E-E MS 2

Palacio Real, Monasterio de S Lorenzo, San Lorenzo de El Escorial, Spain

manuscript of polyphony: 1604

Archive Palacio Real, Monasterio de S Lorenzo, San Lorenzo de El Escorial, Spain (E-E)
Shelfmark MS 2
Image Availability DIAMM does not have images of this source.
Surface Paper
Numbering System Foliation
Measurements 830mm x 565mm
Other Identifiers
  • CCM: EscSL2
  • olim (Former shelfmark): BeniCAM 4
Notations
  • black void mensural
Copyists
Relationships
External Links
Provenance
Contents 50 pieces from 8 composers
General Description

Copied at the Escorial in 1604 (fol 50v, "Ano Dei 1604"), possibly by Fray Pedro de Estremera, who also wrote most of EscSL 1, EscSL 3, EscSL 4, EscSL 5, GuadM (3), MontsM 750, NYorkH 278, NYorkH 861, NYorkH 870, PastraM s.s., and several other manuscripts. Rubrics specify feasts upon which motets in the collection were to be sung.

DIAMM, 2018
Physical Description

Each folio consists of two large sheets of paper pasted together to form one large folio of double thickness.

DIAMM, 2022
Binding

Original covers of black, lightly-tooled leather over wooden boards, decorated with 9 brass studs.

DIAMM, 2018
Ruling

Staff height 25-26 and 35-36

DIAMM, 2018
Foliation

Original ink foliation, 2-97 ('42' applied to two consecutive folios, fol 67 is followed by fol 70)

DIAMM, 2018
Index

Original but incomplete index on fol [1]r listing masses, the motets a4, then motets "de sanctis" a4, finally motets "de temporis" a5

DIAMM, 2018
Surface

Paper

DIAMM, 2018
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

4 Masses, 38 motets = 42

Castillo-2, R. Ceballos [Zaballos]-1, A. Ferrabosco I-1, A. Lobo-1, Palestrina-24, Rogier-10, anon-3

97 paper folios, 828 x 568. Original foliation, 1-97. Original covers of black leather over boards, with brass studs. Original index. Rubrics give feasts for which the various motets are to be sung.

1604 (inscription on f. 50': "Ano Dei 1604"). Copied at the Escorial.

4

Contents: 4 Masses, 36 motets = 40 + 2 duplicates = 42 Composers: Change "Palestrina-24" to "Palestrina-22."

Physical: 96 paper folios, 828 x 568. Original ink foliation, 1-97, on upper right rectos ("42" applied to two consecutive folios; "68-69" omitted). Copied by a single scribe, who also wrote most of EscSL 1, EscSL 3, EscSL 4, EscSL 5, GuadM (3), MontsM 750, NYorkH 278, NYorkH 861, NYorkH 870, PastraM s.s., and several other manuscripts not within scope of this catalogue (Charles Manns). Large plain inked initials in red or black.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1v–11r Missa Iste confessor: Kyrie Palestrina
Appears on: 1v–11r
Genres: Kyrie eleison
Source Attribution: Palestrina
1v–11r Missa Iste confessor: Gloria -
Appears on: 1v–11r
Genres: Gloria (et in terra pax)
1v–11r Missa Iste confessor: Credo -
Appears on: 1v–11r
Genres: Credo (patrem omnipotentem)
1v–11r Missa Iste confessor: Sanctus -
Appears on: 1v–11r
Genres: Sanctus [& Benedictus]
1v–11r Missa Iste confessor: Agnus Dei -
Appears on: 1v–11r
Genres: Agnus Dei
11v–22r Missa Brevis (4vv) Palestrina
Appears on: 11v–22r
Genres: Agnus Dei, Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: Palestrina
22v–28r Missa Feria: KSA - Anonymous

