I-Bc Q.20 [Tenor]

Museo Internazionale e Biblioteca della Musica di Bologna, Bologna, Italy

partbook: c. 1530 (OsJD)

Archive Museo Internazionale e Biblioteca della Musica di Bologna, Bologna, Italy (I-Bc)
Shelfmark Q.20 [Tenor]
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System None
Measurements 163 x 228 mm
Notations
  • black void mensural
External Links
Provenance
  • Northern Italy, Italy
Contents 99 pieces from 28 composers
General Description

A Tenor partbook from a set of four volumes. Copied by one scribe, except the last motet, which is found only in the Tenor book. Probably copied in northern Italy.

Each piece is numbered in a contemporary hand.

DIAMM, 2017
Extent

88 leaves

DIAMM, 2017
Binding

Rebound in 1972, preserving the original covers which are bonded to the modern leather. Original covers carry initial indicating voice: C[antus], A[ltus], T[enor], B[assus].

DIAMM, 2023
Watermark

resembles Briquet #478, #481, and #490-2, found in Italy in the first two decades of the 16th century. The paper is similar to that of BolC Q19

DIAMM, 2017
Foliation

Modern pencil foliation.

DIAMM, 2017
Index

No index, but Altus has a partial list, in a later hand, of names of composers represented ('Nomina autorum quorum motecte in hoc libro concinnuntur').

DIAMM, 2017
RISM Description

RISM

XVIe s. 4 livres de 88 ff. chacun. Papier, 235 x 160 mm.

Foliotation ancienne. Les ff. 1, 88 (sauf T) sont blancs. Notation mesurée blanche. 6 portées par p. Au f. limin. de l'A: «Nomina [aucthorum] quorum motecta hoc libro concinnantur.» Reliures anciennes en cuir, restaurées postérieurement, dos refaits, portant au plat l'initiale de chaque partie. Parties de C[antus], A[ltus], Tfenor], B[assus].

La pièce de louanges «Lucrecia pulcra», seule composition profane du ms. (no 60) pourrait avoir été destinée à Lucrezia Borgia qui, après son mariage avec le duc Alfonso d'Esté en 1501, résida à Ferrare jusqu'à sa mort en 1519, ce qui situerait le ms. dans le cercle de la cour d'Esté. D'ailleurs, le papier et le répertoire permettent aussi de le dater aux environs de 1520.

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of any of this content without permission may result in legal action.

Répertoire International des Sources Musicales
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

61 motets

L. Barré-2, Bruhier-1, Brumel-1, Carpentras-2, Conseil-1, Duboys-1, Elimon-1, C. Festa-1, S. Festa-1, A. Févin-1, Gascongne-1, Gascongne/(Mouton)-1, Hellinck [Lupus]-1, Isaac-2, Jaquet of Mantua-2, Jaquet of Mantua/Lhéritier/Willaert)-1, Jaquet of Mantua/(Verdelot)-1, Jhan of Ferrara-3, Josquin-5, Lhéritier-6, Lupus-2, Mouton-1, Mouton/(Jaquet of Mantua)-1, L. Padovano-2, Richafort-1, Sermisy [Claudin]-3, Silva-3, Verdelot-1, Willaert-2, anon-10

4 paper partbooks (D-87 folios, A-88, T-88, B-87), 163 x 228. Modern pencil foliation; each piece is numbered in a contemporary hand. No index, but altus has a partial list, in a later hand, of names of composers represented ("Nomina autorum quorum motecte in hoc libro concinnuntur"). Copied by one scribe, except the last motet, which is found only in the tenor book. Watermark resembles Briquet #478, #481, and #490-2, found in Italy in the first two decades of the 16th century. The paper is similar to that of BolC Q19.

Ca. 1530 (OsJD). Probably copied in northern Italy.

Vol 4

Contents: Change "61 motets" to "60 motets."

