US-NYcub Smith Western Add. MS 21

Columbia University, Rare Book and Manuscript Library, New York, United States

fragments: c. 1460-70

Archive Columbia University, Rare Book and Manuscript Library, New York, United States (US-NYcub)
Shelfmark Smith Western Add. MS 21
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System Foliation
Measurements c.260-70 x 165-80 (one is 135 x 75) mm
Other Identifiers
  • CCM: NYorkC 21
Notations
  • black void mensural
Copyists
Relationships
External Links
Provenance
  • Lille, France
Contents 10 pieces from 4 composers
General Description

Contains three antiphon settings of English origin; hymn Dulcis Jesu memoria for Feast of St Bernard (20 August), antiphons Inviolata, Regina celi, Magnificats.

Copied in France, c. 1460-70, for Confraternity of Notre-Dame de la Treille, Collegiate Church of St Peter, Lille. Copied by one or two scribes, including possibly the organist Jacques Hourier. (Cf. a chapel endowment of 8 May 1461 (Edmond Hautcoeur, Cartulaire de l'Eglise collegiale de Lille, (Lille, 1894), vol. 2, 1030 ff. - see Strohm 1993).

Later incorporated into binding of record of rents and revenues of cure of Saint-Julien (Lorraine), dated 1515. Owned in 20th century by David Eugene Smith, Professor of Mathematics at Columbia University and a collector of mathematical rare books and manuscripts; Smith collection donated to Columbia University in 1931. Discovered in 1980 by Stephen Bonime in a box of uncatalogued fragments from the David Eugene Smith Collection in this library. Formerly part of binding of Western MS 28; now enclosed in plastic protective envelopes.

Reinhard Strohm 2021, DIAMM 2017
Watermark

Bishop's crook (Midoux # 229).

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Foliation

Modern pencil foliation, 1-7. Re-foliated A1-3, B1-2, C1-2 recognising continuity of pieces across fragments, and reversing the view of recto-verso for some fragments..

DIAMM, 2017
Decoration

inked calligraphic initials.

DIAMM, 2017
Surface

Paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

3 Magnificats, 6 motets = 9 (all incomplete)

(Dunstable/Power)-1, (Frye?)-1, anon-7

7 fragmentary paper folios, ca. 260-70 x 165-80 (one folio measures 135 x 75), discovered in 1980 by Stephen Bonime in box of uncatalogued fragments from David Eugene Smith Collection in this library. Formerly part of binding of Western MS 28; now enclosed in plastic protective envelopes. Modern pencil foliation, 1-7. Copied by one or two scribes. Inked calligraphic initials. Watermark: bishop's crook (Midoux # 229).

Mid or late 15th century. Probably copied in northeastern France. Later incorporated into binding of record of rents and revenues of cure of Saint-Julien (Lorraine), dated 1515. Owned in 20th century by David Eugene Smith, Professor of Mathematics at Columbia University and a collector of mathematical rare books and manuscripts; Smith collection donated to Columbia University in 1931.

We thank Dr. Stephen Bonime, who is writing an article on the manuscript, for his assistance in the preparation of this entry.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
A1r (7v) Salve regina mater misericordiae -
Appears on: A1r (7v)
Genres: BVM, Motet, Salve Regina
Voice: [no designation]
Languages: Latin
Voice Text: Salve regina
A1v (7r)–A2r (3v) O pulcherrima mulierum -
Appears on: A1v (7r)–A2r (3v)
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: O pulcherrima mulierum surge propera
A2v (3r)–A3r (1v) Dulcis Jesu memoria - Anonymous
Appears on: A2v (3r)–A3r (1v)
Genres: Hymn, Motet
Voice: [no designation]
Languages: Latin
Voice Text: Dulcis Iesu memoria
A3v (1r) O gloriosa genitrix - Anonymous
Appears on: A3v (1r)
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: O gloriosa genitrix
B1r (5r) Inviolata (O benigna o regina) - Anonymous
Appears on: B1r (5r)
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: O benigna o regina
B1v (5v)–B2r (2v) Regina caeli laetare alleluia - Anonymous
Appears on: B1v (5v)–B2r (2v)
Genres: Marian antiphon, Motet, Regina caeli laetare
Voice: [no designation]
Languages: Latin
Voice Text: Regina caeli laetare alleluia
B2r (2r) Resurrexit sicut dixit - Anonymous
Appears on: B2r (2r)
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Resurrexit dixit
C1r (4r) Magnificat (I) - Anonymous

Magnificat (I)

Anonymous
Appears on: C1r (4r)
Genres: BVM, Canticle, Magnificat

Item Bibliography

Strohm, Reinhard. 1993. The Rise of European Music 1380-1500.  Cambridge. Pages: 438.

C1v (4v)–C2r (6r) Magnificat (II) - Anonymous

Magnificat (II)

Anonymous
Appears on: C1v (4v)–C2r (6r)
Genres: BVM, Canticle, Magnificat
C2v (6v) Magnificat (III) - Anonymous

Magnificat (III)

Anonymous
Appears on: C2v (6v)
Genres: BVM, Canticle, Magnificat
Composer Compositions
Anonymous
Dunstaple, John (ca. 1390–1453)
Lantins, Hugo de (fl. 1420-30)
Power, Leonel (–1445)
Composition Composers (? Uncertain) Folios / Pages
Dulcis Jesu memoria Anonymous A2v (3r)–A3r (1v)
Inviolata (O benigna o regina) Anonymous B1r (5r)
Magnificat (I) Anonymous C1r (4r)
Magnificat (II) Anonymous C1v (4v)–C2r (6r)
Magnificat (III) Anonymous C2v (6v)
O gloriosa genitrix Anonymous A3v (1r)
O pulcherrima mulierum A1v (7r)–A2r (3v)
Regina caeli laetare alleluia Anonymous B1v (5v)–B2r (2v)
Resurrexit sicut dixit Anonymous B2r (2r)
Salve regina mater misericordiae A1r (7v)

denotes primary source study

Curtis, Gareth R K, and Andrew B Wathey. 1994. Fifteenth-Century English Liturgical Music: A List of the Surviving Repertory. Royal Musical Association Research Chronicle, 1-69.

Strohm, Reinhard. 1993. The Rise of European Music 1380-1500.  Cambridge. Pages: 241, 438. Notes: contents (partial); discussion.

Hamm, Charles E, and Herbert Kellman (editors). 1979-1988. Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550. Renaissance Manuscript Studies. 5 vols. Neuhausen nr. Stuttgart: American Institute of Musicology, Hänssler Verlag.

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Reinhard Strohm

Tuesday, 18 May, 2021

Description of fragments updated; provenance corrected and detail added; bibliography updated.

DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Watermark Note; Notation Note; Foliation Note; Foliation Note; Decoration Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description