Missa Feria: KSA

Anonymous
Appears on: 22v–28r
Genres: Agnus Dei, Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus]
28v–32r Domine quando veneris II. Commissa mea pavesco Palestina
Appears on: 28v–32r
Genres: Motet
Source Attribution: Palestina
28v–32r Heu mihi Domine II. Anima mea turbata est Palestina
Appears on: 28v–32r
Genres: Motet
Source Attribution: Palestina
32v–36r Ad te levavi oculos meos II. Miserere nostri Domine Palestrina
Appears on: 32v–36r
Genres: Motet
Source Attribution: Palestrina
40v–42bis r Ad Dominum cum tribularer II. Sagittae potentis Palestrina
Appears on: 40v–42bis r
Genres: Motet
Source Attribution: Palestrina
42bis v–43r Sicut cervus - 1a pars (of 2): Sicut cervus Palestrina
Appears on: 42bis v–43r
Genres: Motet
Source Attribution: Palestrina
43v–45r Super flumina Babylonis Palestrina
Appears on: 43v–45r
Genres: Motet
Source Attribution: Palestrina
45v–46r Quia vidisti me Thoma Palestrina
Appears on: 45v–46r
Genres: Motet
Source Attribution: Palestrina
46v–48r Magnus sanctus Paulus vas electionis Palestina
Appears on: 46v–48r
Genres: Motet
Source Attribution: Palestina
48v–49r Veni sponsa Christi accipe coronam Palestrina
Appears on: 48v–49r
Genres: Motet
Source Attribution: Palestrina
49v–50r Nos autem gloriari oportet in cruce Palestrina
Appears on: 49v–50r
Genres: Motet
Source Attribution: Palestrina
50v–51r Nativitas tua Dei genitrix virgo Palestrina
Appears on: 50v–51r
Genres: Motet
Source Attribution: Palestrina
51v–52r Exaudi domine preces servi tui illumina Palestrina
Appears on: 51v–52r
Genres: Motet
Source Attribution: Palestrina
52v–53r Veni sponsa Christi accipe coronam Palestrina
Appears on: 52v–53r
Genres: Motet
Source Attribution: Palestrina
53v–54r Gaudent in caelis animae sanctorum Palestrina
Appears on: 53v–54r
Genres: Motet
Source Attribution: Palestrina
54v–55r Tollite jugum meum super vos dicit Dominus Palestrina
Appears on: 54v–55r
Genres: Motet
Source Attribution: Palestrina
55v–56r Beatus vir qui suffert tentationem Palestrina
Appears on: 55v–56r
Genres: Motet
Source Attribution: Palestrina
56v–57r Iste est qui ante Deum magnas virtutes Palestrina
Appears on: 56v–57r
Genres: Motet
Source Attribution: Palestrina
57v–58r Vivo ego dicit Dominus nolo mortem Ildefonsus lobo
Appears on: 57v–58r
Genres: Motet
Source Attribution: Ildefonsus lobo
58v–59r Exaudiat Dominus orationes nostras Zaballos
Appears on: 58v–59r
Genres: Motet
Source Attribution: Zaballos
59v–60r Da pacem Domine Phelippe Rogier
Appears on: 59v–60r
Genres: Motet
Source Attribution: Phelippe Rogier
60v–62r Jesus iunxit se discipulis suis in via Palestrina
Appears on: 60v–62r
Genres: Motet
Source Attribution: Palestrina
62v–64r Loquebantur variis linguis apostoli Palestrina
Appears on: 62v–64r
Genres: Motet
Source Attribution: Palestrina
64v–66r Ego sum panis vivus (4vv) Palestrina
Appears on: 64v–66r
Genres: Motet
Source Attribution: Palestrina
66v–67r Exaudi domine preces servi tui illumina Palestina
Appears on: 66v–67r
Genres: Motet
Source Attribution: Palestina
67v–70r Heu mihi Domine Phelippe Rogier
Appears on: 67v–70r
Genres: Motet
Source Attribution: Phelippe Rogier
70v–71r Iustus es Domine (I) Phelippe Rogier
Appears on: 70v–71r
Genres: Motet
Source Attribution: Phelippe Rogier
71v–72r Descendit angelus Phelippe Rogier
Appears on: 71v–72r
Genres: Motet
Source Attribution: Phelippe Rogier
72v–73r Verba mea auribus percipe Phelippe Rogier
Appears on: 72v–73r
Genres: Motet
Source Attribution: Phelippe Rogier
73v–74r Venit lumen tuum Phelippe Rogier
Appears on: 73v–74r
Genres: Motet
Source Attribution: Phelippe Rogier
74v–75r O altitudo divitiarum Diego del Castillo
Appears on: 74v–75r
Genres: Motet
Source Attribution: Diego del Castillo
75v–76r Quis enim cognovit Castillo
Appears on: 75v–76r
Genres: Motet
Source Attribution: Castillo
76v–77r Da pacem Domine (I) (C27) ferrabosco
Appears on: 76v–77r
Genres: Motet
Source Attribution: ferrabosco
77v–78r Respice in me Phelippe Rogier
Appears on: 77v–78r
Genres: Motet
Source Attribution: Phelippe Rogier
78v–79r Cantate Domino canticum novum Phelippe Rogier
Appears on: 78v–79r
Genres: Motet
Source Attribution: Phelippe Rogier
79v–80r Iustus es Domine (II) Phelippe Rogier
Appears on: 79v–80r
Genres: Motet
Source Attribution: Phelippe Rogier
80v–81r Pereat dies Phelippe rogier
Appears on: 80v–81r
Genres: Motet
Source Attribution: Phelippe rogier
81v–94r Missa Nasce la gioia mia: Kyrie Palestrina
Appears on: 81v–94r
Genres: Kyrie eleison
Source Attribution: Palestrina
81v–94r Missa Nasce la gioia mia: Gloria -
Appears on: 81v–94r
Genres: Gloria (et in terra pax)
81v–94r Missa Nasce la gioia mia: Credo -
Appears on: 81v–94r
Genres: Credo (patrem omnipotentem)
81v–94r Missa Nasce la gioia mia: Sanctus -
Appears on: 81v–94r
Genres: Sanctus [& Benedictus]
81v–94r Missa Nasce la gioia mia: Agnus Dei -
Appears on: 81v–94r
Genres: Agnus Dei
94v–96r Vidi aquam - Anonymous