Composers: Change "Lhéritier-6" to "Lhéritier-5"; add "Mouton/(Lhéritier) -1"; change "Silva-3" to "Silva-2, Silva/(Josquin/Mouton)-1 "; change "Verdelot-1" to "Verdelot/(Josquin/Stoltzer)-1"; change "anon-10" to "anon-9."

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1v In te Domine speravi - 1a pars (of 2): In te Domine speravi Claudin
Appears on: 1v
Genres: Motet, Te Deum
Source Attribution: Claudin
2 In te Domine speravi - 2a pars (of 2): Quoniam fortitudo mea -
Appears on: 2
Genres: Motet
2v Virgo prudentíssima quo progrederis Isaac
Appears on: 2v
Genres: Motet
Source Attribution: Isaac
3 Omnes gentes - 1a pars (of 2): Omnes gentes plaudite manibus jubilate Carpentras
Appears on: 3
Genres: Motet
Source Attribution: Carpentras

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 58,V.

3v–4 Omnes gentes - 2a pars (of 2): Psallite Deo nostro -
Appears on: 3v–4
Genres: Motet

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 58,V.

4v Cantemus et laetemur - 1a pars (of 2): Cantemus et laetemur Guascogna
Appears on: 4v
Genres: Motet
Source Attribution: Guascogna
5 Cantemus et laetemur - 2a pars (of 2): Dominus dabit imperium regi nostro -
Appears on: 5
Genres: Motet
5v–6 Alleluia. Noli flere Maria Guascogna
Appears on: 5v–6
Genres: Alleluia, Motet
Source Attribution: Guascogna

Item Bibliography

Shine, Josephine M. 1953. The Motets of Jean Mouton. New York University, Unpublished Ph.D. dissertation.

6v–7 Inter natos mulierum - 1a pars (of 2): Inter natos mulierum non surrexit Jo. Mouton
Appears on: 6v–7
Genres: Motet
Source Attribution: Jo. Mouton

Item Bibliography

Shine, Josephine M. 1953. The Motets of Jean Mouton. New York University, Unpublished Ph.D. dissertation.

7v–8 Inter natos mulierum - 2a pars (of 2): Elizabeth impletum est -
Appears on: 7v–8
Genres: Motet

Item Bibliography

Shine, Josephine M. 1953. The Motets of Jean Mouton. New York University, Unpublished Ph.D. dissertation.

8v–9 Laetare mater ecclesia An. Fevin
Appears on: 8v–9
Genres: Motet
Source Attribution: An. Fevin

Item Bibliography

Schuetze, George C, Jr. 1960-80. Collected works of Faugues, Transcription and introduction by G.C. Schuetze, jr. Collected works. Gesamtausgaben.  New York. Pages: XI.

9v–10 Virgo gloriosa Christi - 1a pars (of 2): Virgo gloriosa Christi Sebastianus Festa
Appears on: 9v–10
Genres: Motet
Source Attribution: Sebastianus Festa
10v Virgo gloriosa Christi - 2a pars (of 2): Deus qui beatam Caterinam virginem tuam -
Appears on: 10v
Genres: Motet
11 Ascendens Christus - 1a pars (of 2): Ascendens Christus in altum Elimon
Appears on: 11
Genres: Motet
Source Attribution: Elimon
11v–12 Ascendens Christus - 2a pars (of 2): Omnis pulcritudo Domini -
Appears on: 11v–12
Genres: Motet
12v–13 Hodie Christus natus est Laurus (Patavus)
Appears on: 12v–13
Genres: Motet
Source Attribution: Laurus (Patavus)

Item Bibliography

Jeppesen, Knud (editor). 1962. Italia Sacra Musica, musiche corali italiane sconosciute della prima metà del Cinquecento. 3 vols. Copenhagen. Pages: I.

