US-CLwr Spec.Coll. 3 Lge/ML431.D24 (Fayrfax fragments)

Case Western Reserve University, Kelvin Smith Library, Cleveland, United States

printed book with MS additions: late 15th and early 16th century

Archive Case Western Reserve University, Kelvin Smith Library, Cleveland, United States (US-CLwr)
Shelfmark Spec.Coll. 3 Lge/ML431.D24 (Fayrfax fragments)
Surface Other
Numbering System None
Measurements 210 x 154, 210 x 316, 145 x 183 (3 measurements for 2 pages?) mm
Other Identifiers
  • CCM: CleveC D24
Notations
  • black full mensural
  • black void mensural
Copyists
Relationships
Provenance
  • England
Contents 9 pieces from 2 composers
General Description

Miscellaneous collection of 23 folios containing manuscript music, and 3 folios containing printed music, mounted on modern paper leaves. Fragments, dating from 12th to 17th centuries, are mostly unrelated, and include monophonic music in various forms of chant notation, instrumental polyphony in tablature, and vocal polyphony. Only last fragment between pp. 108/109, the single fragment between pp. 110/111, and two fragments between pp. 112/113 matter here.

The first two fragments are in black full notation, copied by a single scribe, originally belonged to same choirbook. The latter two fragments (the 'Fayrfax fragments') are in black void notation, copied by one or two scribes; the first is apparently a half-sheet from the same original manuscript as WellsC (2), the second is a continuation of the piece on the rear flyleaf of Drexel 4183. Copied in England. THe Fayrfax (and other related) fragments are brought together in a ‘virtual manuscript’ here.

Some items possibly owned by John Stafford Smith (1750-1836) and Edward Rimbault (1816-76); the pp. 112-113 fragments may have originally been used in binding the Drexel partbooks - specifically 4181 front and 4182 back (FallDrex) (several of those binding fragments are now missing from the Drexel set). Later, unidentified owner collected fragments and had them bound into his exemplar of David-Lussy Histoire. Volume donated to present library by Mrs. Dudley S. Blossom in 1940.

DIAMM, 2017
Binding

Mounting sheets now bound into printed Histoire between pp. 56/57, 58/59, 96/97, 98/99, 100/101, 102/103, 104/105, 106/107, 108/109, 110/111, 112/113, 114/115, 136/137, and 138/139 respectively.

DIAMM, 2017
Watermark

Top fragment between pp. 112/113 bears portion of same watermark (hand with six-petalled flower) found in WellsC (2).

DIAMM, 2017
Notation

black full mensural and black void mensural

DIAMM, 2017
Ruling

not received yet

DIAMM, 2017
Foliation

13-14v

DIAMM, 2017
Decoration

Inked Gothic initials for pieces in black full notation; no initials or decoration for pieces in black void notation.

DIAMM, 2017
Surface

33 paper and parchment; 3 paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

Exemplar of printed book (Ernest David and Mathis Hussy: Histoire de la Notation Musicale [Paris, 1882]), with manuscript polyphony:

1 Mass, 3 English secular pieces, 1 textless piece = 5* (all fragmentary)

*See physical description below. Above summary includes only those items with repertory within scope of [the Census] catalogue.

(Fayrfax)-1, anon-4

Miscellaneous collection of 23 paper and parchment folios containing manuscript music, and 3 paper folios containing printed music, of widely varying sizes (some fragmentary), mounted on modern paper leaves, 340 x 222. Mounting sheets now bound into printed Histoire between pp. 56/57, 58/59, 96/97, 98/99, 100/101, 102/103, 104/105, 106/107, 108/109, 110/111, 112/113, 114/115, 136/137, and 138/139 respectively.

Fragments, dating from 12th to 17th centuries, are mostly unrelated, and include monophonic music in various forms of chant notation, instrumental polyphony in tablature, and vocal polyphony in black and white mensural notation. Only last fragment between pp. 108/109 (parchment, 210 x 154, black mensural notation), single fragment between pp. 110/111 (parchment, 218 x 316, black mensural notation), and two fragments between pp. 112/113 (paper, 145 x 183, white mensural notation) are within scope of [the Census] catalogue. Fragments in black notation, copied by a single scribe, originally belonged to same choirbook; fragments in white notation, copied by one or two scribes, apparently from same original manuscript as WellsC (2).

