GB-Odiamm Digital Reconstruction of Bodleian Library MS. Mus. e. 5 (Sadler Partbooks)

DIAMM Virtual Manuscript Archive, Oxford, England

partbook: c. 1580-85

Archive	DIAMM Virtual Manuscript Archive, Oxford, England (GB-Odiamm)
Shelfmark	Digital Reconstruction of Bodleian Library MS. Mus. e. 5 (Sadler Partbooks)
Surface	Paper
Numbering System	Foliation
Format	landscape
Measurements	205 x 280 mm
Contents	Contains 49 compositions, 48 from 17 composers, 1 is anonymous.

General Description

Digital reconstruction of the partbooks was undertaken for the Tudor Partbooks project based at the Universities of Oxford and Newcastle, funded by the Arts and Humanities Research Council (UK).

For a full source description, see the entry for the unedited version of this manuscript: GB-Ob MS. Mus. e. 5

DIAMM, 2022

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
4r–4v	Aspice Domine de sede sancta (5vv) [2p. Respice Domine]	Mr will[ia]m byrde	Byrd, William (ca. 1540–1623)
Aspice Domine de sede sancta (5vv) [2p. Respice Domine] Byrd, William (ca. 1540–1623) Appears on: 4r–4v Genres: Motet Source Attribution: Mr will[ia]m byrde Number of voices: 5
5r–5v	Domine praestolamur [2p. Veni domine]	Mr will[ia]m Byrde	Byrd, William (ca. 1540–1623)
Domine praestolamur [2p. Veni domine] Byrd, William (ca. 1540–1623) Appears on: 5r–5v Genres: Motet Source Attribution: Mr will[ia]m Byrde Number of voices: 5
6r	In Nomine	John Sadler	Sadler, John (1534–1592)
In Nomine Sadler, John (1534–1592) Appears on: 6r Source Attribution: John Sadler Number of voices: 5
6v–8r	Miserere mei Deus	doctor Tye	Tye, Christopher (ca. 1505–ca. 1573)
Miserere mei Deus Tye, Christopher (ca. 1505–ca. 1573) Appears on: 6v–8r Genres: Miserere mei Deus, Motet Source Attribution: doctor Tye Number of voices: 5
8r–10r	O splendor gloriae	Mr John Tauerner	Taverner, John
O splendor gloriae Taverner, John Appears on: 8r–10r Genres: Motet Source Attribution: Mr John Tauerner Number of voices: 5
10r–11r	Inclina Domine aurem tuam (I)	Mr Shepperde,	Sheppard, John (ca. 1515–1558)
Inclina Domine aurem tuam (I) Sheppard, John (ca. 1515–1558) Appears on: 10r–11r Source Attribution: Mr Shepperde, Number of voices: 5
11r–13r	Domine Jesu Christe	Mr Merbecke	Merbecke, John
Domine Jesu Christe Merbecke, John Appears on: 11r–13r Genres: Antiphon Source Attribution: Mr Merbecke Number of voices: 5
13r–15v	Te matrem dei laudamus (=Te Deum [Sadler])	Mr Aston	Aston, Hugh (ca. 1485–1558) Aston, Hugh (ca. 1485–1558)
Te matrem dei laudamus (=Te Deum [Sadler]) Aston, Hugh (ca. 1485–1558) Aston, Hugh (ca. 1485–1558) Appears on: 13r–15v Genres: BVM, Contrafactum, Hymn, Te Deum Source Attribution: Mr Aston Number of voices: 5
15v–17r	Ave Dei patris filia	doctor fayrfax	Fayrfax, Robert (1464–1521)
Ave Dei patris filia Fayrfax, Robert (1464–1521) Appears on: 15v–17r Genres: Motet Source Attribution: doctor fayrfax Number of voices: 5
17v–19r	Gaude plurimum [2p. Gaude Maria, Jesu mater; 3p. Eundem igitur Jesum]	master John Tauerner	Taverner, John