13v–14 Cantate Domino canticum novum cantate Adrian (Willaert)
Appears on: 13v–14
Genres: Motet
Source Attribution: Adrian (Willaert)
14v–15 Veni sancte spiritus reple tuorum corda Jo. Mouton
Appears on: 14v–15
Genres: Motet, Veni sancte spiritus
Source Attribution: Jo. Mouton

Item Bibliography

Reese, Gustave. 1954. Music in the Renaissance.  New York.

15v–16 Assumpta est Maria in caelum gaudent angeli Du Conseil
Appears on: 15v–16
Genres: Motet
Source Attribution: Du Conseil
16v–17 O clemens o pia - 1a pars (of 2): O clemens o pia virgo Jo. Lerithier
Appears on: 16v–17
Genres: Motet
Source Attribution: Jo. Lerithier

Item Bibliography

Slim, H Colin. 1972. A Gift of Madrigals and Motets.  Chicago and London. Pages: II.

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 48,I.

17v–18 O clemens o pia - 2a pars (of 2): Noli virgo inviolata -
Appears on: 17v–18
Genres: Motet

Item Bibliography

Slim, H Colin. 1972. A Gift of Madrigals and Motets.  Chicago and London. Pages: II.

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 48,I.

18v–19 Impetum inimicorum ne timueritis Claudin
Appears on: 18v–19
Genres: Motet
Source Attribution: Claudin
19v–20 Noe noe virgo parit natum - 1a pars (of 2): Noe noe noe virgo parit natum Du bois
Appears on: 19v–20
Genres: Motet
Source Attribution: Du bois
20v–21 Noe noe virgo parit natum - 2a pars (of 2): O res mira ingens nature -
Appears on: 20v–21
Genres: Motet
21v–22 Ave maris stella 23.9 - 1a pars (of 2): Ave maris stella Sumens illud ave Josquin
Appears on: 21v–22
Genres: Ave maris stella, BVM, Motet
Source Attribution: Josquin

Item Bibliography

Smijers, Albert, Myroslaw Antonowycz, and Willem Elders (editors). 1925-, 1926-. Werken van Josquin des Prés: Motetten.  Leipzig/ Amsterdam. Pages: V.

22v–23 Ave maris stella 23.9 - 2a pars (of 2): Virgo singularis inter omnes mitis -
Appears on: 22v–23
Genres: Motet

Item Bibliography

Smijers, Albert, Myroslaw Antonowycz, and Willem Elders (editors). 1925-, 1926-. Werken van Josquin des Prés: Motetten.  Leipzig/ Amsterdam. Pages: V.

23v–24 In convertendo - 1a pars (of 2): In convertendo Dominus captivitatem Sion Lupus
Appears on: 23v–24
Genres: Motet
Source Attribution: Lupus
24v–25 In convertendo - 2a pars (of 2): Qui seminant in lachrimis -
Appears on: 24v–25
Genres: Motet
25v–26 Gloriosi principes - 1a pars (of 2): Gloriosi principes terre Ricafort
Appears on: 25v–26
Genres: Italian secular
Source Attribution: Ricafort
26v–27 Gloriosi principes - 2a pars (of 2): Tu es pastor ovium -
Appears on: 26v–27
Genres: Motet
27v Simile est regnum caelorum homini Carpentras
Appears on: 27v
Genres: Motet
Source Attribution: Carpentras
28 Quasi unus de paradisi - 1a pars (of 2): Quasi unus de paradisi fluminibus -
Appears on: 28
Genres: Motet

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 3,I.

28v–29 Quasi unus de paradisi - 2a pars (of 2): Deus qui beatum Marcum evangelistam tuum -
Appears on: 28v–29

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 3,I.

29v–30 Congratulamini mihi omnes (4vv) - 1a pars (of 2): Congratulamini mihi -
Appears on: 29v–30
Genres: Motet

Item Bibliography

Slim, H Colin. 1972. A Gift of Madrigals and Motets.  Chicago and London. Pages: II.

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 3,I.

