D-Mbs Mus. MS 4775

Bayerische Staatsbibliothek, München (Munich), Germany

fragment: 13th century

Archive	Bayerische Staatsbibliothek, München (Munich), Germany (D-Mbs)
Shelfmark	Mus. MS 4775
Image Availability	DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface	Parchment
Measurements	155 x 110 / 142 x 116 / 142 x 103 mm
Other Identifiers	RISM: MüA olim (Former shelfmark): Cod. gall. 42
Notations	Notre Dame
Relationships	Wolf (owner) Kirchhoff and Wigand (booksellers) (owner)
External Links	14th-century French music notation tutorials Images Transcribed texts
Provenance	Germany
Contents	Contains 40 compositions, 40 are anonymous.

Notation

black Notre Dame

DIAMM, 2017

Surface

parchment

DIAMM, 2017

RISM Description

RISM B/IV 1: The 13th century parchment fragments in question here are assumed to come from the same manuscript in DittmerZ, an exhaustive study of MüA. Whether they do or not, they may be arranged in the 5 groups A-E employed in the above-mentioned work. A includes the 2 Munich bifolios as well as some Berlin fragments and contains 25 two-part motets, B contains one three-part and 10 two-part motets, C contains the remains of 3 two-part organa from the Magnus Liber Organi, D has 2 lays and 2 conductus, and E only 1 conductus. Only Dl is polyphonic in sections D and E : this three-part conductus follows the first lay in section D. The numbering in the present volume does not take into account any pieces which may have been lost as DittmerZ does, since the RISM is only concerned with extant music. Photographs of the Wolf fragments are preserved among the Rokseth photos in the Bibl. Nat. in Paris, Dépt. de Musique, Vma 1446. The Munich pages were acquired in 1873 from the Antiquarians Kirchoff and Wigand in Leipzig, and Dittmer thinks Wolf obtained his leaves c. 1920. Complex A consists of 4 consecutive bifolios, whose original size was approx. 155 x 110mm., but now they are a little smaller, Fol. 1+8 and 4+5 are the Munich pages, while f. 2+7 and 3+6 were preserved in Wolf's library as 4 and 3 strips respectively. The black Notre Dame type notation employs 12 red four- or occasionally five-line staves per page. Initials are red or red-blue. Complex B was made up of 2 bifolios the same size as those in complex A, and is doubtless from the same codex as complex A. It is possible that only 1 bifolio is missing between the two we have, and so the numbers 1+6 and 2+5 used by Dittmer and Ludwig have been retained. Complex C consisted of a bifolio meas. 142 x 116 mm. with 3 accolades of 2 staves per page. Preserved were the top half of the bifolio + a strip of the bottom half, namely the right-hand bottom corner of f. 1. Complex D was a double page meas. 142 x 103 mm. The designation of the 2 folios as 1 and 6 is due to the assumption that 2 double pages are missing.

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Répertoire International des Sources Musicales

