GB-Odiamm Digital Reconstruction of Bodleian Library MS. Mus. e. 3 (Sadler Partbooks)

DIAMM Virtual Manuscript Archive, Oxford, England

partbook: c. 1580-85

Archive DIAMM Virtual Manuscript Archive, Oxford, England (GB-Odiamm)
Shelfmark Digital Reconstruction of Bodleian Library MS. Mus. e. 3 (Sadler Partbooks)
Surface Paper
Numbering System Foliation
Format landscape
Measurements 205 x 280 mm
Contents 49 pieces from 18 composers
General Description

Digital reconstruction of the partbooks was undertaken for the Tudor Partbooks project based at the Universities of Oxford and Newcastle, funded by the Arts and Humanities Research Council (UK).

For a full source description, see the entry for the unedited version of this manuscript: GB-Ob MS. Mus. e. 3

DIAMM, 2022

4r

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
4r–4v Aspice Domine de sede sancta (5vv) [2p. Respice Domine] Birde? Master wyllyam Byrde
Appears on: 4r–4v
Genres: Motet
Source Attribution: Birde? Master wyllyam Byrde
4v–5v Domine praestolamur [2p. Veni domine] Mr will[ia]m Byrde
Appears on: 4v–5v
Genres: Motet
Source Attribution: Mr will[ia]m Byrde
6r In Nomine doctor Tye
Appears on: 6r
Source Attribution: doctor Tye
6v–8r Miserere mei Deus -
Appears on: 6v–8r
Genres: Miserere mei Deus, Motet
8v–10r O splendor gloriae Master Tauerner
Appears on: 8v–10r
Genres: Motet
Source Attribution: Master Tauerner
10v–11r Inclina Domine aurem tuam (I) Mr Shepperde
Appears on: 10v–11r
Source Attribution: Mr Shepperde
11v–13r Domine Jesu Christe Mr Merbecke
Appears on: 11v–13r
Genres: Antiphon
Source Attribution: Mr Merbecke
13v–15v Te matrem dei laudamus (=Te Deum [Sadler]) Mr Aston
Appears on: 13v–15v
Genres: BVM, Contrafactum, Hymn, Te Deum
Source Attribution: Mr Aston
16r–17v Ave Dei patris filia Doctor ffayrfax
Appears on: 16r–17v
Genres: Motet
Source Attribution: Doctor ffayrfax
18r–20v Gaude plurimum [2p. Gaude Maria, Jesu mater; 3p. Eundem igitur Jesum] master John Tauerner
Appears on: 18r–20v
Genres: Motet
Source Attribution: master John Tauerner
20v–22r Job tonso capite corruens in terram adoravit [2p. Dominus dedit Dominus abstulit sicut] mr Thom[a]s Crequilion
Appears on: 20v–22r
Genres: Motet
Source Attribution: mr Thom[a]s Crequilion
22r–24r Ave Dei patris filia MasterJohn Tauerner
Appears on: 22r–24r
Genres: Motet
Source Attribution: MasterJohn Tauerner
24r–26r Ave Dei patris filia mr Robt Johnson p[re]ste
Appears on: 24r–26r
Genres: Motet
Source Attribution: mr Robt Johnson p[re]ste
26v–29r Salve intemerata dei mater Mr Thomas Tallis
Appears on: 26v–29r
Genres: Motet
Source Attribution: Mr Thomas Tallis
29r–31r Gaude virgo mater Christi Hugo Aschton
Appears on: 29r–31r
Genres: Motet
Source Attribution: Hugo Aschton
31v–32v Aspice Domine quia facta est [2p. Plorans ploravit in nocte] Mr phillupes
Appears on: 31v–32v
Genres: Motet
Source Attribution: Mr phillupes
32v–34v Conserva me Domine Osbert parsly i568
Appears on: 32v–34v
Genres: Motet
Source Attribution: Osbert parsly i568
34v–36r Domine quis habitabit [2p. Ad nihillum deductus] -
Appears on: 34v–36r
Genres: Motet
36v–37v Lamentations (II): De lamentatione Jeremiae - Gimel - Daleth - Heth - Convertere Jerusalem Mr Thomas Tallis
Appears on: 36v–37v
Genres: Lamentations, Motet
Source Attribution: Mr Thomas Tallis
37v–40r Lamentations (I) : Incipit lamentatio Jeremiae - Aleph - Beth - Convertere Jerusalem Master Thom[a]s Tallis
