GB-Odiamm Digital Reconstruction of Bodleian Library MS. Mus. e. 5 (Sadler Partbooks)

DIAMM Virtual Manuscript Archive, Oxford, England

partbook: c. 1580-85

Archive DIAMM Virtual Manuscript Archive, Oxford, England (GB-Odiamm)
Shelfmark Digital Reconstruction of Bodleian Library MS. Mus. e. 5 (Sadler Partbooks)
Surface Paper
Numbering System Foliation
Format landscape
Measurements 205 x 280 mm
Contents 49 pieces from 18 composers
General Description

Digital reconstruction of the partbooks was undertaken for the Tudor Partbooks project based at the Universities of Oxford and Newcastle, funded by the Arts and Humanities Research Council (UK).

For a full source description, see the entry for the unedited version of this manuscript: GB-Ob MS. Mus. e. 5

DIAMM, 2022

45r

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
4r–4v Aspice Domine de sede sancta (5vv) [2p. Respice Domine] Mr will[ia]m byrde
Appears on: 4r–4v
Genres: Motet
Source Attribution: Mr will[ia]m byrde
5r–5v Domine praestolamur [2p. Veni domine] Mr will[ia]m Byrde
Appears on: 5r–5v
Genres: Motet
Source Attribution: Mr will[ia]m Byrde
6r In Nomine John Sadler
Appears on: 6r
Source Attribution: John Sadler
6v–8r Miserere mei Deus doctor Tye
Appears on: 6v–8r
Genres: Miserere mei Deus, Motet
Source Attribution: doctor Tye
8r–10r O splendor gloriae Mr John Tauerner
Appears on: 8r–10r
Genres: Motet
Source Attribution: Mr John Tauerner
10r–11r Inclina Domine aurem tuam (I) Mr Shepperde,
Appears on: 10r–11r
Source Attribution: Mr Shepperde,
11r–13r Domine Jesu Christe Mr Merbecke
Appears on: 11r–13r
Genres: Antiphon
Source Attribution: Mr Merbecke
13r–15v Te matrem dei laudamus (=Te Deum [Sadler]) Mr Aston
Appears on: 13r–15v
Genres: BVM, Contrafactum, Hymn, Te Deum
Source Attribution: Mr Aston
15v–17r Ave Dei patris filia doctor fayrfax
Appears on: 15v–17r
Genres: Motet
Source Attribution: doctor fayrfax
17v–19r Gaude plurimum [2p. Gaude Maria, Jesu mater; 3p. Eundem igitur Jesum] master John Tauerner
Appears on: 17v–19r
Genres: Motet
Source Attribution: master John Tauerner
19v–20r Job tonso capite corruens in terram adoravit [2p. Dominus dedit Dominus abstulit sicut] -
Appears on: 19v–20r
Genres: Motet
20v–22r Ave Dei patris filia Master John Tauerner
Appears on: 20v–22r
Genres: Motet
Source Attribution: Master John Tauerner
22r–24r Ave Dei patris filia Master Robert Johnson preste
Appears on: 22r–24r
Genres: Motet
Source Attribution: Master Robert Johnson preste
24r–26v Salve intemerata dei mater master Thomas tallis
Appears on: 24r–26v
Genres: Motet
Source Attribution: master Thomas tallis
27r–28v Gaude virgo mater Christi [not readable]
Appears on: 27r–28v
Genres: Motet
Source Attribution: [not readable]
28v–29v Aspice Domine quia facta est [2p. Plorans ploravit in nocte] Master phillups
Appears on: 28v–29v
Genres: Motet
Source Attribution: Master phillups
29v–31r Conserva me Domine Osbert parslye
Appears on: 29v–31r
Genres: Motet
Source Attribution: Osbert parslye
31r–33r Domine quis habitabit [2p. Ad nihillum deductus] Master Tallys
Appears on: 31r–33r
Genres: Motet
Source Attribution: Master Tallys
34r–36r Lamentations (I) : Incipit lamentatio Jeremiae - Aleph - Beth - Convertere Jerusalem Mr Thomas Tallys
Appears on: 34r–36r
Genres: Lamentations, Motet
Source Attribution: Mr Thomas Tallys
