GB-Odiamm Digital Reconstruction of Bodleian Library MS. Mus. e. 3 (Sadler Partbooks)

DIAMM Virtual Manuscript Archive, Oxford, England

partbook: c. 1580-85

Archive	DIAMM Virtual Manuscript Archive, Oxford, England (GB-Odiamm)
Shelfmark	Digital Reconstruction of Bodleian Library MS. Mus. e. 3 (Sadler Partbooks)
Surface	Paper
Numbering System	Foliation
Format	landscape
Measurements	205 x 280 mm
Contents	Contains 47 compositions, 46 from 17 composers, 1 is anonymous.

General Description

Digital reconstruction of the partbooks was undertaken for the Tudor Partbooks project based at the Universities of Oxford and Newcastle, funded by the Arts and Humanities Research Council (UK).

For a full source description, see the entry for the unedited version of this manuscript: GB-Ob MS. Mus. e. 3

DIAMM, 2022

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
4r–4v	Aspice Domine de sede sancta (5vv) [2p. Respice Domine]	Birde? Master wyllyam Byrde	Byrd, William (ca. 1540–1623)
Aspice Domine de sede sancta (5vv) [2p. Respice Domine] Byrd, William (ca. 1540–1623) Appears on: 4r–4v Genres: Motet Source Attribution: Birde? Master wyllyam Byrde Number of voices: 5
4v–5v	Domine praestolamur [2p. Veni domine]	Mr will[ia]m Byrde	Byrd, William (ca. 1540–1623)
Domine praestolamur [2p. Veni domine] Byrd, William (ca. 1540–1623) Appears on: 4v–5v Genres: Motet Source Attribution: Mr will[ia]m Byrde Number of voices: 5
6r	In Nomine	doctor Tye	Sadler, John (1534–1592)
In Nomine Sadler, John (1534–1592) Appears on: 6r Source Attribution: doctor Tye Number of voices: 5
6v–8r	Miserere mei Deus	-	Tye, Christopher (ca. 1505–ca. 1573)
Miserere mei Deus Tye, Christopher (ca. 1505–ca. 1573) Appears on: 6v–8r Genres: Miserere mei Deus, Motet
8v–10r	O splendor gloriae	Master Tauerner	Taverner, John
O splendor gloriae Taverner, John Appears on: 8v–10r Genres: Motet Source Attribution: Master Tauerner Number of voices: 5
10v–11r	Inclina Domine aurem tuam (I)	Mr Shepperde	Sheppard, John (ca. 1515–1558)
Inclina Domine aurem tuam (I) Sheppard, John (ca. 1515–1558) Appears on: 10v–11r Source Attribution: Mr Shepperde Number of voices: 5
11v–13r	Domine Jesu Christe	Mr Merbecke	Merbecke, John
Domine Jesu Christe Merbecke, John Appears on: 11v–13r Genres: Antiphon Source Attribution: Mr Merbecke Number of voices: 5
13v–15v	Te matrem dei laudamus (=Te Deum [Sadler])	Mr Aston	Aston, Hugh (ca. 1485–1558) Aston, Hugh (ca. 1485–1558)
Te matrem dei laudamus (=Te Deum [Sadler]) Aston, Hugh (ca. 1485–1558) Aston, Hugh (ca. 1485–1558) Appears on: 13v–15v Genres: BVM, Contrafactum, Hymn, Te Deum Source Attribution: Mr Aston Number of voices: 5
16r–17v	Ave Dei patris filia	Doctor ffayrfax	Fayrfax, Robert (1464–1521)
Ave Dei patris filia Fayrfax, Robert (1464–1521) Appears on: 16r–17v Genres: Motet Source Attribution: Doctor ffayrfax Number of voices: 5
18r–20v	Gaude plurimum [2p. Gaude Maria, Jesu mater; 3p. Eundem igitur Jesum]	master John Tauerner	Taverner, John
