CZ-Pu MS XI.E.9

Národní knihovna České republiky, Prague, Czech Republic

manuscript of polyphony: late 14th—early 15th century

Archive	Národní knihovna České republiky, Prague, Czech Republic (CZ-Pu)
Shelfmark	MS XI.E.9
Image Availability	DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface	Paper
Numbering System	Foliation
Measurements	213 x 148 mm
Other Identifiers	RISM: CS-Pu XI E 9 CCM: PragU XI E 9 Other catalogues/source: Pg
Notations	black full mensural black void mensural
Relationships	Helmcar, Stephanus (owner) Monastery of St Thomas (used the MS)
External Links	Transcription and reconstruction of no. 10 ('Sans joie avoir') by Marc Lewon images and catalogue description
Provenance	Strasbourg, France
Contents	40 pieces from 6 composers

General Description

Polyphony on new ff. 26'-27, 59-60, 77'-84, 99-106', 107'-108, 111'-112, 114'-119. Copied by several scribes. Copied in Prague? Julien Taurand had found that the fragment of mensural notation in the top line of CZ-Pu XI.E.9, fol. 248v is in fact the cantus line of the entire A-part (with the ouvert ending) of the ballade “Sans joie avoir”, for which the only other concordances are to be found in Codex Chantilly (fol. 23) and Pit (P-Bn f.it. 568, fol. 27v-28). Belonged c. 1546 to the humanist Joh. Rodericus a Choterina (d. 1581); presumably entered university library in Prague at end of 16th century.

Marc Lewon, July 2013

Binding

Modern leather covers, restored in 1958.

Marc Lewon, July 2013

Notation

black full and black void mensural

Marc Lewon, July 2013

Ruling

red or black staves

Marc Lewon, July 2013

Foliation

Modern foliation, 1-340 (excludes blank folios)

Marc Lewon, July 2013

Decoration

Inked initials in Gothic and calligraphic styles.

Marc Lewon, July 2013

Surface

paper with parchment endleaves

Marc Lewon, July 2013

DIAMM Note

Julien Taurand had found that the fragment of mensural notation in the top line of CZ-Pu XI.E.9, fol. 248v is in fact the cantus line of the entire A-part (with the ouvert ending) of the ballade “Sans joie avoir”, for which the only other concordances are to be found in Codex Chantilly (fol. 23) and Pit (P-Bn f.it. 568, fol. 27v-28). [see http://mlewon.wordpress.com/2013/07/05/marcs-milk-carton-a-new-source-for-sans-joie-avoir/] The next line of untexted notation below this fragment on fol. 248v, which is listed as is the cantus of the following "Je languis" copied out once more.

None

RISM Description

RISM B/IV 3: 14./15. Jh.; 371 Blätter Papier (f. 1-6 Pergament) + je 1 Vorsatz- und Nachstoßblatt, 215 x 150 mm. Moderne Foliierung von f. 1-340 (leere Blätter nicht foliiert). - Einband : 15. Jh.; mit weißem Leder überzogene Holzdeckel; Beschläge und Schließen fehlen.

Diese im späten 14. und frühen 15. Jh. teils in einem Straßburger Klarissenkloster (f. 1-7), teils im St. Thomas-Stift Straßburg geschriebene Sammelhandschrift gehörte im 15. Jh. einem frater Stephanus helmcar de Ratisbona. Vermutlich seit Ende des 18. Jh. befindet sie sich in der Universitäts-Bibliothek Prag. Sie enthält von verschiedenen Händen geschriebene Traktate (siehe unten) und von f. 247v-251v und f. 257v-261r einen von drei Händen geschriebenen Notenteil: je Seite 7 oder 8 schwarze Fünfliniensysteme mit schwarzer (f. 261r unten mit weißer) Mensuralnotation des frühen 15. Jh. Vor mehreren Stücken stehen als Mensuralangaben zu verstehende Buchstaben: p. mi., p. ma., ip. mi., ip. ma. (im Incipitverzeichnis nicht vermerkt). Die Werke weisen besonders häufige Konkordanzen mit F-Sm222 auf.