Appears on: 37v–40r
Genres: Lamentations, Motet
Source Attribution: Master Thom[a]s Tallis
40r–43r Lamentations (I) a5 Mr Whighte
Appears on: 40r–43r
Genres: Lamentations, Motet
Source Attribution: Mr Whighte
43v–44r Dum transisset sabbatum, Maria Magdalene / Aromata emerunt Mr Thomas Tallis
Appears on: 43v–44r
Genres: Motet
Source Attribution: Mr Thomas Tallis
44r–46r Domine in virtute tua (II) [2a pars: Magna gloria eius] Mr Johnson
Appears on: 44r–46r
Genres: Motet
Source Attribution: Mr Johnson
46r–48v Maria plena virtute Doctor ffayrfax
Appears on: 46r–48v
Genres: Motet
Source Attribution: Doctor ffayrfax
48v–49v Mem: Cui comparabo [Lamentations] Mr percelye
Appears on: 48v–49v
Source Attribution: Mr percelye
50r–52v Miserere mei Deus [2p: Cor mundum crea] Mr Roberde whight master of musicke
Appears on: 50r–52v
Genres: Miserere mei Deus, Motet
Source Attribution: Mr Roberde whight master of musicke
53r–54r Exaudiat te Dominus in die tribulationis Mr Robert whighte Bacheler of musicke
Appears on: 53r–54r
Genres: Motet
Source Attribution: Mr Robert whighte Bacheler of musicke
54v–55v Domine non est exaltatum (2p. Sicut ablactatus) master whight
Appears on: 54v–55v
Genres: Motet
Source Attribution: master whight
55v–56v Manus tuae fecerunt me [2p. Veniant mihi] Robert whighte
Appears on: 55v–56v
Genres: Motet
Source Attribution: Robert whighte
56v–57r Domine, Dominus noster Thomas Morley i576
Appears on: 56v–57r
Source Attribution: Thomas Morley i576
57r–57v O sacrum convivium in quo Christus sumitur -
Appears on: 57r–57v
Genres: Motet
58r Salvator mundi (I) Mr Thomas Tallis
Appears on: 58r
Genres: Motet
Source Attribution: Mr Thomas Tallis
58v–59r Attollite portas Mr will[ia]m Birde
Appears on: 58v–59r
Genres: Psalm
Source Attribution: Mr will[ia]m Birde
59v–60v Domine non est exaltatum Thomas Morley aetatis suae .29. an[no] domini i576
Appears on: 59v–60v
Source Attribution: Thomas Morley aetatis suae .29. an[no] domini i576
61r–62r Absterge Domine m thomas tallis
Appears on: 61r–62r
Source Attribution: m thomas tallis
62r–63r Ne irascaris Domine [2p. Civitas sancti tui] Mr Byrde
Appears on: 62r–63r
Genres: Anthem
Source Attribution: Mr Byrde
63v–64r Mater Christi sanctissima virgo [= O most holy and mighty Lord] Mr John Taverner
Appears on: 63v–64r
Genres: Motet
Source Attribution: Mr John Taverner
64v–66r Tribulationes civitatum [2p. Timor et hebitudo, 3p. Nos enim pro peccatis] Master wyllyam byrde
Appears on: 64v–66r
Genres: Motet
Source Attribution: Master wyllyam byrde
66r–67r Justus es, Domine Mr Robert whight
Appears on: 66r–67r
Genres: Motet
Source Attribution: Mr Robert whight
67v–68v The Western Wynde Mass: Gloria -
Appears on: 67v–68v
68v–70r The Western Wynde Mass: Credo -
Appears on: 68v–70r
70r–70v The Western Wynde Mass: Sanctus -
Appears on: 70r–70v
70v–71r The Western Wynde Mass: Benedictus -
Appears on: 70v–71r
71r–72r The Western Wynde Mass: Agnus dei mr John Taverne
Appears on: 71r–72r
Source Attribution: mr John Taverne
72v–73r Good fellows must go wm parson
Appears on: 72v–73r
Source Attribution: wm parson
73r–73v Conye skins - Anonymous

Conye skins

Anonymous
Appears on: 73r–73v
74r Musica laeta suum gaudet (C79) Alfonso
Appears on: 74r
Genres: Motet
Source Attribution: Alfonso
74v [blank staves] - -

[blank staves]

