I-Vnm MS It. IX. 145

Biblioteca Nazionale Marciana, Venezia, Italy

manuscript of polyphony, monophony, and texts without music: I: c. 1420-40; II: mid-15th century

Archive	Biblioteca Nazionale Marciana, Venezia, Italy (I-Vnm)
Shelfmark	MS It. IX. 145
Image Availability	DIAMM does not have images of this source.
Surface	Parchment
Numbering System	Foliation
Measurements	100 x 68-71 mm
Other Identifiers	RISM: I-Vnm 145 CCM: VenBN 7554 olim (Former shelfmark): Ms.1120/128; 280; MS 7554
Notations	black full mensural coloration in red square chant
Relationships	Somaschi religious order (founded 1528) (owner)
Provenance	Italy
Contents	Contains 59 compositions, 17 from 6 composers, 42 are anonymous.

General Description

Composite of two separate manuscripts later bound together: Part I = ff. 1-85'; Part II = ff. 86-199'. Part I copied by a single scribe; part II copied by several scribes. Most pieces are in quasi-score format, with one voice copied in red to facilitate legibility. Copied in Venice or vicinity, presumably at Franciscan monastery (JepV). Once owned by Somaschi religious order (founded 1528), housed adjacent to Church of Santa Maria della Salute, Venice; passed to present library in 1810, in connection with Napoleonic suppression.

DIAMM, 2017

Binding

Original covers of brown leather.

DIAMM, 2017

Notation

Part I: black mensural with red coloration. Part II: square chant with occasional black mensural

DIAMM, 2017

Foliation

Original red ink foliation, [1]-36 + later ink foliation, 37-199 (one unnumbered folio between ff. 75/76 and ff. 110/111, respectively, numbered as '75bis' and '110bis' by later hand).

DIAMM, 2017

Foliation

ff. I, 199

DIAMM, 2017

Surface

parchment

DIAMM, 2017

RISM Description

RISM

VENEZIA. BIBLIOTECA NAZIONALE MARCIANA. Ms. Ital. C1.IX.145 (Collocazione 7554)

I-Vnm 145

XVe s. 202ff. Parchemin, 100 x 66 mm. Foliotation ancienne: 1-199 encre rouge jusqu'au f. 36, continuée par une foliotation plus récente, encre noire avec 2 ch. sautés entre 75-76 et 110-111. Les ff. 41v, 42r et v, 85v, 170, 173v, 183v, 196 à 199 sont blancs. Aux ff. 43 à 85, 121 à 126v, 142v à 144, 145 à 160v, 164v à 169v, 174 à 179, 180 à 195v, laudi, hymnes et séquences sans musique. Aux ff. 128r-v règles pour les novices. Notation mesurée noire et rouge. Notation grégorienne aux ff. 86-90, 93v-102, 104-107v, 160v-163v, 179-180v. 4 et 5 portées par p. Initiales rouges et bleues, ornées dans la 1ère partie. Reliure ancienne de cuir estampé brun, traces de fermoirs.

Au r du f. limin., une collette porte Provenienza: Somaschi della Salute. 22, ce qui indique que le ms. appartenait à l'Ordre des Somaschi, fondé à Venise en 1528 et qui avait un siège dans cette ville en l'église S" Maria della Salute. C'est en 1810 que, suivant les décrets de Napoléon, il passa à la Marciana.

Ce ms. est en réalité constitué de 2 mss. différents, et par l'écriture et par le style musical: I.- jusqu'au f. 85 inclus (1 à 42 pour la musique), 5 portées rouges par p. La notation mesurée noire et rouge qu'on peut dater au plus tard de la moitié du XVe s., s'applique à des compositions polyphoniques très évoluées (Dufay, Binchois). II.- du f. 86 à la fin, 4 portées noires par p. La notation est en partition (ou tablature d'orgue, comme le suggère Jeppesen?), les 2 vx. des pièces polyphoniques étant notées sur une seule portée, le Sup. en rouge, le T en noir, afin de les différencier. La notation carrée, très fruste, rend l'interprétation rythmique exacte souvent impossible et peut-être s'agissait-il de laisser ainsi libre cours à l'improvisation des exécutants auxquels on fournissait simplement des formules de chant grégorien pour les fonctions liturgiques. On peut dater cette 2e partie de la 2e ou 3e décennie du XVe s. Ces 2 mss. différents ont été ensuite réunis pour former le recueil actuel, dont on compléta alors la foliotation et auquel on ajouta à la fin quelques pièces sans musique copiées de diverses mains, cette compilation définitive s'étant proba-blement opérée dès le XVe s. Les laudi qui constituent la partie la plus originale du ms. comportent beaucoup d'unica. Pour 5 d'entre elles (n° 19, 20, 22, 23, 24), on trouve les poèmes aux ff. 59 à 68. précédés au f. 58v de la mention: Has sequentes novas vulgaresque laudes ad honorem omnipotentis Dei patris etfilii et spiritus sancti nuperrime composuit quidam frater pauperculus ordinis minorum eisque suaves sotiavit cantus. ce qui, avec le frater minorum mentionné aussi au f. 72v, évoque le cadre d'une Communauté franciscaine où aurait été compilé le ms.

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Répertoire International des Sources Musicales

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 Mass, 2 Glorias, 2 Credos, 1 Mass Proper section, 4 hymns, 5 motets, 3 Benedicamus dominos, 29 Italian and Latin laude, 2 textless pieces = 49*

*Contents also include monophonic pieces, and texts without music, not included in above summary.

Benoit-1, Binchois-2, (Dufay)-2, (Salinis)-1, anon-43

i + 201 parchment folios, 100 x 68-71. Composite of two separate manuscripts later bound together: Part I = ff. 1-85'; Part II = ff. 86-199'. Original red ink foliation, [1]-36 + later ink foliation, 37-199 (one unnumbered folio between ff. 75/76 and ff. 110/111, respectively, numbered as "75bis" and "110bis" by later hand). Original covers of brown leather. No index. Part I copied by a single scribe, in black mensural notation with red coloration. Part II copied by several scribes, in square chant notation with occasional black mensural notation; most pieces in quasi-score format, with one voice copied in red to facilitate legibility. Red and blue inked Gothic initials, some (mainly in Part I) decorated with floral tracery.