Inhalt: f. 1-7 Kalendar und Register; f. 8-41 S. Bonaventurae Itinerarius mentis; f. 42-104 Theologische Traktate; f. 105-111 Tractatuspro informacione notule; f. 112-228v Traktate und Briefe verschiedenen Inhalts; f. 229-242 Jacobí Twingeri de Koenigshofen Tonarius; f. 242v Präbendenliste von 1415; f. 243-247r Musiktraktat des H. de Zeelandia (vergleiche CoussemakerS, IV); f. 247v-251v siehe Incipitverzeichnis; f. 252-256v Papalista summorum pontificum; f. 257v-261r siehe Incipitverzeichnis; f. 262-340v Medizinische und naturwissenschaftliche Traktate.)

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of any of this content without permission may result in legal action.

Répertoire International des Sources Musicales

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

Miscellaneous writings, with polyphony: 17 Dutch or German secular pieces, 15 French secular pieces, 2 Italian secular pieces, 3 textless pieces (1 fragmentary) = 37 + 3 duplicates = 40* *Some items consist of only one voice in this source; these may either be monophonic pieces or isolated voices from polyphonic compositions. (Donatus de Florentia)-1, (Landini)-1, (Machaut)-2, (Molins)-1, anon-32

vii parchment + 365 paper + i parchment folios, 213 x 148. Composite of several originally separate manuscripts bound together in early 15th century. Modern foliation, 1-340 (excludes blank folios). Original covers of leather over wooden boards; clasps now missing.

Music on ff. 247-251' and ff. 257'-261, copied mostly in black mensural notation; pieces on f. 260' in chant notation, later addition at bottom of f. 261 in white notation (all breves) and stroke notation. Copied by three scribes, with later addition by fourth scribe on f. 261. Small inked initials. All pieces textless, or have text incipits only. Répertoriai connections with StrasBM 222.

Late 14th-early 15th century. Copied in Strasbourg; used at monastery of St. Thomas (KamM). Later belonged to Frater Stephanus Helmcar(?), of Regensburg; probably reached university library in Prague by late 18th century (RISM).