[No Author] 1933-1964. Treize Livres de Motets parus chez Pierre Attaingnant en 1534 et 1535. 13 vols. Paris and Monaco: Editions de l'Oiseau-Lyre. Pages: 2.

30v–31 Congratulamini mihi omnes (4vv) - 2a pars (of 2): Recedentibus discipulis suis -
Appears on: 30v–31
Genres: Motet

Item Bibliography

Slim, H Colin. 1972. A Gift of Madrigals and Motets.  Chicago and London. Pages: II.

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 3,I.

[No Author] 1933-1964. Treize Livres de Motets parus chez Pierre Attaingnant en 1534 et 1535. 13 vols. Paris and Monaco: Editions de l'Oiseau-Lyre. Pages: 2.

31v–32 Nunc dimittis servum tuum 20.8 Josquin
Appears on: 31v–32
Genres: Canticle
Source Attribution: Josquin

Item Bibliography

Smijers, Albert, Myroslaw Antonowycz, and Willem Elders (editors). 1925-, 1926-. Werken van Josquin des Prés: Motetten.  Leipzig/ Amsterdam. Pages: V.

32v–33 Quis dabit pacem - 1a pars (of 2): Quis dabit pacem populo timenti Isaac
Appears on: 32v–33
Genres: Motet
Source Attribution: Isaac

Item Bibliography

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich.  Graz and Vienna. Pages: 28,(XIV).

33v–34 Quis dabit pacem - 2a pars (of 2): Quam tuas laudes -
Appears on: 33v–34
Genres: Motet

Item Bibliography

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich.  Graz and Vienna. Pages: 28,(XIV).

34v Ave regina caelorum - 1a pars (of 2): Ave regina caelorum Lerithier
Appears on: 34v
Genres: BVM, Motet
Source Attribution: Lerithier

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 48,I.

35 Ave regina caelorum - 2a pars (of 2): Gaude gloriosa super omnes -
Appears on: 35
Genres: Motet

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 48,I.

35v–36 Deus canticum novum cantabo tibi Lupus
Appears on: 35v–36
Genres: Motet
Source Attribution: Lupus
36v–37 Usquequo Domine oblivisceris Jo. Mouton
Appears on: 36v–37
Genres: Motet
Source Attribution: Jo. Mouton
37v–38 Visita quaesumus Domine habitationem istam Jachet
Appears on: 37v–38
Genres: Motet
Source Attribution: Jachet

Item Bibliography

Schlager, Karlheinz (editor). 1971-. Répertoire International des Sources Musicales. Series A/I.  Kassel. Pages: J6,J11.

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 54,IV.

38v–39 Usquequo Domine - 1a pars (of 2): Usquequo Domine oblivisceris Lupus
Appears on: 38v–39
Genres: Motet
Source Attribution: Lupus
39v–40 Usquequo Domine - 2a pars (of 2): Illumina oculos meos -
Appears on: 39v–40
Genres: Motet
40v–41 Te Deum laudamus 26.16 - 1a pars (of 3): Te Deum laudamus te dominum confitemur And. de Silva
Appears on: 40v–41
Genres: Te Deum
Source Attribution: And. de Silva

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 49,I.

41 Te Deum laudamus 26.16 - 2a pars (of 3): Venerandum tuum/Patrem immense majestatis -
Appears on: 41
Genres: Motet

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 49,I.

41v–42 Te Deum laudamus 26.16 - 3a pars (of 3): Te ergo quaesumus -
Appears on: 41v–42
Genres: Te Deum

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 49,I.

42v Retribuere dignare - 1a pars (of 2): Retribuere dignare Domine Jachet
Appears on: 42v
Genres: Motet
Source Attribution: Jachet

Item Bibliography

Schlager, Karlheinz (editor). 1971-. Répertoire International des Sources Musicales. Series A/I.  Kassel. Pages: J6,J11.

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 54,IV.