Part I: ca. 1420-40. Part II: mid 15th century. Copied in Venice or vicinity, presumably at Franciscan monastery (JepV). Once owned by Somaschi religious order (founded 1528), housed adjacent to Church of Santa Maria della Salute, Venice; passed to present library in 1810, in connection with Napoleonic suppression.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
1	Verbum caro factum est / Verbum caro factum est / Verbum caro factum est	-	Anonymous
Verbum caro factum est / Verbum caro factum est / Verbum caro factum est Anonymous Appears on: 1 Genres: Lauda Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Verbum caro factum est … Voice: [no designation] Languages: Latin Voice Text: Verbum caro factum est … Voice: [no designation] Languages: Latin Voice Text: Verbum caro factum est … Item Bibliography Jeppesen, Knud. 1935. Die Mehrstimmige Italienische Laude um 1500. Leipzig and Copenhagen. Pages: p. XX. Borren, Charles van den (editor). 1932; 2nd rev. edn., London, 1962. Polyphonia sacra: A Continental Miscellany of the Fifteenth Century. Nashdom Abbey, Burnham, Bucks., and London: Plainsong and Mediaeval Music Society.
1v–3	Missa sine nomine (Resvelliés vous): Kyrie eleison [Tro] Salvator noster	[G. DUFAY]	Du Fay, Guillaume (1397–1474)
Missa sine nomine (Resvelliés vous): Kyrie eleison [Tro] Salvator noster Du Fay, Guillaume (1397–1474) Appears on: 1v–3 Genres: Kyrie eleison, Mass Ordinary Source Attribution: [G. DUFAY] Number of voices: 3 Voice: [no designation] Languages: Latin, Greek Voice Text: [Missa sine nomine]Kyrie leyson Salvator noster General Note Publ. cf. AOs n° 28
2v	Kyrie eleison (KGC group - iv/1)	[G. DUFAY]	Du Fay, Guillaume (1397–1474)
Kyrie eleison (KGC group - iv/1) Du Fay, Guillaume (1397–1474) Appears on: 2v Genres: Kyrie eleison, Motet Source Attribution: [G. DUFAY] Number of voices: 2 Voice: [no designation] Languages: Latin, Greek Voice Text: 2bis [Kyrie] fragment General Note fragm. du Sup. et du T seul1 Publ. cf. AOs n° 26
3v–5	Missa sine nomine (Resvelliés vous): Et in terra pax [Gloria]	[G. DUFAY]	Du Fay, Guillaume (1397–1474)
Missa sine nomine (Resvelliés vous): Et in terra pax [Gloria] Du Fay, Guillaume (1397–1474) Appears on: 3v–5 Genres: Gloria (et in terra pax), Mass Ordinary Source Attribution: [G. DUFAY] Number of voices: 2 Voice: [no designation] Languages: Latin, Greek Voice Text: [Missa sine nomine] Kyrie leyson Salvator noster General Note Incomplete lacks Ct (B) & lacks the long Amen. Publ. cf. AOs n° 34
5v–9	Patrem omnipotentem [Credo]	-	Anonymous
Patrem omnipotentem [Credo] Anonymous Appears on: 5v–9 Genres: Credo (patrem omnipotentem), Mass Ordinary Number of voices: 2 Voice: [no designation] Languages: Latin Voice Text: [Credo] Patrem
9	Benedicamus Domino	-	Anonymous
Benedicamus Domino Anonymous Appears on: 9 Genres: Benedicamus Domino, Motet Voice: [no designation] Languages: Latin Voice Text: Benedicamus domino
9v–11	Missa sine nomine (Resvelliés vous): Sanctus	[G. DUFAY]	Du Fay, Guillaume (1397–1474)
Missa sine nomine (Resvelliés vous): Sanctus Du Fay, Guillaume (1397–1474) Appears on: 9v–11 Genres: Mass Ordinary, Sanctus [& Benedictus] Source Attribution: [G. DUFAY] Number of voices: 2 Voice: [no designation] Languages: Latin Voice Text: [Missa sine nomine] Sanctus General Note Mq.le BPubl. cf. AOs n' 103
11v–12	Missa sine nomine (Resvelliés vous): Agnus Dei	[G. DUFAY]	Du Fay, Guillaume (1397–1474)
Missa sine nomine (Resvelliés vous): Agnus Dei Du Fay, Guillaume (1397–1474) Appears on: 11v–12 Genres: Agnus Dei, Mass Ordinary Source Attribution: [G. DUFAY] Number of voices: 2 Voice: [no designation] Languages: Latin Voice Text: [Missa sine nomine] Agnus General Note Mq.le BPubl. cf. AOs n° 107
12v–15	Et in terra pax [Gloria]	-	Anonymous
Et in terra pax [Gloria] Anonymous Appears on: 12v–15 Genres: Gloria (et in terra pax), Mass Ordinary Number of voices: 2 Voice: [no designation] Languages: Latin Voice Text: [Gloria] Et in terra General Note Tr:Jesu audi nos gementes Item Bibliography Biella, Mons Giuseppe (editor). 1876-. Musica sacra. Rivista bimestrale. Milano. Pages: IV.
15v–19	Et in terra pax [Gloria]	[H. DE SALINIS]	Salinis, Hymbert de (ca. 1378–)
Et in terra pax [Gloria] Salinis, Hymbert de (ca. 1378–) Appears on: 15v–19 Genres: Gloria (et in terra pax), Mass Ordinary Source Attribution: [H. DE SALINIS] Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: [Gloria] Et in terra General Note Tr: GLoria jubilatio … Publ. cf. Bc 15 n° 54 Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.
19v–22	Patrem omnipotentem [Credo]	-	Anonymous
Patrem omnipotentem [Credo] Anonymous Appears on: 19v–22 Genres: Credo (patrem omnipotentem), Mass Ordinary Number of voices: 2 Voice: [no designation] Languages: Latin Voice Text: [Credo] Patrem
22v–25	Missa sine nomine (Resvelliés vous): Patrem omnipotentem [Credo]	[G. DUFAY]	Du Fay, Guillaume (1397–1474)
Missa sine nomine (Resvelliés vous): Patrem omnipotentem [Credo] Du Fay, Guillaume (1397–1474) Appears on: 22v–25 Genres: Credo (patrem omnipotentem), Mass Ordinary Source Attribution: [G. DUFAY] Number of voices: 2 Voice: [no designation] Languages: Latin Voice Text: [Missa sine nomine.Credo] Patrem General Note lacks Ct (B). Publ. cf. AOs n° 35 Concordances PlanchartD states that this Ct/T is not from Du Fay's Credo but an anonymous setting interpolated into Du Fay's mass
25v–28	Sancta Maria regina caelorum	-	Anonymous
Sancta Maria regina caelorum Anonymous Appears on: 25v–28 Genres: Lauda, Motet Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Sancta Maria regina celorum … Voice: [no designation] Languages: Latin Voice Text: Sancta Maria regina celorum … Voice: [no designation] Languages: Latin Voice Text: Sancta Maria regina celorum …
26v–27	untexted	-	-
untexted Appears on: 26v–27 Number of voices: 2 Voice: [no designation] Languages: none Voice Text: without text
27v–28	Vergene madre pia	-	Anonymous
Vergene madre pia Anonymous Appears on: 27v–28 Genres: Motet Number of voices: 2 Voice: [no designation] Languages: Italian Voice Text: Vergene madre pia General Note Publ. cf. PAVu 361 n' 5 Item Bibliography Cattin, Giulio. 1962. II manoscritto Veneto Marciano It al. IX. 145. Biblioteca di Quadrivium, Serie musicologica, vol. 3. Bologna. Pages: facs.
27v–28	Qui nos fecit ex nichilo / Qui nos fecit ex nichilo	-	Anonymous
Qui nos fecit ex nichilo / Qui nos fecit ex nichilo Anonymous Appears on: 27v–28 Genres: Lauda Number of voices: 2 Voice: [no designation] Languages: Latin Voice Text: Qui nos fecit ex nichilo … Voice: [no designation] Languages: Latin Voice Text: Qui nos fecit ex nichilo … Item Bibliography Cattin, Giulio. 1962. II manoscritto Veneto Marciano It al. IX. 145. Biblioteca di Quadrivium, Serie musicologica, vol. 3. Bologna. Pages: Facs.
28v–29	Ave mater o Maria	-	Wolkenstein, Oswald von (1376–1445)