Gaude plurimum [2p. Gaude Maria, Jesu mater; 3p. Eundem igitur Jesum] Taverner, John Appears on: 18r–20v Genres: Motet Source Attribution: master John Tauerner Number of voices: 5
20v–22r	Job tonso capite corruens in terram adoravit [2p. Dominus dedit Dominus abstulit sicut]	mr Thom[a]s Crequilion	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Job tonso capite corruens in terram adoravit [2p. Dominus dedit Dominus abstulit sicut] Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 20v–22r Genres: Motet Source Attribution: mr Thom[a]s Crequilion Number of voices: 5
22r–24r	Ave Dei patris filia	MasterJohn Tauerner	Taverner, John
Ave Dei patris filia Taverner, John Appears on: 22r–24r Genres: Motet Source Attribution: MasterJohn Tauerner Number of voices: 5
24r–26r	Ave Dei patris filia	mr Robt Johnson p[re]ste	Johnson (I), Robert (ca. 1500–ca. 1560)
Ave Dei patris filia Johnson (I), Robert (ca. 1500–ca. 1560) Appears on: 24r–26r Genres: Motet Source Attribution: mr Robt Johnson p[re]ste Number of voices: 5
26v–29r	Salve intemerata dei mater	Mr Thomas Tallis	Tallis, Thomas (ca. 1505–1585)
Salve intemerata dei mater Tallis, Thomas (ca. 1505–1585) Appears on: 26v–29r Genres: Motet Source Attribution: Mr Thomas Tallis Number of voices: 5
29r–31r	Gaude virgo mater Christi	Hugo Aschton	Aston, Hugh (ca. 1485–1558)
Gaude virgo mater Christi Aston, Hugh (ca. 1485–1558) Appears on: 29r–31r Genres: Motet Source Attribution: Hugo Aschton Number of voices: 5
31v–32v	Aspice Domine quia facta est [2p. Plorans ploravit in nocte]	Mr phillupes	Van Wilder, Phillip
Aspice Domine quia facta est [2p. Plorans ploravit in nocte] Van Wilder, Phillip Appears on: 31v–32v Genres: Motet Source Attribution: Mr phillupes Number of voices: 5
32v–34v	Conserva me Domine	Osbert parsly i568	Parsley [Percely], Osbert
Conserva me Domine Parsley [Percely], Osbert Appears on: 32v–34v Genres: Motet Source Attribution: Osbert parsly i568 Number of voices: 5
34v–36r	Domine quis habitabit [2p. Ad nihillum deductus]	-	Tallis, Thomas (ca. 1505–1585)
Domine quis habitabit [2p. Ad nihillum deductus] Tallis, Thomas (ca. 1505–1585) Appears on: 34v–36r Genres: Motet Number of voices: 5
36v–37v	Lamentations (II): De lamentatione Jeremiae - Gimel - Daleth - Heth - Convertere Jerusalem	Mr Thomas Tallis	Tallis, Thomas (ca. 1505–1585)
Lamentations (II): De lamentatione Jeremiae - Gimel - Daleth - Heth - Convertere Jerusalem Tallis, Thomas (ca. 1505–1585) Appears on: 36v–37v Genres: Lamentations, Motet Source Attribution: Mr Thomas Tallis Number of voices: 5
37v–40r	Lamentations (I) : Incipit lamentatio Jeremiae - Aleph - Beth - Convertere Jerusalem	Master Thom[a]s Tallis	Tallis, Thomas (ca. 1505–1585)
Lamentations (I) : Incipit lamentatio Jeremiae - Aleph - Beth - Convertere Jerusalem Tallis, Thomas (ca. 1505–1585) Appears on: 37v–40r Genres: Lamentations, Motet Source Attribution: Master Thom[a]s Tallis Number of voices: 5
40r–43r	Lamentations (I) a5	Mr Whighte	White, Robert (ca. 1538–1574)
Lamentations (I) a5 White, Robert (ca. 1538–1574) Appears on: 40r–43r Genres: Lamentations, Motet Source Attribution: Mr Whighte Number of voices: 5