43 Retribuere dignare - 2a pars (of 2): Dominus conservet eos -
Appears on: 43
Genres: Motet

Item Bibliography

Schlager, Karlheinz (editor). 1971-. Répertoire International des Sources Musicales. Series A/I.  Kassel. Pages: J6,J11.

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 54,IV.

43v Inviolata integra et casta (II) An. de Silva
Appears on: 43v
Genres: Motet
Source Attribution: An. de Silva
General Note

Presented here as a piece in a single pars

44v–45 O vos omnes - 1a pars (of 2): O vos omnes qui transitis per viam Jachet
Appears on: 44v–45
Genres: Motet
Source Attribution: Jachet

Item Bibliography

Schlager, Karlheinz (editor). 1971-. Répertoire International des Sources Musicales. Series A/I.  Kassel. Pages: J11.

45v–46 O vos omnes - 2a pars (of 2): Cogitationes meae dissipate sunt -
Appears on: 45v–46
Genres: Motet

Item Bibliography

Schlager, Karlheinz (editor). 1971-. Répertoire International des Sources Musicales. Series A/I.  Kassel. Pages: J11.

46v–47 Qui confidunt - 1a pars (of 2): Qui confidunt in Domino Jo. Liritier
Appears on: 46v–47
Genres: Motet
Source Attribution: Jo. Liritier

Item Bibliography

Slim, H Colin. 1972. A Gift of Madrigals and Motets.  Chicago and London. Pages: II.

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 48,I.

[No Author] 1933-1964. Treize Livres de Motets parus chez Pierre Attaingnant en 1534 et 1535. 13 vols. Paris and Monaco: Editions de l'Oiseau-Lyre. Pages: IX.

47v–48 Qui confidunt - 2a pars (of 2): Benefac Domine -
Appears on: 47v–48
Genres: Motet

Item Bibliography

Slim, H Colin. 1972. A Gift of Madrigals and Motets.  Chicago and London. Pages: II.

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 48,I.

[No Author] 1933-1964. Treize Livres de Motets parus chez Pierre Attaingnant en 1534 et 1535. 13 vols. Paris and Monaco: Editions de l'Oiseau-Lyre. Pages: IX.

48v–49 Sub tuum praesidium confugimus Domine Jo. Liritier
Appears on: 48v–49
Genres: Motet
Source Attribution: Jo. Liritier

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 48,I.

49v O Domine Jesu Christe - 1a pars (of 7): O Domine Jesu Christe adoro te in cruce pendentem Maistre Jan
Appears on: 49v
Genres: Motet
Source Attribution: Maistre Jan
50 O Domine Jesu Christe - 2a pars (of 7): O Domine ... in cruce vulneratum -
Appears on: 50
Genres: Motet
50v O Domine Jesu Christe - 3a pars (of 7): O Domine ... propter illam amaritudinem -
Appears on: 50v
Genres: Motet
51 O Domine Jesu Christe - 4a pars (of 7): O Domine ... in sepulchro positum -
Appears on: 51
Genres: Motet
51v O Domine Jesu Christe - 5a pars (of 7): O Domine ... descendentem ad inferos -
Appears on: 51v
Genres: Motet
52 O Domine Jesu Christe - 6a pars (of 7): O Domine... resurgentem a mortis -
Appears on: 52
Genres: Motet
52v O Domine Jesu Christe - 7a pars (of 7): O Domine Jesu Christe pastor bone -
Appears on: 52v
Genres: Motet
53 Ave mater matris Dei per quem salvi Jo. Liritier
Appears on: 53
Genres: Motet
Source Attribution: Jo. Liritier

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 48,I.

53v–54 Lapidaverunt Stephanum Leo Barré
Appears on: 53v–54
Genres: Motet
Source Attribution: Leo Barré
54v–55 Ave gloriose beatissime Antoni Maistre Jan
Appears on: 54v–55
Genres: Motet
Source Attribution: Maistre Jan
55v–56 Gaude virgo dilectissima - Anonymous
Appears on: 55v–56
Genres: Motet
56v–57 Deus in nomine tuo - 1a pars (of 2): Deus in nomine tuo salvum mefac - Anonymous
Appears on: 56v–57
Genres: Motet

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 52,V.

