GB-Odiamm Digital Reconstruction of Bodleian Library MS. Mus. e. 4 (Sadler Partbooks)

DIAMM Virtual Manuscript Archive, Oxford, England

partbook: c. 1580-85

Archive DIAMM Virtual Manuscript Archive, Oxford, England (GB-Odiamm)
Shelfmark Digital Reconstruction of Bodleian Library MS. Mus. e. 4 (Sadler Partbooks)
Surface Paper
Numbering System Foliation
Format landscape
Measurements 205 x 280 mm
Contents 40 pieces from 15 composers
General Description

Digital reconstruction of the partbooks was undertaken for the Tudor Partbooks project based at the Universities of Oxford and Newcastle, funded by the Arts and Humanities Research Council (UK).

For a full source description, see the entry for the unedited version of this manuscript: GB-Ob MS. Mus. e. 4

DIAMM, 2022

60r

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
3r–3v Aspice Domine de sede sancta (5vv) [2p. Respice Domine] -
Appears on: 3r–3v
Genres: Motet
3v–5r Domine praestolamur [2p. Veni domine] Mr will[ia]m Byrde
Appears on: 3v–5r
Genres: Motet
Source Attribution: Mr will[ia]m Byrde
5r In Nomine John Sadler
Appears on: 5r
Source Attribution: John Sadler
5v–7r Miserere mei Deus doctor Tye
Appears on: 5v–7r
Genres: Miserere mei Deus, Motet
Source Attribution: doctor Tye
7r–9r O splendor gloriae Mr John Tauerner
Appears on: 7r–9r
Genres: Motet
Source Attribution: Mr John Tauerner
9r–10r Inclina Domine aurem tuam (I) [not readable]
Appears on: 9r–10r
Source Attribution: [not readable]
10r–12r Domine Jesu Christe Mr Merbecke
Appears on: 10r–12r
Genres: Antiphon
Source Attribution: Mr Merbecke
12v–14r Te matrem dei laudamus (=Te Deum [Sadler]) Mr Aston
Appears on: 12v–14r
Genres: BVM, Contrafactum, Hymn, Te Deum
Source Attribution: Mr Aston
14v–16r Ave Dei patris filia doctor fayrfax
Appears on: 14v–16r
Genres: Motet
Source Attribution: doctor fayrfax
16r–18r Gaude plurimum [2p. Gaude Maria, Jesu mater; 3p. Eundem igitur Jesum] master Tauerner
Appears on: 16r–18r
Genres: Motet
Source Attribution: master Tauerner
18v–19v Job tonso capite corruens in terram adoravit [2p. Dominus dedit Dominus abstulit sicut] Master Thomas Criquillion
Appears on: 18v–19v
Genres: Motet
Source Attribution: Master Thomas Criquillion
20r–21r Ave Dei patris filia mr John Tauerner
Appears on: 20r–21r
Genres: Motet
Source Attribution: mr John Tauerner
21v–24r Ave Dei patris filia [not readable]
Appears on: 21v–24r
Genres: Motet
Source Attribution: [not readable]
24r–26v Salve intemerata dei mater Thomas Tallis
Appears on: 24r–26v
Genres: Motet
Source Attribution: Thomas Tallis
26v–28v Gaude virgo mater Christi [not readable]
Appears on: 26v–28v
Genres: Motet
Source Attribution: [not readable]
28v–29v Aspice Domine quia facta est [2p. Plorans ploravit in nocte] Master phillups
Appears on: 28v–29v
Genres: Motet
Source Attribution: Master phillups
30r–31v Conserva me Domine -
Appears on: 30r–31v
Genres: Motet
31v–33r Domine quis habitabit [2p. Ad nihillum deductus] Mr Tallys
Appears on: 31v–33r
Genres: Motet
Source Attribution: Mr Tallys
33v–34v Lamentations (I) : Incipit lamentatio Jeremiae - Aleph - Beth - Convertere Jerusalem Mr Thomas Tallis