43v–44r	Dum transisset sabbatum, Maria Magdalene / Aromata emerunt	Mr Thomas Tallis	Tallis, Thomas (ca. 1505–1585)
Dum transisset sabbatum, Maria Magdalene / Aromata emerunt Tallis, Thomas (ca. 1505–1585) Appears on: 43v–44r Genres: Motet Source Attribution: Mr Thomas Tallis Number of voices: 5
44r–46r	Domine in virtute tua (II) [2a pars: Magna gloria eius]	Mr Johnson	Johnson (I), Robert (ca. 1500–ca. 1560)
Domine in virtute tua (II) [2a pars: Magna gloria eius] Johnson (I), Robert (ca. 1500–ca. 1560) Appears on: 44r–46r Genres: Motet Source Attribution: Mr Johnson Number of voices: 5
46r–48v	Maria plena virtute	Doctor ffayrfax	Fayrfax, Robert (1464–1521)
Maria plena virtute Fayrfax, Robert (1464–1521) Appears on: 46r–48v Genres: Motet Source Attribution: Doctor ffayrfax Number of voices: 5
48v–49v	Mem: Cui comparabo [Lamentations]	Mr percelye	Parsley [Percely], Osbert
Mem: Cui comparabo [Lamentations] Parsley [Percely], Osbert Appears on: 48v–49v Source Attribution: Mr percelye Number of voices: 5
50r–52v	Miserere mei Deus [2p: Cor mundum crea]	Mr Roberde whight master of musicke	White, Robert (ca. 1538–1574)
Miserere mei Deus [2p: Cor mundum crea] White, Robert (ca. 1538–1574) Appears on: 50r–52v Genres: Miserere mei Deus, Motet Source Attribution: Mr Roberde whight master of musicke Number of voices: 5
53r–54r	Exaudiat te Dominus in die tribulationis	Mr Robert whighte Bacheler of musicke	White, Robert (ca. 1538–1574)
Exaudiat te Dominus in die tribulationis White, Robert (ca. 1538–1574) Appears on: 53r–54r Genres: Motet Source Attribution: Mr Robert whighte Bacheler of musicke Number of voices: 5
54v–55v	Domine non est exaltatum (2p. Sicut ablactatus)	master whight	White, Robert (ca. 1538–1574)
Domine non est exaltatum (2p. Sicut ablactatus) White, Robert (ca. 1538–1574) Appears on: 54v–55v Genres: Motet Source Attribution: master whight Number of voices: 5
55v–56v	Manus tuae fecerunt me [2p. Veniant mihi]	Robert whighte	White, Robert (ca. 1538–1574)
Manus tuae fecerunt me [2p. Veniant mihi] White, Robert (ca. 1538–1574) Appears on: 55v–56v Genres: Motet Source Attribution: Robert whighte Number of voices: 5
56v–57r	Domine, Dominus noster	Thomas Morley i576	Morley, Thomas (ca. 1557–1602)
Domine, Dominus noster Morley, Thomas (ca. 1557–1602) Appears on: 56v–57r Source Attribution: Thomas Morley i576 Number of voices: 5
57r–57v	O sacrum convivium in quo Christus sumitur	-	Tallis, Thomas (ca. 1505–1585)
O sacrum convivium in quo Christus sumitur Tallis, Thomas (ca. 1505–1585) Appears on: 57r–57v Genres: Motet Number of voices: 5
58r	Salvator mundi (I)	Mr Thomas Tallis	Tallis, Thomas (ca. 1505–1585)
Salvator mundi (I) Tallis, Thomas (ca. 1505–1585) Appears on: 58r Genres: Motet Source Attribution: Mr Thomas Tallis Number of voices: 5
58v–59r	Attollite portas	Mr will[ia]m Birde	Byrd, William (ca. 1540–1623)
Attollite portas Byrd, William (ca. 1540–1623) Appears on: 58v–59r Genres: Psalm Source Attribution: Mr will[ia]m Birde Number of voices: 6