Gaude plurimum [2p. Gaude Maria, Jesu mater; 3p. Eundem igitur Jesum] Taverner, John Appears on: 17v–19r Genres: Motet Source Attribution: master John Tauerner Number of voices: 5
19v–20r	Job tonso capite corruens in terram adoravit [2p. Dominus dedit Dominus abstulit sicut]	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Job tonso capite corruens in terram adoravit [2p. Dominus dedit Dominus abstulit sicut] Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 19v–20r Genres: Motet Number of voices: 5
20v–22r	Ave Dei patris filia	Master John Tauerner	Taverner, John
Ave Dei patris filia Taverner, John Appears on: 20v–22r Genres: Motet Source Attribution: Master John Tauerner Number of voices: 5
22r–24r	Ave Dei patris filia	Master Robert Johnson preste	Johnson (I), Robert (ca. 1500–ca. 1560)
Ave Dei patris filia Johnson (I), Robert (ca. 1500–ca. 1560) Appears on: 22r–24r Genres: Motet Source Attribution: Master Robert Johnson preste Number of voices: 5
24r–26v	Salve intemerata dei mater	master Thomas tallis	Tallis, Thomas (ca. 1505–1585)
Salve intemerata dei mater Tallis, Thomas (ca. 1505–1585) Appears on: 24r–26v Genres: Motet Source Attribution: master Thomas tallis Number of voices: 5
27r–28v	Gaude virgo mater Christi	[not readable]	Aston, Hugh (ca. 1485–1558)
Gaude virgo mater Christi Aston, Hugh (ca. 1485–1558) Appears on: 27r–28v Genres: Motet Source Attribution: [not readable] Number of voices: 5
28v–29v	Aspice Domine quia facta est [2p. Plorans ploravit in nocte]	Master phillups	Van Wilder, Phillip
Aspice Domine quia facta est [2p. Plorans ploravit in nocte] Van Wilder, Phillip Appears on: 28v–29v Genres: Motet Source Attribution: Master phillups Number of voices: 5
29v–31r	Conserva me Domine	Osbert parslye	Parsley [Percely], Osbert
Conserva me Domine Parsley [Percely], Osbert Appears on: 29v–31r Genres: Motet Source Attribution: Osbert parslye Number of voices: 5
31r–33r	Domine quis habitabit [2p. Ad nihillum deductus]	Master Tallys	Tallis, Thomas (ca. 1505–1585)
Domine quis habitabit [2p. Ad nihillum deductus] Tallis, Thomas (ca. 1505–1585) Appears on: 31r–33r Genres: Motet Source Attribution: Master Tallys Number of voices: 5
34r–36r	Lamentations (I) : Incipit lamentatio Jeremiae - Aleph - Beth - Convertere Jerusalem	Mr Thomas Tallys	Tallis, Thomas (ca. 1505–1585)
Lamentations (I) : Incipit lamentatio Jeremiae - Aleph - Beth - Convertere Jerusalem Tallis, Thomas (ca. 1505–1585) Appears on: 34r–36r Genres: Lamentations, Motet Source Attribution: Mr Thomas Tallys Number of voices: 5
33r–34r	Lamentations (II): De lamentatione Jeremiae - Gimel - Daleth - Heth - Convertere Jerusalem	Mr Thomas Tallis	Tallis, Thomas (ca. 1505–1585)
Lamentations (II): De lamentatione Jeremiae - Gimel - Daleth - Heth - Convertere Jerusalem Tallis, Thomas (ca. 1505–1585) Appears on: 33r–34r Genres: Lamentations, Motet Source Attribution: Mr Thomas Tallis Number of voices: 5
36r–38v	Lamentations (I) a5	Mr whighte	White, Robert (ca. 1538–1574)
