E-E MS IV.a.24

Palacio Real, Monasterio de S Lorenzo, San Lorenzo de El Escorial, Spain

manuscript of polyphony: 1460-74

Archive	Palacio Real, Monasterio de S Lorenzo, San Lorenzo de El Escorial, Spain (E-E)
Shelfmark	MS IV.a.24
Image Availability	DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface	Paper
Numbering System	Foliation
Measurements	211 x 142 mm
Other Identifiers	CCM: EscSL IV.a.24
Relationships	Philip II (1527–1598) (owner) Mendoza, Diego Hurtado de (owner)
External Links	Musica Hispanica: Spanish Early Music Manuscripts Database Books of Hispanic Polyphony Images
Provenance	Spain
Contents	120 pieces from 17 composers

General Description

Copied by four principal scribes, all of whom were probably northerners working in Italy (HanenE). Significant repertorial connections with MonteA 871. Probably copied in Naples (HanenE, AtlMA), but see PirrAT and SlavinC for discussion of possible north Italian provenance. Once part of the library of the Spanish diplomat, soldier, historian, and poet Diego Hurtado de Mendoza (1504-75). The Mendoza collection was willed to Philip II upon Mendoza's death in 1575, and transferred to the newly completed Escorial the following year. It is not known how the manuscript originally came into Mendoza's possession; see HanenE for a discussion of possibilities.

DIAMM, 2017

Physical Description

Several folios are now missing, making 11 pieces incomplete (with a verso of one song facing the recto of another).

DIAMM, 2017

Binding

covers of brown leather, tooled with the emblem of the monastery library; late 16th or early 17th-century (though Southern says "obviously of fairly recent origin")

DIAMM, 2017

Watermark

(1) generally resembles Briquet #6274; (2) resembles Briquet #3984; (3) generally resembles Briquet #3756; (4) resembles Briquet #9964; (5) resembles Briquet #6303; (6) generally resembles Briquet #5955 (HanenC).

DIAMM, 2017

Notation

not indicated

DIAMM, 2017

Foliation

Two systems of original foliation, in Roman and Arabic numerals. 19th-century foliation, 1-137, by the Escorial librarian R. P. Rosansky.

DIAMM, 2017

Foliation

Other numberings: original numbering of 36 pieces

DIAMM, 2017

Decoration

No illuminations, although space was left for decorative initials.

DIAMM, 2017

Index

Original index on ff. 1'-3, listing 101 pieces

DIAMM, 2017

Surface

paper

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

89 French secular pieces, 1 French/Italian secular piece, 1 French/Latin secular piece, 24 Italian secular pieces, 2 Flemish secular pieces, 1 English secular piece, 1 Spanish secular piece, 3 textless pieces = 122 + 2 Italian secular pieces listed in the index but now missing from the manuscript = 124

(Basin)-1, (Bedingham)-1, (Bedingham/Dufay)-1, (Bedingham/ Dunstable)-1, (Bedingham/Frye)-2, (Binchois)-7 + 1?, Braxatoris/(Pullois)-1, (Cornago)-2, Domarto-1, (Dufay)-6, Dunstable/ (Bedingham)-1, Horlay-4, (J. Legrant)-1, Morton-2, (Ockeghem) -1, Ockeghem/(Busnois)-1, Pullois-6 + 1?, anon-83

iii + 137 + iii paper folios, 211 x 142. Several folios are now missing, making 11 pieces incomplete. Two systems of original foliation, in Roman and Arabic numerals; original numbering of 36 pieces; 19th-century foliation, 1-137, by the Escorial librarian R. P. Rosansky. Late 16th or early 17th-century covers of brown leather, tooled with the emblem of the monastery library. Original index on ff. 1'-3, listing 101 pieces. Copied by four principal scribes, all of whom were probably northerners working in Italy (HanenE). No illuminations, although space was left for decorative initials. Watermarks resemble Briquet #6303, 6304, and 3746 (HanenE). Old call number "IV.0.5" found at the beginning. Significant repertorial connections with MonteA 871.

Ca. 1460-74 (HanenE). Probably copied in Naples (HanenE, AtlCM). Once part of the library of the Spanish diplomat, soldier, historian, and poet Diego Hurtado de Mendoza (1504-75). The Mendoza collection was willed to Philip II upon Mendoza's death in 1575, and transferred to the newly completed Escorial the following year. It is not known how the manuscript originally came into Mendoza's possession; see HanenE for a discussion of possibilities.

Vol 4

Contents: 91 French secular pieces (9 incomplete; 2 without text), 1 French/Latin secular piece, 1 French/Italian secular piece, 23 Italian secular pieces (1 in-complete), 2 Dutch secular pieces, 1 English secular piece, 1 Spanish secular piece, 2 textless pieces (1 incomplete) = 122*

'Total excludes one Italian secular piece and one French(?) secular piece listed in index, but now missing due to lost folios.

Composers: Change "(Bedingham)-1" to "(Bedingham)-21"; change "(Beding-ham/Frye)-2" to "(Bedingham/Frye)-1"; change "Pullois-6 + 1?" to "Pullois -5 + 2?"; change "anon-83" to "anon-81."

Physical: Revised watermark information: (1) generally resembles Briquet #6274; (2) resembles Briquet #3984; (3) generally resembles Briquet #3756; (4) resembles Briquet #9964; (5) resembles Briquet #6303; (6) generally resembles Briquet #5955 (HanenC).

