Michael Cuthbert
Monday, 23 March, 2026
Note that Blake Wilson and Nello Barbieri's edition of the Florence Laudario calls the Banco Rari 19 shelfmark the current mark and II.I.212 the old one (same for BR 18 w.r.t. II.I.122)
| Archive | Biblioteca Nazionale Centrale, Florence, Italy (I-Fn) |
|---|---|
| Shelfmark | MS II.I.212 |
| Image Availability | DIAMM does not have images of this source. |
| Surface | Other |
| Numbering System | Foliation |
| Measurements | 297 x 272 mm |
| Other Identifiers |
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| Notations |
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| Inventory | This MS has not yet been inventoried by DIAMM. If you would like to submit an inventory, please send it to diamm@music.ox.ac.uk |
| Provenance |
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| Contents | Contains 10 compositions, 10 are anonymous. |
8 pages of a calendar and 1 of prayers at the front, followed at f. 10 by a corpus of laude (without music); music starts at f. 71. From f. I-LXX there are sequences, together with a few motets based on sequence texts; this section may have belonged to a different manuscript.
Modern binding of wooden boards covered in half-leather (the 2 unnumbered paper flyleaves both at front and back belong with the modern binding)
large black square notes; motets in mensural notation ( employs semibreves, minims and major semibreves (i.e. with a descending tail) as well as longs, breves and c.o.p. ligatures)
6 red four-line staves per page
Red folioation begins at real f. 10 (8 pages of a calendar and 1 of prayers at the front are not numbered): extends from I-LXX, but apparently f. 2-5, 20, 22, 23, 27 and one or two pages at the end of the section are missing from this total. From f. 71 onwards a modern ink foliation appears at t.r.r.
72v-85
parchment interleaved with tissue
RISM B/IV 1: A 14th century parchment manuscript, interleaved with tissue, whose 98 folios meas. 297 x 272 mm. There are 2 unnumbered paper flyleaves both at front and back which go with the modern binding of wooden boards covered in half-leather. 8 pages of a calendar and 1 of prayers at the front are not numbered. The corpus of laude, for which no music is provided, begins on the real f. 10, which is numbered I in red at t.m.r. This red foliation goes from I-LXX, but apparently f. 2-5, 20, 22, 23, 27 and one or two pages at the end of the section are missing from this total. The musical part of the ms starts at f. 71, and, from here on, a modern ink foliation appears at t.r.r. This may have been a different manuscript from f. I-LXX originally, since it is made up of sequences, together with a few motets based on sequence texts. The notation consists of large black square notes on 6 red four-line staves per page. The motets are in mensural notation, which employs semibreves, minims and major semibreves (i.e. with a descending tail) as well as longs, breves and c.o.p. ligatures.
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The inventory could not be loaded.
‡ denotes primary source study
Reaney, Gilbert (editor). 1966. Répertoire international des sources musicales. Series B IV, vol. 1. Manuscripts of Polyphonic Music, 11th - Early 14th Century. Munich-Duisburg: G. Henle Verlag. Pages: 790-791.
Rokseth, Y. 1935+1939. Les Polyphonies du XIVe siecle. 4 vols. Pages: I and III, no. 284 (facsimile and transcription of no. 2 after Mo); IV, 80, 293.
Wolf, Johannes. 1931); American reprint: 'Music of earlier times. Vocal and instrumental examples; 13th century to Bach'. (New York, 1946. Sing-und Spielmusik aus älterer Zeit. Leipzig. Pages: no. 4 (transcription of no. 1).
Anglès, Higinio. 1931. El Còdex musical de las Huelgas. 3 vols. Pages: II—III, no. 120 (facsimile and transcription of no. 2 after Hú); I, 279.
Handschin, Jacques. 1928. Angelomontana Polyphonica. Schweizerisches Jahrbuch für Musikwissenschaft, 3: 64ff. Pages: 68, 83.
Besseler, Heinrich. 1926. Studien zur Musik des Mittelalters: II. Die Motette von Franko von Köln bis Philipp van Vitry. Archiv für Musikwissenschaft, 8: 137-258. Pages: II, 178.
Ludwig, Friedrich. 1923. Die Quellen der Motetten ältesten Stils. Archiv für Musikwissenschaft, 5: 185-222, Vol. 5 (1924) 273-315. Pages: 209, 300 f, 304, 307.
Ludwig, Friedrich. 1910. Repertorium organorum recentioris et motetorum vetustissimi stili. I. Catalogue raisonné. 1. Handschriften in Quadratnotation. Halle: Niemayer. Pages: 226, 445.
Aubry, Pierre. 1908. Cent Motets du XIIIe siècle. 3 vols. Pages: I—II, no. 98 (facsimile and transcription of no. 2 after Ba); III, 108.
Ludwig, Friedrich. 1908. Die mehrstimmigen Werke der Handschrift Engelberg 314. Kirchenmusikalisches Jahrbuch, 21: 48ff. Pages: 55.
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Note that Blake Wilson and Nello Barbieri's edition of the Florence Laudario calls the Banco Rari 19 shelfmark the current mark and II.I.212 the old one (same for BR 18 w.r.t. II.I.122)
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NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Ruling Note; Foliation Note; Foliation Note; Surface Note
NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description