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
247	Je porte mi eblement / gi porte mie bramant	-	Cascia, Donato da (fl. c1350)
Je porte mi eblement / gi porte mie bramant Cascia, Donato da (fl. c1350) Appears on: 247 Genres: Italian secular Voice: Superius Languages: French Clef: c2 Voice Text: je porta my ablement Voice: Tenor Languages: Italian Clef: f3 Voice Text: gi porte mie bramant Layout parts
247	Esperance qui en mon cuer	-	Anonymous
Esperance qui en mon cuer Anonymous Appears on: 247 Genres: Chanson Voice: Tenor Languages: none Clef: f3 Voice: Contratenor Languages: French Clef: c5 Voice Text: Esperanse General Note C, T; no text (text only concordance in Philadelphia 15, f. 66r - see Cuthbert (2006), 311) Layout parts
247v	Vaer ruwe in dander huys etc.	-	Anonymous
Vaer ruwe in dander huys etc. Anonymous Appears on: 247v Genres: Secular Voice: Contratenor Languages: none Voice: [no designation] Languages: Middle Dutch Clef: c1 Voice Text: Vaer ruwe in dander huys etc. Voice: Tenor Languages: none Clef: c3 Layout parts
247v	Min heil min trost etc.	-	Anonymous
Min heil min trost etc. Anonymous Appears on: 247v Genres: Song Voice: [no designation] Languages: Middle Dutch Clef: f3 Voice Text: Min heil min trost etc. Layout parts
247v	Ic prise altoes gestadecheit etc	-	Anonymous
Ic prise altoes gestadecheit etc Anonymous Appears on: 247v Genres: Chanson Voice: [no designation] Languages: Middle Dutch Clef: f3 Voice Text: Je pri se altoes gestadecheit etc. Layout parts
247v	Die orlof.	-	Anonymous
Die orlof. Anonymous Appears on: 247v Genres: Song Voice: Tenor Languages: Middle Dutch Clef: f3 Voice Text: Die orlof. Layout parts
247v	Myn heil min trost etc.	-	Anonymous
Myn heil min trost etc. Anonymous Appears on: 247v Genres: Sacred Song Voice: [no designation] Languages: Middle Dutch Clef: f3 Voice Text: Myn heil min trost etc. Layout parts
248	Poiché partir convien mi donna cara	-	Landini, Francesco (ca. 1325–1397)
Poiché partir convien mi donna cara Landini, Francesco (ca. 1325–1397) Appears on: 248 Genres: Italian secular Voice: [no designation] Languages: French Clef: c3 Voice Text: Po' che partier Voice: Tenor Languages: none Clef: f3 Voice: Contratenor Languages: none Clef: c4 Layout parts
248	In vrouden willen.	-	Anonymous
In vrouden willen. Anonymous Appears on: 248 Genres: Song Voice: Tenor Languages: Middle Dutch Clef: f2 Voice: [no designation] Languages: Middle Dutch Clef: c3 Voice Text: In vrouden willen. Layout parts
248v	Sans joye avoir ne puet Car qui a le coeur triste	-	Anonymous
Sans joye avoir ne puet Car qui a le coeur triste Anonymous Appears on: 248v Genres: Motet Voice: [no designation] Languages: none Clef: c2 Layout parts
248v	Je languis d'aimer mort	-	Anonymous
Je languis d'aimer mort Anonymous Appears on: 248v Genres: Chanson Voice: [no designation] Languages: none Layout parts
249	Soy liés	-	Anonymous
Soy liés Anonymous Appears on: 249 Genres: Chanson Voice: Tenor Languages: none Clef: c3 Voice: [no designation] Languages: French Clef: c1 Voice Text: Soy liés Layout parts
249	Je fortune fay a tous	-	Anonymous
Je fortune fay a tous Anonymous Appears on: 249 Genres: Chanson Voice: Tenor Languages: none Clef: f3 Voice: [no designation] Languages: French Clef: c4 Voice Text: Je fortune Layout parts
249v	Fuyés de moy. C, Ct, T = Wohlauf, Gesell, wer jagen will	-	Alain
Fuyés de moy. C, Ct, T = Wohlauf, Gesell, wer jagen will Alain Appears on: 249v Genres: Chanson Voice: Tenor Languages: French Clef: c5 Voice Text: Fuilés Voice: [no designation] Languages: French Clef: c3 Voice Text: Fiés de moy Layout parts
249v	Talent m'est pris de chanter cume le coqu	-	Anonymous
Talent m'est pris de chanter cume le coqu Anonymous Appears on: 249v Genres: Canon Voice: [no designation] Languages: French Clef: f1c3 Voice Text: Talent m'es priis de santerpt comme li coccu Layout parts
250	Vaer ruwe in dander huys	-	Anonymous
Vaer ruwe in dander huys Anonymous Appears on: 250 Genres: Secular Voice: Tenor Languages: none Clef: c3 Voice: Contratenor Languages: none Clef: c3 Voice: [no designation] Languages: Flemish Clef: c1 Voice Text: Vaer ruwe in dander huys Layout parts
250	Soit tart tempre, main ou soir	-	Anonymous
Soit tart tempre, main ou soir Anonymous Appears on: 250 Genres: Chanson Voice: Tenor Languages: French Clef: f3 Voice Text: Soy tart tempre Voice: [no designation] Languages: French Clef: c2 Voice Text: Soy tart tempre Layout parts
250v	O sinne miin	-	Anonymous
O sinne miin Anonymous Appears on: 250v Genres: Song Voice: [no designation] Languages: insufficient Clef: c2 Voice Text: O sinne minnj (?) Voice: [no designation] Languages: none Clef: f2 Layout parts
251	Amis tout dous	-	Molins, Pierre des (fl. mid-14th century)
Amis tout dous Molins, Pierre des (fl. mid-14th century) Appears on: 251 Genres: Chanson Voice: Superius Languages: Dutch Clef: c3 Voice Text: Di molen van pariis Voice: Tenor Languages: none Clef: f3c5 Layout parts
251	untexted	-	-
untexted Appears on: 251 Voice: [no designation] Languages: none Clef: c3 Voice: [no designation] Languages: none Clef: c1 Layout parts
251v	Pour vous reveoir, douls amis, en tel destreche	-	Anonymous
Pour vous reveoir, douls amis, en tel destreche Anonymous Appears on: 251v Genres: Virelai Voice: Tenor Languages: none Clef: f2c4 Voice: [no designation] Languages: French Clef: c3 Voice Text: Por vous. Layout parts
251v	Tant plus vous voy tant plus me samblés belle	-	Anonymous
Tant plus vous voy tant plus me samblés belle Anonymous Appears on: 251v Genres: Chanson Voice: [no designation] Languages: French Clef: c2 Voice Text: Tant plus vos voye. Voice: Tenor Languages: none Clef: f2c4 Layout parts
257v	Ja falla.	-	Anonymous
Ja falla. Anonymous Appears on: 257v Genres: Secular Voice: [no designation] Languages: Czech Clef: c2 Voice Text: Ja falla. Voice: [no designation] Languages: none Clef: f2c4 Layout parts
257v	Se vous n’estes pour mon guerredon	-	Machaut, Guillaume de (ca. 1300–1377)
Se vous n’estes pour mon guerredon Machaut, Guillaume de (ca. 1300–1377) Appears on: 257v Genres: Rondeau Voice: Tenor Languages: none Clef: f3 Voice: [no designation] Languages: French Clef: c4 Voice Text: Se vous n'estes Layout parts
258	Het dunct mi wesen verre.	-	Anonymous
Het dunct mi wesen verre. Anonymous Appears on: 258 Genres: Song Voice: Tenor Languages: Middle Dutch Clef: c3 Voice: [no designation] Languages: Middle Dutch Clef: c1 Voice Text: Het dunct mi wesen verre. Layout parts
258	untexted	-	-
untexted Appears on: 258 Voice: Tenor Languages: none Clef: f3c5 Voice: [no designation] Languages: none Clef: c3 Layout parts
258v	Voer mi toent si een scoen ghelaet.	-	Anonymous
Voer mi toent si een scoen ghelaet. Anonymous Appears on: 258v Genres: Song Voice: Tenor Languages: none Clef: c3 Voice: [no designation] Languages: Flemish Clef: c2 Voice Text: Voer mi toent si een stoen ghelaet. Layout parts
259	Een meysken dat te werke gaet	-	Anonymous
Een meysken dat te werke gaet Anonymous Appears on: 259 Genres: Song Voice: [no designation] Languages: Middle Dutch Clef: c1 Voice Text: Een meysken dat te werbe gaet. Voice: Tenor Languages: Middle Dutch Clef: c3 Layout parts
259v	Ich sach den mey [meygen] met bloeuen benaen	-	Anonymous
Ich sach den mey [meygen] met bloeuen benaen Anonymous Appears on: 259v Genres: Song Voice: [no designation] Languages: Middle Dutch Clef: c3 Voice Text: Ich sach den mey met bloeuen benaen Voice: Tenor Languages: Middle Dutch Clef: f3 Layout parts
259v	Siint doecht moest arghelist ontsien.	-	Anonymous
Siint doecht moest arghelist ontsien. Anonymous Appears on: 259v Genres: Song Voice: [no designation] Languages: Middle Dutch Clef: c2 Voice Text: Siint doecht moest arghelist ontsien. Voice: [no designation] Languages: Middle Dutch Clef: f2c4 Layout parts
259v–260	De petit peu, de nient volenté	-	Machaut, Guillaume de (ca. 1300–1377)
De petit peu, de nient volenté Machaut, Guillaume de (ca. 1300–1377) Appears on: 259v–260 Genres: Ballade Voice: [no designation] Languages: French Clef: c5 Voice Text: De petit peu Voice: [no designation] Languages: French Clef: c4 Voice Text: De petit peu Layout parts
260	untexted	-	-
untexted Appears on: 260 Voice: [no designation] Languages: none Clef: f2 Voice: [no designation] Languages: none Clef: c3 Layout parts
260v	Her Conrat laszent uwern gugken sin.	-	Anonymous
Her Conrat laszent uwern gugken sin. Anonymous Appears on: 260v Genres: Song Voice: [no designation] Languages: Middle Dutch Clef: f2c4 Voice Text: Her Conrat laszent uwern gugken sin. Layout parts
260v	Scheiden wie verwisztu mich sogar.	-	Anonymous
Scheiden wie verwisztu mich sogar. Anonymous Appears on: 260v Genres: Song Voice: [no designation] Languages: German Clef: f2c4 Voice Text: Scheiden wie verwisztu mich sogar. Layout parts
260v	Zwor min hertz	-	Anonymous
Zwor min hertz Anonymous Appears on: 260v Genres: Song Voice: [no designation] Languages: German Clef: f2c4 Voice Text: Zwor min hertz. Layout parts
260v	Vor aller Welt.	-	Anonymous
Vor aller Welt. Anonymous Appears on: 260v Genres: Song Voice: [no designation] Languages: German Clef: f2c4 Voice Text: Vor aller Welt. Layout parts
260v	Quatter cosse in une lette.	-	Anonymous
Quatter cosse in une lette. Anonymous Appears on: 260v Genres: Chanson Voice: [no designation] Languages: Italian Clef: f2c4 Voice Text: Quatter cosse in une lette. Layout parts
260v	In alreley.	-	Anonymous
In alreley. Anonymous Appears on: 260v Genres: Secular Voice: [no designation] Languages: insufficient Clef: f2c4 Voice Text: In alreley. Layout parts
261	Se vois mon coeur 2o	-	Anonymous
Se vois mon coeur 2o Anonymous Appears on: 261 Genres: Chanson Voice: Tenor Languages: French Clef: c4 Voice Text: Je voy mon cuer Voice: Motetus Languages: French Clef: c2 Voice Text: Se voy mon cuer [2o] General Note C, T Layout parts
261	untexted	-	-
untexted Appears on: 261 Voice: [no designation] Languages: none Clef: f2 Layout parts