Provenance: Probably copied in Naples (HanenE, AtlMA), but see PirrAT and SlavinC for discussion of possible north Italian provenance.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
4v	He Robinet tu mas la mort	-	Anonymous
He Robinet tu mas la mort Anonymous Appears on: 4v Genres: Quodlibet
5r	Elle se marie - Se je voloie	-	Anonymous
Elle se marie - Se je voloie Anonymous Appears on: 5r Genres: Rondeau
5v–6r	Je soloie faire danser - Her bergeres vous	-	Anonymous
Je soloie faire danser - Her bergeres vous Anonymous Appears on: 5v–6r Genres: Ballade
6v	Durer ne puis	Dunstable	Bedingham, John (–ca. 1460) (?) Dunstaple, John (ca. 1390–1453) (?)
Durer ne puis Bedingham, John (–ca. 1460) (?) Dunstaple, John (ca. 1390–1453) (?) Appears on: 6v Genres: Rondeau Source Attribution: Dunstable
7r	Adieu Adieu, mon joyeux souvenir	-	Binchois, Gilles (ca. 1400–1460)
Adieu Adieu, mon joyeux souvenir Binchois, Gilles (ca. 1400–1460) Appears on: 7r Genres: Chanson
7v–8r	Ay je tort se je souspire	-	Anonymous
Ay je tort se je souspire Anonymous Appears on: 7v–8r Genres: Rondeau
8v–9r	Bien viengnant, ma tresredoubtée	-	Anonymous
Bien viengnant, ma tresredoubtée Anonymous Appears on: 8v–9r Genres: Rondeau
9v–11r	Ben poy de tua belleza	-	Anonymous
Ben poy de tua belleza Anonymous Appears on: 9v–11r Genres: Ballata
11v–12r	Ben so che mia mente	-	Anonymous
Ben so che mia mente Anonymous Appears on: 11v–12r Genres: Chanson
12v–13r	Desdengo non anna may questo piacere	-	Anonymous
Desdengo non anna may questo piacere Anonymous Appears on: 12v–13r Genres: Ballata
13v–14r	C'est a grant tort	-	Anonymous
C'est a grant tort Anonymous Appears on: 13v–14r Genres: Rondeau
14v	Adieu ma tres belle maistresse	-	Binchois, Gilles (ca. 1400–1460) (?)
Adieu ma tres belle maistresse Binchois, Gilles (ca. 1400–1460) (?) Appears on: 14v Genres: Chanson, Rondeau
15r	Donnes au leal prisonnier	-	Anonymous
Donnes au leal prisonnier Anonymous Appears on: 15r Genres: Rondeau
15v–17r	Dueil angoisseux (3vv) - 1a pars (of 2): Dueil angoisseux, rage desmesure	-	Binchois, Gilles (ca. 1400–1460)
Dueil angoisseux (3vv) - 1a pars (of 2): Dueil angoisseux, rage desmesure Binchois, Gilles (ca. 1400–1460) Appears on: 15v–17r Genres: Chanson
15v–17r	Dueil angoisseux (3vv) - 2a pars (of 2): Coeur doloreux	-	Binchois, Gilles (ca. 1400–1460)
Dueil angoisseux (3vv) - 2a pars (of 2): Coeur doloreux Binchois, Gilles (ca. 1400–1460) Appears on: 15v–17r Genres: Chanson
17v–19r	Salve O beata = Dove dove, or dove le mio signore	-	Anonymous
Salve O beata = Dove dove, or dove le mio signore Anonymous Appears on: 17v–19r Genres: Madrigal (Italian)
19v–20r	Esclave puist il donc en	-	Binchois, Gilles (ca. 1400–1460)
Esclave puist il donc en Binchois, Gilles (ca. 1400–1460) Appears on: 19v–20r Genres: Motet
20v–21r	Franc coeur gentil	-	Du Fay, Guillaume (1397–1474)
Franc coeur gentil Du Fay, Guillaume (1397–1474) Appears on: 20v–21r Genres: Chanson, Rondeau
21v–22r	Helas j'ayme mieulx mes jours	-	Anonymous
Helas j'ayme mieulx mes jours Anonymous Appears on: 21v–22r Genres: Rondeau
22v–24r	Il grant desio e la dolce esperanza	-	Anonymous
Il grant desio e la dolce esperanza Anonymous Appears on: 22v–24r Genres: Ballata
24v–25r	Je ne fay que deul et desplaisance	-	Anonymous
Je ne fay que deul et desplaisance Anonymous Appears on: 24v–25r Genres: Rondeau
25v–26r	Je ne fay tousjour	-	Binchois, Gilles (ca. 1400–1460)
Je ne fay tousjour Binchois, Gilles (ca. 1400–1460) Appears on: 25v–26r Genres: Chanson
26v–27r	Mille bonjours	-	Du Fay, Guillaume (1397–1474)
Mille bonjours Du Fay, Guillaume (1397–1474) Appears on: 26v–27r Genres: Chanson, Rondeau
27v–28r	Mon seul plaisir, ma douce joie	-	Du Fay, Guillaume (1397–1474) (?) Bedingham, John (–ca. 1460)
Mon seul plaisir, ma douce joie Du Fay, Guillaume (1397–1474) (?) Bedingham, John (–ca. 1460) Appears on: 27v–28r Genres: Chanson
28v–29r	Seulle esgarée de tout joieulx plaisir	-	Binchois, Gilles (ca. 1400–1460)
Seulle esgarée de tout joieulx plaisir Binchois, Gilles (ca. 1400–1460) Appears on: 28v–29r Genres: Chanson
29v–30r	J'acompliray du bon cuer ma promesse	-	Anonymous
J'acompliray du bon cuer ma promesse Anonymous Appears on: 29v–30r Genres: Rondeau
30v–31r	Je soleye estre amoureux	-	Anonymous
Je soleye estre amoureux Anonymous Appears on: 30v–31r Genres: Rondeau
31v–33r	So ys emprentid	-	Frye, Walter (–ca. 1475) (?) Bedingham, John (–ca. 1460) (?)
So ys emprentid Frye, Walter (–ca. 1475) (?) Bedingham, John (–ca. 1460) (?) Appears on: 31v–33r Genres: Chanson
33v–35r	Beata es (= Grant temps ai eu et desire)	-	Bedingham, John (–ca. 1460)
Beata es (= Grant temps ai eu et desire) Bedingham, John (–ca. 1460) Appears on: 33v–35r Genres: Contrafactum