Appears on: 74v
75r Miserere mei Deus John Sadler
Appears on: 75r
Genres: Miserere mei Deus, Motet
Source Attribution: John Sadler
Composer Compositions
Anonymous
Aston, Hugh (ca. 1485–1558)
Byrd, William (ca. 1540–1623)
Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Fayrfax, Robert (1464–1521)
Ferrabosco, Alfonso (the elder) (1543–1588)
Johnson (I), Robert (ca. 1500–ca. 1560)
Merbecke, John
Morley, Thomas (ca. 1557–1602)
Parsley [Percely], Osbert
Parsons 'of Wells', William
Sadler, John (1534–1592)
Sheppard, John (ca. 1515–1558)
Tallis, Thomas (ca. 1505–1585)
Taverner, John
Tye, Christopher (ca. 1505–ca. 1573)
Van Wilder, Phillip
White, Robert (ca. 1538–1574)
Composition Composers (? Uncertain) Folios / Pages
Absterge Domine 61r–62r
Aspice Domine de sede sancta (5vv) [2p. Respice Domine] 4r–4v
Aspice Domine quia facta est [2p. Plorans ploravit in nocte] 31v–32v
Attollite portas 58v–59r
Ave Dei patris filia 16r–17v
Ave Dei patris filia 22r–24r
Ave Dei patris filia 24r–26r
Conserva me Domine 32v–34v
Conye skins Anonymous 73r–73v
Domine in virtute tua (II) [2a pars: Magna gloria eius] 44r–46r
Domine Jesu Christe 11v–13r
Domine non est exaltatum 59v–60v
Domine non est exaltatum (2p. Sicut ablactatus) 54v–55v
Domine praestolamur [2p. Veni domine] 4v–5v
Domine quis habitabit [2p. Ad nihillum deductus] 34v–36r
Domine, Dominus noster 56v–57r
Dum transisset sabbatum, Maria Magdalene / Aromata emerunt 43v–44r
Exaudiat te Dominus in die tribulationis 53r–54r
Gaude plurimum [2p. Gaude Maria, Jesu mater; 3p. Eundem igitur Jesum] 18r–20v
Gaude virgo mater Christi 29r–31r
Good fellows must go 72v–73r
In Nomine 6r
Inclina Domine aurem tuam (I) 10v–11r
Job tonso capite corruens in terram adoravit [2p. Dominus dedit Dominus abstulit sicut] 20v–22r
Justus es, Domine 66r–67r
Lamentations (I) : Incipit lamentatio Jeremiae - Aleph - Beth - Convertere Jerusalem 37v–40r
Lamentations (I) a5 40r–43r
Lamentations (II): De lamentatione Jeremiae - Gimel - Daleth - Heth - Convertere Jerusalem 36v–37v
Manus tuae fecerunt me [2p. Veniant mihi] 55v–56v
Maria plena virtute 46r–48v
Mater Christi sanctissima virgo [= O most holy and mighty Lord] 63v–64r
Mem: Cui comparabo [Lamentations] 48v–49v
Miserere mei Deus 6v–8r
Miserere mei Deus 75r
Miserere mei Deus [2p: Cor mundum crea] 50r–52v
Musica laeta suum gaudet (C79) 74r
Ne irascaris Domine [2p. Civitas sancti tui] 62r–63r
O sacrum convivium in quo Christus sumitur 57r–57v
O splendor gloriae 8v–10r
Salvator mundi (I) 58r
Salve intemerata dei mater 26v–29r
Te matrem dei laudamus (=Te Deum [Sadler]) 13v–15v
The Western Wynde Mass: Agnus dei 71r–72r
The Western Wynde Mass: Benedictus 70v–71r
The Western Wynde Mass: Credo 68v–70r
The Western Wynde Mass: Gloria 67v–68v
The Western Wynde Mass: Sanctus 70r–70v
Tribulationes civitatum [2p. Timor et hebitudo, 3p. Nos enim pro peccatis] 64v–66r

denotes primary source study

Craig-McFeely, Julia. September 2018. Recovering lost texts, rebuilding lost manuscripts. Archive Journal Digital Medieval Manuscript Cultures special edition, .

Craig-McFeely, Julia. 2023. Beyond the fire of attrition: acid decay and forensic reconstruction. Oxford Handbook of Music and Corpus Studies, edited by Julia Craig-McFeely, C31P1–C31N40. Oxford: Oxford University Press.

Craig-McFeely, Julia. 2020. Strip and Tease: Digitally Undressing Tudor Scribes. Notated Music in the Digital Sphere: Possibilities and Limitations,  Oslo: National Library of Norway.

Craig-McFeely, Julia. 2020. Restoration, reconstruction, and revisionism: altering our virtual perception of damaged manuscripts. Disiecta Membra Musicae. Studies in Musical Fragmentology, edited by Julia Craig-McFeely,  Berlin: De Gruyter.

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