Ave mater o Maria Wolkenstein, Oswald von (1376–1445) Appears on: 28v–29 Genres: Motet Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Ave mater o Maria … Voice: [no designation] Languages: Latin Voice Text: Ave mater o Maria … Voice: [no designation] Languages: Latin Voice Text: Ave mater o Maria … General Note Publ. cf. Bu 2216 n° 57 Item Bibliography Wolf, Johannes. 1913-9; Reprinted: Hildesheim, 1963. Handbuch der Notationskunde. Leipzig. Pages: I Facs.
29v–30	Ave Regina caelorum (1)	[G. DUFAY]	Du Fay, Guillaume (1397–1474)
Ave Regina caelorum (1) Du Fay, Guillaume (1397–1474) Appears on: 29v–30 Genres: BVM, Motet Source Attribution: [G. DUFAY] Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Ave regina celorum … Voice: [no designation] Languages: Latin Voice Text: Ave regina celorum … Voice: [no designation] Languages: Latin Voice Text: Ave regina celorum … General Note Publ. cf. Bc 15 n° ^225 Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.
30v	Madre che festi colui che te fece	-	Anonymous
Madre che festi colui che te fece Anonymous Appears on: 30v Genres: Motet Number of voices: 2 Voice: [no designation] Languages: Italian Voice Text: Madre che festi colui che te fece Item Bibliography Cattin, Giulio (editor). 1958. Laudi quattrocentesche del Codice Veneto Marciano Ital. IX. 145. Biblioteca di Quadrivium, Serie paleografica, vol. 10. Bologna.
31	Padre del cielo omnipotente	(FRATER PAUPERCULUS)	Pauperculus, Frater
Padre del cielo omnipotente Pauperculus, Frater Appears on: 31 Genres: Motet Source Attribution: (FRATER PAUPERCULUS) Number of voices: 2 Voice: [no designation] Languages: Italian Voice Text: Padre del cielo omnipotente General Note [Texte aux ff. 59-60v] Item Bibliography Jeppesen, Knud. 1935. Die Mehrstimmige Italienische Laude um 1500. Leipzig and Copenhagen. Cattin, Giulio (editor). 1958. Laudi quattrocentesche del Codice Veneto Marciano Ital. IX. 145. Biblioteca di Quadrivium, Serie paleografica, vol. 10. Bologna. Pages: (avec facs).
31v	Alcando gli ochi viddi ne l'oriente	(FRATER PAUPERCULUS)	Pauperculus, Frater
Alcando gli ochi viddi ne l'oriente Pauperculus, Frater Appears on: 31v Genres: Italian secular Source Attribution: (FRATER PAUPERCULUS) Number of voices: 2 Voice: [no designation] Languages: Italian Voice Text: Alcando gli ochi viddi ne l'oriente General Note [Texte aux ff. 67-68] Item Bibliography Jeppesen, Knud. 1935. Die Mehrstimmige Italienische Laude um 1500. Leipzig and Copenhagen. Cattin, Giulio (editor). 1958. Laudi quattrocentesche del Codice Veneto Marciano Ital. IX. 145. Biblioteca di Quadrivium, Serie paleografica, vol. 10. Bologna.
32	Ognon m'entenda devotamente	-	Anonymous
Ognon m'entenda devotamente Anonymous Appears on: 32 Genres: Motet Number of voices: 2 Voice: [no designation] Languages: Italian Voice Text: Ognon m'entenda devotamente Item Bibliography Cattin, Giulio. 1958. Contributi alla storia della lauda spirituale: Sulla evoluzione musicale e letteraria della lauda nei secoli XIV e XV. Quadrivium, 2: 45-75.
32v	Miserere mei a te pur grido	(FRATER PAUPERCULUS)	Pauperculus, Frater
Miserere mei a te pur grido Pauperculus, Frater Appears on: 32v Genres: Motet Source Attribution: (FRATER PAUPERCULUS) Number of voices: 2 Voice: [no designation] Languages: Latin Voice Text: Miserere mei a te pur grido General Note [Texte aux ff. 61-62v] Item Bibliography Cattin, Giulio (editor). 1958. Laudi quattrocentesche del Codice Veneto Marciano Ital. IX. 145. Biblioteca di Quadrivium, Serie paleografica, vol. 10. Bologna. Pages: avec facs.
33	O aquila magna che cum tue ale	(FRATER PAUPERCULUS)	Pauperculus, Frater
O aquila magna che cum tue ale Pauperculus, Frater Appears on: 33 Genres: Motet Source Attribution: (FRATER PAUPERCULUS) Number of voices: 2 Voice: [no designation] Languages: Latin Voice Text: O aquila magna che cum tue ale General Note [Texte aux ff. 63v-65] Item Bibliography Cattin, Giulio (editor). 1958. Laudi quattrocentesche del Codice Veneto Marciano Ital. IX. 145. Biblioteca di Quadrivium, Serie paleografica, vol. 10. Bologna. Pages: avec facs.
33v–34	Se gratia per gratia render mi convieni..	(FRATER PAUPERCULUS)	Pauperculus, Frater
Se gratia per gratia render mi convieni.. Pauperculus, Frater Appears on: 33v–34 Genres: Motet Source Attribution: (FRATER PAUPERCULUS) Number of voices: 2 Voice: [no designation] Languages: Italian Voice Text: Se gratia per gratia render mi convieni.. General Note [Texte aux ff. 65v-66] Item Bibliography Cattin, Giulio (editor). 1958. Laudi quattrocentesche del Codice Veneto Marciano Ital. IX. 145. Biblioteca di Quadrivium, Serie paleografica, vol. 10. Bologna. Pages: avec facs.
34v	Misericordia altissimo Dio	-	Anonymous
Misericordia altissimo Dio Anonymous Appears on: 34v Genres: Motet Number of voices: 2 Voice: [no designation] Languages: Latin Voice Text: Misericordia altissimo Dio Item Bibliography Cattin, Giulio (editor). 1958. Laudi quattrocentesche del Codice Veneto Marciano Ital. IX. 145. Biblioteca di Quadrivium, Serie paleografica, vol. 10. Bologna.
35	O crux fructus salvificus - 1a pars (of 2): O crux fructus salvificus	-	Anonymous
O crux fructus salvificus - 1a pars (of 2): O crux fructus salvificus Anonymous Appears on: 35 Genres: Lauda Number of voices: 2 Voice: [no designation] Languages: Latin Voice Text: O crux fructus salvificus … Voice: [no designation] Languages: Latin Voice Text: O crux fructus salvificus …
35v–36	untexted	-	-
untexted Appears on: 35v–36 Number of voices: 2 Voice: [no designation] Languages: none Voice Text: without text
35v–36	Benedicamus Domino	-	Anonymous
Benedicamus Domino Anonymous Appears on: 35v–36 Genres: Benedicamus Domino, Lauda, Motet Number of voices: 2 Voice: [no designation] Languages: Latin Voice Text: Benedicamus domino … Voice: [no designation] Languages: Latin Voice Text: Benedicamus domino …
36v–37	O Francisée pater pie	-	Anonymous
O Francisée pater pie Anonymous Appears on: 36v–37 Genres: Lauda Number of voices: 2 Voice: [no designation] Languages: Latin Voice Text: O Francisée pater pie … Voice: [no designation] Languages: Latin Voice Text: O Francisée pater pie …
37v–38	Ut queant laxis resonare fibris	BINCHOYS	Binchois, Gilles (ca. 1400–1460)
Ut queant laxis resonare fibris Binchois, Gilles (ca. 1400–1460) Appears on: 37v–38 Genres: Motet Source Attribution: BINCHOYS Number of voices: 2 Voice: [no designation] Languages: Latin Voice Text: Ut queantlaxis General Note Tenor faulx bordon Item Bibliography Parris, Arthur. 1965. The sacred works of Gilles Binchois. Bryn Mawr College, Ph.D. Dissertation. Wolf, Johannes. 1931); American reprint: 'Music of earlier times. Vocal and instrumental examples; 13th century to Bach'. (New York, 1946. Sing-und Spielmusik aus älterer Zeit. Leipzig. Wolff, Arthur S. 1970. The Chansonnier Biblioteca Casanatense 2856, Its History, Purpose and Music. North Texas State University, Ph.D. dissertation. Marrocco, W. Thomas, and Nicholas Sandon (editors). 1977. Medieval Music. London.