35v–37r	O rosa bella, o Deitatis cella (= O quam suavis est domina)	-	Dunstaple, John (ca. 1390–1453) (?) Bedingham, John (–ca. 1460) (?)
O rosa bella, o Deitatis cella (= O quam suavis est domina) Dunstaple, John (ca. 1390–1453) (?) Bedingham, John (–ca. 1460) (?) Appears on: 35v–37r Genres: Motet
37v–38r	Las je ne puis oir nouvelle = Unicus Dei filius	-	Legrant, Johannes
Las je ne puis oir nouvelle = Unicus Dei filius Legrant, Johannes Appears on: 37v–38r
38v–39r	Puisque je vis le regard gratieux	-	Anonymous
Puisque je vis le regard gratieux Anonymous Appears on: 38v–39r Genres: Chanson
39v–40r	Pour prison ne pour maladie	-	Binchois, Gilles (ca. 1400–1460)
Pour prison ne pour maladie Binchois, Gilles (ca. 1400–1460) Appears on: 39v–40r Genres: Chanson
40v–41r	Par le regard de vos beaux yeux	-	Du Fay, Guillaume (1397–1474)
Par le regard de vos beaux yeux Du Fay, Guillaume (1397–1474) Appears on: 40v–41r Genres: Chanson, Rondeau
41v–42r	Helas mes delees amours	-	Anonymous
Helas mes delees amours Anonymous Appears on: 41v–42r Genres: Rondeau
42v–43r	Je ne prise point tels baisers	-	Anonymous
Je ne prise point tels baisers Anonymous Appears on: 42v–43r
43v–45r	Vostre esclave de galee	-	Anonymous
Vostre esclave de galee Anonymous Appears on: 43v–45r Genres: Chanson
45v–46r	Se je ne fay chiere	-	Anonymous
Se je ne fay chiere Anonymous Appears on: 45v–46r Genres: Virelai
46v–47r	Tresoriere de plaisir amoureux	-	Anonymous
Tresoriere de plaisir amoureux Anonymous Appears on: 46v–47r Genres: Rondeau
47v–48r	Ne vous plaindes de mes yeulx	-	Anonymous
Ne vous plaindes de mes yeulx Anonymous Appears on: 47v–48r Genres: Rondeau
48v–49r	Se mon flagolet joli	-	Anonymous
Se mon flagolet joli Anonymous Appears on: 48v–49r Genres: Secular
49v–52r	Se je suis desprouve - Maintenons nous tous tamps - Las quel plaisir	-	Anonymous
Se je suis desprouve - Maintenons nous tous tamps - Las quel plaisir Anonymous Appears on: 49v–52r Genres: Quodlibet
52v–53r	Puisque je suis infortune	Horlay	Horlay
Puisque je suis infortune Horlay Appears on: 52v–53r Genres: Rondeau Source Attribution: Horlay
53v–54r	Helas je suy livre a mort	Horlay	Horlay
Helas je suy livre a mort Horlay Appears on: 53v–54r Genres: Rondeau Source Attribution: Horlay
54v–55r	Pour bien servir et leaument amer	Horlay	Horlay
Pour bien servir et leaument amer Horlay Appears on: 54v–55r Genres: Rondeau Source Attribution: Horlay
55v–56r	Je ne puis avoir	Horlay	Horlay
Je ne puis avoir Horlay Appears on: 55v–56r Genres: Rondeau Source Attribution: Horlay
56v–57r	He n'esse pas grant desplaysir	Jo. Pullois	Pullois, Johannes
He n'esse pas grant desplaysir Pullois, Johannes Appears on: 56v–57r Genres: Rondeau Source Attribution: Jo. Pullois
57v–58r	La bonté du Saint Esprit	Jo. Pulloys	Pullois, Johannes
La bonté du Saint Esprit Pullois, Johannes Appears on: 57v–58r Genres: Chanson Source Attribution: Jo. Pulloys
58v–59r	Quelque langage que je die	Jo. Pullois	Pullois, Johannes
Quelque langage que je die Pullois, Johannes Appears on: 58v–59r Genres: Chanson Source Attribution: Jo. Pullois
59v–60r	Je ne puis plus	-	Pullois, Johannes (?)
Je ne puis plus Pullois, Johannes (?) Appears on: 59v–60r Genres: Chanson
60v–62r	A Florence la joeuse cite / Helas la fille / En ma chambre	-	Anonymous
A Florence la joeuse cite / Helas la fille / En ma chambre Anonymous Appears on: 60v–62r Genres: Ballade
62v–63r	L'a je bien frique / Galoises de Savoie / J'ayme une dame	-	Anonymous
L'a je bien frique / Galoises de Savoie / J'ayme une dame Anonymous Appears on: 62v–63r Genres: Rondeau
63v–64r	A cheval, tout homme a cheval	-	Anonymous
A cheval, tout homme a cheval Anonymous Appears on: 63v–64r Genres: Rondeau
64v–65r	Coq en l'orge di Margot = N'oes vous point le coc me vante	-	Anonymous
Coq en l'orge di Margot = N'oes vous point le coc me vante Anonymous Appears on: 64v–65r Genres: Secular
65v–66r	Robinet se veult marier / Se tu ten marias / Helas pour quoy	-	Anonymous
Robinet se veult marier / Se tu ten marias / Helas pour quoy Anonymous Appears on: 65v–66r Genres: Rondeau
66v–67r	Rolet ara / Maistre / tricotee	-	Anonymous
Rolet ara / Maistre / tricotee Anonymous Appears on: 66v–67r Genres: Virelai
67v–68r	Ja Dieu ne doint que se fortune	-	Anonymous
Ja Dieu ne doint que se fortune Anonymous Appears on: 67v–68r Genres: Rondeau
68v–69r	Je merchie d'amours les dieux	-	Anonymous
Je merchie d'amours les dieux Anonymous Appears on: 68v–69r Genres: Rondeau
69v–70r	Puis qu'il vous plaist	-	Anonymous
Puis qu'il vous plaist Anonymous Appears on: 69v–70r Genres: Rondeau
70v–71r	Je meurs veant ma garison	-	Anonymous
Je meurs veant ma garison Anonymous Appears on: 70v–71r Genres: Rondeau
