GB-Odiamm Digital Reconstruction of Bodleian Library MS. Mus. e. 1 (Sadler Partbooks)

DIAMM Virtual Manuscript Archive, Oxford, England

partbook: c. 1580-85

Archive DIAMM Virtual Manuscript Archive, Oxford, England (GB-Odiamm)
Shelfmark Digital Reconstruction of Bodleian Library MS. Mus. e. 1 (Sadler Partbooks)
Surface Paper
Numbering System Foliation
Format landscape
Measurements 205 x 280 mm
Contents 47 pieces from 18 composers
General Description

Digital reconstruction of the partbooks was undertaken for the Tudor Partbooks project based at the Universities of Oxford and Newcastle, funded by the Arts and Humanities Research Council (UK).

For a full source description, see the entry for the unedited version of this manuscript: GB-Ob MS. Mus. e. 1

DIAMM, 2022

71r

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
6r–6v Aspice Domine de sede sancta (5vv) [2p. Respice Domine] Mr Will[ia]m Byrd
Appears on: 6r–6v
Genres: Motet
Source Attribution: Mr Will[ia]m Byrd
6v–7v Domine praestolamur [2p. Veni domine] Mr Byrde
Appears on: 6v–7v
Genres: Motet
Source Attribution: Mr Byrde
8r In Nomine John Sadler
Appears on: 8r
Source Attribution: John Sadler
8v–10r Miserere mei Deus doctor Tye
Appears on: 8v–10r
Genres: Miserere mei Deus, Motet
Source Attribution: doctor Tye
10r–12r O splendor gloriae M.r John Taverner
Appears on: 10r–12r
Genres: Motet
Source Attribution: M.r John Taverner
12r–13r Inclina Domine aurem tuam (I) [not readable]
Appears on: 12r–13r
Source Attribution: [not readable]
13r–14v Domine Jesu Christe Mr Merbecke
Appears on: 13r–14v
Genres: Antiphon
Source Attribution: Mr Merbecke
15r–17r Te matrem dei laudamus (=Te Deum [Sadler]) Mr Aston
Appears on: 15r–17r
Genres: BVM, Contrafactum, Hymn, Te Deum
Source Attribution: Mr Aston
17v–19r Ave Dei patris filia Doctor ffayrffax
Appears on: 17v–19r
Genres: Motet
Source Attribution: Doctor ffayrffax
19r–21v Gaude plurimum [2p. Gaude Maria, Jesu mater; 3p. Eundem igitur Jesum] master John Tauerner
Appears on: 19r–21v
Genres: Motet
Source Attribution: master John Tauerner
22r–23r Job tonso capite corruens in terram adoravit [2p. Dominus dedit Dominus abstulit sicut] Dr[?] Thomao Criquillion
Appears on: 22r–23r
Genres: Motet
Source Attribution: Dr[?] Thomao Criquillion
23r–26r Ave Dei patris filia Master John Tauerner
Appears on: 23r–26r
Genres: Motet
Source Attribution: Master John Tauerner
26r–28r Ave Dei patris filia Mr Robert Johnson preste
Appears on: 26r–28r
Genres: Motet
Source Attribution: Mr Robert Johnson preste
28v–31r Salve intemerata dei mater master Thomas Tallis
Appears on: 28v–31r
Genres: Motet
Source Attribution: master Thomas Tallis
31r–32v Gaude virgo mater Christi Hugo Asthton
Appears on: 31r–32v
Genres: Motet
Source Attribution: Hugo Asthton
33r–33v Aspice Domine quia facta est [2p. Plorans ploravit in nocte] Master Phillups
Appears on: 33r–33v
Genres: Motet
Source Attribution: Master Phillups
34r–35v Conserva me Domine Osbert parsly
Appears on: 34r–35v
Genres: Motet
Source Attribution: Osbert parsly
35v–37v Domine quis habitabit [2p. Ad nihillum deductus] -
Appears on: 35v–37v
Genres: Motet
37v–38v Lamentations (I) : Incipit lamentatio Jeremiae - Aleph - Beth - Convertere Jerusalem -