38–38v	Tibi Christe splendor Patris / Collaudamus venerantes omnes caeli	BENOYT	(Sirede), Benoit
Tibi Christe splendor Patris / Collaudamus venerantes omnes caeli (Sirede), Benoit Appears on: 38–38v Genres: Hymn Source Attribution: BENOYT Number of voices: 2 Voice: [no designation] Languages: Latin Voice Text: Tibi Christe splendor patris … General Note Tenor faulx bordon. Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 11, III.
38v–39	Quem terra ponctus ethera	BINCHOYS	Binchois, Gilles (ca. 1400–1460)
Quem terra ponctus ethera Binchois, Gilles (ca. 1400–1460) Appears on: 38v–39 Genres: Motet Source Attribution: BINCHOYS Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Quem terra ponctus ethera Item Bibliography Parris, Arthur. 1965. The sacred works of Gilles Binchois. Bryn Mawr College, Ph.D. Dissertation. Marrocco, W. Thomas, and Nicholas Sandon (editors). 1977. Medieval Music. London.
39v–41	Vergette bella - 1a pars (of 2): Vergette bella gratiosa e pura	-	Anonymous
Vergette bella - 1a pars (of 2): Vergette bella gratiosa e pura Anonymous Appears on: 39v–41 Genres: Motet Number of voices: 3 Voice: [no designation] Languages: Italian Voice Text: Vergette bella gratiosa e pura
39v–41	Vergette bella - 2a pars (of 2): Regina del caelo e di beatitude	-	Anonymous
Vergette bella - 2a pars (of 2): Regina del caelo e di beatitude Anonymous Appears on: 39v–41 Genres: Motet Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: 2a p.: Regina del ceLo e di beatitude Item Bibliography Cattin, Giulio (editor). 1958. Laudi quattrocentesche del Codice Veneto Marciano Ital. IX. 145. Biblioteca di Quadrivium, Serie paleografica, vol. 10. Bologna.
90–90v	Zachaeus arboris ascendit	-	Anonymous
Zachaeus arboris ascendit Anonymous Appears on: 90–90v Genres: Motet Number of voices: 2 Voice: [no designation] Languages: Latin Voice Text: Zachaeus arboris ascendit Item Bibliography Cattin, Giulio. 1962. II manoscritto Veneto Marciano It al. IX. 145. Biblioteca di Quadrivium, Serie musicologica, vol. 3. Bologna. Pages: Facs. [No Author] 1966-. Monumenta lyrica medii aevi italica. Bologna: Forni Editore. Pages: III. Gallo, Franco Alberto, and Giuseppe Vecchi (editors). 1968. I più antichi monumenti sacri italiani. I: Edizione fotografica, Monumenta Lyrica Medii Aevi Italica, 3: Mensurabilia, 1, vol. 3, Mensurabilia, 1. Bologna: Universita degli studi di Bologna. Pages: 1, I.
90v–91	Puer nobis nascitur	-	Anonymous
Puer nobis nascitur Anonymous Appears on: 90v–91 Genres: Motet Number of voices: 1 Voice: [no designation] Languages: Latin Voice Text: Puer nobis nascitur Item Bibliography [No Author] 1966-. Monumenta lyrica medii aevi italica. Bologna: Forni Editore. Pages: III: facs. Gallo, Franco Alberto, and Giuseppe Vecchi (editors). 1968. I più antichi monumenti sacri italiani. I: Edizione fotografica, Monumenta Lyrica Medii Aevi Italica, 3: Mensurabilia, 1, vol. 3, Mensurabilia, 1. Bologna: Universita degli studi di Bologna. Pages: I.
91v–92v	Pange lingua gloriosi corporis misterium	-	Anonymous
Pange lingua gloriosi corporis misterium Anonymous Appears on: 91v–92v Genres: Motet Number of voices: 2 Voice: [no designation] Languages: Latin Voice Text: Pange lingua gloriosi
93	Benedicamus Domino	-	Anonymous
Benedicamus Domino Anonymous Appears on: 93 Genres: Benedicamus Domino, Motet Number of voices: 2 Voice: [no designation] Languages: Latin Voice Text: Benedicamus domino Item Bibliography [No Author] 1966-. Monumenta lyrica medii aevi italica. Bologna: Forni Editore. Pages: III facs. Gallo, Franco Alberto, and Giuseppe Vecchi (editors). 1968. I più antichi monumenti sacri italiani. I: Edizione fotografica, Monumenta Lyrica Medii Aevi Italica, 3: Mensurabilia, 1, vol. 3, Mensurabilia, 1. Bologna: Universita degli studi di Bologna. Pages: 1, I.
102v	Verbum patris hodie processit	-	Anonymous
Verbum patris hodie processit Anonymous Appears on: 102v Genres: Motet Number of voices: 2 Voice: [no designation] Languages: Latin Voice Text: Verbum patris hodie Item Bibliography Cattin, Giulio. 1962. II manoscritto Veneto Marciano It al. IX. 145. Biblioteca di Quadrivium, Serie musicologica, vol. 3. Bologna. [No Author] 1966-. Monumenta lyrica medii aevi italica. Bologna: Forni Editore. Pages: III (facs.). Gallo, Franco Alberto, and Giuseppe Vecchi (editors). 1968. I più antichi monumenti sacri italiani. I: Edizione fotografica, Monumenta Lyrica Medii Aevi Italica, 3: Mensurabilia, 1, vol. 3, Mensurabilia, 1. Bologna: Universita degli studi di Bologna. Pages: 1, I.
103–103v	Qui nos fecit ex nichilo	-	Anonymous
Qui nos fecit ex nichilo Anonymous Appears on: 103–103v Genres: Motet Number of voices: 2 Voice: [no designation] Languages: Latin Voice Text: Qui nos fecit ex nichilo Item Bibliography Cattin, Giulio. 1962. II manoscritto Veneto Marciano It al. IX. 145. Biblioteca di Quadrivium, Serie musicologica, vol. 3. Bologna. [No Author] 1966-. Monumenta lyrica medii aevi italica. Bologna: Forni Editore. Pages: III (facs.). Gallo, Franco Alberto, and Giuseppe Vecchi (editors). 1968. I più antichi monumenti sacri italiani. I: Edizione fotografica, Monumenta Lyrica Medii Aevi Italica, 3: Mensurabilia, 1, vol. 3, Mensurabilia, 1. Bologna: Universita degli studi di Bologna. Pages: 1, I.
104–104v	Verbum caro factum est de virgine Maria	-	Anonymous
Verbum caro factum est de virgine Maria Anonymous Appears on: 104–104v Genres: Motet Number of voices: 2 Voice: [no designation] Languages: Latin Voice Text: Verbum caro factum est Item Bibliography [No Author] 1966-. Monumenta lyrica medii aevi italica. Bologna: Forni Editore. Pages: III (facs). Gallo, Franco Alberto, and Giuseppe Vecchi (editors). 1968. I più antichi monumenti sacri italiani. I: Edizione fotografica, Monumenta Lyrica Medii Aevi Italica, 3: Mensurabilia, 1, vol. 3, Mensurabilia, 1. Bologna: Universita degli studi di Bologna. Pages: 1, I (f.104).
108–109v	Ave fuit prima salus	-	Du Fay, Guillaume (1397–1474) (?)
Ave fuit prima salus Du Fay, Guillaume (1397–1474) (?) Appears on: 108–109v Genres: Lauda Number of voices: 2 Voice: [no designation] Languages: Latin Voice Text: Ave fuit prima salus General Note Publ. cf. Bc 15 n° 172 Item Bibliography Cattin, Giulio. 1962. II manoscritto Veneto Marciano It al. IX. 145. Biblioteca di Quadrivium, Serie musicologica, vol. 3. Bologna. [No Author] 1966-. Monumenta lyrica medii aevi italica. Bologna: Forni Editore. Pages: III (facs.). Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice. Gallo, Franco Alberto, and Giuseppe Vecchi (editors). 1968. I più antichi monumenti sacri italiani. I: Edizione fotografica, Monumenta Lyrica Medii Aevi Italica, 3: Mensurabilia, 1, vol. 3, Mensurabilia, 1. Bologna: Universita degli studi di Bologna. Pages: 1, I (f.108).