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Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
1	Tot cil oiseillon ont laissié le chanter / Et Jerusalem	-	Anonymous
Tot cil oiseillon ont laissié le chanter / Et Jerusalem Anonymous Appears on: 1 Genres: Motet Number of voices: 2 Voice: [no designation] Languages: French Clef: c3 Voice Text: Tot cil oiseillon ont laissié le chanter Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Et Iherusalem Layout parts
1	. qe soions net de tous mesprisons / Tatem	-	Anonymous
. qe soions net de tous mesprisons / Tatem Anonymous Appears on: 1 Genres: Motet Number of voices: 3 Voice: [no designation] Languages: French Voice Text: [. . . .] qe soions net de tous mesprisons Voice: Tenor Languages: Latin Voice Text: [Tatem] General Note only remainder of text preserved, but music evidently identical with B2 and B3 Layout score parts
1–1v	Alleluia. Veni electa mea	-	Anonymous
Alleluia. Veni electa mea Anonymous Appears on: 1–1v Genres: Alleluia, Proper Number of voices: 2 Voice: [no designation] Languages: none Clef: c4 Voice: [no designation] Languages: Latin Clef: f3 Voice Text: Alleluya. V. Veni, electa mea General Note fragment beg. after "mea" and ending before "in thronam", then continuing to the end Layout score
1v, 6	O Maria, virginei flos honoris	-	Anonymous
O Maria, virginei flos honoris Anonymous Appears on: 1v, 6 Genres: Motet Number of voices: 3 Voice: [no designation] Languages: none Clef: c3 Voice: [no designation] Languages: none Clef: c4 Voice: [no designation] Languages: Latin Clef: c4 Voice Text: O Maria, virginei flos honoris Layout score
1	En mon chant deslou un jeu qui molt / Omnes	-	Anonymous
En mon chant deslou un jeu qui molt / Omnes Anonymous Appears on: 1 Genres: Motet Number of voices: 2 Voice: [no designation] Languages: French Clef: c2 Voice Text: En mon chant deslou un jeu qui molt Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Omnes Layout parts
1	Scandit solium patrium / Tatem	-	Anonymous
Scandit solium patrium / Tatem Anonymous Appears on: 1 Genres: Motet Number of voices: 3 Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Scandit solium patrium Voice: Tenor Languages: Latin Clef: c3 Voice Text: Tatem Layout score parts
1v, 4	Alleluia. Posui adjutorium	-	Anonymous
Alleluia. Posui adjutorium Anonymous Appears on: 1v, 4 Genres: Alleluia, Proper Number of voices: 2 Voice: [no designation] Languages: none Clef: c3 Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Alle[luya. V. Posui adiutorium . .. ele]ctum General Note the very first and last few bars only Layout score
1	Par peu li coeurs ne me parti / Omnes	-	Anonymous
Par peu li coeurs ne me parti / Omnes Anonymous Appears on: 1 Genres: Motet Number of voices: 2 Voice: [no designation] Languages: French Voice Text: Par peu li cuers ne me parti Voice: Tenor Languages: Latin Voice Text: Omnes Layout parts
1–1v	Caeli semita cognita / Tatem	-	Anonymous
Caeli semita cognita / Tatem Anonymous Appears on: 1–1v Genres: Motet Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Celi semita cognita Voice: Tenor Languages: Latin Voice Text: Tatem General Note identical with B1 and B2 Layout score parts
4–4v	Domine. V. Vitam petiit	-	Anonymous
Domine. V. Vitam petiit Anonymous Appears on: 4–4v Genres: Motet Number of voices: 2 Voice: [no designation] Languages: none Clef: c3 Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Domine. V. [Vitam pe]tiit General Note The entire Rx + the V. from "[pe]tiit" to "longitu[dinem]" Layout score
1v–2	Fole acostumance me fait qe je chant / Dominus	-	Anonymous
Fole acostumance me fait qe je chant / Dominus Anonymous Appears on: 1v–2 Genres: Motet Number of voices: 2 Voice: [no designation] Languages: French Clef: c3 Voice Text: Fole acostumance me fait qe je chant Voice: Tenor Languages: Latin Clef: c3 Voice Text: Dominus Layout parts
2	Cest siecle jou point ne lou / Procedens a throno apostolorum	-	Anonymous
Cest siecle jou point ne lou / Procedens a throno apostolorum Anonymous Appears on: 2 Genres: Motet Number of voices: 2 Voice: [no designation] Languages: French Clef: c4 Voice Text: Cest siecle jou point ne lou Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Procedens a throno apostolorum Layout parts
2	Dame qui j'aime et desir / Dominus	-	Anonymous
Dame qui j'aime et desir / Dominus Anonymous Appears on: 2 Genres: Motet Number of voices: 2 Voice: [no designation] Languages: French Clef: c3 Voice Text: Dame cui j'aim [et] desir Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Dominus General Note ending of Mot missing Layout parts
2v	Or me tendront riche mauves a fou / Hodie perlustravit	-	Anonymous
Or me tendront riche mauves a fou / Hodie perlustravit Anonymous Appears on: 2v Genres: Motet Number of voices: 2 Voice: [no designation] Languages: French Clef: c3 Voice Text: Or me tendront riche mauves a fou Voice: Tenor Languages: Latin Clef: c5 Voice Text: Hodie perlustravit Layout parts