Appears on: 33v–34v
Genres: Lamentations, Motet
Source Attribution: Mr Thomas Tallis
34v–37r Lamentations (II): De lamentatione Jeremiae - Gimel - Daleth - Heth - Convertere Jerusalem Master thomas tallys
Appears on: 34v–37r
Genres: Lamentations, Motet
Source Attribution: Master thomas tallys
37r–40r Lamentations (I) a5 Mr whighte
Appears on: 37r–40r
Genres: Lamentations, Motet
Source Attribution: Mr whighte
40v–41r Dum transisset sabbatum, Maria Magdalene / Aromata emerunt mr Thomas Tallys gentylman
Appears on: 40v–41r
Genres: Motet
Source Attribution: mr Thomas Tallys gentylman
41r–43r Domine in virtute tua (II) [2a pars: Magna gloria eius] Mr Robert Johnson
Appears on: 41r–43r
Genres: Motet
Source Attribution: Mr Robert Johnson
43r–45r Maria plena virtute Doctor fayrfax
Appears on: 43r–45r
Genres: Motet
Source Attribution: Doctor fayrfax
45r–46r Mem: Cui comparabo [Lamentations] Osbert percely
Appears on: 45r–46r
Source Attribution: Osbert percely
46v–49r Miserere mei Deus [2p: Cor mundum crea] Robert whighte
Appears on: 46v–49r
Genres: Miserere mei Deus, Motet
Source Attribution: Robert whighte
49v–50v Exaudiat te Dominus in die tribulationis Mr Roberd whighte Bacheler of musicke
Appears on: 49v–50v
Genres: Motet
Source Attribution: Mr Roberd whighte Bacheler of musicke
51r–53r Domine non est exaltatum (2p. Sicut ablactatus) -
Appears on: 51r–53r
Genres: Motet
53v–54v Manus tuae fecerunt me [2p. Veniant mihi] -
Appears on: 53v–54v
Genres: Motet
55r Domine, Dominus noster Thomas Morley i576
Appears on: 55r
Source Attribution: Thomas Morley i576
55v–56r O sacrum convivium in quo Christus sumitur Mr Thomas Tallis
Appears on: 55v–56r
Genres: Motet
Source Attribution: Mr Thomas Tallis
56r–56v Salvator mundi (I) -
Appears on: 56r–56v
Genres: Motet
56v–57v Attollite portas Mr wm Birde
Appears on: 56v–57v
Genres: Psalm
Source Attribution: Mr wm Birde
57v–59r Domine non est exaltatum Thomas Morley
Appears on: 57v–59r
Source Attribution: Thomas Morley
59v–60v Absterge Domine Mr thomas tallis gentylman
Appears on: 59v–60v
Source Attribution: Mr thomas tallis gentylman
60v–62r Ne irascaris Domine [2p. Civitas sancti tui] Mr Byrde
Appears on: 60v–62r
Genres: Anthem
Source Attribution: Mr Byrde
62r–63r Mater Christi sanctissima virgo [= O most holy and mighty Lord] Jo[hn] Tav[er]ner
Appears on: 62r–63r
Genres: Motet
Source Attribution: Jo[hn] Tav[er]ner
63r–64v Tribulationes civitatum [2p. Timor et hebitudo, 3p. Nos enim pro peccatis] -
Appears on: 63r–64v
Genres: Motet
64v–65r Justus es, Domine Mr Robert whight
Appears on: 64v–65r
Genres: Motet
Source Attribution: Mr Robert whight
65v–66r Justus es, Domine Mr Robert whight
Appears on: 65v–66r
Genres: Motet
Source Attribution: Mr Robert whight
Composer Compositions
Aston, Hugh (ca. 1485–1558)
Byrd, William (ca. 1540–1623)
Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Fayrfax, Robert (1464–1521)
Johnson (I), Robert (ca. 1500–ca. 1560)
Merbecke, John
Morley, Thomas (ca. 1557–1602)
Parsley [Percely], Osbert
Sadler, John (1534–1592)