109v–110bis v	Sempre te sia in dillecto	-	Anonymous
Sempre te sia in dillecto Anonymous Appears on: 109v–110bis v Genres: Motet Number of voices: 2 Voice: [no designation] Languages: Italian Voice Text: Sempre te sia in dillecto
110bis–114v	Laudiamo Jesu e la sua sancta madre / Laudiamo Jesu e la sua sancta madre	-	Anonymous
Laudiamo Jesu e la sua sancta madre / Laudiamo Jesu e la sua sancta madre Anonymous Appears on: 110bis–114v Genres: Lauda Number of voices: 2 Voice: [no designation] Languages: Italian Voice Text: Laudiamo Jhesu e la sua sancta madre … Voice: [no designation] Languages: Italian Voice Text: Laudiamo Jhesu e la sua sancta madre … Item Bibliography Jeppesen, Knud. 1935. Die Mehrstimmige Italienische Laude um 1500. Leipzig and Copenhagen. Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik. Kassel. Pages: VIII, 315.
114v–116	Vergene benedeta madre del salvatore	-	Anonymous
Vergene benedeta madre del salvatore Anonymous Appears on: 114v–116 Genres: Motet Number of voices: 2 Voice: [no designation] Languages: Italian Voice Text: Vergene benedeta madre del salvatore Item Bibliography Jeppesen, Knud. 1935. Die Mehrstimmige Italienische Laude um 1500. Leipzig and Copenhagen. Cattin, Giulio. 1962. II manoscritto Veneto Marciano It al. IX. 145. Biblioteca di Quadrivium, Serie musicologica, vol. 3. Bologna. Pages: facs.1.
116–118v	Verbum caro factum est de virgine Maria	-	Anonymous
Verbum caro factum est de virgine Maria Anonymous Appears on: 116–118v Genres: Motet Number of voices: 2 Voice: [no designation] Languages: Latin Voice Text: Verbum caro factum est
118v–120v	O crux fructus salvificus	-	Anonymous
O crux fructus salvificus Anonymous Appears on: 118v–120v Genres: Motet Number of voices: 2 Voice: [no designation] Languages: Latin Voice Text: O crux fructus salvificus General Note Publ. cf. PAVu 361 n° 7
127–128	Gaude flore virginali / Gaude flore virginali / Gaude flore virginali	-	Anonymous
Gaude flore virginali / Gaude flore virginali / Gaude flore virginali Anonymous Appears on: 127–128 Genres: Lauda Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Gaude virgo mater Christi General Note Publ. cf. Bc 15 n° 285 Item Bibliography Cattin, Giulio. 1962. II manoscritto Veneto Marciano It al. IX. 145. Biblioteca di Quadrivium, Serie musicologica, vol. 3. Bologna. Pages: facs. Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.
129–131	O dolce amor Jesu	-	Anonymous
O dolce amor Jesu Anonymous Appears on: 129–131 Genres: Motet Number of voices: 2 Voice: [no designation] Languages: Italian Voice Text: O dolce amor Jhesu
131v–134	Aytateme tute se voy possite	-	Anonymous
Aytateme tute se voy possite Anonymous Appears on: 131v–134 Genres: Italian secular Number of voices: 2 Voice: [no designation] Languages: Italian Voice Text: Aytateme tute se voy possite
134–136v	Amor Jesu dillecto	-	Anonymous
Amor Jesu dillecto Anonymous Appears on: 134–136v Genres: Motet Number of voices: 2 Voice: [no designation] Languages: Italian Voice Text: Amor Jhesu dillecto
137–137v	Anima benedeta da l'alto creatore	-	Anonymous
Anima benedeta da l'alto creatore Anonymous Appears on: 137–137v Genres: Motet Number of voices: 1 Voice: [no designation] Languages: Italian Voice Text: Anima benedeta da l'alto creatore
138–140	El mome sic bon Jesu	-	Anonymous
El mome sic bon Jesu Anonymous Appears on: 138–140 Genres: Sacred Song Number of voices: 1 Voice: [no designation] Languages: Italian Voice Text: El mome [sic] bon Jhesu Item Bibliography Cattin, Giulio. 1958. Contributi alla storia della lauda spirituale: Sulla evoluzione musicale e letteraria della lauda nei secoli XIV e XV. Quadrivium, 2: 45-75.
140–142	O derata guarda el prezo	-	Anonymous
O derata guarda el prezo Anonymous Appears on: 140–142 Genres: Motet Number of voices: 2 Voice: [no designation] Languages: Italian Voice Text: O derata guarda el prezo
144v	L'amor a mi venendo	-	Anonymous
L'amor a mi venendo Anonymous Appears on: 144v Genres: Italian secular Number of voices: 2 Voice: [no designation] Languages: Italian Voice Text: L'amor a mi venendo General Note Publ. cf. PAVu 361 n° 2 Item Bibliography Cattin, Giulio. 1962. II manoscritto Veneto Marciano It al. IX. 145. Biblioteca di Quadrivium, Serie musicologica, vol. 3. Bologna. Pages: (facs.). [No Author] 1966-. Monumenta lyrica medii aevi italica. Bologna: Forni Editore. Pages: III. Gallo, Franco Alberto, and Giuseppe Vecchi (editors). 1968. I più antichi monumenti sacri italiani. I: Edizione fotografica, Monumenta Lyrica Medii Aevi Italica, 3: Mensurabilia, 1, vol. 3, Mensurabilia, 1. Bologna: Universita degli studi di Bologna. Pages: 1, I.
144v	Benedicamus domino [Tro] Flos filius	-	Anonymous
Benedicamus domino [Tro] Flos filius Anonymous Appears on: 144v Genres: Benedicamus Domino, Motet Number of voices: 2 Voice: [no designation] Languages: Latin Voice Text: Benedicamus domino. Item Bibliography Cattin, Giulio. 1962. II manoscritto Veneto Marciano It al. IX. 145. Biblioteca di Quadrivium, Serie musicologica, vol. 3. Bologna. Pages: (facs.). [No Author] 1966-. Monumenta lyrica medii aevi italica. Bologna: Forni Editore. Pages: III. Gallo, Franco Alberto, and Giuseppe Vecchi (editors). 1968. I più antichi monumenti sacri italiani. I: Edizione fotografica, Monumenta Lyrica Medii Aevi Italica, 3: Mensurabilia, 1, vol. 3, Mensurabilia, 1. Bologna: Universita degli studi di Bologna. Pages: 1, I.
164	Anima benedeta creatore resguarda el to signore / Anima benedeta creatore resguarda el to signore	-	Anonymous
Anima benedeta creatore resguarda el to signore / Anima benedeta creatore resguarda el to signore Anonymous Appears on: 164 Genres: Lauda Number of voices: 2 Voice: [no designation] Languages: Italian Voice Text: [Anima benedeta) … creatore resguarda el to signore … Voice: [no designation] Languages: Italian Voice Text: [Anima benedeta) … creatore resguarda el to signore … General Note (no 51)
170v–171	Ave Maria gloriosa madre nostra vocata	-	Anonymous
Ave Maria gloriosa madre nostra vocata Anonymous Appears on: 170v–171 Genres: Ave Maria, Motet Number of voices: 2 Voice: [no designation] Languages: Latin Voice Text: Ave Maria gloriosa madre nostra vocata
171v–173	Virgine madre pia ogn'nom s'inchina..	-	Anonymous
Virgine madre pia ogn'nom s'inchina.. Anonymous Appears on: 171v–173 Genres: Motet Number of voices: 2 Voice: [no designation] Languages: Italian Voice Text: Virgine madre pia ogn'nom s'inchina.. General Note publ. cf PAVu 361 no 5
[-]	Gaude virgo mater Christi	-	Anonymous
Gaude virgo mater Christi Anonymous Appears on: [-] Genres: Lauda Voice: [no designation] Languages: Latin Voice Text: Gaude virgo mater Christi