Appears on: 37v–38v
Genres: Lamentations, Motet
38v–40v Lamentations (II): De lamentatione Jeremiae - Gimel - Daleth - Heth - Convertere Jerusalem Mr thom[a]s tallis
Appears on: 38v–40v
Genres: Lamentations, Motet
Source Attribution: Mr thom[a]s tallis
40v–43v Lamentations (I) a5 Mr whighte
Appears on: 40v–43v
Genres: Lamentations, Motet
Source Attribution: Mr whighte
43v–44r Dum transisset sabbatum, Maria Magdalene / Aromata emerunt Mr tallis
Appears on: 43v–44r
Genres: Motet
Source Attribution: Mr tallis
44r–46r Domine in virtute tua (II) [2a pars: Magna gloria eius] master Johnson p[r]este
Appears on: 44r–46r
Genres: Motet
Source Attribution: master Johnson p[r]este
46r–47v Maria plena virtute docto[r] fayrfax
Appears on: 46r–47v
Genres: Motet
Source Attribution: docto[r] fayrfax
48r–48v Mem: Cui comparabo [Lamentations] Osbert percely
Appears on: 48r–48v
Source Attribution: Osbert percely
49r–51v Miserere mei Deus [2p: Cor mundum crea] Master. Roberde whighte = Bacheler of Musicke
Appears on: 49r–51v
Genres: Miserere mei Deus, Motet
Source Attribution: Master. Roberde whighte = Bacheler of Musicke
51v–53v Exaudiat te Dominus in die tribulationis Mr Robert whighte Bacheler of musicke
Appears on: 51v–53v
Genres: Motet
Source Attribution: Mr Robert whighte Bacheler of musicke
53v–54v Domine non est exaltatum (2p. Sicut ablactatus) -
Appears on: 53v–54v
Genres: Motet
55r–56v Manus tuae fecerunt me [2p. Veniant mihi] master whight
Appears on: 55r–56v
Genres: Motet
Source Attribution: master whight
56v–57r Domine, Dominus noster Thomas Morley i576
Appears on: 56v–57r
Source Attribution: Thomas Morley i576
57r–57v O sacrum convivium in quo Christus sumitur T. Tallis
Appears on: 57r–57v
Genres: Motet
Source Attribution: T. Tallis
58r Salvator mundi (I) Mr Rhomas Tallis
Appears on: 58r
Genres: Motet
Source Attribution: Mr Rhomas Tallis
58v–60r Attollite portas Mr Will[ia]m Birde
Appears on: 58v–60r
Genres: Psalm
Source Attribution: Mr Will[ia]m Birde
60v–61v Domine non est exaltatum Thomas Morley
Appears on: 60v–61v
Source Attribution: Thomas Morley
61v–62v Absterge Domine Thomas Tallis
Appears on: 61v–62v
Source Attribution: Thomas Tallis
63r–63v Ne irascaris Domine [2p. Civitas sancti tui] -
Appears on: 63r–63v
Genres: Anthem
64r–65r Mater Christi sanctissima virgo [= O most holy and mighty Lord] Mr John Taverner
Appears on: 64r–65r
Genres: Motet
Source Attribution: Mr John Taverner
65r–66r Tribulationes civitatum [2p. Timor et hebitudo, 3p. Nos enim pro peccatis] Mr Will[ia]m Birde
Appears on: 65r–66r
Genres: Motet
Source Attribution: Mr Will[ia]m Birde
66v–67v Justus es, Domine Mr whyghte
Appears on: 66v–67v
Genres: Motet
Source Attribution: Mr whyghte
68r–69r The Western Wynde Mass: Gloria -
Appears on: 68r–69r
69r–70r The Western Wynde Mass: Credo -
Appears on: 69r–70r
70v–71r The Western Wynde Mass: Sanctus -
Appears on: 70v–71r
71r–71v The Western Wynde Mass: Benedictus -
Appears on: 71r–71v
71v–72v The Western Wynde Mass: Agnus dei mr John Tauerner
Appears on: 71v–72v
Source Attribution: mr John Tauerner
72v–73r Good fellows must go Wyll[ia]m parson,
Appears on: 72v–73r
Source Attribution: Wyll[ia]m parson,
73v–74r Conye skins - Anonymous