Composer	Compositions
Alain	Fuyés de moy. C, Ct, T = Wohlauf, Gesell, wer jagen will – 249v
Anonymous	Die orlof. – 247v Een meysken dat te werke gaet – 259 Esperance qui en mon cuer – 247 Her Conrat laszent uwern gugken sin. – 260v Het dunct mi wesen verre. – 258 Ic prise altoes gestadecheit etc – 247v Ich sach den mey [meygen] met bloeuen benaen – 259v In alreley. – 260v In vrouden willen. – 248 Ja falla. – 257v Je fortune fay a tous – 249 Je languis d'aimer mort – 248v Min heil min trost etc. – 247v Myn heil min trost etc. – 247v O sinne miin – 250v Pour vous reveoir, douls amis, en tel destreche – 251v Quatter cosse in une lette. – 260v Sans joye avoir ne puet Car qui a le coeur triste – 248v Scheiden wie verwisztu mich sogar. – 260v Se vois mon coeur 2o – 261 Siint doecht moest arghelist ontsien. – 259v Soit tart tempre, main ou soir – 250 Soy liés – 249 Talent m'est pris de chanter cume le coqu – 249v Tant plus vous voy tant plus me samblés belle – 251v Vaer ruwe in dander huys – 250 Vaer ruwe in dander huys etc. – 247v Voer mi toent si een scoen ghelaet. – 258v Vor aller Welt. – 260v Zwor min hertz – 260v [No description] – 251 [No description] – 260 [No description] – 258 [No description] – 261
Cascia, Donato da (fl. c1350)	Je porte mi eblement / gi porte mie bramant – 247
Landini, Francesco (ca. 1325–1397)	Poiché partir convien mi donna cara – 248
Machaut, Guillaume de (ca. 1300–1377)	De petit peu, de nient volenté – 259v–260 Se vous n’estes pour mon guerredon – 257v
Molins, Pierre des (fl. mid-14th century)	Amis tout dous – 251