Composer	Compositions
(Sirede), Benoit	Tibi Christe splendor Patris / Collaudamus venerantes omnes caeli – 38–38v
Anonymous	Amor Jesu dillecto – 134–136v Anima benedeta creatore resguarda el to signore / Anima benedeta creatore resguarda el to signore – 164 Anima benedeta da l'alto creatore – 137–137v Ave Maria gloriosa madre nostra vocata – 170v–171 Aytateme tute se voy possite – 131v–134 Benedicamus Domino – 93 Benedicamus Domino – 35v–36 Benedicamus Domino – 9 Benedicamus domino [Tro] Flos filius – 144v El mome sic bon Jesu – 138–140 Et in terra pax [Gloria] – 12v–15 Gaude flore virginali / Gaude flore virginali / Gaude flore virginali – 127–128 Gaude virgo mater Christi – [-] L'amor a mi venendo – 144v Laudiamo Jesu e la sua sancta madre / Laudiamo Jesu e la sua sancta madre – 110bis–114v Madre che festi colui che te fece – 30v Misericordia altissimo Dio – 34v O Francisée pater pie – 36v–37 O crux fructus salvificus – 118v–120v O crux fructus salvificus - 1a pars (of 2): O crux fructus salvificus – 35 O derata guarda el prezo – 140–142 O dolce amor Jesu – 129–131 Ognon m'entenda devotamente – 32 Pange lingua gloriosi corporis misterium – 91v–92v Patrem omnipotentem [Credo] – 5v–9 Patrem omnipotentem [Credo] – 19v–22 Puer nobis nascitur – 90v–91 Qui nos fecit ex nichilo – 103–103v Qui nos fecit ex nichilo / Qui nos fecit ex nichilo – 27v–28 Sancta Maria regina caelorum – 25v–28 Sempre te sia in dillecto – 109v–110bis v Verbum caro factum est / Verbum caro factum est / Verbum caro factum est – 1 Verbum caro factum est de virgine Maria – 116–118v Verbum caro factum est de virgine Maria – 104–104v Verbum patris hodie processit – 102v Vergene benedeta madre del salvatore – 114v–116 Vergene madre pia – 27v–28 Vergette bella - 1a pars (of 2): Vergette bella gratiosa e pura – 39v–41 Vergette bella - 2a pars (of 2): Regina del caelo e di beatitude – 39v–41 Virgine madre pia ogn'nom s'inchina.. – 171v–173 Zachaeus arboris ascendit – 90–90v [No description] – 35v–36 [No description] – 26v–27
Binchois, Gilles (ca. 1400-1460)	Quem terra ponctus ethera – 38v–39 Ut queant laxis resonare fibris – 37v–38
Du Fay, Guillaume (1397-1474)	Ave Regina caelorum (1) – 29v–30 (?) Ave fuit prima salus – 108–109v Kyrie eleison (KGC group - iv/1) – 2v Missa sine nomine (Resvelliés vous): Agnus Dei – 11v–12 Missa sine nomine (Resvelliés vous): Et in terra pax [Gloria] – 3v–5 Missa sine nomine (Resvelliés vous): Kyrie eleison [Tro] Salvator noster – 1v–3 Missa sine nomine (Resvelliés vous): Patrem omnipotentem [Credo] – 22v–25 Missa sine nomine (Resvelliés vous): Sanctus – 9v–11
Pauperculus, Frater	Alcando gli ochi viddi ne l'oriente – 31v Miserere mei a te pur grido – 32v O aquila magna che cum tue ale – 33 Padre del cielo omnipotente – 31 Se gratia per gratia render mi convieni.. – 33v–34
Salinis, Hymbert de (ca. 1378)	Et in terra pax [Gloria] – 15v–19
Wolkenstein, Oswald von (1376-1445)	Ave mater o Maria – 28v–29