71v–72r	Mon bien imparfait	-	Anonymous
Mon bien imparfait Anonymous Appears on: 71v–72r Genres: Rondeau
72v–73r	Pour ce que j'ay servir	-	Anonymous
Pour ce que j'ay servir Anonymous Appears on: 72v–73r Genres: Rondeau
73v–74r	Va tost mon amoureux desir	-	Binchois, Gilles (ca. 1400–1460)
Va tost mon amoureux desir Binchois, Gilles (ca. 1400–1460) Appears on: 73v–74r Genres: Rondeau
74v–75r	Globus igneus = Quelque chose a venir	Puillois	Pullois, Johannes
Globus igneus = Quelque chose a venir Pullois, Johannes Appears on: 74v–75r Genres: Contrafactum Source Attribution: Puillois
75v–76r	De ma dame = O pastor aeterne = O beata Maria filia Dei	-	Pullois, Johannes
De ma dame = O pastor aeterne = O beata Maria filia Dei Pullois, Johannes Appears on: 75v–76r Genres: Chanson, Contrafactum, Motet, Rondeau General Note 'De madame'; also in Tr.90 Texted 'O beata maria' in Cgm.810 (with 'De madame' written at top of page) textless in Strahov but labelled 'O pastor eterne'
76v–77r	Le serviteur hault guerdonné assovy	-	Du Fay, Guillaume (1397–1474)
Le serviteur hault guerdonné assovy Du Fay, Guillaume (1397–1474) Appears on: 76v–77r Genres: Chanson, Rondeau
77v–78r	Le serviteur	Jo. Puillois	Pullois, Johannes
Le serviteur Pullois, Johannes Appears on: 77v–78r Genres: Rondeau Source Attribution: Jo. Puillois
78v–79r	Quant vendra journee	-	Anonymous
Quant vendra journee Anonymous Appears on: 78v–79r Genres: Virelai
79v–80r	Plus suis en bonne compagnie	-	Anonymous
Plus suis en bonne compagnie Anonymous Appears on: 79v–80r Genres: Rondeau
80v–81r	J'atens le confort de la belle	-	Anonymous
J'atens le confort de la belle Anonymous Appears on: 80v–81r Genres: Rondeau
81v–82r	Ha day estre vous rencherie	-	Anonymous
Ha day estre vous rencherie Anonymous Appears on: 81v–82r Genres: Rondeau
82v–85r	Mercé te chiamo o dolze anima mia	-	Anonymous
Mercé te chiamo o dolze anima mia Anonymous Appears on: 82v–85r Genres: Chanson, Frottola
85v–86r	Ay mi sospiri non truovo pace	-	Anonymous
Ay mi sospiri non truovo pace Anonymous Appears on: 85v–86r Genres: Canzon
86v–87r	Triumpho dele done o chiara	-	Anonymous
Triumpho dele done o chiara Anonymous Appears on: 86v–87r Genres: Madrigal (Italian)
87v–88r	Piangete done et vuy fedeli	-	Anonymous
Piangete done et vuy fedeli Anonymous Appears on: 87v–88r Genres: Canzon
88v–89r	Hora cridar "Oime" posso ben io	-	Anonymous
Hora cridar "Oime" posso ben io Anonymous Appears on: 88v–89r Genres: Chanson
89v–90r	Una vechia sempre nostra piena	-	Anonymous
Una vechia sempre nostra piena Anonymous Appears on: 89v–90r Genres: Ballata
90v–91r	Hora mai che fora sono	-	Anonymous
Hora mai che fora sono Anonymous Appears on: 90v–91r Genres: Ballata
91v–92r	Morte mercé - 1a pars (of 2): Morte mercé gentile aquil'altera	-	Cornago, Juan de
Morte mercé - 1a pars (of 2): Morte mercé gentile aquil'altera Cornago, Juan de Appears on: 91v–92r Genres: Italian secular
91v–92r	Morte mercé - 2a pars (of 2): Amor con l'arco tesso	-	Cornago, Juan de
Morte mercé - 2a pars (of 2): Amor con l'arco tesso Cornago, Juan de Appears on: 91v–92r Genres: Italian secular
92v–93r	O gratiosa viola mia gentil	-	Anonymous
O gratiosa viola mia gentil Anonymous Appears on: 92v–93r
93v–94r	Avertissiez vostre doulx euil	-	Anonymous
Avertissiez vostre doulx euil Anonymous Appears on: 93v–94r Genres: Chanson
94v–95r	Tout mon plaisir et tout mon reconfort	-	Anonymous
Tout mon plaisir et tout mon reconfort Anonymous Appears on: 94v–95r Genres: Rondeau
95v–96r	Par desplaisir tout plain d'anoy	-	Anonymous
Par desplaisir tout plain d'anoy Anonymous Appears on: 95v–96r Genres: Chanson
96v–97r	J'aime quanque par J commence	-	Anonymous
J'aime quanque par J commence Anonymous Appears on: 96v–97r Genres: Virelai
97v–98r	Ha dure mort je viens	-	Anonymous
Ha dure mort je viens Anonymous Appears on: 97v–98r Genres: Virelai
98v–99r	Depuis le doloreux	-	Anonymous
Depuis le doloreux Anonymous Appears on: 98v–99r Genres: Virelai
99v–100r	Amours amours trop me fiers de tes dars	-	Ghizeghem, Hayne van (ca. 1445–ca. 1497)
Amours amours trop me fiers de tes dars Ghizeghem, Hayne van (ca. 1445–ca. 1497) Appears on: 99v–100r Genres: Chanson
100v–102r	Qualche marer ogni anno	-	Anonymous
Qualche marer ogni anno Anonymous Appears on: 100v–102r Genres: Ballata
102v–104r	Mirando el grande splendore	-	Anonymous
Mirando el grande splendore Anonymous Appears on: 102v–104r
104v–105r	En un gent et joly pourpris	-	Anonymous
En un gent et joly pourpris Anonymous Appears on: 104v–105r
105v–107r	L'autre jour oy despritez	-	Anonymous
L'autre jour oy despritez Anonymous Appears on: 105v–107r Genres: Ballade
107v–109r	Ex ore tuo = Yerra con poco saber	-	Cornago, Juan de