2–2v	Quand repaire la dolçor qui nait la fueille et la flor / Dominus	-	Anonymous
Quand repaire la dolçor qui nait la fueille et la flor / Dominus Anonymous Appears on: 2–2v Genres: Motet Number of voices: 2 Voice: [no designation] Languages: French Clef: no clef Voice Text: [Quant repaire la dolço]r qu naist la fueille et la [flor] Voice: [no designation] Languages: Latin, French Clef: c3 Voice Text: Dominus General Note Mot fragmentary Layout parts
2v	Quant voi yver repairier et la froidour / Au doz tens plaisant qu'oisiau sont	-	Anonymous
Quant voi yver repairier et la froidour / Au doz tens plaisant qu'oisiau sont Anonymous Appears on: 2v Genres: Motet Number of voices: 2 Voice: [no designation] Languages: French Clef: c2 Voice Text: Quant voi yver repairier et la froidour Voice: Motetus Languages: French Clef: c3 Voice Text: Au doz tens plaisant qu'oisiau sont General Note Mot preserved up to 'grant joie en atent'; T lost Layout parts
2v	Factum est salutare conspectu / Dominus	-	Anonymous
Factum est salutare conspectu / Dominus Anonymous Appears on: 2v Genres: Motet Number of voices: 2 Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Factum est salutare conspectu Voice: Tenor Languages: Latin Clef: c3 Voice Text: Dominus Layout parts
5	encontre le nouvel tans d'esté...lis m'ot ma dame en cui ... mariz santé / Docebit	-	Anonymous
encontre le nouvel tans d'esté...lis m'ot ma dame en cui ... mariz santé / Docebit Anonymous Appears on: 5 Genres: Motet Number of voices: 2 Voice: [no designation] Languages: French Clef: c2 Voice Text: [encontre le nouvel tans d'esté]...lis m'ot ma dame en cui ... mariz santé Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Docebit General Note Mot lacks opening Layout parts
3	Qui matin au point del jor desor / Nobis	-	Anonymous
Qui matin au point del jor desor / Nobis Anonymous Appears on: 3 Genres: Motet Number of voices: 2 Voice: [no designation] Languages: French Clef: c4 Voice Text: [H](Q)ui matin au point del jor desor Voice: [no designation] Languages: Latin Clef: no clef Voice Text: [No]bis General Note Mot fragmentary and T lost except ending Layout parts
5	Au departir plourer la vi, la plus envoisie / Docebit	-	Anonymous
Au departir plourer la vi, la plus envoisie / Docebit Anonymous Appears on: 5 Genres: Motet Number of voices: 2 Voice: [no designation] Languages: French Clef: c3 Voice Text: Au departir plourer la vi, la plus envoisie Voice: Tenor Languages: Latin Clef: f2 Voice Text: Docebit Layout parts
3v	Meinte foisr ai esprové li siecle / Venite	-	Anonymous
Meinte foisr ai esprové li siecle / Venite Anonymous Appears on: 3v Genres: Motet Number of voices: 1 Voice: [no designation] Languages: French Clef: c4 Voice Text: Meinte foi[s](r) ai esprové li siecle Voice: [no designation] Languages: Latin Voice Text: [Venite] General Note Mot more or less complete, but T lost Layout parts
5–5v	Selonc le mal qi me vient, plaindre me convient / Docebit	-	Anonymous
Selonc le mal qi me vient, plaindre me convient / Docebit Anonymous Appears on: 5–5v Genres: Motet Number of voices: 2 Voice: [no designation] Languages: French Clef: c3 Voice Text: Selonc le mal qi me vient, plaindre me convient Voice: Tenor Languages: Latin Clef: c4 Voice Text: Docebit Layout parts
4	Ja por longue desirrée n'iert bone / Hodie	-	Anonymous
Ja por longue desirrée n'iert bone / Hodie Anonymous Appears on: 4 Genres: Motet Number of voices: 2 Voice: [no designation] Languages: French Clef: c3 Voice Text: [J]a por longue desirrée n'iert bone Voice: [no designation] Languages: Latin Clef: f3 Voice Text: Hodie Layout parts
5v–6	Doce nos hac die viam patrie / Docebit	-	Anonymous
Doce nos hac die viam patrie / Docebit Anonymous Appears on: 5v–6 Genres: Motet Number of voices: 2 Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Doce nos hac die viam patrie Voice: Tenor Languages: Latin Clef: c4 Voice Text: Docebit Layout parts
4	Qui d'amors se pleint onqes de coeur n'ama / Lux magna	-	Anonymous
Qui d'amors se pleint onqes de coeur n'ama / Lux magna Anonymous Appears on: 4 Genres: Motet Number of voices: 2 Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Qui d'amors se pleint onqes de cuer n'ama Voice: Tenor Languages: Latin Clef: f3 Voice Text: Lux mag[na] Layout parts
6–6v	Doce nos, optime vite fons / Docebit	-	Anonymous
Doce nos, optime vite fons / Docebit Anonymous Appears on: 6–6v Genres: Motet Number of voices: 3 Voice: [no designation] Languages: none Clef: c3 Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Doce nos, optime vite fons Voice: Tenor Languages: Latin Clef: c4 Voice Text: Docebit Layout score parts
4–4v	D'une fause ipocrisie se sont / Lux magna	-	Anonymous