Inked Gothic initials for pieces in black notation; no initials or decoration for pieces in white notation. Top fragment between pp. 112/113 bears portion of same watermark (hand with six-petalled flower) found in WellsC (2).

Late 15th century (pieces in black notation); early 16th century (pieces in white notation). Copied in England. Some items possibly owned by John Stafford Smith (1750-1836) and Edward Rimbault (1816-76). Later, unidentified owner collected fragments and had them bound into his exemplar of David-Lussy Histoire. Volume donated to present library by Mrs. Dudley S. Blossom in 1940.

[see also WellsC (2)]

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

13v

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
13v (after p. 108) Patrem omnipotentem [Credo] - Anonymous
Appears on: 13v (after p. 108)
Genres: Credo (patrem omnipotentem), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Credo (Mass)
General Note

M26

13 Sanctus Mass - Anonymous

Sanctus Mass

Anonymous
Appears on: 13
Genres: Mass Ordinary, Sanctus [& Benedictus]
Voice: [no designation]
Languages: Latin
Voice Text: Sanctus (Mass)
General Note

M26

14v (after p. 110) Patrem omnipotentem [Credo] - Anonymous
Appears on: 14v (after p. 110)
Genres: Credo (patrem omnipotentem), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Credo (Mass)
General Note

M27

14 Sanctus Mass - Anonymous

Sanctus Mass

Anonymous
Appears on: 14
Genres: Mass Ordinary, Sanctus [& Benedictus]
Voice: [no designation]
Languages: Latin
Voice Text: Sanctus (Mass)
General Note

M27

15a (after p. 112) [Untitled Piece no. 3] fairfax
Appears on: 15a (after p. 112)
Source Attribution: fairfax
15a untexted - Anonymous

untexted

Anonymous
Appears on: 15a
Genres: textless
General Note

a 2vv fragment

15a(v) Thys endres nyght I harde a wyght - Anonymous
Appears on: 15a(v)
Genres: Song
Concordances

"similar to, but by no means compatible with, BL Royal App 58 f. 12v" (FallDrex)

15b All a green willow - Anonymous

All a green willow

Anonymous
Appears on: 15b
Genres: Song
15b–15b(v) Bold was the beggar and bold was he - Anonymous
Appears on: 15b–15b(v)
Genres: Song
Composer Compositions
Anonymous
Fayrfax, Robert (1464–1521)
Composition Composers (? Uncertain) Folios / Pages
[Untitled Piece no. 3] 15a (after p. 112)
All a green willow Anonymous 15b
Bold was the beggar and bold was he Anonymous 15b–15b(v)
Patrem omnipotentem [Credo] Anonymous 13v (after p. 108)
Patrem omnipotentem [Credo] Anonymous 14v (after p. 110)
Sanctus Mass Anonymous 13
Sanctus Mass Anonymous 14
Thys endres nyght I harde a wyght Anonymous 15a(v)
untexted Anonymous 15a

Images © Case Western Reserve University, Kelvin Smith Library, Cleveland

denotes primary source study

Curtis, Gareth R K, and Andrew B Wathey. 1994. Fifteenth-Century English Liturgical Music: A List of the Surviving Repertory. Royal Musical Association Research Chronicle, 1-69.

Fallows, David. 1993. The Drexel Fragments of Early Tudor Song. Royal Musical Association Research Chronicle, 5-18. Notes: discussion; contents list (partial); description of MS.

Bent, Margaret. 1984. The Progeny of Old Hall: More Leaves from a Royal English Choirbook. Gordon Athol Anderson (1929-1981) in Memoriam, Musicological Studies. 2 vols.1-54. Henryville, Ottawa, and Binningen: Institute of Mediaeval Music.

Hamm, Charles E, and Herbert Kellman (editors). 1979-1988. Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550. Renaissance Manuscript Studies. 5 vols. Neuhausen nr. Stuttgart: American Institute of Musicology, Hänssler Verlag.

Charteris, Richard. 1977. John Coprano: A Thematic Catalogue of His Music.  New York. Pages: 36,94-5.

Bent, Margaret. 1972. A Lost English Choirbook of the Fifteenth Century. International Musicological Society: Report of the Eleventh Congress, 257-62.

Ward, John M. 1966. John qd John and Other Fragments at Western Reserve University. Aspects of Medieval and Renaissance Music: A Birthday Offering to Gustave Reese, 832-55. New York.

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Margaret Bent

Friday, 30 August, 2019

renamed

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description