57v–58 Deus in nomine tuo - 2a pars (of 2): Averte mala inimicis meis - Anonymous
Appears on: 57v–58
Genres: Motet

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 52,V.

58v–59 Vox in rama audita est murmur heu nimirum Claudin
Appears on: 58v–59
Genres: Motet
Source Attribution: Claudin
59v–60 Cantate Domino - 1a pars (of 2): Cantate Domino canticum novum Jachet
Appears on: 59v–60
Genres: Motet
Source Attribution: Jachet

Item Bibliography

Schlager, Karlheinz (editor). 1971-. Répertoire International des Sources Musicales. Series A/I.  Kassel. Pages: J11.

60v–61 Cantate Domino - 2a pars (of 2): Cantate ei et psallite ei -
Appears on: 60v–61
Genres: Motet

Item Bibliography

Schlager, Karlheinz (editor). 1971-. Répertoire International des Sources Musicales. Series A/I.  Kassel. Pages: J11.

61v–62 Attendite populi - 1a pars (of 2): Attendite populi de longe A. de Silva
Appears on: 61v–62
Genres: Motet
Source Attribution: A. de Silva
62v–63 Attendite populi - 2a pars (of 2): Et in adventu eius htabitur -
Appears on: 62v–63
Genres: Motet
63v–64 Domine ne in furore 16.7 - 1a pars (of 2): Domine ne in furore tua arguas me Josquin
Appears on: 63v–64
Genres: Psalm
Source Attribution: Josquin

Item Bibliography

Blume, Friedrich, and Kurt Gude (editors). 1929-79. Das Chorwerk.  Wolfenbüttel/Berlin. Pages: 33.

Smijers, Albert, Myroslaw Antonowycz, and Willem Elders (editors). 1925-, 1926-. Werken van Josquin des Prés: Motetten.  Leipzig/ Amsterdam. Pages: III.

64v–65 Domine ne in furore 16.7 - 2a pars (of 2): Turbatus est a furore oculus meus -
Appears on: 64v–65
Genres: Motet

Item Bibliography

Blume, Friedrich, and Kurt Gude (editors). 1929-79. Das Chorwerk.  Wolfenbüttel/Berlin. Pages: 33.

Smijers, Albert, Myroslaw Antonowycz, and Willem Elders (editors). 1925-, 1926-. Werken van Josquin des Prés: Motetten.  Leipzig/ Amsterdam. Pages: III.

65v–66 Ave caelorum regina - 1a pars (of 2): Ave caelorum regina Bruihier
Appears on: 65v–66
Genres: BVM
Source Attribution: Bruihier
66v–67 Ave caelorum regina - 2a pars (of 2): Ave mater Jesu Christi -
Appears on: 66v–67
Genres: Motet
67v–68 Quid retribuam Domino - Anonymous
Appears on: 67v–68
Genres: Motet
68v–69 Ave stella matutina - 1a pars (of 2): Ave stella matutina - Anonymous
Appears on: 68v–69
Genres: Motet
69v–70 Ave stella matutina - 2a pars (of 2): Tu es arca completa - Anonymous
Appears on: 69v–70
Genres: Motet
70v–71 Congratulamini mihi omnes qui diligitis Constantius Festa
Appears on: 70v–71
Genres: Motet
Source Attribution: Constantius Festa

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 25,V.