D'une fause ipocrisie se sont / Lux magna Anonymous Appears on: 4–4v Genres: Motet Number of voices: 2 Voice: [no designation] Languages: Latin Clef: c4 Voice Text: D'une fause ypocrisie se sont Voice: Tenor Languages: Latin Clef: f3 Voice Text: Lux magna Layout parts
5	Toz seus chevauchai l'autrier, trovai / Ne	-	Anonymous
Toz seus chevauchai l'autrier, trovai / Ne Anonymous Appears on: 5 Genres: Motet Number of voices: 2 Voice: [no designation] Languages: French Clef: c1 Voice Text: Toz seus chevauchai l'autrier, trovai Voice: [no designation] Languages: French Clef: c3 Voice Text: Ne Layout parts
5	Mal ait qi f'amer recrerra … par les seinz dieu je le voi la / Ne	-	Anonymous
Mal ait qi f'amer recrerra … par les seinz dieu je le voi la / Ne Anonymous Appears on: 5 Genres: Motet Number of voices: 2 Voice: [no designation] Languages: French Clef: c2 Voice Text: Mal ait qi f'amer recrerra. . . par les seinz dieu je le voi la Voice: [no designation] Languages: French Clef: c3 Voice Text: Ne General Note opening of Mot almost illegible Layout parts
5v	Tot le premier jor de mai a m'amie / Ne	-	Anonymous
Tot le premier jor de mai a m'amie / Ne Anonymous Appears on: 5v Genres: Motet Number of voices: 2 Voice: [no designation] Languages: French Clef: c2 Voice Text: Tot le premier jor de mai a m'amie Voice: [no designation] Languages: French Clef: c3 Voice Text: Ne Layout parts
5v–6	En mai qant n'est la rosée, qe friodure / Ne	-	Anonymous
En mai qant n'est la rosée, qe friodure / Ne Anonymous Appears on: 5v–6 Genres: Motet Number of voices: 2 Voice: [no designation] Languages: French Clef: c3 Voice Text: En mai qant nest la rosée, qe friodure Voice: Tenor Languages: French Clef: c3 Voice Text: Ne Layout parts
6	Tout les enemis les pres amors ai / Dominus	-	Anonymous
Tout les enemis les pres amors ai / Dominus Anonymous Appears on: 6 Genres: Motet Number of voices: 2 Voice: [no designation] Languages: French Clef: c3 Voice Text: [Tout leis enmi les] prez [amors ai] Voice: Tenor Languages: Latin Clef: c3 Voice Text: Dominus General Note only a few staves of Mot remain Layout parts
6–6v	Ne / Qui servare puberem vagam	-	Anonymous
Ne / Qui servare puberem vagam Anonymous Appears on: 6–6v Genres: Motet Number of voices: 2 Voice: Tenor Languages: Latin Clef: c3 Voice Text: [Ne] Voice: Triplum Languages: French Clef: c3 Voice Text: [Qui servare puberem vagam] General Note opening of Mot and complete T lost Layout score parts
6v–6	Main s'est levée Aëlis qui tout / Et tenuerunt	-	Anonymous
Main s'est levée Aëlis qui tout / Et tenuerunt Anonymous Appears on: 6v–6 Genres: Motet Number of voices: 2 Voice: [no designation] Languages: French Voice Text: [Main s'est levée Aëlis ki tout] Voice: Tenor Languages: French Voice Text: Ne General Note opening of Mot lost. Incipt reference to B 27 refers on to F-Mo 225 Layout parts
7v	Quant li doz tens rasaige / Stantem	-	Anonymous
Quant li doz tens rasaige / Stantem Anonymous Appears on: 7v Genres: Motet Number of voices: 2 Voice: [no designation] Languages: French Clef: c3 Voice Text: Quant li doz tens rasaige Voice: [no designation] Languages: Latin Clef: f3 Voice Text: Stantem Layout parts
8	Manoir me fait en folie mon coeur / Manere	-	Anonymous
Manoir me fait en folie mon coeur / Manere Anonymous Appears on: 8 Genres: Motet Number of voices: 2 Voice: [no designation] Languages: French Voice Text: Manoir me fait en folie mon cuer Voice: Tenor Languages: Latin Voice Text: Manere Layout parts
8–8v	Dame, vostre douce regart m'ocient / Manere	-	Anonymous
Dame, vostre douce regart m'ocient / Manere Anonymous Appears on: 8–8v Genres: Motet Number of voices: 3 Voice: [no designation] Languages: French Voice Text: Dame, vostre doz regart m'ocient Voice: Tenor Languages: Latin Voice Text: Manere Layout parts
8v	Maniere esgarder ne se comment me puisse / Manere	-	Anonymous
Maniere esgarder ne se comment me puisse / Manere Anonymous Appears on: 8v Genres: Motet Number of voices: 2 Voice: [no designation] Languages: French Clef: c2 Voice Text: Maniere esgarder ne se comment me puisse Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Manere Layout parts
8v	En doce dolor de grief desirrée me covient / Manere	-	Anonymous
En doce dolor de grief desirrée me covient / Manere Anonymous Appears on: 8v Genres: Motet Number of voices: 2 Voice: [no designation] Languages: French Clef: c2 Voice Text: En doce dolor de grief desirrée me covient Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Manere Layout parts
8v	Avueqes tel Marion ja pastoriaus / Manere	-	Anonymous
Avueqes tel Marion ja pastoriaus / Manere Anonymous Appears on: 8v Genres: Motet Number of voices: 2 Voice: [no designation] Languages: French Voice Text: Avueqes tel Marion ja pastoriaus Voice: Tenor Languages: Latin Voice Text: [Manere] General Note only Mot incipit preserved Layout parts