Ex ore tuo = Yerra con poco saber Cornago, Juan de Appears on: 107v–109r Genres: Contrafactum
109v–110r	Celebris hic dies agitur = Le serviteur infortuné	-	Anonymous
Celebris hic dies agitur = Le serviteur infortuné Anonymous Appears on: 109v–110r Genres: Contrafactum
110v–111r	So lang so mir in meinem sijnn	W. Braxatoris	Braxatoris, W (?) Pullois, Johannes (?)
So lang so mir in meinem sijnn Braxatoris, W (?) Pullois, Johannes (?) Appears on: 110v–111r Genres: Song Source Attribution: W. Braxatoris
111v–112r	Je pris merveilleux desplaisir	-	Anonymous
Je pris merveilleux desplaisir Anonymous Appears on: 111v–112r Genres: Chanson, Rondeau
112v–114r	Ben so che la mia mente	-	Anonymous
Ben so che la mia mente Anonymous Appears on: 112v–114r Genres: Ballata
114v–116r	Princhesse of youth and florer	-	Anonymous
Princhesse of youth and florer Anonymous Appears on: 114v–116r Genres: Ballade
116v–117r	O Dio che me nolesti	-	Anonymous
O Dio che me nolesti Anonymous Appears on: 116v–117r Genres: Madrigal (Italian)
117v–118r	Gentil madona de no me habandonare	-	Bedingham, John (–ca. 1460)
Gentil madona de no me habandonare Bedingham, John (–ca. 1460) Appears on: 117v–118r Genres: Italian secular
118v–119r	Op eenen tijd in minen zijn	-	Anonymous
Op eenen tijd in minen zijn Anonymous Appears on: 118v–119r Genres: Lied
119v–120r	Ma dame de nom / Sur la rive de la mer	-	Anonymous
Ma dame de nom / Sur la rive de la mer Anonymous Appears on: 119v–120r Genres: Chanson
120v–121r	Je vous prie mon tres douce amie / Tant que mon argent dura / Ma tres douce amie	-	Du Fay, Guillaume (1397–1474)
Je vous prie mon tres douce amie / Tant que mon argent dura / Ma tres douce amie Du Fay, Guillaume (1397–1474) Appears on: 120v–121r Genres: Chanson
121v–122r	Quant ce viendra = Gaude mater misericordiae	Hockengem	Busnoys, Antoine (ca. 1430–1492) Ockeghem, Jean de (ca. 1410–1497) (?)
Quant ce viendra = Gaude mater misericordiae Busnoys, Antoine (ca. 1430–1492) Ockeghem, Jean de (ca. 1410–1497) (?) Appears on: 121v–122r Genres: Chanson Source Attribution: Hockengem
122v–123r	[untexted]	-	Anonymous
[untexted] Anonymous Appears on: 122v–123r
123v–124r	Ma maitresse - 1a pars (of 2): Ma maitresse et ma plus grande amie	-	Ockeghem, Jean de (ca. 1410–1497)
Ma maitresse - 1a pars (of 2): Ma maitresse et ma plus grande amie Ockeghem, Jean de (ca. 1410–1497) Appears on: 123v–124r Genres: Chanson
124v–125r	Nos amys, vous vous abuses	-	Basin, Adrien (–ca. 1498)
Nos amys, vous vous abuses Basin, Adrien (–ca. 1498) Appears on: 124v–125r Genres: Chanson
125v–126r	Nous amisez souche	-	Anonymous
Nous amisez souche Anonymous Appears on: 125v–126r Genres: Rondeau
126v–127r	Plus j'ay le monde - Madona bella	Morton	Morton, Robert
Plus j'ay le monde - Madona bella Morton, Robert Appears on: 126v–127r Genres: Rondeau Source Attribution: Morton
127v	Je vis toujours en esperance	P. de Domarto	Domarto, Petrus de
Je vis toujours en esperance Domarto, Petrus de Appears on: 127v Source Attribution: P. de Domarto General Note folio missing, with Ct & T
128r	Je ne pourroye plus celer	-	Anonymous
Je ne pourroye plus celer Anonymous Appears on: 128r Genres: Chanson General Note D and part of T missing, on lost folio
128v–130r	Helas mon tetin = O beatissima	-	Anonymous
Helas mon tetin = O beatissima Anonymous Appears on: 128v–130r Genres: Chanson, Contrafactum
130v–131r	N'aray je jamais mieux que j'ai	-	Morton, Robert
N'aray je jamais mieux que j'ai Morton, Robert Appears on: 130v–131r Genres: Chanson
131v–132r	Comme femme desconfortée	-	Binchois, Gilles (ca. 1400–1460)
Comme femme desconfortée Binchois, Gilles (ca. 1400–1460) Appears on: 131v–132r Genres: Chanson
132v–133r	Parle qui veult	-	Anonymous
Parle qui veult Anonymous Appears on: 132v–133r Genres: Rondeau
133v–134r	Madonna parla	-	Anonymous
Madonna parla Anonymous Appears on: 133v–134r
134v–135r	N'est ce pas bien pour départir	-	Anonymous
N'est ce pas bien pour départir Anonymous Appears on: 134v–135r Genres: Chanson, Rondeau
135v–136r	Se la face ay pale	-	Du Fay, Guillaume (1397–1474)
Se la face ay pale Du Fay, Guillaume (1397–1474) Appears on: 135v–136r Genres: Ballade, Chanson General Note closely related to the version in Ox213 & NY Boorman, but with an "almost entirely different" contratenor (PlanchartD)
136v	J'ai pris amours	-	-
J'ai pris amours - Appears on: 136v Genres: Chanson General Note Clearly intended to be tenor only, as superscription states ("Tenor J'ay pris amours"). Two versions, one (with lots of errors) scratched out, and a re-written version at bottom of page.
137v	Fate dare ra	-	Anonymous
Fate dare ra Anonymous Appears on: 137v Genres: Ballata General Note Text unclear