Composition	Composers (? Uncertain)	Folios / Pages
Alcando gli ochi viddi ne l'oriente	Pauperculus, Frater	31v
Amor Jesu dillecto	Anonymous	134–136v
Anima benedeta creatore resguarda el to signore / Anima benedeta creatore resguarda el to signore	Anonymous	164
Anima benedeta da l'alto creatore	Anonymous	137–137v
Ave fuit prima salus	Du Fay, Guillaume (1397–1474) (?)	108–109v
Ave Maria gloriosa madre nostra vocata	Anonymous	170v–171
Ave mater o Maria	Wolkenstein, Oswald von (1376–1445)	28v–29
Ave Regina caelorum (1)	Du Fay, Guillaume (1397–1474)	29v–30
Aytateme tute se voy possite	Anonymous	131v–134
Benedicamus Domino	Anonymous	9
Benedicamus Domino	Anonymous	35v–36
Benedicamus Domino	Anonymous	93
Benedicamus domino [Tro] Flos filius	Anonymous	144v
El mome sic bon Jesu	Anonymous	138–140
Et in terra pax [Gloria]	Anonymous	12v–15
Et in terra pax [Gloria]	Salinis, Hymbert de (ca. 1378–)	15v–19
Gaude flore virginali / Gaude flore virginali / Gaude flore virginali	Anonymous	127–128
Gaude virgo mater Christi	Anonymous	[-]
Kyrie eleison (KGC group - iv/1)	Du Fay, Guillaume (1397–1474)	2v
L'amor a mi venendo	Anonymous	144v
Laudiamo Jesu e la sua sancta madre / Laudiamo Jesu e la sua sancta madre	Anonymous	110bis–114v
Madre che festi colui che te fece	Anonymous	30v
Miserere mei a te pur grido	Pauperculus, Frater	32v
Misericordia altissimo Dio	Anonymous	34v
Missa sine nomine (Resvelliés vous): Agnus Dei	Du Fay, Guillaume (1397–1474)	11v–12
Missa sine nomine (Resvelliés vous): Et in terra pax [Gloria]	Du Fay, Guillaume (1397–1474)	3v–5
Missa sine nomine (Resvelliés vous): Kyrie eleison [Tro] Salvator noster	Du Fay, Guillaume (1397–1474)	1v–3
Missa sine nomine (Resvelliés vous): Patrem omnipotentem [Credo]	Du Fay, Guillaume (1397–1474)	22v–25
Missa sine nomine (Resvelliés vous): Sanctus	Du Fay, Guillaume (1397–1474)	9v–11
O aquila magna che cum tue ale	Pauperculus, Frater	33
O crux fructus salvificus	Anonymous	118v–120v
O crux fructus salvificus - 1a pars (of 2): O crux fructus salvificus	Anonymous	35
O derata guarda el prezo	Anonymous	140–142
O dolce amor Jesu	Anonymous	129–131
O Francisée pater pie	Anonymous	36v–37
Ognon m'entenda devotamente	Anonymous	32
Padre del cielo omnipotente	Pauperculus, Frater	31
Pange lingua gloriosi corporis misterium	Anonymous	91v–92v
Patrem omnipotentem [Credo]	Anonymous	5v–9
Patrem omnipotentem [Credo]	Anonymous	19v–22
Puer nobis nascitur	Anonymous	90v–91
Quem terra ponctus ethera	Binchois, Gilles (ca. 1400–1460)	38v–39
Qui nos fecit ex nichilo	Anonymous	103–103v
Qui nos fecit ex nichilo / Qui nos fecit ex nichilo	Anonymous	27v–28
Sancta Maria regina caelorum	Anonymous	25v–28
Se gratia per gratia render mi convieni..	Pauperculus, Frater	33v–34
Sempre te sia in dillecto	Anonymous	109v–110bis v
Tibi Christe splendor Patris / Collaudamus venerantes omnes caeli	(Sirede), Benoit	38–38v
Ut queant laxis resonare fibris	Binchois, Gilles (ca. 1400–1460)	37v–38
Verbum caro factum est / Verbum caro factum est / Verbum caro factum est	Anonymous	1
Verbum caro factum est de virgine Maria	Anonymous	104–104v
Verbum caro factum est de virgine Maria	Anonymous	116–118v
Verbum patris hodie processit	Anonymous	102v
Vergene benedeta madre del salvatore	Anonymous	114v–116
Vergene madre pia	Anonymous	27v–28
Vergette bella - 1a pars (of 2): Vergette bella gratiosa e pura	Anonymous	39v–41
Vergette bella - 2a pars (of 2): Regina del caelo e di beatitude	Anonymous	39v–41
Virgine madre pia ogn'nom s'inchina..	Anonymous	171v–173
Zachaeus arboris ascendit	Anonymous	90–90v

