GB-Odiamm Digital Reconstruction of Bodleian Library MS. Mus. e. 2 (Sadler Partbooks)

DIAMM Virtual Manuscript Archive, Oxford, England

partbook: c. 1580-85

Archive DIAMM Virtual Manuscript Archive, Oxford, England (GB-Odiamm)
Shelfmark Digital Reconstruction of Bodleian Library MS. Mus. e. 2 (Sadler Partbooks)
Surface Paper
Numbering System Foliation
Format landscape
Measurements 205 x 280 mm
Contents 47 pieces from 18 composers
General Description

Digital reconstruction of the partbooks was undertaken for the Tudor Partbooks project based at the Universities of Oxford and Newcastle, funded by the Arts and Humanities Research Council (UK).

For a full source description, see the entry for the unedited version of this manuscript: GB-Ob MS. Mus. e. 2

DIAMM, 2022

78r

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
5r–5v Aspice Domine de sede sancta (5vv) [2p. Respice Domine] Mr Byrde
Appears on: 5r–5v
Genres: Motet
Source Attribution: Mr Byrde
5r–5v Domine praestolamur [2p. Veni domine] -
Appears on: 5r–5v
Genres: Motet
6r In Nomine John Sadler
Appears on: 6r
Source Attribution: John Sadler
6v–8r Miserere mei Deus doctor Tye
Appears on: 6v–8r
Genres: Miserere mei Deus, Motet
Source Attribution: doctor Tye
8v–10r O splendor gloriae Mr John Tauerner
Appears on: 8v–10r
Genres: Motet
Source Attribution: Mr John Tauerner
10v–11r Inclina Domine aurem tuam (I) Mr Shepperd
Appears on: 10v–11r
Source Attribution: Mr Shepperd
11v–13r Domine Jesu Christe Mr Merbecke
Appears on: 11v–13r
Genres: Antiphon
Source Attribution: Mr Merbecke
13v–16r Te matrem dei laudamus (=Te Deum [Sadler]) Mr Aston
Appears on: 13v–16r
Genres: BVM, Contrafactum, Hymn, Te Deum
Source Attribution: Mr Aston
16v–18r Ave Dei patris filia Doctor fayrfax
Appears on: 16v–18r
Genres: Motet
Source Attribution: Doctor fayrfax
18r–20v Gaude plurimum [2p. Gaude Maria, Jesu mater; 3p. Eundem igitur Jesum] master John Tauerner
Appears on: 18r–20v
Genres: Motet
Source Attribution: master John Tauerner
20v–22r Job tonso capite corruens in terram adoravit [2p. Dominus dedit Dominus abstulit sicut] Mr Thomas criquillion
Appears on: 20v–22r
Genres: Motet
Source Attribution: Mr Thomas criquillion
22r–24r Ave Dei patris filia Master John Tauerner
Appears on: 22r–24r
Genres: Motet
Source Attribution: Master John Tauerner
24r–26r Ave Dei patris filia Master Robert Johnson preste
Appears on: 24r–26r
Genres: Motet
Source Attribution: Master Robert Johnson preste
26v–29r Salve intemerata dei mater master Thomas Tallis
Appears on: 26v–29r
Genres: Motet
Source Attribution: master Thomas Tallis
29r–31r Gaude virgo mater Christi Hugo Asthton
Appears on: 29r–31r
Genres: Motet
Source Attribution: Hugo Asthton
31r–32r Aspice Domine quia facta est [2p. Plorans ploravit in nocte] Master phillups
Appears on: 31r–32r
Genres: Motet
Source Attribution: Master phillups
32v–34r Conserva me Domine Osbert parslye
Appears on: 32v–34r
Genres: Motet
Source Attribution: Osbert parslye
34r–36r Domine quis habitabit [2p. Ad nihillum deductus] Mr Tallys
Appears on: 34r–36r
Genres: Motet
Source Attribution: Mr Tallys
36r–37v Lamentations (I) : Incipit lamentatio Jeremiae - Aleph - Beth - Convertere Jerusalem Mr Thomas tallis
Appears on: 36r–37v
Genres: Lamentations, Motet
Source Attribution: Mr Thomas tallis