Vidi aquam

Anonymous
Appears on: 94v–96r
Genres: Motet
96r–97r Asperges me -
Appears on: 96r–97r
Genres: Motet
Composer Compositions
Anonymous
Boluda, Ginés de
Castillo, Diego del
Ceballos, Rodrigo de (ca. 1525–1581)
Ferrabosco, Alfonso (the elder) (1543–1588)
Lobo, Alonso
Palestrina, Giovanni Pierluigi da (1525–1594)
Rogier, Philippe (ca. 1561–1596)
Composition Composers (? Uncertain) Folios / Pages
Ad Dominum cum tribularer II. Sagittae potentis 40v–42bis r
Ad te levavi oculos meos II. Miserere nostri Domine 32v–36r
Asperges me 96r–97r
Beatus vir qui suffert tentationem 55v–56r
Cantate Domino canticum novum 78v–79r
Da pacem Domine 59v–60r
Da pacem Domine (I) (C27) 76v–77r
Descendit angelus 71v–72r
Domine quando veneris II. Commissa mea pavesco 28v–32r
Ego sum panis vivus (4vv) 64v–66r
Exaudi domine preces servi tui illumina 51v–52r
Exaudi domine preces servi tui illumina 66v–67r
Exaudiat Dominus orationes nostras 58v–59r
Gaudent in caelis animae sanctorum 53v–54r
Heu mihi Domine 67v–70r
Heu mihi Domine II. Anima mea turbata est 28v–32r
Iste est qui ante Deum magnas virtutes 56v–57r
Iustus es Domine (I) 70v–71r
Iustus es Domine (II) 79v–80r
Jesus iunxit se discipulis suis in via 60v–62r
Loquebantur variis linguis apostoli 62v–64r
Magnus sanctus Paulus vas electionis 46v–48r
Missa Brevis (4vv) 11v–22r
Missa Feria: KSA Anonymous 22v–28r
Missa Iste confessor: Agnus Dei 1v–11r
Missa Iste confessor: Credo 1v–11r
Missa Iste confessor: Gloria 1v–11r
Missa Iste confessor: Kyrie 1v–11r
Missa Iste confessor: Sanctus 1v–11r
Missa Nasce la gioia mia: Agnus Dei 81v–94r
Missa Nasce la gioia mia: Credo 81v–94r
Missa Nasce la gioia mia: Gloria 81v–94r
Missa Nasce la gioia mia: Kyrie 81v–94r
Missa Nasce la gioia mia: Sanctus 81v–94r
Nativitas tua Dei genitrix virgo 50v–51r
Nos autem gloriari oportet in cruce 49v–50r
O altitudo divitiarum 74v–75r
Pereat dies 80v–81r
Quia vidisti me Thoma 45v–46r
Quis enim cognovit 75v–76r
Respice in me 77v–78r
Sicut cervus - 1a pars (of 2): Sicut cervus 42bis v–43r
Super flumina Babylonis 43v–45r
Tollite jugum meum super vos dicit Dominus 54v–55r
Veni sponsa Christi accipe coronam 48v–49r
Veni sponsa Christi accipe coronam 52v–53r
Venit lumen tuum 73v–74r
Verba mea auribus percipe 72v–73r
Vidi aquam Anonymous 94v–96r
Vivo ego dicit Dominus nolo mortem 57v–58r

denotes primary source study

Noone, Michael John. 1994. Manuscript Polyphonic Choirbooks from el Escorial: Physical Descriptions and Inventories. Revista de Musicología, p.278-282. Pages: 250-258.

Noone, Michael John. 1991. Music and Musicians at the Escorial 1563–1665. Cambridge (King's College), unpublished Ph. D. diss. Pages: 180-186.

Hamm, Charles E, and Herbert Kellman (editors). 1979-1988. Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550. Renaissance Manuscript Studies. 5 vols. Neuhausen nr. Stuttgart: American Institute of Musicology, Hänssler Verlag. Pages: I, 209; IV, 366.

Rubio, P Samuel. 1976. Catálogo del Archivo de Música del Monasterio de San Lorenzo el Real de El Escorial.  Cuenca. Pages: 6-9. Notes: physical description; contents list.

Rubio, P Samuel (editor). 1954-6. Antologia Polifònica Sacra.  Madrid. Pages: I, 76-9. Notes: transcription (partial).

Benito, Don Cosme José de. 1875. Catalogo del Archivo de Música del Escorial. Notes: contents list.

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Thomas Neal

Saturday, 25 April, 2020

The "Missa ferial" (ff.22v-28r) anonymous in the source. Attribution to Palestrina is unfounded. Mass therefore made 'anonymous'