GB-Ob MS. Don. b. 32 (Part of Royal Choirbook)

Bodleian Library, Oxford, England

fragment: 15th century: c.1420-30

Archive Bodleian Library, Oxford, England (GB-Ob)
Shelfmark MS. Don. b. 32 (Part of Royal Choirbook)
Surface Parchment
Numbering System None
Format landscape
Measurements c. 244 x 334 mm
Other Identifiers
  • CCM: OxfBDON b.32
Notations
  • black full mensural
  • coloration in black full
  • coloration in black void
  • coloration in red full
  • coloration in red void
Relationships
Provenance
  • England
Contents 2 pieces from 1 composers
General Description

Once part of same original manuscript as CambriU 4435, CambriU 5963, CanberN 4052/2/1, ff. 27a-28 of OxfBU 192, and ff. 89-92 of OxfM 267. Of English origin; possibly copied for chapel of King Henry VI (BentP).

Music in choirbook format.

MS b. 32 owned in 20th century by the architect and antiquary William Niven (d. 1921); purchased for Bodleian Library by American Friends of the Bodleian Library at 1983 Sotheby's sale of property of Niven's daughter. MSS Don. b. 31 and Don. b. 32 are now housed together in a large folder.

(See also GB-Ob MS. Don. b. 31.)

DIAMM, 2017
Notation

Black mensural with red black full and red black void coloration

DIAMM, 2017
Ruling

red staves; staff height 14-15 mm

DIAMM, 2017
Foliation

r+v

DIAMM, 2017
Decoration

Large inked Gothic initials in grey, red, and black, with floral tracery extending into margins; one initial includes heraldic emblem (antelope) associated with King Henry VI (BentP).

DIAMM, 2017
Surface

Parchment

DIAMM, 2017
Census Catalogue of Music Description

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2 Agnus fragments, 2 motet fragments =

4 (Mayshuet)-1, anon-3

2 fragmentary parchment folios, ca. 235 x 315 and ca. 244 x 334. Once part of same original manuscript as CambriU 4435, CambriU 5963, CanberN 4052/2/1, ff. 27a-28 of OxfBU 192, and ff. 89-92 of OxfM 267. Recto fragment of MS b. 31 in score format; other music in choirbook format. Black mensural notation on red staves, with red full and red void coloration. Large inked Gothic initials in gray, red, and black, with floral tracery extending into margins; one initial includes heraldic emblem (antelope) associated with King Henry VI (BentP).

Ca. 1420-30 (BentP). Of English origin; possibly copied for chapel of King Henry VI (BentP). MS b. 31 purchased for Bodleian Library by American Friends of the Bodleian Library at Sotheby's sale in 1982; history of previous ownership unknown. MS b. 32 owned in 20th century by the architect and antiquary William Niven (d. 1921); purchased for Bodleian Library by American Friends of the Bodleian Library at 1983 Sotheby's sale of property of Niven's daughter.

[see also CambriU 4435, CambriU 5963, CanberN 4052/2/1, OxfBU 192, OxfM 267]

Vol 4

Physical: Once part of same original manuscript as CambriU 4435, CambriU 5963, CanberN 4052/2/1, OxfBDON b.31-2, and ff. 27a-28 of OxfBU 192.

Provenance: Of English origin; possibly copied for chapel of King Henry VI (BentP).

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

verso

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
recto Post missarum solennia divina / Post missarum solennia -
Sancto Johanne, Matheus de (–ca. 1391) (?)

Post missarum solennia divina / Post missarum solennia

Sancto Johanne, Matheus de (–ca. 1391) (?)
Appears on: recto
Genres: Motet
General Note

Text: "Post misse modulamina"; Cantus 2, nearly complete; this hitherto unknown voice nearly completes the OH motet "Post missarum solennia"
verso Are post libamina odas atque carmina / Nunc surgunt in populo viri mercatores -
Sancto Johanne, Matheus de (–ca. 1391)

Are post libamina odas atque carmina / Nunc surgunt in populo viri mercatores

Sancto Johanne, Matheus de (–ca. 1391)
Appears on: verso
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Are post libamina
Concordances

Cantus 1, nearly complete: cf. OH 146 (f. 111v-112)
Composer Compositions
Sancto Johanne, Matheus de (–ca. 1391)
Composition Composers (? Uncertain) Folios / Pages
Are post libamina odas atque carmina / Nunc surgunt in populo viri mercatores
Sancto Johanne, Matheus de (–ca. 1391)
verso
Post missarum solennia divina / Post missarum solennia
Sancto Johanne, Matheus de (–ca. 1391) (?)
recto

Images © Bodleian Library, Oxford

Set: Royal Choirbook

Type: Fragments of a whole

AUS-CAnl MS 4052/2/1 (Part of Royal Choirbook)

GB-Cu Add. 4435 (Part of Royal Choirbook)

GB-Cu Add. 5963(8) (Part of Royal Choirbook)

GB-Lv Circ. 526-1923 (Part of Royal Choirbook)

GB-Ob MS. Don. b. 31 (Part of Royal Choirbook)

GB-Ob MS. Don. b. 32 (Part of Royal Choirbook)

GB-Omc MS Lat. 267 (Part of Royal Choirbook)

GB-Ouc University College MS. 192 (Some leaves part of Royal Choirbook)

‡ denotes primary source study

Bent, Margaret. 2019. Mayshuet and the Deo gratias motets in the Old Hall manuscript. Beredte Musik. Konversationen zum 80. Geburtstag von Wulf Arlt, Schola Cantorum Basiliensis Scripta. edited by Margaret Bent,  Basel: Schwabe.

Curtis, Gareth R K, and Andrew B Wathey. 1994. Fifteenth-Century English Liturgical Music: A List of the Surviving Repertory. Royal Musical Association Research Chronicle, 1-69.

Bent, Margaret. 1984. The Progeny of Old Hall: More Leaves from a Royal English Choirbook. Gordon Athol Anderson (1929-1981) in Memoriam, Musicological Studies. 2 vols.1-54. Henryville, Ottawa, and Binningen: Institute of Mediaeval Music. Notes: contents list; concordances; facsimile; transcriptions (partial); texts (partial); mention of MS; discussion.

Barker-Benfield, Bruce C. 1983. Notable Accessions: Western Manuscripts. The Bodleian Library Record, 110-18. Pages: 110-4.

Bowers, Roger, and Andrew B Wathey. 1983. New Sources of English Fourteenth- and Fifteenth-Century Polyphony. Early Music History, 123-73. Pages: 124.

Hamm, Charles E, and Herbert Kellman (editors). 1979-1988. Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550. Renaissance Manuscript Studies. 5 vols. Neuhausen nr. Stuttgart: American Institute of Musicology, Hänssler Verlag.

Bent, Margaret. 1972. A Lost English Choirbook of the Fifteenth Century. International Musicological Society: Report of the Eleventh Congress, 257-62.

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description