Lamentations (I) a5 White, Robert (ca. 1538–1574) Appears on: 36r–38v Genres: Lamentations, Motet Source Attribution: Mr whighte Number of voices: 5
39r	Dum transisset sabbatum, Maria Magdalene / Aromata emerunt	Mr Thomas Tallys	Tallis, Thomas (ca. 1505–1585)
Dum transisset sabbatum, Maria Magdalene / Aromata emerunt Tallis, Thomas (ca. 1505–1585) Appears on: 39r Genres: Motet Source Attribution: Mr Thomas Tallys Number of voices: 5
39v–41r	Domine in virtute tua (II) [2a pars: Magna gloria eius]	Mr Robt Johnson	Johnson (I), Robert (ca. 1500–ca. 1560)
Domine in virtute tua (II) [2a pars: Magna gloria eius] Johnson (I), Robert (ca. 1500–ca. 1560) Appears on: 39v–41r Genres: Motet Source Attribution: Mr Robt Johnson Number of voices: 5
41v–43r	Maria plena virtute	doctor ffayrfax	Fayrfax, Robert (1464–1521)
Maria plena virtute Fayrfax, Robert (1464–1521) Appears on: 41v–43r Genres: Motet Source Attribution: doctor ffayrfax Number of voices: 5
43v–44v	Mem: Cui comparabo [Lamentations]	Mr Osbert percelye	Parsley [Percely], Osbert
Mem: Cui comparabo [Lamentations] Parsley [Percely], Osbert Appears on: 43v–44v Source Attribution: Mr Osbert percelye Number of voices: 5
44v–47r	Miserere mei Deus [2p: Cor mundum crea]	M.r Robert whighte bacheler. of. musicke.	White, Robert (ca. 1538–1574)
Miserere mei Deus [2p: Cor mundum crea] White, Robert (ca. 1538–1574) Appears on: 44v–47r Genres: Miserere mei Deus, Motet Source Attribution: M.r Robert whighte bacheler. of. musicke. Number of voices: 5
47r–48v	Exaudiat te Dominus in die tribulationis	-	White, Robert (ca. 1538–1574)
Exaudiat te Dominus in die tribulationis White, Robert (ca. 1538–1574) Appears on: 47r–48v Genres: Motet Number of voices: 5
49r–50v	Domine non est exaltatum (2p. Sicut ablactatus)	-	White, Robert (ca. 1538–1574)
Domine non est exaltatum (2p. Sicut ablactatus) White, Robert (ca. 1538–1574) Appears on: 49r–50v Genres: Motet Number of voices: 5
50v–51v	Manus tuae fecerunt me [2p. Veniant mihi]	Master whighte	White, Robert (ca. 1538–1574)
Manus tuae fecerunt me [2p. Veniant mihi] White, Robert (ca. 1538–1574) Appears on: 50v–51v Genres: Motet Source Attribution: Master whighte Number of voices: 5
52r	Domine, Dominus noster	Thomas Morley: i576	Morley, Thomas (ca. 1557–1602)
Domine, Dominus noster Morley, Thomas (ca. 1557–1602) Appears on: 52r Source Attribution: Thomas Morley: i576 Number of voices: 5
52v–53r	O sacrum convivium in quo Christus sumitur	Mr Thomas Tallis	Tallis, Thomas (ca. 1505–1585)
O sacrum convivium in quo Christus sumitur Tallis, Thomas (ca. 1505–1585) Appears on: 52v–53r Genres: Motet Source Attribution: Mr Thomas Tallis Number of voices: 5
53r	Salvator mundi (I)	T Tallis	Tallis, Thomas (ca. 1505–1585)
Salvator mundi (I) Tallis, Thomas (ca. 1505–1585) Appears on: 53r Genres: Motet Source Attribution: T Tallis Number of voices: 5
53v–54r	Attollite portas	master wyllyam byrde	Byrd, William (ca. 1540–1623)
Attollite portas Byrd, William (ca. 1540–1623) Appears on: 53v–54r Genres: Psalm Source Attribution: master wyllyam byrde Number of voices: 6