Composer	Compositions
Anonymous	A Florence la joeuse cite / Helas la fille / En ma chambre – 60v–62r A cheval, tout homme a cheval – 63v–64r Avertissiez vostre doulx euil – 93v–94r Ay je tort se je souspire – 7v–8r Ay mi sospiri non truovo pace – 85v–86r Ben poy de tua belleza – 9v–11r Ben so che la mia mente – 112v–114r Ben so che mia mente – 11v–12r Bien viengnant, ma tresredoubtée – 8v–9r C'est a grant tort – 13v–14r Celebris hic dies agitur = Le serviteur infortuné – 109v–110r Coq en l'orge di Margot = N'oes vous point le coc me vante – 64v–65r Depuis le doloreux – 98v–99r Desdengo non anna may questo piacere – 12v–13r Donnes au leal prisonnier – 15r Elle se marie - Se je voloie – 5r En un gent et joly pourpris – 104v–105r Fate dare ra – 137v Ha day estre vous rencherie – 81v–82r Ha dure mort je viens – 97v–98r He Robinet tu mas la mort – 4v Helas j'ayme mieulx mes jours – 21v–22r Helas mes delees amours – 41v–42r Helas mon tetin = O beatissima – 128v–130r Hora cridar "Oime" posso ben io – 88v–89r Hora mai che fora sono – 90v–91r Il grant desio e la dolce esperanza – 22v–24r J'acompliray du bon cuer ma promesse – 29v–30r J'ai pris amours – 136v J'aime quanque par J commence – 96v–97r J'atens le confort de la belle – 80v–81r Ja Dieu ne doint que se fortune – 67v–68r Je merchie d'amours les dieux – 68v–69r Je meurs veant ma garison – 70v–71r Je ne fay que deul et desplaisance – 24v–25r Je ne pourroye plus celer – 128r Je ne prise point tels baisers – 42v–43r Je pris merveilleux desplaisir – 111v–112r Je soleye estre amoureux – 30v–31r Je soloie faire danser - Her bergeres vous – 5v–6r L'a je bien frique / Galoises de Savoie / J'ayme une dame – 62v–63r L'autre jour oy despritez – 105v–107r Ma dame de nom / Sur la rive de la mer – 119v–120r Madonna parla – 133v–134r Mercé te chiamo o dolze anima mia – 82v–85r Mirando el grande splendore – 102v–104r Mon bien imparfait – 71v–72r N'est ce pas bien pour départir – 134v–135r Ne vous plaindes de mes yeulx – 47v–48r Nous amisez souche – 125v–126r O Dio che me nolesti – 116v–117r O gratiosa viola mia gentil – 92v–93r Op eenen tijd in minen zijn – 118v–119r Par desplaisir tout plain d'anoy – 95v–96r Parle qui veult – 132v–133r Piangete done et vuy fedeli – 87v–88r Plus suis en bonne compagnie – 79v–80r Pour ce que j'ay servir – 72v–73r Princhesse of youth and florer – 114v–116r Puis qu'il vous plaist – 69v–70r Puisque je vis le regard gratieux – 38v–39r Qualche marer ogni anno – 100v–102r Quant vendra journee – 78v–79r Robinet se veult marier / Se tu ten marias / Helas pour quoy – 65v–66r Rolet ara / Maistre / tricotee – 66v–67r Salve O beata = Dove dove, or dove le mio signore – 17v–19r Se je ne fay chiere – 45v–46r Se je suis desprouve - Maintenons nous tous tamps - Las quel plaisir – 49v–52r Se mon flagolet joli – 48v–49r Tout mon plaisir et tout mon reconfort – 94v–95r Tresoriere de plaisir amoureux – 46v–47r Triumpho dele done o chiara – 86v–87r Una vechia sempre nostra piena – 89v–90r Vostre esclave de galee – 43v–45r [untexted] – 122v–123r
Basin, Adrien (–ca. 1498)	Nos amys, vous vous abuses – 124v–125r
Bedingham, John (–ca. 1460)	Beata es (= Grant temps ai eu et desire) – 33v–35r (?) Durer ne puis – 6v Gentil madona de no me habandonare – 117v–118r Mon seul plaisir, ma douce joie – 27v–28r (?) O rosa bella, o Deitatis cella (= O quam suavis est domina) – 35v–37r (?) So ys emprentid – 31v–33r
Binchois, Gilles (ca. 1400–1460)	Adieu Adieu, mon joyeux souvenir – 7r (?) Adieu ma tres belle maistresse – 14v Comme femme desconfortée – 131v–132r Dueil angoisseux (3vv) - 1a pars (of 2): Dueil angoisseux, rage desmesure – 15v–17r Dueil angoisseux (3vv) - 2a pars (of 2): Coeur doloreux – 15v–17r Esclave puist il donc en – 19v–20r Je ne fay tousjour – 25v–26r Pour prison ne pour maladie – 39v–40r Seulle esgarée de tout joieulx plaisir – 28v–29r Va tost mon amoureux desir – 73v–74r
Braxatoris, W	(?) So lang so mir in meinem sijnn – 110v–111r
Busnoys, Antoine (ca. 1430–1492)	Quant ce viendra = Gaude mater misericordiae – 121v–122r
Cornago, Juan de	Ex ore tuo = Yerra con poco saber – 107v–109r Morte mercé - 1a pars (of 2): Morte mercé gentile aquil'altera – 91v–92r Morte mercé - 2a pars (of 2): Amor con l'arco tesso – 91v–92r
Domarto, Petrus de	Je vis toujours en esperance – 127v
Du Fay, Guillaume (1397–1474)	Franc coeur gentil – 20v–21r Je vous prie mon tres douce amie / Tant que mon argent dura / Ma tres douce amie – 120v–121r Le serviteur hault guerdonné assovy – 76v–77r Mille bonjours – 26v–27r (?) Mon seul plaisir, ma douce joie – 27v–28r Par le regard de vos beaux yeux – 40v–41r Se la face ay pale – 135v–136r
Dunstaple, John (ca. 1390–1453)	(?) Durer ne puis – 6v (?) O rosa bella, o Deitatis cella (= O quam suavis est domina) – 35v–37r
Frye, Walter (–ca. 1475)	(?) So ys emprentid – 31v–33r
Ghizeghem, Hayne van (ca. 1445–ca. 1497)	Amours amours trop me fiers de tes dars – 99v–100r
Horlay	Helas je suy livre a mort – 53v–54r Je ne puis avoir – 55v–56r Pour bien servir et leaument amer – 54v–55r Puisque je suis infortune – 52v–53r
Legrant, Johannes	Las je ne puis oir nouvelle = Unicus Dei filius – 37v–38r
Morton, Robert	N'aray je jamais mieux que j'ai – 130v–131r Plus j'ay le monde - Madona bella – 126v–127r
Ockeghem, Jean de (ca. 1410–1497)	Ma maitresse - 1a pars (of 2): Ma maitresse et ma plus grande amie – 123v–124r (?) Quant ce viendra = Gaude mater misericordiae – 121v–122r
Pullois, Johannes	De ma dame = O pastor aeterne = O beata Maria filia Dei – 75v–76r Globus igneus = Quelque chose a venir – 74v–75r He n'esse pas grant desplaysir – 56v–57r (?) Je ne puis plus – 59v–60r La bonté du Saint Esprit – 57v–58r Le serviteur – 77v–78r Quelque langage que je die – 58v–59r (?) So lang so mir in meinem sijnn – 110v–111r