Composer	Compositions
Anonymous	. qe soions net de tous mesprisons / Tatem – 1 Alleluia. Posui adjutorium – 1v, 4 Alleluia. Veni electa mea – 1–1v Au departir plourer la vi, la plus envoisie / Docebit – 5 Avueqes tel Marion ja pastoriaus / Manere – 8v Caeli semita cognita / Tatem – 1–1v Cest siecle jou point ne lou / Procedens a throno apostolorum – 2 D'une fause ipocrisie se sont / Lux magna – 4–4v Dame qui j'aime et desir / Dominus – 2 Dame, vostre douce regart m'ocient / Manere – 8–8v Doce nos hac die viam patrie / Docebit – 5v–6 Doce nos, optime vite fons / Docebit – 6–6v Domine. V. Vitam petiit – 4–4v En doce dolor de grief desirrée me covient / Manere – 8v En mai qant n'est la rosée, qe friodure / Ne – 5v–6 En mon chant deslou un jeu qui molt / Omnes – 1 Factum est salutare conspectu / Dominus – 2v Fole acostumance me fait qe je chant / Dominus – 1v–2 Ja por longue desirrée n'iert bone / Hodie – 4 Main s'est levée Aëlis qui tout / Et tenuerunt – 6v–6 Mal ait qi f'amer recrerra … par les seinz dieu je le voi la / Ne – 5 Maniere esgarder ne se comment me puisse / Manere – 8v Manoir me fait en folie mon coeur / Manere – 8 Meinte foisr ai esprové li siecle / Venite – 3v Ne / Qui servare puberem vagam – 6–6v O Maria, virginei flos honoris – 1v, 6 Or me tendront riche mauves a fou / Hodie perlustravit – 2v Par peu li coeurs ne me parti / Omnes – 1 Quand repaire la dolçor qui nait la fueille et la flor / Dominus – 2–2v Quant li doz tens rasaige / Stantem – 7v Quant voi yver repairier et la froidour / Au doz tens plaisant qu'oisiau sont – 2v Qui d'amors se pleint onqes de coeur n'ama / Lux magna – 4 Qui matin au point del jor desor / Nobis – 3 Scandit solium patrium / Tatem – 1 Selonc le mal qi me vient, plaindre me convient / Docebit – 5–5v Tot cil oiseillon ont laissié le chanter / Et Jerusalem – 1 Tot le premier jor de mai a m'amie / Ne – 5v Tout les enemis les pres amors ai / Dominus – 6 Toz seus chevauchai l'autrier, trovai / Ne – 5 encontre le nouvel tans d'esté...lis m'ot ma dame en cui ... mariz santé / Docebit – 5