Sheppard, John (ca. 1515–1558)
Tallis, Thomas (ca. 1505–1585)
Taverner, John
Tye, Christopher (ca. 1505–ca. 1573)
Van Wilder, Phillip
White, Robert (ca. 1538–1574)
Composition Composers (? Uncertain) Folios / Pages
Absterge Domine 59v–60v
Aspice Domine de sede sancta (5vv) [2p. Respice Domine] 3r–3v
Aspice Domine quia facta est [2p. Plorans ploravit in nocte] 28v–29v
Attollite portas 56v–57v
Ave Dei patris filia 14v–16r
Ave Dei patris filia 20r–21r
Ave Dei patris filia 21v–24r
Conserva me Domine 30r–31v
Domine in virtute tua (II) [2a pars: Magna gloria eius] 41r–43r
Domine Jesu Christe 10r–12r
Domine non est exaltatum 57v–59r
Domine non est exaltatum (2p. Sicut ablactatus) 51r–53r
Domine praestolamur [2p. Veni domine] 3v–5r
Domine quis habitabit [2p. Ad nihillum deductus] 31v–33r
Domine, Dominus noster 55r
Dum transisset sabbatum, Maria Magdalene / Aromata emerunt 40v–41r
Exaudiat te Dominus in die tribulationis 49v–50v
Gaude plurimum [2p. Gaude Maria, Jesu mater; 3p. Eundem igitur Jesum] 16r–18r
Gaude virgo mater Christi 26v–28v
In Nomine 5r
Inclina Domine aurem tuam (I) 9r–10r
Job tonso capite corruens in terram adoravit [2p. Dominus dedit Dominus abstulit sicut] 18v–19v
Justus es, Domine 64v–65r
Justus es, Domine 65v–66r
Lamentations (I) : Incipit lamentatio Jeremiae - Aleph - Beth - Convertere Jerusalem 33v–34v
Lamentations (I) a5 37r–40r
Lamentations (II): De lamentatione Jeremiae - Gimel - Daleth - Heth - Convertere Jerusalem 34v–37r
Manus tuae fecerunt me [2p. Veniant mihi] 53v–54v
Maria plena virtute 43r–45r
Mater Christi sanctissima virgo [= O most holy and mighty Lord] 62r–63r
Mem: Cui comparabo [Lamentations] 45r–46r
Miserere mei Deus 5v–7r
Miserere mei Deus [2p: Cor mundum crea] 46v–49r
Ne irascaris Domine [2p. Civitas sancti tui] 60v–62r
O sacrum convivium in quo Christus sumitur 55v–56r
O splendor gloriae 7r–9r
Salvator mundi (I) 56r–56v
Salve intemerata dei mater 24r–26v
Te matrem dei laudamus (=Te Deum [Sadler]) 12v–14r
Tribulationes civitatum [2p. Timor et hebitudo, 3p. Nos enim pro peccatis] 63r–64v

denotes primary source study

Craig-McFeely, Julia. September 2018. Recovering lost texts, rebuilding lost manuscripts. Archive Journal Digital Medieval Manuscript Cultures special edition, .

Craig-McFeely, Julia. 2023. Beyond the fire of attrition: acid decay and forensic reconstruction. Oxford Handbook of Music and Corpus Studies, edited by Julia Craig-McFeely, C31P1–C31N40. Oxford: Oxford University Press.

Craig-McFeely, Julia. 2020. Strip and Tease: Digitally Undressing Tudor Scribes. Notated Music in the Digital Sphere: Possibilities and Limitations,  Oslo: National Library of Norway.

Craig-McFeely, Julia. 2020. Restoration, reconstruction, and revisionism: altering our virtual perception of damaged manuscripts. Disiecta Membra Musicae. Studies in Musical Fragmentology, edited by Julia Craig-McFeely,  Berlin: De Gruyter.

This form is used to make comments on a source. If you wish to notify us of a correction to the record, you should use the "Contribute a change" form instead.

No comments have been made.