59v–60v	Domine non est exaltatum	Thomas Morley aetatis suae .29. an[no] domini i576	Morley, Thomas (ca. 1557–1602)
Domine non est exaltatum Morley, Thomas (ca. 1557–1602) Appears on: 59v–60v Source Attribution: Thomas Morley aetatis suae .29. an[no] domini i576 Number of voices: 5
61r–62r	Absterge Domine	m thomas tallis	Tallis, Thomas (ca. 1505–1585)
Absterge Domine Tallis, Thomas (ca. 1505–1585) Appears on: 61r–62r Source Attribution: m thomas tallis Number of voices: 5
62r–63r	Ne irascaris Domine [2p. Civitas sancti tui]	Mr Byrde	Byrd, William (ca. 1540–1623)
Ne irascaris Domine [2p. Civitas sancti tui] Byrd, William (ca. 1540–1623) Appears on: 62r–63r Genres: Anthem Source Attribution: Mr Byrde Number of voices: 5
63v–64r	Mater Christi sanctissima virgo [= O most holy and mighty Lord]	Mr John Taverner	Taverner, John
Mater Christi sanctissima virgo [= O most holy and mighty Lord] Taverner, John Appears on: 63v–64r Genres: Motet Source Attribution: Mr John Taverner Number of voices: 5
64v–66r	Tribulationes civitatum [2p. Timor et hebitudo, 3p. Nos enim pro peccatis]	Master wyllyam byrde	Byrd, William (ca. 1540–1623)
Tribulationes civitatum [2p. Timor et hebitudo, 3p. Nos enim pro peccatis] Byrd, William (ca. 1540–1623) Appears on: 64v–66r Genres: Motet Source Attribution: Master wyllyam byrde Number of voices: 5
66r–67r	Justus es, Domine	Mr Robert whight	White, Robert (ca. 1538–1574)
Justus es, Domine White, Robert (ca. 1538–1574) Appears on: 66r–67r Genres: Motet Source Attribution: Mr Robert whight Number of voices: 5
67v–68v	The Western Wynde Mass: Gloria	-	Taverner, John
The Western Wynde Mass: Gloria Taverner, John Appears on: 67v–68v Number of voices: 4
68v–70r	The Western Wynde Mass: Credo	-	Taverner, John
The Western Wynde Mass: Credo Taverner, John Appears on: 68v–70r Number of voices: 4
70r–70v	The Western Wynde Mass: Sanctus	-	Taverner, John
The Western Wynde Mass: Sanctus Taverner, John Appears on: 70r–70v Number of voices: 4
70v–71r	The Western Wynde Mass: Benedictus	-	Taverner, John
The Western Wynde Mass: Benedictus Taverner, John Appears on: 70v–71r Number of voices: 4
71r–72r	The Western Wynde Mass: Agnus dei	mr John Taverne	Taverner, John
The Western Wynde Mass: Agnus dei Taverner, John Appears on: 71r–72r Source Attribution: mr John Taverne Number of voices: 4
72v–73r	Good fellows must go	wm parson	Parsons 'of Wells', William
Good fellows must go Parsons 'of Wells', William Appears on: 72v–73r Source Attribution: wm parson Number of voices: 4
73r–73v	Conye skins	-	Anonymous
Conye skins Anonymous Appears on: 73r–73v Number of voices: 4
74r	Musica laeta suum gaudet (C79)	Alfonso	Ferrabosco, Alfonso (the elder) (1543–1588)
Musica laeta suum gaudet (C79) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 74r Genres: Motet Source Attribution: Alfonso Number of voices: 4
74v	[blank staves]	-	-
[blank staves] Appears on: 74v
75r	Miserere mei Deus	John Sadler	Tye, Christopher (ca. 1505–ca. 1573)
Miserere mei Deus Tye, Christopher (ca. 1505–ca. 1573) Appears on: 75r Genres: Miserere mei Deus, Motet Source Attribution: John Sadler