Composition	Composers (? Uncertain)	Folios / Pages
[untexted]	Anonymous	122v–123r
A cheval, tout homme a cheval	Anonymous	63v–64r
A Florence la joeuse cite / Helas la fille / En ma chambre	Anonymous	60v–62r
Adieu Adieu, mon joyeux souvenir	Binchois, Gilles (ca. 1400–1460)	7r
Adieu ma tres belle maistresse	Binchois, Gilles (ca. 1400–1460) (?)	14v
Amours amours trop me fiers de tes dars	Ghizeghem, Hayne van (ca. 1445–ca. 1497)	99v–100r
Avertissiez vostre doulx euil	Anonymous	93v–94r
Ay je tort se je souspire	Anonymous	7v–8r
Ay mi sospiri non truovo pace	Anonymous	85v–86r
Beata es (= Grant temps ai eu et desire)	Bedingham, John (–ca. 1460)	33v–35r
Ben poy de tua belleza	Anonymous	9v–11r
Ben so che la mia mente	Anonymous	112v–114r
Ben so che mia mente	Anonymous	11v–12r
Bien viengnant, ma tresredoubtée	Anonymous	8v–9r
C'est a grant tort	Anonymous	13v–14r
Celebris hic dies agitur = Le serviteur infortuné	Anonymous	109v–110r
Comme femme desconfortée	Binchois, Gilles (ca. 1400–1460)	131v–132r
Coq en l'orge di Margot = N'oes vous point le coc me vante	Anonymous	64v–65r
De ma dame = O pastor aeterne = O beata Maria filia Dei	Pullois, Johannes	75v–76r
Depuis le doloreux	Anonymous	98v–99r
Desdengo non anna may questo piacere	Anonymous	12v–13r
Donnes au leal prisonnier	Anonymous	15r
Dueil angoisseux (3vv) - 1a pars (of 2): Dueil angoisseux, rage desmesure	Binchois, Gilles (ca. 1400–1460)	15v–17r
Dueil angoisseux (3vv) - 2a pars (of 2): Coeur doloreux	Binchois, Gilles (ca. 1400–1460)	15v–17r
Durer ne puis	Bedingham, John (–ca. 1460) (?) Dunstaple, John (ca. 1390–1453) (?)	6v
Elle se marie - Se je voloie	Anonymous	5r
En un gent et joly pourpris	Anonymous	104v–105r
Esclave puist il donc en	Binchois, Gilles (ca. 1400–1460)	19v–20r
Ex ore tuo = Yerra con poco saber	Cornago, Juan de	107v–109r
Fate dare ra	Anonymous	137v
Franc coeur gentil	Du Fay, Guillaume (1397–1474)	20v–21r
Gentil madona de no me habandonare	Bedingham, John (–ca. 1460)	117v–118r
Globus igneus = Quelque chose a venir	Pullois, Johannes	74v–75r
Ha day estre vous rencherie	Anonymous	81v–82r
Ha dure mort je viens	Anonymous	97v–98r
He n'esse pas grant desplaysir	Pullois, Johannes	56v–57r
He Robinet tu mas la mort	Anonymous	4v
Helas j'ayme mieulx mes jours	Anonymous	21v–22r
Helas je suy livre a mort	Horlay	53v–54r
Helas mes delees amours	Anonymous	41v–42r
Helas mon tetin = O beatissima	Anonymous	128v–130r
Hora cridar "Oime" posso ben io	Anonymous	88v–89r
Hora mai che fora sono	Anonymous	90v–91r
Il grant desio e la dolce esperanza	Anonymous	22v–24r
J'acompliray du bon cuer ma promesse	Anonymous	29v–30r
J'ai pris amours	-	136v
J'aime quanque par J commence	Anonymous	96v–97r
J'atens le confort de la belle	Anonymous	80v–81r
Ja Dieu ne doint que se fortune	Anonymous	67v–68r
Je merchie d'amours les dieux	Anonymous	68v–69r
Je meurs veant ma garison	Anonymous	70v–71r
Je ne fay que deul et desplaisance	Anonymous	24v–25r
Je ne fay tousjour	Binchois, Gilles (ca. 1400–1460)	25v–26r
Je ne pourroye plus celer	Anonymous	128r
Je ne prise point tels baisers	Anonymous	42v–43r
Je ne puis avoir	Horlay	55v–56r
Je ne puis plus	Pullois, Johannes (?)	59v–60r
Je pris merveilleux desplaisir	Anonymous	111v–112r
Je soleye estre amoureux	Anonymous	30v–31r
Je soloie faire danser - Her bergeres vous	Anonymous	5v–6r
Je vis toujours en esperance	Domarto, Petrus de	127v
Je vous prie mon tres douce amie / Tant que mon argent dura / Ma tres douce amie	Du Fay, Guillaume (1397–1474)	120v–121r
L'a je bien frique / Galoises de Savoie / J'ayme une dame	Anonymous	62v–63r
L'autre jour oy despritez	Anonymous	105v–107r
La bonté du Saint Esprit	Pullois, Johannes	57v–58r
Las je ne puis oir nouvelle = Unicus Dei filius	Legrant, Johannes	37v–38r
Le serviteur	Pullois, Johannes	77v–78r
Le serviteur hault guerdonné assovy	Du Fay, Guillaume (1397–1474)	76v–77r
Ma dame de nom / Sur la rive de la mer	Anonymous	119v–120r
Ma maitresse - 1a pars (of 2): Ma maitresse et ma plus grande amie	Ockeghem, Jean de (ca. 1410–1497)	123v–124r
Madonna parla	Anonymous	133v–134r
Mercé te chiamo o dolze anima mia	Anonymous	82v–85r
Mille bonjours	Du Fay, Guillaume (1397–1474)	26v–27r
Mirando el grande splendore	Anonymous	102v–104r
Mon bien imparfait	Anonymous	71v–72r
Mon seul plaisir, ma douce joie	Du Fay, Guillaume (1397–1474) (?) Bedingham, John (–ca. 1460)	27v–28r
Morte mercé - 1a pars (of 2): Morte mercé gentile aquil'altera	Cornago, Juan de	91v–92r
Morte mercé - 2a pars (of 2): Amor con l'arco tesso	Cornago, Juan de	91v–92r
N'aray je jamais mieux que j'ai	Morton, Robert	130v–131r
N'est ce pas bien pour départir	Anonymous	134v–135r
Ne vous plaindes de mes yeulx	Anonymous	47v–48r
Nos amys, vous vous abuses	Basin, Adrien (–ca. 1498)	124v–125r
Nous amisez souche	Anonymous	125v–126r
O Dio che me nolesti	Anonymous	116v–117r
O gratiosa viola mia gentil	Anonymous	92v–93r
O rosa bella, o Deitatis cella (= O quam suavis est domina)	Dunstaple, John (ca. 1390–1453) (?) Bedingham, John (–ca. 1460) (?)	35v–37r
Op eenen tijd in minen zijn	Anonymous	118v–119r
Par desplaisir tout plain d'anoy	Anonymous	95v–96r
Par le regard de vos beaux yeux	Du Fay, Guillaume (1397–1474)	40v–41r
Parle qui veult	Anonymous	132v–133r
Piangete done et vuy fedeli	Anonymous	87v–88r
Plus j'ay le monde - Madona bella	Morton, Robert	126v–127r
Plus suis en bonne compagnie	Anonymous	79v–80r
Pour bien servir et leaument amer	Horlay	54v–55r
Pour ce que j'ay servir	Anonymous	72v–73r
Pour prison ne pour maladie	Binchois, Gilles (ca. 1400–1460)	39v–40r
Princhesse of youth and florer	Anonymous	114v–116r
Puis qu'il vous plaist	Anonymous	69v–70r
Puisque je suis infortune	Horlay	52v–53r
Puisque je vis le regard gratieux	Anonymous	38v–39r
Qualche marer ogni anno	Anonymous	100v–102r
Quant ce viendra = Gaude mater misericordiae	Busnoys, Antoine (ca. 1430–1492) Ockeghem, Jean de (ca. 1410–1497) (?)	121v–122r
Quant vendra journee	Anonymous	78v–79r
Quelque langage que je die	Pullois, Johannes	58v–59r
Robinet se veult marier / Se tu ten marias / Helas pour quoy	Anonymous	65v–66r
Rolet ara / Maistre / tricotee	Anonymous	66v–67r
Salve O beata = Dove dove, or dove le mio signore	Anonymous	17v–19r
Se je ne fay chiere	Anonymous	45v–46r
Se je suis desprouve - Maintenons nous tous tamps - Las quel plaisir	Anonymous	49v–52r
Se la face ay pale	Du Fay, Guillaume (1397–1474)	135v–136r
Se mon flagolet joli	Anonymous	48v–49r
Seulle esgarée de tout joieulx plaisir	Binchois, Gilles (ca. 1400–1460)	28v–29r
So lang so mir in meinem sijnn	Braxatoris, W (?) Pullois, Johannes (?)	110v–111r
So ys emprentid	Frye, Walter (–ca. 1475) (?) Bedingham, John (–ca. 1460) (?)	31v–33r
Tout mon plaisir et tout mon reconfort	Anonymous	94v–95r
Tresoriere de plaisir amoureux	Anonymous	46v–47r
Triumpho dele done o chiara	Anonymous	86v–87r
Una vechia sempre nostra piena	Anonymous	89v–90r
Va tost mon amoureux desir	Binchois, Gilles (ca. 1400–1460)	73v–74r
Vostre esclave de galee	Anonymous	43v–45r

