Three volumes of fragments, bound together, taken from MS 266, f. 26 (from MS lat. 7); MS 267, f. 89-92 (from MSs F. 13.3, F. 13.1, F. 13.1 and F. 13.3); MS 268, f. 26 (from MS lat. 7). On f. 26, the unusual g clef appears; the recto of this folio must really be the verso and vice versa, so that the two pages from MSs 266 and 268 belong together, taken in reverse of the present order. This is proved by the presence of the motet at the bottom of MS 268, f. 26 and MS 266, f. 26v in smaller notes than the rest.
GB-Omc MS Lat. 266
Magdalen College, Oxford, England
Codex fragment (polyphony), removed from host manuscript: mid-14th century
| Archive | Magdalen College, Oxford, England (GB-Omc) |
|---|---|
| Shelfmark | MS Lat. 266 |
| Surface | Parchment |
| Format | portrait |
| Measurements | 290 x 210; 275 x 210 mm |
| Other Identifiers |
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| Notations |
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| Provenance |
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| Contents | Contains 3 compositions, 3 are anonymous. |
General Description
Physical Description
All margins except the top one have been cut away on Ms 266, f. 26, though only a stave of music is missing, at the bottom
Binding
light brown cloth over pulp boards; 1920
Notation
Black mensural Ars Nova with red coloration (the first piece uses minims only occasionally for clarification of the rhythm)
Ruling
12 red five-line staves per page; staff height15-16 mm (stretching apparent)
Foliation
26 r+v
Decoration
initials are coloured in blue and red. Letter P on f. 26 covers 4 staves and is ornamented.
Surface
Parchment
RISM Description
RISM B/IV 2: 3 volumes of fragments bound in 1920 in light brown cloth over pulp boards and consisting respectively of 93, 115 and 39 numbered folios. The pages in question here come from the following original sources: ms 266, f. 26 (from ms lat. 7); ms 267, f. 89-92 (from mss F. 13.3, F. 13.1, F. 13.1 and F. 13.3); ms 268, f. 26 (from ms lat. 7). Ms 266, f. 26 measures 290 x 210 mm., though all margins except the top one have been cut away. Fortunately, only a stave of music is missing, at the bottom. The Ars Nova notation appears to date from the mid-14th century, though the first piece was not composed with minims in mind, i.e. they are only used occasionally for clarification of the rhythm. There are 12 red five-line staves per page, and initials are coloured in blue and red. The letter P on f. 26 covers 4 staves and is ornamented. The unusual g clef appears on this page too. The present recto must really be the verso and vice versa, so that the two pages from mss 266 and 268 belong together, taken in reverse of the present order. This is proved by the presence of the motet at the bottom of ms 268, f. 26 and ms 266, f. 26v in smaller notes than the rest. Ms 268 meas. 275 x 210 mm. - The completer and larger fragment in ms 267 meas. 418 x 269 mm. maximum. The final page is in a different hand, less stylised than the others and clearly 15th century. The use of mensuration signs and frequent red notes also suggests a similar date, however, for the other pieces, namely c. 1420. Again all the rectos seem to be versos and vice versa, but whether all 4 folios are from the same ms is difficult to decide. Certainly the middle 2 are, but they are not adjacent pages. Both employ the same black initial P for the word Patrem, while f. 89v has blue or red initials. The developed Ars Nova notation is written on 12 red five-line staves per page.
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26v
The inventory could not be loaded.
‡ denotes primary source study
Curtis, Gareth R K, and Andrew B Wathey. 1994. Fifteenth-Century English Liturgical Music: A List of the Surviving Repertory. Royal Musical Association Research Chronicle, 27: 1-69.
Bukofzer, Manfred F. 1960. Popular and Secular Music in England (to c. 1470). New Oxford History of Music, edited by Manfred F Bukofzer, London: Oxford University Press. Pages: 197 (note 1) and 211f.
Apfel, Ernst. 1959. Studien zur Satztechnik der mittelalterlichen englischen Musik. 2 vols. Pages: II, 27f (facsimile of ms 267, f. 90 and 91); I, 61, 63, 66, 81f.
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Richard Dudas
Saturday, 14 March, 2020
Noted (on this ms & on 'Old Hall' ms) that the remainder of the incomplete Gloria at 26 is in'Old Hall': the last bars of GB-Omc MS Lat. 266 f. 26 correspond to the start the 2nd half of the Gloria on the first (recto) page of OH. See postscript to the commentary (vol III) to Hughes and Bent's Old Hall MS edition.
Répertoire Internationale des Sources Musicales
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description