37v–39v Lamentations (II): De lamentatione Jeremiae - Gimel - Daleth - Heth - Convertere Jerusalem Master Thomas Tallys
Appears on: 37v–39v
Genres: Lamentations, Motet
Source Attribution: Master Thomas Tallys
40r–42v Lamentations (I) a5 Mr whighte Bacheler of musycke
Appears on: 40r–42v
Genres: Lamentations, Motet
Source Attribution: Mr whighte Bacheler of musycke
42v–43r Dum transisset sabbatum, Maria Magdalene / Aromata emerunt Mr Thomas tallis
Appears on: 42v–43r
Genres: Motet
Source Attribution: Mr Thomas tallis
43v–45r Domine in virtute tua (II) [2a pars: Magna gloria eius] Mr Johnson
Appears on: 43v–45r
Genres: Motet
Source Attribution: Mr Johnson
45v–47r Maria plena virtute Doctor ffayrfax
Appears on: 45v–47r
Genres: Motet
Source Attribution: Doctor ffayrfax
47r–48r Mem: Cui comparabo [Lamentations] Osbert percelye
Appears on: 47r–48r
Source Attribution: Osbert percelye
48v–51r Miserere mei Deus [2p: Cor mundum crea] Master Robertde whighte Bacheler of musicke
Appears on: 48v–51r
Genres: Miserere mei Deus, Motet
Source Attribution: Master Robertde whighte Bacheler of musicke
51v–53r Exaudiat te Dominus in die tribulationis Mr Robert wighte Bacheler of Musicke
Appears on: 51v–53r
Genres: Motet
Source Attribution: Mr Robert wighte Bacheler of Musicke
53v–55r Domine non est exaltatum (2p. Sicut ablactatus) Mr Robert whight Bacheler of musicke
Appears on: 53v–55r
Genres: Motet
Source Attribution: Mr Robert whight Bacheler of musicke
55r–56r Manus tuae fecerunt me [2p. Veniant mihi] -
Appears on: 55r–56r
Genres: Motet
56v Domine, Dominus noster Thomas Morley i576
Appears on: 56v
Source Attribution: Thomas Morley i576
57r–57v O sacrum convivium in quo Christus sumitur Mr T Tallis
Appears on: 57r–57v
Genres: Motet
Source Attribution: Mr T Tallis
57v–58r Salvator mundi (I) Mr Thomas Tallis
Appears on: 57v–58r
Genres: Motet
Source Attribution: Mr Thomas Tallis
58v–59r Attollite portas Mr Wi Birde
Appears on: 58v–59r
Genres: Psalm
Source Attribution: Mr Wi Birde
59v–61r Domine non est exaltatum Thomas morley
Appears on: 59v–61r
Source Attribution: Thomas morley
61r–62r Absterge Domine M : thomas : tallis : gentilman : [different writing:] of the quenes maiesties chappels: i567
Appears on: 61r–62r
Source Attribution: M : thomas : tallis : gentilman : [different writing:] of the quenes maiesties chappels: i567
62v–63v Ne irascaris Domine [2p. Civitas sancti tui] Mr Byrde i580
Appears on: 62v–63v
Genres: Anthem
Source Attribution: Mr Byrde i580
63v–64v Mater Christi sanctissima virgo [= O most holy and mighty Lord] -
Appears on: 63v–64v
Genres: Motet
64v–66r Tribulationes civitatum [2p. Timor et hebitudo, 3p. Nos enim pro peccatis] Mr Wm Birde
Appears on: 64v–66r
Genres: Motet
Source Attribution: Mr Wm Birde
66v–67v Justus es, Domine Mr Robert whight
Appears on: 66v–67v
Genres: Motet
Source Attribution: Mr Robert whight
68r–69r The Western Wynde Mass: Gloria -
Appears on: 68r–69r
69r–70v The Western Wynde Mass: Credo -
Appears on: 69r–70v
70v–71r The Western Wynde Mass: Sanctus -
Appears on: 70v–71r
71r–71v The Western Wynde Mass: Benedictus -
Appears on: 71r–71v
71v–72v The Western Wynde Mass: Agnus dei -
Appears on: 71v–72v
72v–73r Good fellows must go wm parson
Appears on: 72v–73r
Source Attribution: wm parson
73v–74r Conye skins - Anonymous