Composition	Composers (? Uncertain)	Folios / Pages
Amis tout dous	Molins, Pierre des (fl. mid-14th century)	251
De petit peu, de nient volenté	Machaut, Guillaume de (ca. 1300–1377)	259v–260
Die orlof.	Anonymous	247v
Een meysken dat te werke gaet	Anonymous	259
Esperance qui en mon cuer	Anonymous	247
Fuyés de moy. C, Ct, T = Wohlauf, Gesell, wer jagen will	Alain	249v
Her Conrat laszent uwern gugken sin.	Anonymous	260v
Het dunct mi wesen verre.	Anonymous	258
Ic prise altoes gestadecheit etc	Anonymous	247v
Ich sach den mey [meygen] met bloeuen benaen	Anonymous	259v
In alreley.	Anonymous	260v
In vrouden willen.	Anonymous	248
Ja falla.	Anonymous	257v
Je fortune fay a tous	Anonymous	249
Je languis d'aimer mort	Anonymous	248v
Je porte mi eblement / gi porte mie bramant	Cascia, Donato da (fl. c1350)	247
Min heil min trost etc.	Anonymous	247v
Myn heil min trost etc.	Anonymous	247v
O sinne miin	Anonymous	250v
Poiché partir convien mi donna cara	Landini, Francesco (ca. 1325–1397)	248
Pour vous reveoir, douls amis, en tel destreche	Anonymous	251v
Quatter cosse in une lette.	Anonymous	260v
Sans joye avoir ne puet Car qui a le coeur triste	Anonymous	248v
Scheiden wie verwisztu mich sogar.	Anonymous	260v
Se vois mon coeur 2o	Anonymous	261
Se vous n’estes pour mon guerredon	Machaut, Guillaume de (ca. 1300–1377)	257v
Siint doecht moest arghelist ontsien.	Anonymous	259v
Soit tart tempre, main ou soir	Anonymous	250
Soy liés	Anonymous	249
Talent m'est pris de chanter cume le coqu	Anonymous	249v
Tant plus vous voy tant plus me samblés belle	Anonymous	251v
Vaer ruwe in dander huys	Anonymous	250
Vaer ruwe in dander huys etc.	Anonymous	247v
Voer mi toent si een scoen ghelaet.	Anonymous	258v
Vor aller Welt.	Anonymous	260v
Zwor min hertz	Anonymous	260v

‡ denotes primary source study

Timm, Erika. 1972. Die Überlieferung der Lieder Oswalds von Wolkenstein. Germanische Studien. Lübeck and Hamburg. Pages: 134ff, 160-1.