Conye skins

Anonymous
Appears on: 73v–74r
74v Musica laeta suum gaudet (C79) Alfonso
Appears on: 74v
Genres: Motet
Source Attribution: Alfonso
Composer Compositions
Anonymous
Aston, Hugh (ca. 1485–1558)
Byrd, William (ca. 1540–1623)
Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Fayrfax, Robert (1464–1521)
Ferrabosco, Alfonso (the elder) (1543–1588)
Johnson (I), Robert (ca. 1500–ca. 1560)
Merbecke, John
Morley, Thomas (ca. 1557–1602)
Parsley [Percely], Osbert
Parsons 'of Wells', William
Sadler, John (1534–1592)
Sheppard, John (ca. 1515–1558)
Tallis, Thomas (ca. 1505–1585)
Taverner, John
Tye, Christopher (ca. 1505–ca. 1573)
Van Wilder, Phillip
White, Robert (ca. 1538–1574)
Composition Composers (? Uncertain) Folios / Pages
Absterge Domine 61v–62v
Aspice Domine de sede sancta (5vv) [2p. Respice Domine] 6r–6v
Aspice Domine quia facta est [2p. Plorans ploravit in nocte] 33r–33v
Attollite portas 58v–60r
Ave Dei patris filia 17v–19r
Ave Dei patris filia 23r–26r
Ave Dei patris filia 26r–28r
Conserva me Domine 34r–35v
Conye skins Anonymous 73v–74r
Domine in virtute tua (II) [2a pars: Magna gloria eius] 44r–46r
Domine Jesu Christe 13r–14v
Domine non est exaltatum 60v–61v
Domine non est exaltatum (2p. Sicut ablactatus) 53v–54v
Domine praestolamur [2p. Veni domine] 6v–7v
Domine quis habitabit [2p. Ad nihillum deductus] 35v–37v
Domine, Dominus noster 56v–57r
Dum transisset sabbatum, Maria Magdalene / Aromata emerunt 43v–44r
Exaudiat te Dominus in die tribulationis 51v–53v
Gaude plurimum [2p. Gaude Maria, Jesu mater; 3p. Eundem igitur Jesum] 19r–21v
Gaude virgo mater Christi 31r–32v
Good fellows must go 72v–73r
In Nomine 8r
Inclina Domine aurem tuam (I) 12r–13r
Job tonso capite corruens in terram adoravit [2p. Dominus dedit Dominus abstulit sicut] 22r–23r
Justus es, Domine 66v–67v
Lamentations (I) : Incipit lamentatio Jeremiae - Aleph - Beth - Convertere Jerusalem 37v–38v
Lamentations (I) a5 40v–43v
Lamentations (II): De lamentatione Jeremiae - Gimel - Daleth - Heth - Convertere Jerusalem 38v–40v
Manus tuae fecerunt me [2p. Veniant mihi] 55r–56v
Maria plena virtute 46r–47v
Mater Christi sanctissima virgo [= O most holy and mighty Lord] 64r–65r
Mem: Cui comparabo [Lamentations] 48r–48v
Miserere mei Deus 8v–10r
Miserere mei Deus [2p: Cor mundum crea] 49r–51v
Musica laeta suum gaudet (C79) 74v
Ne irascaris Domine [2p. Civitas sancti tui] 63r–63v
O sacrum convivium in quo Christus sumitur 57r–57v
O splendor gloriae 10r–12r
Salvator mundi (I) 58r
Salve intemerata dei mater 28v–31r
Te matrem dei laudamus (=Te Deum [Sadler]) 15r–17r
The Western Wynde Mass: Agnus dei 71v–72v
The Western Wynde Mass: Benedictus 71r–71v
The Western Wynde Mass: Credo 69r–70r
The Western Wynde Mass: Gloria 68r–69r
The Western Wynde Mass: Sanctus 70v–71r
Tribulationes civitatum [2p. Timor et hebitudo, 3p. Nos enim pro peccatis] 65r–66r

denotes primary source study

Craig-McFeely, Julia. September 2018. Recovering lost texts, rebuilding lost manuscripts. Archive Journal Digital Medieval Manuscript Cultures special edition, .

Craig-McFeely, Julia. 2023. Beyond the fire of attrition: acid decay and forensic reconstruction. Oxford Handbook of Music and Corpus Studies, edited by Julia Craig-McFeely, C31P1–C31N40. Oxford: Oxford University Press.

Craig-McFeely, Julia. 2020. Strip and Tease: Digitally Undressing Tudor Scribes. Notated Music in the Digital Sphere: Possibilities and Limitations,  Oslo: National Library of Norway.

Craig-McFeely, Julia. 2020. Restoration, reconstruction, and revisionism: altering our virtual perception of damaged manuscripts. Disiecta Membra Musicae. Studies in Musical Fragmentology, edited by Julia Craig-McFeely,  Berlin: De Gruyter.

This form is used to make comments on a source. If you wish to notify us of a correction to the record, you should use the "Contribute a change" form instead.

No comments have been made.