Composer	Compositions
Anonymous	Conye skins – 73r–73v [No description] – 74v
Aston, Hugh (ca. 1485-1558)	Gaude virgo mater Christi – 29r–31r Te matrem dei laudamus (=Te Deum [Sadler]) – 13v–15v Te matrem dei laudamus (=Te Deum [Sadler]) – 13v–15v
Byrd, William (ca. 1540-1623)	Aspice Domine de sede sancta (5vv) [2p. Respice Domine] – 4r–4v Attollite portas – 58v–59r Domine praestolamur [2p. Veni domine] – 4v–5v Ne irascaris Domine [2p. Civitas sancti tui] – 62r–63r Tribulationes civitatum [2p. Timor et hebitudo, 3p. Nos enim pro peccatis] – 64v–66r
Clemens non Papa, Jacob (ca. 1510-ca. 1556)	Job tonso capite corruens in terram adoravit [2p. Dominus dedit Dominus abstulit sicut] – 20v–22r
Fayrfax, Robert (1464-1521)	Ave Dei patris filia – 16r–17v Maria plena virtute – 46r–48v
Ferrabosco, Alfonso (the elder) (1543-1588)	Musica laeta suum gaudet (C79) – 74r
Johnson (I), Robert (ca. 1500-ca. 1560)	Ave Dei patris filia – 24r–26r Domine in virtute tua (II) [2a pars: Magna gloria eius] – 44r–46r
Merbecke, John	Domine Jesu Christe – 11v–13r
Morley, Thomas (ca. 1557-1602)	Domine non est exaltatum – 59v–60v Domine, Dominus noster – 56v–57r
Parsley [Percely], Osbert	Conserva me Domine – 32v–34v Mem: Cui comparabo [Lamentations] – 48v–49v
Parsons 'of Wells', William	Good fellows must go – 72v–73r
Sadler, John (1534-1592)	In Nomine – 6r
Sheppard, John (ca. 1515-1558)	Inclina Domine aurem tuam (I) – 10v–11r
Tallis, Thomas (ca. 1505-1585)	Absterge Domine – 61r–62r Domine quis habitabit [2p. Ad nihillum deductus] – 34v–36r Dum transisset sabbatum, Maria Magdalene / Aromata emerunt – 43v–44r Lamentations (I) : Incipit lamentatio Jeremiae - Aleph - Beth - Convertere Jerusalem – 37v–40r Lamentations (II): De lamentatione Jeremiae - Gimel - Daleth - Heth - Convertere Jerusalem – 36v–37v O sacrum convivium in quo Christus sumitur – 57r–57v Salvator mundi (I) – 58r Salve intemerata dei mater – 26v–29r
Taverner, John	Ave Dei patris filia – 22r–24r Gaude plurimum [2p. Gaude Maria, Jesu mater; 3p. Eundem igitur Jesum] – 18r–20v Mater Christi sanctissima virgo [= O most holy and mighty Lord] – 63v–64r O splendor gloriae – 8v–10r The Western Wynde Mass: Agnus dei – 71r–72r The Western Wynde Mass: Benedictus – 70v–71r The Western Wynde Mass: Credo – 68v–70r The Western Wynde Mass: Gloria – 67v–68v The Western Wynde Mass: Sanctus – 70r–70v
Tye, Christopher (ca. 1505-ca. 1573)	Miserere mei Deus – 75r Miserere mei Deus – 6v–8r
Van Wilder, Phillip	Aspice Domine quia facta est [2p. Plorans ploravit in nocte] – 31v–32v
White, Robert (ca. 1538-1574)	Domine non est exaltatum (2p. Sicut ablactatus) – 54v–55v Exaudiat te Dominus in die tribulationis – 53r–54r Justus es, Domine – 66r–67r Lamentations (I) a5 – 40r–43r Manus tuae fecerunt me [2p. Veniant mihi] – 55v–56v Miserere mei Deus [2p: Cor mundum crea] – 50r–52v