Apel, Willi (editor). 1970-72. French Secular Compositions of the Fourteenth Century. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: I, xxxiv. xl; Il, xvii; III, passim.

Schrade, Leo (editor). 1956-. Polyphonic Music of the Fourteenth Century. 24 vols. Monaco. Pages: Commentary to Vols. II-III, 53-4, passim.

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik. Kassel. Pages: I, 706; X, 1956.

Ellinwood, Leonard (editor). 1939. The Works of Francesco Landini. Cambridge, Massachusetts: The Mediaeval Academy of America. Pages: 273-4, 315.

Lenaerts, René Bernard. 1933. Het Nederlands Polifonies Lied in de Zestiende Eeuw. Amsterdam. Pages: 5–6.

Kammerer, Friedrich. 1931. Die Musikstücke des Prager Kodex XI E 9. Veröffentlichungen des Musikwissenschaftlichen Institutes der Deutschen Universität in Prag. Augsburg: Dr. Benno Filser Verlag [also Brünn: Rudolf M. Rohrer Verlag].

Ludwig, Friedrich (editor). 1929. Motetten. Guillaume de Machaut. Musikalische Werke. Leipzig. Pages: 18ff; II, 36-7*, passim.

Nejedly, Zdenëk. 1913. Reprinted 1955-6 as Vols. 43-5 of the author's complete works. Citations refer to original edition.. Dejiny Husitského Zpevu za Válek Husitsky'ch. Prague. Pages: 454-5, passim.

Nejedly, Zdenëk. 1904. Reprinted 1954 as Vol. 40 of the author's collected works. Citations refer to reprint.. Dëjiny Pfedhusitského Zpevu v Cechàch. Prague. Pages: 163, 224, 313.

Wolf, Johannes. 1904; Reprinted: Hildesheim, 1965. Geschichte der Mensural-Notation von 1250-1460 nach den theoretischen und praktischen Quellen. 3 vols. Leipzig. Pages: I, 166,188-9, passim.

Ambros, August Wilhelm. 1887-1911. Geschichte der Musik. Leipzig. Pages: II, 445-7.

Public Comments

This form is used to make comments on a source. If you wish to notify us of a correction to the record, you should use the "Contribute a change" form instead.

jos haring

Sunday, 7 March, 2021

The Census Catalogue of Music descriptions does not refer to CZ-Pu XI E 9. The RISM description however, does.

jos haring

Saturday, 26 September, 2020

-Everywhere where it says "Languages: German" it should be "Languages: (Middle-)Dutch", except fol. 260v up to "Vor aller Welt"

Contributions to this record are recorded here. If you wish to contribute information or a correction to this record, use the "Contribute a Change" link. This will then be reviewed by DIAMM staff and, if accepted, your contribution will be acknowledged here.

jos haring

Tuesday, 9 March, 2021

Notification of the entries in (Middle-)Dutch.

jos haring

Friday, 20 November, 2020

Pointed out the pieces where the text is in Middle Dutch.

jos haring

Saturday, 26 September, 2020

title of the work "Je pri se altoes gestadecheit etc." (f. 247v) corrected to "Ic prise altoes gestadecheit etc."

Richard Dudas

Monday, 20 July, 2020

image links updated; and concordance for "Je languis" on 248v added

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

Répertoire Internationale des Sources Musicales

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description

CZ-Pu MS XI.E.9

Národní knihovna České republiky, Prague, Czech Republic

manuscript of polyphony: late 14th—early 15th century

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Public Comments

jos haring

Sunday, 7 March, 2021

jos haring

Saturday, 26 September, 2020

jos haring

Tuesday, 9 March, 2021

jos haring

Friday, 20 November, 2020

jos haring

Saturday, 26 September, 2020

Richard Dudas

Monday, 20 July, 2020

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550