54v–55v	Domine non est exaltatum	Thomas Morley	Morley, Thomas (ca. 1557–1602)
Domine non est exaltatum Morley, Thomas (ca. 1557–1602) Appears on: 54v–55v Source Attribution: Thomas Morley Number of voices: 5
55v–56v	Absterge Domine	mr thom[a]s tallis	Tallis, Thomas (ca. 1505–1585)
Absterge Domine Tallis, Thomas (ca. 1505–1585) Appears on: 55v–56v Source Attribution: mr thom[a]s tallis Number of voices: 5
57r–57v	Ne irascaris Domine [2p. Civitas sancti tui]	Mr Byrde	Byrd, William (ca. 1540–1623)
Ne irascaris Domine [2p. Civitas sancti tui] Byrd, William (ca. 1540–1623) Appears on: 57r–57v Genres: Anthem Source Attribution: Mr Byrde Number of voices: 5
58r–58v	Mater Christi sanctissima virgo [= O most holy and mighty Lord]	Mr John Taverner: i58i	Taverner, John
Mater Christi sanctissima virgo [= O most holy and mighty Lord] Taverner, John Appears on: 58r–58v Genres: Motet Source Attribution: Mr John Taverner: i58i Number of voices: 5
59r–60r	Tribulationes civitatum [2p. Timor et hebitudo, 3p. Nos enim pro peccatis]	Mr will[ia]m Birde	Byrd, William (ca. 1540–1623)
Tribulationes civitatum [2p. Timor et hebitudo, 3p. Nos enim pro peccatis] Byrd, William (ca. 1540–1623) Appears on: 59r–60r Genres: Motet Source Attribution: Mr will[ia]m Birde Number of voices: 5
60v–61v	Justus es, Domine	Mr Robert whighte	White, Robert (ca. 1538–1574)
Justus es, Domine White, Robert (ca. 1538–1574) Appears on: 60v–61v Genres: Motet Source Attribution: Mr Robert whighte Number of voices: 5
62r–63r	The Western Wynde Mass: Gloria	-	Taverner, John
The Western Wynde Mass: Gloria Taverner, John Appears on: 62r–63r Number of voices: 4
63r–64r	The Western Wynde Mass: Credo	-	Taverner, John
The Western Wynde Mass: Credo Taverner, John Appears on: 63r–64r Number of voices: 4
64r–65r	The Western Wynde Mass: Sanctus	-	Taverner, John
The Western Wynde Mass: Sanctus Taverner, John Appears on: 64r–65r Number of voices: 4
65r–65v	The Western Wynde Mass: Benedictus	-	Taverner, John
The Western Wynde Mass: Benedictus Taverner, John Appears on: 65r–65v Number of voices: 4
65v–66v	The Western Wynde Mass: Agnus dei	Quod Mr John Tauerner, The Westerne wynde	Sheppard, John (ca. 1515–1558)
The Western Wynde Mass: Agnus dei Sheppard, John (ca. 1515–1558) Appears on: 65v–66v Source Attribution: Quod Mr John Tauerner, The Westerne wynde Number of voices: 4
66v–67r	Good fellows must go	-	Parsons 'of Wells', William
Good fellows must go Parsons 'of Wells', William Appears on: 66v–67r
67v–68r	Conye skins	-	Anonymous
Conye skins Anonymous Appears on: 67v–68r Number of voices: 4
68v	Musica laeta suum gaudet (C79)	-	Ferrabosco, Alfonso (the elder) (1543–1588)
Musica laeta suum gaudet (C79) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 68v Genres: Motet Number of voices: 4
69r	Musica laeta suum gaudet (C79)	Alfonso.	Ferrabosco, Alfonso (the elder) (1543–1588)
Musica laeta suum gaudet (C79) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 69r Genres: Motet Source Attribution: Alfonso. Number of voices: 4
69v	[blank staves]	-	-
[blank staves] Appears on: 69v

