois: Opera Omnia. Corpus mensurabilis musicae, vol. 41. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: xiv-xviii,27-31. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts. Tutzing. Pages: 156. Notes: contents list (partial); concordances (partial); incipits (partial).

Kenney, Sylvia W. 1964. Walter Frye and the Contenance Angloise. New Haven and London. Pages: 28-9,65-8,79,153. Notes: contents list (partial); mention of MS; discussion.

Harrison, Frank Llewellyn (editor). 1963-. Early English Church Music. London: Stainer & Bell. Pages: XXII, 183ff. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Plamenac, Dragan. 1960. Browsing Through a Little-Known Manuscript (Prague, Strahov Monastery, D.G. IV. 47). Journal of the American Musicological Society, 13: 102-11. Notes: physical description; contents list (partial); concordances (partial); transcriptions (partial); facsimile (partial); mention of MS; discussion.

Plamenac, Dragan. 1958. German Polyphonic Lieder of the 15th Century in a Little-Known Manuscript. International Musicological Society: Report of the Seventh Congress, Cologne 1958, 214-5. Notes: physical description (partial); contents list (partial); facsimile (partial); mention of MS; discussion.

Snížková-Škrhová, Jitka. 1958. Ceská Polyfonni Tvorba. Prague. Pages: II, 26-7,96. Notes: contents list (partial); transcription (partial); facsimile (partial).

de Van, Guillaume, and Heinrich Besseler (editors). 1948-66. Guillaume Dufay: Opera Omnia. Corpus mensurabilis musicae, vol. 1. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: V,v,xliii,133. Notes: contents list (partial); transcription (partial); texts (partial).

Orel, Dobroslav. 1914. Der Mensuralkodex "Speciálnik": Ein Beitrag zur Geschichte der Mensuralmusik und Notenschrift in Böhmen bis 1540. Vienna. Notes: physical description; contents list (partial); concordances (partial); incipits (partial); mention of MS; discussion.

Hlavkova-Mrackova, Lenka. None. Cantio, Lied or Chanson. The Strahov Codex as a 15th Century Song Treasury. Hudebni Veda (Musical Science), Vol 50 issue 3-4: 259-270. Notes: contents list (partial); concordances (partial).

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description