Composer

Compositions

Anonymous

. qe soions net de tous mesprisons / Tatem – 1
Alleluia. Posui adjutorium – 1v, 4
Alleluia. Veni electa mea – 1–1v
Au departir plourer la vi, la plus envoisie / Docebit – 5
Avueqes tel Marion ja pastoriaus / Manere – 8v
Caeli semita cognita / Tatem – 1–1v
Cest siecle jou point ne lou / Procedens a throno apostolorum – 2
D'une fause ipocrisie se sont / Lux magna – 4–4v
Dame qui j'aime et desir / Dominus – 2
Dame, vostre douce regart m'ocient / Manere – 8–8v
Doce nos hac die viam patrie / Docebit – 5v–6
Doce nos, optime vite fons / Docebit – 6–6v
Domine. V. Vitam petiit – 4–4v
En doce dolor de grief desirrée me covient / Manere – 8v
En mai qant n'est la rosée, qe friodure / Ne – 5v–6
En mon chant deslou un jeu qui molt / Omnes – 1
Factum est salutare conspectu / Dominus – 2v
Fole acostumance me fait qe je chant / Dominus – 1v–2
Ja por longue desirrée n'iert bone / Hodie – 4
Main s'est levée Aëlis qui tout / Et tenuerunt – 6v–6
Mal ait qi f'amer recrerra … par les seinz dieu je le voi la / Ne – 5
Maniere esgarder ne se comment me puisse / Manere – 8v
Manoir me fait en folie mon coeur / Manere – 8
Meinte foisr ai esprové li siecle / Venite – 3v
Ne / Qui servare puberem vagam – 6–6v
O Maria, virginei flos honoris – 1v, 6
Or me tendront riche mauves a fou / Hodie perlustravit – 2v
Par peu li coeurs ne me parti / Omnes – 1
Quand repaire la dolçor qui nait la fueille et la flor / Dominus – 2–2v
Quant li doz tens rasaige / Stantem – 7v
Quant voi yver repairier et la froidour / Au doz tens plaisant qu'oisiau sont – 2v
Qui d'amors se pleint onqes de coeur n'ama / Lux magna – 4
Qui matin au point del jor desor / Nobis – 3
Scandit solium patrium / Tatem – 1
Selonc le mal qi me vient, plaindre me convient / Docebit – 5–5v
Tot cil oiseillon ont laissié le chanter / Et Jerusalem – 1
Tot le premier jor de mai a m'amie / Ne – 5v
Tout les enemis les pres amors ai / Dominus – 6
Toz seus chevauchai l'autrier, trovai / Ne – 5
encontre le nouvel tans d'esté...lis m'ot ma dame en cui ... mariz santé / Docebit – 5