Composition	Composers (? Uncertain)	Folios / Pages
Absterge Domine	Tallis, Thomas (ca. 1505–1585)	61r–62r
Aspice Domine de sede sancta (5vv) [2p. Respice Domine]	Byrd, William (ca. 1540–1623)	4r–4v
Aspice Domine quia facta est [2p. Plorans ploravit in nocte]	Van Wilder, Phillip	31v–32v
Attollite portas	Byrd, William (ca. 1540–1623)	58v–59r
Ave Dei patris filia	Fayrfax, Robert (1464–1521)	16r–17v
Ave Dei patris filia	Taverner, John	22r–24r
Ave Dei patris filia	Johnson (I), Robert (ca. 1500–ca. 1560)	24r–26r
Conserva me Domine	Parsley [Percely], Osbert	32v–34v
Conye skins	Anonymous	73r–73v
Domine in virtute tua (II) [2a pars: Magna gloria eius]	Johnson (I), Robert (ca. 1500–ca. 1560)	44r–46r
Domine Jesu Christe	Merbecke, John	11v–13r
Domine non est exaltatum	Morley, Thomas (ca. 1557–1602)	59v–60v
Domine non est exaltatum (2p. Sicut ablactatus)	White, Robert (ca. 1538–1574)	54v–55v
Domine praestolamur [2p. Veni domine]	Byrd, William (ca. 1540–1623)	4v–5v
Domine quis habitabit [2p. Ad nihillum deductus]	Tallis, Thomas (ca. 1505–1585)	34v–36r
Domine, Dominus noster	Morley, Thomas (ca. 1557–1602)	56v–57r
Dum transisset sabbatum, Maria Magdalene / Aromata emerunt	Tallis, Thomas (ca. 1505–1585)	43v–44r
Exaudiat te Dominus in die tribulationis	White, Robert (ca. 1538–1574)	53r–54r
Gaude plurimum [2p. Gaude Maria, Jesu mater; 3p. Eundem igitur Jesum]	Taverner, John	18r–20v
Gaude virgo mater Christi	Aston, Hugh (ca. 1485–1558)	29r–31r
Good fellows must go	Parsons 'of Wells', William	72v–73r
In Nomine	Sadler, John (1534–1592)	6r
Inclina Domine aurem tuam (I)	Sheppard, John (ca. 1515–1558)	10v–11r
Job tonso capite corruens in terram adoravit [2p. Dominus dedit Dominus abstulit sicut]	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	20v–22r
Justus es, Domine	White, Robert (ca. 1538–1574)	66r–67r
Lamentations (I) : Incipit lamentatio Jeremiae - Aleph - Beth - Convertere Jerusalem	Tallis, Thomas (ca. 1505–1585)	37v–40r
Lamentations (I) a5	White, Robert (ca. 1538–1574)	40r–43r
Lamentations (II): De lamentatione Jeremiae - Gimel - Daleth - Heth - Convertere Jerusalem	Tallis, Thomas (ca. 1505–1585)	36v–37v
Manus tuae fecerunt me [2p. Veniant mihi]	White, Robert (ca. 1538–1574)	55v–56v
Maria plena virtute	Fayrfax, Robert (1464–1521)	46r–48v
Mater Christi sanctissima virgo [= O most holy and mighty Lord]	Taverner, John	63v–64r
Mem: Cui comparabo [Lamentations]	Parsley [Percely], Osbert	48v–49v
Miserere mei Deus	Tye, Christopher (ca. 1505–ca. 1573)	6v–8r
Miserere mei Deus	Tye, Christopher (ca. 1505–ca. 1573)	75r
Miserere mei Deus [2p: Cor mundum crea]	White, Robert (ca. 1538–1574)	50r–52v
Musica laeta suum gaudet (C79)	Ferrabosco, Alfonso (the elder) (1543–1588)	74r
Ne irascaris Domine [2p. Civitas sancti tui]	Byrd, William (ca. 1540–1623)	62r–63r
O sacrum convivium in quo Christus sumitur	Tallis, Thomas (ca. 1505–1585)	57r–57v
O splendor gloriae	Taverner, John	8v–10r
Salvator mundi (I)	Tallis, Thomas (ca. 1505–1585)	58r
Salve intemerata dei mater	Tallis, Thomas (ca. 1505–1585)	26v–29r
Te matrem dei laudamus (=Te Deum [Sadler])	Aston, Hugh (ca. 1485–1558) Aston, Hugh (ca. 1485–1558)	13v–15v
The Western Wynde Mass: Agnus dei	Taverner, John	71r–72r
The Western Wynde Mass: Benedictus	Taverner, John	70v–71r
The Western Wynde Mass: Credo	Taverner, John	68v–70r
The Western Wynde Mass: Gloria	Taverner, John	67v–68v
The Western Wynde Mass: Sanctus	Taverner, John	70r–70v
Tribulationes civitatum [2p. Timor et hebitudo, 3p. Nos enim pro peccatis]	Byrd, William (ca. 1540–1623)	64v–66r