Conye skins

Anonymous
Appears on: 73v–74r
74v–75r Musica laeta suum gaudet (C79) Alfonso.
Appears on: 74v–75r
Genres: Motet
Source Attribution: Alfonso.
Composer Compositions
Anonymous
Aston, Hugh (ca. 1485–1558)
Byrd, William (ca. 1540–1623)
Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Fayrfax, Robert (1464–1521)
Ferrabosco, Alfonso (the elder) (1543–1588)
Johnson (I), Robert (ca. 1500–ca. 1560)
Merbecke, John
Morley, Thomas (ca. 1557–1602)
Parsley [Percely], Osbert
Parsons 'of Wells', William
Sadler, John (1534–1592)
Sheppard, John (ca. 1515–1558)
Tallis, Thomas (ca. 1505–1585)
Taverner, John
Tye, Christopher (ca. 1505–ca. 1573)
Van Wilder, Phillip
White, Robert (ca. 1538–1574)
Composition Composers (? Uncertain) Folios / Pages
Absterge Domine 61r–62r
Aspice Domine de sede sancta (5vv) [2p. Respice Domine] 5r–5v
Aspice Domine quia facta est [2p. Plorans ploravit in nocte] 31r–32r
Attollite portas 58v–59r
Ave Dei patris filia 16v–18r
Ave Dei patris filia 22r–24r
Ave Dei patris filia 24r–26r
Conserva me Domine 32v–34r
Conye skins Anonymous 73v–74r
Domine in virtute tua (II) [2a pars: Magna gloria eius] 43v–45r
Domine Jesu Christe 11v–13r
Domine non est exaltatum 59v–61r
Domine non est exaltatum (2p. Sicut ablactatus) 53v–55r
Domine praestolamur [2p. Veni domine] 5r–5v
Domine quis habitabit [2p. Ad nihillum deductus] 34r–36r
Domine, Dominus noster 56v
Dum transisset sabbatum, Maria Magdalene / Aromata emerunt 42v–43r
Exaudiat te Dominus in die tribulationis 51v–53r
Gaude plurimum [2p. Gaude Maria, Jesu mater; 3p. Eundem igitur Jesum] 18r–20v
Gaude virgo mater Christi 29r–31r
Good fellows must go 72v–73r
In Nomine 6r
Inclina Domine aurem tuam (I) 10v–11r
Job tonso capite corruens in terram adoravit [2p. Dominus dedit Dominus abstulit sicut] 20v–22r
Justus es, Domine 66v–67v
Lamentations (I) : Incipit lamentatio Jeremiae - Aleph - Beth - Convertere Jerusalem 36r–37v
Lamentations (I) a5 40r–42v
Lamentations (II): De lamentatione Jeremiae - Gimel - Daleth - Heth - Convertere Jerusalem 37v–39v
Manus tuae fecerunt me [2p. Veniant mihi] 55r–56r
Maria plena virtute 45v–47r
Mater Christi sanctissima virgo [= O most holy and mighty Lord] 63v–64v
Mem: Cui comparabo [Lamentations] 47r–48r
Miserere mei Deus 6v–8r
Miserere mei Deus [2p: Cor mundum crea] 48v–51r
Musica laeta suum gaudet (C79) 74v–75r
Ne irascaris Domine [2p. Civitas sancti tui] 62v–63v
O sacrum convivium in quo Christus sumitur 57r–57v
O splendor gloriae 8v–10r
Salvator mundi (I) 57v–58r
Salve intemerata dei mater 26v–29r
Te matrem dei laudamus (=Te Deum [Sadler]) 13v–16r
The Western Wynde Mass: Agnus dei 71v–72v
The Western Wynde Mass: Benedictus 71r–71v
The Western Wynde Mass: Credo 69r–70v
The Western Wynde Mass: Gloria 68r–69r
The Western Wynde Mass: Sanctus 70v–71r
Tribulationes civitatum [2p. Timor et hebitudo, 3p. Nos enim pro peccatis] 64v–66r

denotes primary source study

Craig-McFeely, Julia. September 2018. Recovering lost texts, rebuilding lost manuscripts. Archive Journal Digital Medieval Manuscript Cultures special edition, .

Craig-McFeely, Julia. 2023. Beyond the fire of attrition: acid decay and forensic reconstruction. Oxford Handbook of Music and Corpus Studies, edited by Julia Craig-McFeely, C31P1–C31N40. Oxford: Oxford University Press.

Craig-McFeely, Julia. 2020. Strip and Tease: Digitally Undressing Tudor Scribes. Notated Music in the Digital Sphere: Possibilities and Limitations,  Oslo: National Library of Norway.

Craig-McFeely, Julia. 2020. Restoration, reconstruction, and revisionism: altering our virtual perception of damaged manuscripts. Disiecta Membra Musicae. Studies in Musical Fragmentology, edited by Julia Craig-McFeely,  Berlin: De Gruyter.

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