Composition	Composers (? Uncertain)	Folios / Pages
. qe soions net de tous mesprisons / Tatem	Anonymous	1
Alleluia. Posui adjutorium	Anonymous	1v, 4
Alleluia. Veni electa mea	Anonymous	1–1v
Au departir plourer la vi, la plus envoisie / Docebit	Anonymous	5
Avueqes tel Marion ja pastoriaus / Manere	Anonymous	8v
Caeli semita cognita / Tatem	Anonymous	1–1v
Cest siecle jou point ne lou / Procedens a throno apostolorum	Anonymous	2
D'une fause ipocrisie se sont / Lux magna	Anonymous	4–4v
Dame qui j'aime et desir / Dominus	Anonymous	2
Dame, vostre douce regart m'ocient / Manere	Anonymous	8–8v
Doce nos hac die viam patrie / Docebit	Anonymous	5v–6
Doce nos, optime vite fons / Docebit	Anonymous	6–6v
Domine. V. Vitam petiit	Anonymous	4–4v
En doce dolor de grief desirrée me covient / Manere	Anonymous	8v
En mai qant n'est la rosée, qe friodure / Ne	Anonymous	5v–6
En mon chant deslou un jeu qui molt / Omnes	Anonymous	1
encontre le nouvel tans d'esté...lis m'ot ma dame en cui ... mariz santé / Docebit	Anonymous	5
Factum est salutare conspectu / Dominus	Anonymous	2v
Fole acostumance me fait qe je chant / Dominus	Anonymous	1v–2
Ja por longue desirrée n'iert bone / Hodie	Anonymous	4
Main s'est levée Aëlis qui tout / Et tenuerunt	Anonymous	6v–6
Mal ait qi f'amer recrerra … par les seinz dieu je le voi la / Ne	Anonymous	5
Maniere esgarder ne se comment me puisse / Manere	Anonymous	8v
Manoir me fait en folie mon coeur / Manere	Anonymous	8
Meinte foisr ai esprové li siecle / Venite	Anonymous	3v
Ne / Qui servare puberem vagam	Anonymous	6–6v
O Maria, virginei flos honoris	Anonymous	1v, 6
Or me tendront riche mauves a fou / Hodie perlustravit	Anonymous	2v
Par peu li coeurs ne me parti / Omnes	Anonymous	1
Quand repaire la dolçor qui nait la fueille et la flor / Dominus	Anonymous	2–2v
Quant li doz tens rasaige / Stantem	Anonymous	7v
Quant voi yver repairier et la froidour / Au doz tens plaisant qu'oisiau sont	Anonymous	2v
Qui d'amors se pleint onqes de coeur n'ama / Lux magna	Anonymous	4
Qui matin au point del jor desor / Nobis	Anonymous	3
Scandit solium patrium / Tatem	Anonymous	1
Selonc le mal qi me vient, plaindre me convient / Docebit	Anonymous	5–5v
Tot cil oiseillon ont laissié le chanter / Et Jerusalem	Anonymous	1
Tot le premier jor de mai a m'amie / Ne	Anonymous	5v
Tout les enemis les pres amors ai / Dominus	Anonymous	6
Toz seus chevauchai l'autrier, trovai / Ne	Anonymous	5

‡ denotes primary source study

Staehelin, Martin. 1999. Kleinüberlieferung mehrstimmiger Musik vor 1550 in deutschem Sprachgebiet: I: Die Notre-Dame-Fragmente aus dem Besitz von Johannes Wolf. Nachrichten der Akademie der Wissenschaften in Göttingen I: Philologisch-Historische Klasse, vol. 6. Göttingen: Vandenhoek & Ruprecht. Notes: Facsimile of complexes A, B, C, D and E.

Dittmer, Luther A. 1960. Publications of Mediaeval Musical Manuscripts Il: Wolfenbüttel 1099. Publications of Mediaeval Music Manuscripts, vol. 2. Brooklyn: Institute of Mediaeval Music. Pages: f. 252, 218-218a, 185v + 226v, 247v-248, 209-209v, 177-177V, 239-239V, 248v-249, 158-158v, 158v-159, 85-85v and 83-84 (facsimile of A 3, 4, 16, 17, 22, B2, 5, 8, 10, 11, C 1 and 2 after W2).