‡ denotes primary source study

Slavin, Dennis. 1986. Communication. Journal of the American Musicological Society, 217-22. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Atlas, Allan W. 1985. Music at the Aragonese Court of Naples. Cambridge. Pages: I 18-9,144-6,220-1,235-6. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Gutiérrez-Denhoff, Martella. 1985. Der Wolfenbütteler Chansonnier Wolfenbüttel, Herzog August Bibliothek Codex Guelf. 287 Extrav.: Untersuchungen zu Repertoire und Überlieferung einer Musikhandschrift des 15. Jahrhunderts und ihres Umkreises. Wolfenbütteler Forschungen. Wiesbaden. Pages: 56-8, 303, 307-11, 313. Notes: physical description (partial); contents list (partial); concordances (partial); mention of MS; discussion.

‡ Hanen, Martha Knight. 1983. The Chansonnier El Escorial IV.a.24: Commentary and Edition. Musicological Studies. 3 vols. Henryville, Ottawa, and Binningen. Pages: I-III. Notes: physical description; contents list; concordances; texts; transcription; efacsimile (partial); mention of MS; discussion.

Atlas, Allan W (editor). 1981. Robert Morton: The Collected Works. Masters and Monuments of the Renaissance. New York. Pages: xxiii,xxvi-xxvii,xxxii, xxxv, 35-6,77-85,88-9. Notes: contents list (partial); concordances (partial); transcriptions (partial); texts (partial); mention of MS; discussion.

Southern, Eileen (editor). 1981. Anonymous Pieces in the MS El Escorial IV.a. 24. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Notes: contents list (partial); concordances (partial); transcriptions (partial); texts (partial); mention of MS; discussion.

Perkins, Leeman L, and Howard Garey (editors). 1979. The Mellon Chansonnier. New Haven and London. Pages: I; II, 157-8,248ff, passim. Notes: physical description; contents list (partial); concordances (partial); texts (partial); mention of MS; discussion.

Pope, Isabel, and Masakata Kanazawa (editors). 1978. The Musical Manuscript Montecassino 871: A Neapolitan Repertory of Sacred and Secular Musk of the Late Fifteenth Century. Oxford. Pages: 159-62, 185-7,314-6,336-8,434-7,474-6,543,557ff. Notes: contents list (partial); concordances (partial); texts (partial); mention of MS; discussion.

Schavran, Henrietta. 1978. The Manuscript Pavia, Biblioteca Universitaria, Codice Aldini 362: A Study of Song Tradition in Italy Circa 1440-1480. New York University, Unpublished Ph.D. dissertation. Pages: I,49-57,94ff,332-4. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Fallows, David. 1977. Words and Music in two English Songs of the mid-15th Century: Charles d'Orléans and John Lydgate. Early Music, 38-43. Notes: transcription (partial); mention of MS; discussion.

Kemp, Walter H. 1976. The Manuscript Escorial V.III.24. Musica Disciplina, 97-129. Pages: 102-4,114-20. Notes: contents list (partial); concordances (partial).

Maniates, Maria Rika. 1975. Combinative Chansons in the Escorial Chansonnier. Musica Disciplina, 61-125. Notes: contents list; concordances (partial); transcription (partial); facsimile (partial); texts (partial); mention of MS; discussion.

‡ Hanen, Martha Knight. 1973. The Chansonnier El Escorial, Ms. IV.a.24. University of Chicago, Unpublished Ph.D. dissertation. Notes: physical description; contents list; concordances; transcription; texts; additional bibliography.

Pirrotta, Nino. 1973. Su Alcuni Testi Italiani di Composizioni Polifoniche Quattrocentesche. Quadrivium, 133-57. Notes: transcription (partial); texts (partial); mention of MS; discussion.

Atlas, Allan W. 1971. Rome, Biblioteca Apostolica Vaticana, Cappella Giulia XIII. 27, and the Dissemination of the Franco-Netherlandish Chanson in Italy, c. 1460-c. 1530. New York University, Unpublished Ph.D. dissertation. Notes: physical description; mention of MS; discussion; concordances (partial).

Cattin, Giulio. 1971. Le Poesie del Savonarola nelle Fonti Musicali. Quadrivium, 259-81. Pages: 273-80. Notes: transcription (partial); texts (partial); mention of MS; discussion.

‡ Southern, Eileen. 1969. El Escorial, Monastery Library, Ms. IV. a. 24. Musica Disciplina, 41-79. Notes: physical description; contents list; concordances; mention of MS; discussion.

Jeppesen, Knud. 1968-70. La Frottola. Acta Jutlandica. 3 vols. Copenhagen. Pages: II, 18-23,112-3. Notes: physical description; contents list (partial); concordances (partial).

Southern, Eileen. 1968. Foreign Music in German Manuscripts of the 15th Century. Journal of the American Musicological Society, 258-85. Pages: 274-85. Notes: concordances (partial); mention of MS.

Gülke, Peter (editor). 1967. Johannis Pullois: Opera Omnia. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: xii, passim. Notes: physical description; mention of MS; discussion; transcription (partial).

Thomson, James. 1964. An Introduction to Philippe(?) Caron. Musicological Studies. Brooklyn. Pages: 44. Notes: concordances (partial).

Gülke, Peter. 1961. Das Volkslied in der burgundischen Polyphonie des 15. Jahrhunderts. Festschrift Heinrich Besseler zum sechzigsten Geburtstag, Leipzig. Pages: 192; 196-9. Notes: contents list (partial); concordances (partial).

Fischer, Kurt von. 1956. Studien zur italienischen Musik des Trecento und frühen Quattrocento. Publikationen der Schweizerischen Musikforschenden Gesellschaft. Bern: Paul Haupt. Pages: 58-9. Notes: contents list (partial); concordances (partial).

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik. Kassel. Pages: III, 1522-3. Notes: physical description; mention of MS; discussion.

Hewitt, Helen Margaret (editor). 1942. Harmonice Musices Odhecaton A. Studies and Documents. Cambridge, Massachusetts: Mediaeval Academy of America. Pages: 106-7. Notes: concordances (partial); mention of MS.

Wolf, Johannes. 1913-9; Reprinted: Hildesheim, 1963. Handbuch der Notationskunde. Leipzig. Pages: I, 453. Notes: mention of MS.

Aubry, Pierre. 1906-7. Iter Hispanicum. Paris. Pages: 30-6. Notes: physical description; contents list; concordances (partial); facsimile (partial).

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Friday, 30 August, 2019

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

E-E MS IV.a.24

Palacio Real, Monasterio de S Lorenzo, San Lorenzo de El Escorial, Spain

manuscript of polyphony: 1460-74

General Description

Physical Description

Binding

Watermark

Notation

Foliation

Foliation

Decoration

Index

Surface

Census Catalogue of Music Description

General Note