Composer	Compositions
Anonymous	Conye skins – 67v–68r [No description] – 69v
Aston, Hugh (ca. 1485-1558)	Gaude virgo mater Christi – 27r–28v Te matrem dei laudamus (=Te Deum [Sadler]) – 13r–15v Te matrem dei laudamus (=Te Deum [Sadler]) – 13r–15v
Byrd, William (ca. 1540-1623)	Aspice Domine de sede sancta (5vv) [2p. Respice Domine] – 4r–4v Attollite portas – 53v–54r Domine praestolamur [2p. Veni domine] – 5r–5v Ne irascaris Domine [2p. Civitas sancti tui] – 57r–57v Tribulationes civitatum [2p. Timor et hebitudo, 3p. Nos enim pro peccatis] – 59r–60r
Clemens non Papa, Jacob (ca. 1510-ca. 1556)	Job tonso capite corruens in terram adoravit [2p. Dominus dedit Dominus abstulit sicut] – 19v–20r
Fayrfax, Robert (1464-1521)	Ave Dei patris filia – 15v–17r Maria plena virtute – 41v–43r
Ferrabosco, Alfonso (the elder) (1543-1588)	Musica laeta suum gaudet (C79) – 68v Musica laeta suum gaudet (C79) – 69r
Johnson (I), Robert (ca. 1500-ca. 1560)	Ave Dei patris filia – 22r–24r Domine in virtute tua (II) [2a pars: Magna gloria eius] – 39v–41r
Merbecke, John	Domine Jesu Christe – 11r–13r
Morley, Thomas (ca. 1557-1602)	Domine non est exaltatum – 54v–55v Domine, Dominus noster – 52r
Parsley [Percely], Osbert	Conserva me Domine – 29v–31r Mem: Cui comparabo [Lamentations] – 43v–44v
Parsons 'of Wells', William	Good fellows must go – 66v–67r
Sadler, John (1534-1592)	In Nomine – 6r
Sheppard, John (ca. 1515-1558)	Inclina Domine aurem tuam (I) – 10r–11r The Western Wynde Mass: Agnus dei – 65v–66v
Tallis, Thomas (ca. 1505-1585)	Absterge Domine – 55v–56v Domine quis habitabit [2p. Ad nihillum deductus] – 31r–33r Dum transisset sabbatum, Maria Magdalene / Aromata emerunt – 39r Lamentations (I) : Incipit lamentatio Jeremiae - Aleph - Beth - Convertere Jerusalem – 34r–36r Lamentations (II): De lamentatione Jeremiae - Gimel - Daleth - Heth - Convertere Jerusalem – 33r–34r O sacrum convivium in quo Christus sumitur – 52v–53r Salvator mundi (I) – 53r Salve intemerata dei mater – 24r–26v
Taverner, John	Ave Dei patris filia – 20v–22r Gaude plurimum [2p. Gaude Maria, Jesu mater; 3p. Eundem igitur Jesum] – 17v–19r Mater Christi sanctissima virgo [= O most holy and mighty Lord] – 58r–58v O splendor gloriae – 8r–10r The Western Wynde Mass: Benedictus – 65r–65v The Western Wynde Mass: Credo – 63r–64r The Western Wynde Mass: Gloria – 62r–63r The Western Wynde Mass: Sanctus – 64r–65r
Tye, Christopher (ca. 1505-ca. 1573)	Miserere mei Deus – 6v–8r
Van Wilder, Phillip	Aspice Domine quia facta est [2p. Plorans ploravit in nocte] – 28v–29v
White, Robert (ca. 1538-1574)	Domine non est exaltatum (2p. Sicut ablactatus) – 49r–50v Exaudiat te Dominus in die tribulationis – 47r–48v Justus es, Domine – 60v–61v Lamentations (I) a5 – 36r–38v Manus tuae fecerunt me [2p. Veniant mihi] – 50v–51v Miserere mei Deus [2p: Cor mundum crea] – 44v–47r