Set: MS Mus. e. 1-5 Sadler partbooks Digital Reconstruction

Type: Partbooks

GB-Odiamm Digital Reconstruction of Bodleian Library MS. Mus. e. 1 (Sadler Partbooks)

GB-Odiamm Digital Reconstruction of Bodleian Library MS. Mus. e. 2 (Sadler Partbooks)

GB-Odiamm Digital Reconstruction of Bodleian Library MS. Mus. e. 3 (Sadler Partbooks)

GB-Odiamm Digital Reconstruction of Bodleian Library MS. Mus. e. 4 (Sadler Partbooks)

GB-Odiamm Digital Reconstruction of Bodleian Library MS. Mus. e. 5 (Sadler Partbooks)

Set: John Sadler collection

Type: Linked by Origin or Contents

GB-Ob MS. Mus. c. 784 (Willmott Manuscript)

GB-Ob MS. Mus. e. 1 (Sadler Partbooks)

GB-Ob MS. Mus. e. 2 (Sadler Partbooks)

GB-Ob MS. Mus. e. 3 (Sadler Partbooks)

GB-Ob MS. Mus. e. 4 (Sadler Partbooks)

GB-Ob MS. Mus. e. 5 (Sadler Partbooks)

GB-Ob MS. Tenbury 1486 (Braikenridge Manuscript)

GB-Odiamm Digital Reconstruction of Bodleian Library MS. Mus. e. 1 (Sadler Partbooks)

GB-Odiamm Digital Reconstruction of Bodleian Library MS. Mus. e. 2 (Sadler Partbooks)

GB-Odiamm Digital Reconstruction of Bodleian Library MS. Mus. e. 3 (Sadler Partbooks)

GB-Odiamm Digital Reconstruction of Bodleian Library MS. Mus. e. 4 (Sadler Partbooks)

GB-Odiamm Digital Reconstruction of Bodleian Library MS. Mus. e. 5 (Sadler Partbooks)

‡ denotes primary source study

Craig-McFeely, Julia. September 2018. Recovering lost texts, rebuilding lost manuscripts. Archive Journal Digital Medieval Manuscript Cultures special edition, .

Craig-McFeely, Julia. 2023. Beyond the fire of attrition: acid decay and forensic reconstruction. Oxford Handbook of Music and Corpus Studies, edited by Julia Craig-McFeely, C31P1–C31N40. Oxford: Oxford University Press.

Craig-McFeely, Julia. 2020. Strip and Tease: Digitally Undressing Tudor Scribes. Notated Music in the Digital Sphere: Possibilities and Limitations, Oslo: National Library of Norway.

Craig-McFeely, Julia. 2020. Restoration, reconstruction, and revisionism: altering our virtual perception of damaged manuscripts. Disiecta Membra Musicae. Studies in Musical Fragmentology, edited by Julia Craig-McFeely, Berlin: De Gruyter.

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