33r–34r Lamentations (II): De lamentatione Jeremiae - Gimel - Daleth - Heth - Convertere Jerusalem Mr Thomas Tallis
Appears on: 33r–34r
Genres: Lamentations, Motet
Source Attribution: Mr Thomas Tallis
36r–38v Lamentations (I) a5 Mr whighte
Appears on: 36r–38v
Genres: Lamentations, Motet
Source Attribution: Mr whighte
39r Dum transisset sabbatum, Maria Magdalene / Aromata emerunt Mr Thomas Tallys
Appears on: 39r
Genres: Motet
Source Attribution: Mr Thomas Tallys
39v–41r Domine in virtute tua (II) [2a pars: Magna gloria eius] Mr Robt Johnson
Appears on: 39v–41r
Genres: Motet
Source Attribution: Mr Robt Johnson
41v–43r Maria plena virtute doctor ffayrfax
Appears on: 41v–43r
Genres: Motet
Source Attribution: doctor ffayrfax
43v–44v Mem: Cui comparabo [Lamentations] Mr Osbert percelye
Appears on: 43v–44v
Source Attribution: Mr Osbert percelye
44v–47r Miserere mei Deus [2p: Cor mundum crea] M.r Robert whighte bacheler. of. musicke.
Appears on: 44v–47r
Genres: Miserere mei Deus, Motet
Source Attribution: M.r Robert whighte bacheler. of. musicke.
47r–48v Exaudiat te Dominus in die tribulationis -
Appears on: 47r–48v
Genres: Motet
49r–50v Domine non est exaltatum (2p. Sicut ablactatus) -
Appears on: 49r–50v
Genres: Motet
50v–51v Manus tuae fecerunt me [2p. Veniant mihi] Master whighte
Appears on: 50v–51v
Genres: Motet
Source Attribution: Master whighte
52r Domine, Dominus noster Thomas Morley: i576
Appears on: 52r
Source Attribution: Thomas Morley: i576
52v–53r O sacrum convivium in quo Christus sumitur Mr Thomas Tallis
Appears on: 52v–53r
Genres: Motet
Source Attribution: Mr Thomas Tallis
53r Salvator mundi (I) T Tallis
Appears on: 53r
Genres: Motet
Source Attribution: T Tallis
53v–54r Attollite portas master wyllyam byrde
Appears on: 53v–54r
Genres: Psalm
Source Attribution: master wyllyam byrde
54v–55v Domine non est exaltatum Thomas Morley
Appears on: 54v–55v
Source Attribution: Thomas Morley
55v–56v Absterge Domine mr thom[a]s tallis
Appears on: 55v–56v
Source Attribution: mr thom[a]s tallis
57r–57v Ne irascaris Domine [2p. Civitas sancti tui] Mr Byrde
Appears on: 57r–57v
Genres: Anthem
Source Attribution: Mr Byrde
58r–58v Mater Christi sanctissima virgo [= O most holy and mighty Lord] Mr John Taverner: i58i
Appears on: 58r–58v
Genres: Motet
Source Attribution: Mr John Taverner: i58i
59r–60r Tribulationes civitatum [2p. Timor et hebitudo, 3p. Nos enim pro peccatis] Mr will[ia]m Birde
Appears on: 59r–60r
Genres: Motet
Source Attribution: Mr will[ia]m Birde
60v–61v Justus es, Domine Mr Robert whighte
Appears on: 60v–61v
Genres: Motet
Source Attribution: Mr Robert whighte
62r–63r The Western Wynde Mass: Gloria -
Appears on: 62r–63r
63r–64r The Western Wynde Mass: Credo -
Appears on: 63r–64r
64r–65r The Western Wynde Mass: Sanctus -
Appears on: 64r–65r
65r–65v The Western Wynde Mass: Benedictus -
Appears on: 65r–65v
65v–66v The Western Wynde Mass: Agnus dei Quod Mr John Tauerner, The Westerne wynde
Appears on: 65v–66v
Source Attribution: Quod Mr John Tauerner, The Westerne wynde
66v–67r Good fellows must go -
Appears on: 66v–67r
67v–68r Conye skins - Anonymous

Conye skins

Anonymous
Appears on: 67v–68r
68v Musica laeta suum gaudet (C79) -
Appears on: 68v
Genres: Motet
69r Musica laeta suum gaudet (C79) Alfonso.
Appears on: 69r
Genres: Motet
Source Attribution: Alfonso.
69v [blank staves] - -

[blank staves]