Composition	Composers (? Uncertain)	Folios / Pages
Absterge Domine	Tallis, Thomas (ca. 1505–1585)	55v–56v
Aspice Domine de sede sancta (5vv) [2p. Respice Domine]	Byrd, William (ca. 1540–1623)	4r–4v
Aspice Domine quia facta est [2p. Plorans ploravit in nocte]	Van Wilder, Phillip	28v–29v
Attollite portas	Byrd, William (ca. 1540–1623)	53v–54r
Ave Dei patris filia	Fayrfax, Robert (1464–1521)	15v–17r
Ave Dei patris filia	Taverner, John	20v–22r
Ave Dei patris filia	Johnson (I), Robert (ca. 1500–ca. 1560)	22r–24r
Conserva me Domine	Parsley [Percely], Osbert	29v–31r
Conye skins	Anonymous	67v–68r
Domine in virtute tua (II) [2a pars: Magna gloria eius]	Johnson (I), Robert (ca. 1500–ca. 1560)	39v–41r
Domine Jesu Christe	Merbecke, John	11r–13r
Domine non est exaltatum	Morley, Thomas (ca. 1557–1602)	54v–55v
Domine non est exaltatum (2p. Sicut ablactatus)	White, Robert (ca. 1538–1574)	49r–50v
Domine praestolamur [2p. Veni domine]	Byrd, William (ca. 1540–1623)	5r–5v
Domine quis habitabit [2p. Ad nihillum deductus]	Tallis, Thomas (ca. 1505–1585)	31r–33r
Domine, Dominus noster	Morley, Thomas (ca. 1557–1602)	52r
Dum transisset sabbatum, Maria Magdalene / Aromata emerunt	Tallis, Thomas (ca. 1505–1585)	39r
Exaudiat te Dominus in die tribulationis	White, Robert (ca. 1538–1574)	47r–48v
Gaude plurimum [2p. Gaude Maria, Jesu mater; 3p. Eundem igitur Jesum]	Taverner, John	17v–19r
Gaude virgo mater Christi	Aston, Hugh (ca. 1485–1558)	27r–28v
Good fellows must go	Parsons 'of Wells', William	66v–67r
In Nomine	Sadler, John (1534–1592)	6r
Inclina Domine aurem tuam (I)	Sheppard, John (ca. 1515–1558)	10r–11r
Job tonso capite corruens in terram adoravit [2p. Dominus dedit Dominus abstulit sicut]	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	19v–20r
Justus es, Domine	White, Robert (ca. 1538–1574)	60v–61v
Lamentations (I) : Incipit lamentatio Jeremiae - Aleph - Beth - Convertere Jerusalem	Tallis, Thomas (ca. 1505–1585)	34r–36r
Lamentations (I) a5	White, Robert (ca. 1538–1574)	36r–38v
Lamentations (II): De lamentatione Jeremiae - Gimel - Daleth - Heth - Convertere Jerusalem	Tallis, Thomas (ca. 1505–1585)	33r–34r
Manus tuae fecerunt me [2p. Veniant mihi]	White, Robert (ca. 1538–1574)	50v–51v
Maria plena virtute	Fayrfax, Robert (1464–1521)	41v–43r
Mater Christi sanctissima virgo [= O most holy and mighty Lord]	Taverner, John	58r–58v
Mem: Cui comparabo [Lamentations]	Parsley [Percely], Osbert	43v–44v
Miserere mei Deus	Tye, Christopher (ca. 1505–ca. 1573)	6v–8r
Miserere mei Deus [2p: Cor mundum crea]	White, Robert (ca. 1538–1574)	44v–47r
Musica laeta suum gaudet (C79)	Ferrabosco, Alfonso (the elder) (1543–1588)	68v
Musica laeta suum gaudet (C79)	Ferrabosco, Alfonso (the elder) (1543–1588)	69r
Ne irascaris Domine [2p. Civitas sancti tui]	Byrd, William (ca. 1540–1623)	57r–57v
O sacrum convivium in quo Christus sumitur	Tallis, Thomas (ca. 1505–1585)	52v–53r
O splendor gloriae	Taverner, John	8r–10r
Salvator mundi (I)	Tallis, Thomas (ca. 1505–1585)	53r
Salve intemerata dei mater	Tallis, Thomas (ca. 1505–1585)	24r–26v
Te matrem dei laudamus (=Te Deum [Sadler])	Aston, Hugh (ca. 1485–1558) Aston, Hugh (ca. 1485–1558)	13r–15v
The Western Wynde Mass: Agnus dei	Sheppard, John (ca. 1515–1558)	65v–66v
The Western Wynde Mass: Benedictus	Taverner, John	65r–65v
The Western Wynde Mass: Credo	Taverner, John	63r–64r
The Western Wynde Mass: Gloria	Taverner, John	62r–63r
The Western Wynde Mass: Sanctus	Taverner, John	64r–65r
Tribulationes civitatum [2p. Timor et hebitudo, 3p. Nos enim pro peccatis]	Byrd, William (ca. 1540–1623)	59r–60r