Dittmer, Luther A. 1959. Änderungen der Grundrhythmen in den Notre-Dame-Handschriften. Die Musikforschung, 12: 392ff.

Dittmer, Luther A. 1959. Publications of Mediaeval Musical Manuscripts IlI: Eine zentrale Quelle der Notre Dame-Musik. Publications of Mediaeval Musical Manuscripts, vol. 3. Brooklyn: Institute of Mediaeval Music. Pages: (reconstruction and complete transcription of MüA after Munich bifolio and Ludwig copies of Wolf fragments).

Gennrich, Friedrich. 1958. Bibliographie der ältesten französischen und lateinischen Motetten. Pages: XXXII etc.

Waite, W. 1954. The Rhythm of Twelfth Century Polyphony. Pages: 183ff, 221 ff and 235ff (transcription of C 1-3 after W1).

Gennrich, Friedrich. 1953. Sankt Victor Clausulae und ihre Motetten. Pages: 11 (diplomatic copies of A 24 and B 7).

Handschin, Jacques. 1949. The Summer Canon and its Background. Musica Disciplina, 3: 55-94, volume 5 (1951), 65-113. Pages: II, 91.

Kujlmann, G. 1938. Die zweistimmigen französischen Motetten des Kodex Montpellier, Faculté de Médecine H196. 2 vols. Pages: II, 159, 294, 163, 79, 134 (transcription of A 10-12, 16 and 21); II, 201, 207, 230, 239, 242.

Husmann, Heinrich. 1937. Die Motetten der Madrider Handschrift und deren geschichtliche Stellung. Archiv für Musikforschung, 2: 173ff. Pages: 181 (transcription of B 10 after Ma); 177.

Rokseth, Y. 1935+1939. Les Polyphonies du XIVe siecle. 4 vols. Pages: I-III, nos. 26, 50, 247, 215, 251, 210, 238, 90, 140 (facsimile and transcription of A 3, 4, 10-12, 16, 21, 22 and B 6 after Mo); IV, 68, 161, 171, 257, 267, 274, 283, 286f.

Baxter, J. H. 1931. An Old St. Andrew Music Book. Pages: f. 34v-35, 40v-41 and 39-39v (facsimile of C 1-3 after W1), f. 106-106v (facsimile of A 18 without T after W1).

Wolf, Johannes (editor). 1931. Sing- und Spielmusik aus älterer Zeit. Beispielband zur allgemeinen Musikgeschichte. 2nd edition Leipzig. Pages: pl. 3 (facsimile of B f. 1 and 2v).

Gennrich, Friedrich. 1926. Trouvère-Lieder und Motettenrepertoire. Zeitschrift für Musikwissenschaft, 9: 8and65. Pages: 34 (transcription of A 19).

Wolf, Johannes. 1924. Die Tonschriften in Jedermann-Bücherei. Breslau. Pages: 127 (facsimile of B f. 5).

Ludwig, Friedrich. 1923. Die Quellen der Motetten ältesten Stils. Archiv für Musikwissenschaft, 5: 185-222, Vol. 5 (1924) 273-315. Pages: 187ff.

Gennrich, Friedrich. 1921, 1927. Rondeaux, Virelais und Balladen aus dem Ende des 12., dem 13. und dem ersten Drittel des 14. Jahrhunderts. 2 vols. Pages: II, 295f (transcription of A 3).

Ludwig, Friedrich. 1910. Repertorium organorum recentioris et motetorum vetustissimi stili. I. Catalogue raisonné. 1. Handschriften in Quadratnotation. Halle: Niemayer. Pages: 279ff, etc.

Wooldridge, Harry Ellis. 1901. Oxford History of Music I. Oxford: Clarendon. Pages: I, 358ff (transcription of A 18 after F).

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Joseph Mason

Monday, 25 August, 2025

Added Staehelin volume to the bibliography.

Elizabeth Eva Leach

Monday, 30 April, 2018

Image URL checked

Répertoire Internationale des Sources Musicales

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description

D-Mbs Mus. MS 4775

Bayerische Staatsbibliothek, München (Munich), Germany

fragment: 13th century

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Joseph Mason

Monday, 25 August, 2025

Elizabeth Eva Leach