B-Br MS II.266

KBR (Koninklijke Bibliotheek / Bibliothèque royale), Brussels, Belgium

Codex fragment (polyphony), within fragment collection: 14th century

Archive KBR (Koninklijke Bibliotheek / Bibliothèque royale), Brussels, Belgium (B-Br)
Shelfmark MS II.266
Image Availability DIAMM does not have images of this source.
Surface Parchment
Measurements 344 x 235 mm
Other Identifiers
  • RISM: B-Br 266
Notations
  • Ars Nova
Relationships
Provenance
  • England
Contents Contains 6 compositions, 6 are anonymous.
General Description

Collection of miscellaneous items mainly written by Coussemaker, in a 19th century binding. Item 10 however is a single parchment bifolio of English origin. Items 11 and 12 are respectively Coussemaker's facsimile of piece 2 and his transcription of the bifolio as a whole.

DIAMM, 2017
Notation

Ars Nova in score. Apart from the English habit of joining together two ligatures with opposite propriety, one may note the rare accidentals G# F# G # in the middle part, though accidentals as a whole are frequent, including b before F

DIAMM, 2017
Ruling

12 red five-line staves per page

DIAMM, 2017
Foliation

1-2v

DIAMM, 2017
Decoration

red capitals begin each piece, with smaller red ones for individual sections

DIAMM, 2017
Surface

parchment

DIAMM, 2017
RISM Description

RISM B/IV 2: A collection of miscellaneous items mainly written by Coussemaker, and put together within a 19th century binding. Item 10 however is a single parchment bifolio of English origin meas. 344 x 235 mm., and items 11 and 12 are respectively Coussemaker's facsimile of piece 2 and his transcription of the bifolio as a whole. The fragment is a 14th century ms in Ars Nova notation, written in score throughout. There are 12 red five-line staves per page, and red capitals begin each piece, with smaller red ones for individual sections. There is no foliation. Apart from the English habit of joining together two ligatures with opposite propriety, one may note the rare accidentals G# F# G # in the middle part, though accidentals as a whole are frequent, including b before F. Coussemaker undoubtedly bought this ms in England, since there is also a reference in pencil to the purchase of "Hieronymi Epistulae; Eiusdem Musica cum figuris. Saec. XII. £9. 9.0". Generally known as the Coussemaker fragment, the ms was lost from sight for many years after Coussemaker printed piece 2 from it in facsimile in CoussH, but Handschin made most of its contents known for the first time.

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Répertoire International des Sources Musicales
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denotes primary source study

Apfel, Ernst. 1959. Studien zur Satztechnik der mittelalterlichen englischen Musik. 2 vols. Pages: I, 58ff, 72, 75f.

Handschin, Jacques. 1949. The Summer Canon and its Background. Musica Disciplina, 3: 55-94, volume 5 (1951), 65-113. Pages: II, 99.

Handschin, Jacques. 1935. Das Fragment Coussemaker . Acta Musicologica, 7: 160-61. Pages: 160f.

Handschin, Jacques. 1927-28. Zur Frage der melodischen Paraphrasierung im Mittelalter. Zeitschrift für Musikwissenschaft, 10: 513-59[also12(1929-30),192]. Pages: 543 ff; 544 (transcription of piece 2).

Coussemaker, Charles Edmond Henri de. 1852. Histoire de l'harmonie au moyen-âge. Pages: pl. 33 (facs. of piece 2).

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Notation Note; Ruling Note; Foliation Note; Decoration Note; Surface Note

Répertoire Internationale des Sources Musicales

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description