Set: John Sadler collection

Type: Linked by Origin or Contents

GB-Ob MS. Mus. c. 784 (Willmott Manuscript)

GB-Ob MS. Mus. e. 1 (Sadler Partbooks)

GB-Ob MS. Mus. e. 2 (Sadler Partbooks)

GB-Ob MS. Mus. e. 3 (Sadler Partbooks)

GB-Ob MS. Mus. e. 4 (Sadler Partbooks)

GB-Ob MS. Mus. e. 5 (Sadler Partbooks)

GB-Ob MS. Tenbury 1486 (Braikenridge Manuscript)

GB-Odiamm Digital Reconstruction of Bodleian Library MS. Mus. e. 1 (Sadler Partbooks)

GB-Odiamm Digital Reconstruction of Bodleian Library MS. Mus. e. 2 (Sadler Partbooks)

GB-Odiamm Digital Reconstruction of Bodleian Library MS. Mus. e. 3 (Sadler Partbooks)

GB-Odiamm Digital Reconstruction of Bodleian Library MS. Mus. e. 4 (Sadler Partbooks)

GB-Odiamm Digital Reconstruction of Bodleian Library MS. Mus. e. 5 (Sadler Partbooks)

Set: MS Mus. e. 1-5 Sadler partbooks Digital Reconstruction

Type: Partbooks

GB-Odiamm Digital Reconstruction of Bodleian Library MS. Mus. e. 1 (Sadler Partbooks)

GB-Odiamm Digital Reconstruction of Bodleian Library MS. Mus. e. 2 (Sadler Partbooks)

GB-Odiamm Digital Reconstruction of Bodleian Library MS. Mus. e. 3 (Sadler Partbooks)

GB-Odiamm Digital Reconstruction of Bodleian Library MS. Mus. e. 4 (Sadler Partbooks)

GB-Odiamm Digital Reconstruction of Bodleian Library MS. Mus. e. 5 (Sadler Partbooks)

‡ denotes primary source study

Craig-McFeely, Julia. September 2018. Recovering lost texts, rebuilding lost manuscripts. Archive Journal Digital Medieval Manuscript Cultures special edition, .

Craig-McFeely, Julia. 2023. Beyond the fire of attrition: acid decay and forensic reconstruction. Oxford Handbook of Music and Corpus Studies, edited by Julia Craig-McFeely, C31P1–C31N40. Oxford: Oxford University Press.

Craig-McFeely, Julia. 2020. Strip and Tease: Digitally Undressing Tudor Scribes. Notated Music in the Digital Sphere: Possibilities and Limitations, Oslo: National Library of Norway.

Craig-McFeely, Julia. 2020. Restoration, reconstruction, and revisionism: altering our virtual perception of damaged manuscripts. Disiecta Membra Musicae. Studies in Musical Fragmentology, edited by Julia Craig-McFeely, Berlin: De Gruyter.

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