Appears on: 69v
Composer Compositions
Anonymous
Aston, Hugh (ca. 1485–1558)
Byrd, William (ca. 1540–1623)
Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Fayrfax, Robert (1464–1521)
Ferrabosco, Alfonso (the elder) (1543–1588)
Johnson (I), Robert (ca. 1500–ca. 1560)
Merbecke, John
Morley, Thomas (ca. 1557–1602)
Parsley [Percely], Osbert
Parsons 'of Wells', William
Sadler, John (1534–1592)
Sheppard, John (ca. 1515–1558)
Tallis, Thomas (ca. 1505–1585)
Taverner, John
Tye, Christopher (ca. 1505–ca. 1573)
Van Wilder, Phillip
White, Robert (ca. 1538–1574)
Composition Composers (? Uncertain) Folios / Pages
Absterge Domine 55v–56v
Aspice Domine de sede sancta (5vv) [2p. Respice Domine] 4r–4v
Aspice Domine quia facta est [2p. Plorans ploravit in nocte] 28v–29v
Attollite portas 53v–54r
Ave Dei patris filia 15v–17r
Ave Dei patris filia 20v–22r
Ave Dei patris filia 22r–24r
Conserva me Domine 29v–31r
Conye skins Anonymous 67v–68r
Domine in virtute tua (II) [2a pars: Magna gloria eius] 39v–41r
Domine Jesu Christe 11r–13r
Domine non est exaltatum 54v–55v
Domine non est exaltatum (2p. Sicut ablactatus) 49r–50v
Domine praestolamur [2p. Veni domine] 5r–5v
Domine quis habitabit [2p. Ad nihillum deductus] 31r–33r
Domine, Dominus noster 52r
Dum transisset sabbatum, Maria Magdalene / Aromata emerunt 39r
Exaudiat te Dominus in die tribulationis 47r–48v
Gaude plurimum [2p. Gaude Maria, Jesu mater; 3p. Eundem igitur Jesum] 17v–19r
Gaude virgo mater Christi 27r–28v
Good fellows must go 66v–67r
In Nomine 6r
Inclina Domine aurem tuam (I) 10r–11r
Job tonso capite corruens in terram adoravit [2p. Dominus dedit Dominus abstulit sicut] 19v–20r
Justus es, Domine 60v–61v
Lamentations (I) : Incipit lamentatio Jeremiae - Aleph - Beth - Convertere Jerusalem 34r–36r
Lamentations (I) a5 36r–38v
Lamentations (II): De lamentatione Jeremiae - Gimel - Daleth - Heth - Convertere Jerusalem 33r–34r
Manus tuae fecerunt me [2p. Veniant mihi] 50v–51v
Maria plena virtute 41v–43r
Mater Christi sanctissima virgo [= O most holy and mighty Lord] 58r–58v
Mem: Cui comparabo [Lamentations] 43v–44v
Miserere mei Deus 6v–8r
Miserere mei Deus [2p: Cor mundum crea] 44v–47r
Musica laeta suum gaudet (C79) 68v
Musica laeta suum gaudet (C79) 69r
Ne irascaris Domine [2p. Civitas sancti tui] 57r–57v
O sacrum convivium in quo Christus sumitur 52v–53r
O splendor gloriae 8r–10r
Salvator mundi (I) 53r
Salve intemerata dei mater 24r–26v
Te matrem dei laudamus (=Te Deum [Sadler]) 13r–15v
The Western Wynde Mass: Agnus dei 65v–66v
The Western Wynde Mass: Benedictus 65r–65v
The Western Wynde Mass: Credo 63r–64r
The Western Wynde Mass: Gloria 62r–63r
The Western Wynde Mass: Sanctus 64r–65r
Tribulationes civitatum [2p. Timor et hebitudo, 3p. Nos enim pro peccatis] 59r–60r

denotes primary source study

Craig-McFeely, Julia. September 2018. Recovering lost texts, rebuilding lost manuscripts. Archive Journal Digital Medieval Manuscript Cultures special edition, .

Craig-McFeely, Julia. 2023. Beyond the fire of attrition: acid decay and forensic reconstruction. Oxford Handbook of Music and Corpus Studies, edited by Julia Craig-McFeely, C31P1–C31N40. Oxford: Oxford University Press.

Craig-McFeely, Julia. 2020. Strip and Tease: Digitally Undressing Tudor Scribes. Notated Music in the Digital Sphere: Possibilities and Limitations,  Oslo: National Library of Norway.

Craig-McFeely, Julia. 2020. Restoration, reconstruction, and revisionism: altering our virtual perception of damaged manuscripts. Disiecta Membra Musicae. Studies in Musical Fragmentology, edited by Julia Craig-McFeely,  Berlin: De Gruyter.

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