‡ denotes primary source study

Cuthbert, Michael Scott. 2006. Trecento fragments and Polyphony beyond the codex. Harvard University, Ph.D.

Hamm, Charles E, and Herbert Kellman (editors). 1979-1988. Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550. Renaissance Manuscript Studies, vol. 1. 5 vols. Neuhausen nr. Stuttgart: American Institute of Musicology, Hänssler Verlag. Pages: IV, 72.

Ward, Tom Robert. 1979. The Polyphonic Office Hymn from 1400 to 1520: A Descriptive Inventory. RMS, vol. 3. American Institute of Musicology. Pages: 225,235, 247,259.

Cobin, Marian W. 1978. The Aosta Manuscript: A Central Source of Early Fifteenth-Century Sacred Polyphony. New York University, Unpublished Ph.D. dissertation. Pages: I, 103ff, 193-4,337-8,345-6, passim.

Cambon, Elise M. 1975. The Italian and Latin Lauda of the Fifteenth Century. Tulane University, Unpublished Ph.D. dissertation.

Ward, Tom Robert. 1969. The Polyphonic Office Hymn from the Late Fourteenth Century Until the Early Sixteenth Century. University of Pittsburgh, Unpublished Ph.D. dissertation. Pages: 40,415ff.

Gallo, Franco Alberto, and Giuseppe Vecchi (editors). 1968. I più antichi monumenti sacri italiani. I: Edizione fotografica, Monumenta Lyrica Medii Aevi Italica, 3: Mensurabilia, 1, vol. 3, Mensurabilia, 1. Bologna: Universita degli studi di Bologna. Pages: Tav. CXXXVI-CXLII.

Fischer, Kurt von. 1967. Die Lauda 'Ave Mater' und ihre verschiedenen Fassungen. Colloquium Amicorum: Joseph Schmidt-Görg zum 70, 93-9. Bonn.

Kanazawa, Masakata. 1966. Polyphonic music for Vespers in the fifteenth century. Harvard University, Ph.D. Dissertation, 2 vols. Pages: 83-5, 90, 109ff.

Damilano, Don Piero. 1963. Fonti musicali della lauda polifonica intorno alla metà del sec. XV. Collectanea Historiae Musicae III, Pages: 63-4,66-73,76ff.

Cattin, Giulio. 1960. II Manoscritto Venet. Mare. Ital. IX, 145. Quadrivium, 4: 1-60.

Layton, Billy Jim. 1960. Italian Music for the Ordinary of the Mass 1300-1450. Harvard University, Unpublished Ph.D. dissertation. Pages: 353-4,384.

Cattin, Giulio. 1958. Contributi alla storia della lauda spirituale: Sulla evoluzione musicale e letteraria della lauda nei secoli XIV e XV. Quadrivium, 2: 45-75. Pages: 55,57,66-8.

Reaney, Gilbert (editor). 1955-83. Early Fifteenth-Century Music. Corpus mensurabilis musicae, vol. 11, 1-6. Rome: American Institute of Musicology. Pages: lll,xxiv, 106; VII, xvi-xvii,xxv.

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik. Kassel. Pages: XIII, 1391-2.

de Van, Guillaume, and Heinrich Besseler (editors). 1948-66. Guillaume Dufay: Opera Omnia. Corpus mensurabilis musicae, vol. 1. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: Il,xviii-xx; IV,xii; V,xli.

Jeppesen, Knud. 1935. Die Mehrstimmige Italienische Laude um 1500. Leipzig and Copenhagen. Pages: xxi-xxiv,lxxxv.xciii.

Jeppesen, Knud. 1933. Ein venezianisches Laudenmanuskript. Theodor Kroyer-Festschrift zum sechzigsten Geburtstage am 9. September 1933, 69-76. Regensburg.

Besseler, Heinrich. 1925. Studien zur Musik des Mittelalters: I. Neue Quellen des 14. und beginnenden 15. Jahrhunderts. Archiv für Musikwissenschaft, 7: 167-252. Pages: 236-7.

Wolf, Johannes. 1913-9; Reprinted: Hildesheim, 1963. Handbuch der Notationskunde. Leipzig. Pages: I,317-20,353.

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

Répertoire Internationale des Sources Musicales

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description

I-Vnm MS It. IX. 145

Biblioteca Nazionale Marciana, Venezia, Italy

manuscript of polyphony, monophony, and texts without music: I: c. 1420-40; II: mid-15th century

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