A Tenor partbook from a set originally of four volumes. Copied by a single scribe. Copied in Florence (BrowC); not of Florentine origin, conceivably written in France (Rifkin, based on format, gathering structure, and script). The partbooks were probably the gift of the Florentine Rinuccini to Filippo Strozzi, nephew by marriage to Pope Leo X (BrowC).
I-Fc MS Basevi 2442 [Tenor] (Chansonnier Strozzi)
Conservatorio di Musica Luigi Cherubini, Firenze (Florence), Italy
manuscript of polyphony:
| Archive | Conservatorio di Musica Luigi Cherubini, Firenze (Florence), Italy (I-Fc) |
|---|---|
| Shelfmark | MS Basevi 2442 [Tenor] (Chansonnier Strozzi) |
| Image Availability | DIAMM does not have images of this source. Please refer to the external links for image availability. |
| Surface | Mixed Paper and Parchment |
| Numbering System | Pagination |
| Measurements | 140 x 200 mm |
| External Links |
General Description
Binding
covers of tooled Moroccan leather; 16th century
Liminary Note
Inscription on f. 1 of the tenor book: 'Ex liberalitate Bernardus Rinuccini.'
Notation
not indicated
Ruling
4 staves per page
Foliation
Modern pagination, 1-192.
Decoration
Inked calligraphic initials.
Surface
ii parchment + iv paper + 96 paper + iv paper + ii parchment
‡ denotes primary source study
Jonas, Luise. 1983. Das Augsburger Liederbuch: Die Musikhandschrift 2° Codex 142a der Staats- und Stadtbibliothek Augsburg. Edition und Kommentar. Berliner Musikwissenschaftliche Arbeiten. Munich and Salzburg. Pages: II, 9 passim. Notes: physical description (partial); contents list (partial); concordances (partial); mention of MS; discussion.
Brown, Howard Mayer. 1981. Words and Music in Early loth-Century Chansons: Text Underlay in Florence, Biblioteca del Conservatorio, Ms Basevi 2442. Formen und Probleme der Überlieferung mehrstimmiger Musik im Zeitalter Josquins Desprez, Wolfenbütteler Forschungen. 7-141. Munich. Notes: contents list (partial); concordances (partial); transcriptions (partial); facsimile (partial); mention of MS; discussion.
Hamm, Charles E, and Herbert Kellman (editors). 1979-1988. Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550. Renaissance Manuscript Studies. 5 vols. Neuhausen nr. Stuttgart: American Institute of Musicology, Hänssler Verlag. Pages: I, 235f.
Hudson, Barton (editor). 1979. Ninot le Petit: Collected Works. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: xi,xiv,xvii-xviii,xxi-xxiv,l-4,8-10, 13-6,26-7. Notes: mention of MS; contents list (partial); concordances (partial); transcriptions (partial).
Winn, Mary Beth. 1979. Some Texts for Chansons by Loyset Compere. Musica Disciplina, 43-54. Pages: 50-4. Notes: contents list (partial); concordances (partial); texts (partial); mention of MS; discussion.
Atlas, Allan W. 1976. The Cappella Giulia chansonnier. (Rome, Biblioteca Apostolica Vaticana, CG. XII-27). Musicological Studies. Brooklyn. Pages: 248.
Benthem, Jaap van. 1976. Josquin's Three-part 'Chansons rustiques': A Critique of the Readings in Manuscripts and Prints. Josquin des Prez: Proceedings of the International Josquin Festival-Conference ... 21-25 June 1971, London, New York, and Toronto. Pages: 429ff.
Brown, Howard Mayer. 1976. The Performance and Interpretation of Josquin's Secular Music [Workshop]. Josquin des Prez: Proceedings of the International Josquin Festival-Conference 21-25 June 1971, London, New York, and Toronto. Pages: 675-9.
Picker, Martin. 1976. Josquiniana in Some Manuscripts at Piacenza. Josquin des Prez: Proceedings of the International Josquin Festival-Conference ... 21-25June 1971, 247-60. London, New York, and Toronto. Pages: 253.
Bernstein, Lawrence F. 1973. La Courone et fleur des chansons a troys; A Mirror of the French Chanson in Italy in the Years between Ottaviano Petrucci and Antonio Gardano. Journal of the American Musicological Society, 1-68. Pages: 17-8.
Atlas, Allan W. 1971. Rome, Biblioteca Apostolica Vaticana, Cappella Giulia XIII. 27, and the Dissemination of the Franco-Netherlandish Chanson in Italy, c. 1460-c. 1530. New York University, Unpublished Ph.D. dissertation. Pages: 484-5.
Hudson, Barton (editor). 1969-72. Antoine Brumel: Collected Works. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: VI,xxvi,xxviii,70-3,84-6,101-2.
Smijers, Albert, Myroslaw Antonowycz, and Willem Elders (editors). 1969. Werken van Josquin des Prés: Supplement. Amsterdam. Pages: 61-2.
Brown, Howard Mayer. 1968. The Music of the Strozzi Chansonnier (Florence, Biblioteca del Conservatorio di Musica, MS Basevi 2442). Acta Musicologica, 115-29.
Pannella, Liliana. 1968. Le composizioni profane di una raccolta fiorentina del cinquecento. Revista Italiana di Musicologia, 3-47. Pages: 41-7.
Brown, Howard Mayer. 1966. Chansons for the Pleasure of a Florentine Patrician: Florence, Biblioteca del Conservatorio di Musica, MS Basevi 2442. Aspects of Medieval and Renaissance Music: A Birthday Offering to Gustave Reese, New York. Pages: 55-66, Plates 2a and 2b.
Hewitt, Helen Margaret. 1966. A Chanson Rustique of the Early Renaissance: Bon temps. Aspects of Medieval and Renaissance Music: A Birthday Offering to Gustave Reese, 376-91. New York. Pages: 384; Plates 2a and 2b.
Clinkscale, Edward Henry. 1965. The Complete Works of Antoine de Févin. New York University, Ph.D. dissertation. Pages: I,231; II,476-8. Notes: contents list (partial); concordances (partial); transcriptions (partial).
Becherini, Bianca. 1964. I Manoscritti e le stampe rare della Biblioteca del Conservatorio 'L. Cherubini' di Firenze. La Bibliofilia, 255-99. Pages: 266-8.
Picker, Martin. 1958-63. The Chanson Albums of Marguerite of Austria: MSS. 228 and 11239 of the Bibliothèque Royale de Belgique, Brussels. Annales Musicologiques, 145-287. Pages: 196-259.
Hewitt, Helen Margaret (editor). 1942. Harmonice Musices Odhecaton A. Studies and Documents. Cambridge, Massachusetts: Mediaeval Academy of America. Pages: 108.
Gandolfi, Riccardo. 1911. Intorno al Codice membranaceo di ballate et di canzoncine ... R. Instituto Musicale di Firenze, N. 2440. Rivista Musicale Italiana, 537-48. Pages: 246.
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