71v–72 Regina caeli 25.2 - 1a pars (of 2): Regina caeli laetare Alleluia Josquin
Appears on: 71v–72
Genres: Regina caeli laetare
Source Attribution: Josquin
72v–73 Regina caeli 25.2 - 2a pars (of 2): Resurrexit sicut dixit Alleluia -
Appears on: 72v–73
Genres: Motet
73v Regina caeli laetare - 1a pars (of 2): Regina caeli laetare - Anonymous
Appears on: 73v
Genres: Marian antiphon, Motet, Regina caeli laetare
73v–74 Regina caeli laetare - 2a pars (of 2): Resurrexit sicut dixit - Anonymous
Appears on: 73v–74
Genres: Marian antiphon, Motet, Regina caeli laetare
74v–75 Regina caeli laetare (II) Brumel
Appears on: 74v–75
Genres: Motet, Regina caeli laetare
Source Attribution: Brumel

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 5,V.

75v–76 Regina caeli laetare - Anonymous
Appears on: 75v–76
Genres: Motet, Regina caeli laetare
76v–77 Salve sancta facies nostri redemptoris Josquin
Appears on: 76v–77
Genres: Motet
Source Attribution: Josquin
77v–78 Regina caeli laetare - Anonymous
Appears on: 77v–78
Genres: Motet, Regina caeli laetare
78v–80 Johannes Jesu Christo multum dilecte virgo Maistre Jean
Appears on: 78v–80
Genres: Motet
Source Attribution: Maistre Jean
80v–81 Ave Maria gratia plena, spiritus sanctis superveniet in te Laurus (Patavus)
Appears on: 80v–81
Genres: Ave Maria, Motet
Source Attribution: Laurus (Patavus)
81v–82v Domine ne in furore 16.8 - 1a pars (of 2): Domine ne in furore Verdelot
Appears on: 81v–82v
Genres: Motet
Source Attribution: Verdelot

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 28,III.

82v–83 Domine ne in furore 16.8 - 2a pars (of 2): Discedite a me omnes qui operamini -
Appears on: 82v–83
Genres: Motet

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 28,III.

83v–84 Verbum iniquum - 1a pars (of 2): Verbum iniquum et dolosum - Anonymous
Appears on: 83v–84
Genres: Motet
84v–85 Verbum iniquum - 2a pars (of 2): Sed tantum victui meo - Anonymous
Appears on: 84v–85
Genres: Motet
85v–86 Lucrecia pulcra - 1a pars (of 2): Lucrecia pulcra et nimis candida - Anonymous
Appears on: 85v–86
Genres: Latin secular
General Note

RISM notes: "The praise-motet «Lucrecia pulcra», the only secular composition in the ms, may have been written for Lucrezia Borgia who, after her marriage with Duke Alfonso d’Este in 1501, lived in Ferrara until her death in 1519; this would situate the ms in the circle of the Este court. Furthermore, the paper and repertoire also allow for a date around 1520."

86v–87 Lucrecia pulcra - 2a pars (of 2): Coralina labia dentes eburneos - Anonymous
Appears on: 86v–87
Genres: Latin secular
87v–88 Peccavi super numerum arene maris . - Anonymous
Appears on: 87v–88
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Peccavi super numerum arene maris .
General Note

Livre du T seul', copié postérieurement

Composer Compositions
Anonymous
Barre, Leonardo (fl. 1537-after 1555)
Baston, Josquin (fl. 1542–63)
Berchem, Jacques (ca. 1505–1567)
Bruhier, Antoine (–ca. 1521)
Brumel, Antoine (ca. 1460–ca. 1513)
Carpentras, Elzear Genet (ca. 1470–1548)
Conseil, Jean (ca. 1498–1534)
Despres, Josquin (ca. 1450–1521)
Dubois, Philippe
Elimot
Ferrara, Maistre Jhan of (ca. 1485–1538)
Festa, Costanzo (ca. 1485–1545)
Festa, Sebastiano (ca. 1490–1524)
Fevin, Antoine de (ca. 1470–ca. 1512)
Gascongne, Mathieu (?Johannes) (fl. 1517-1518)
Hellinck, Lupus (ca. 1494–1541)
Isaac, Heinrich (ca. 1450–1517)
Lheritier, Jean (ca. 1480–ca. 1551)
Mantua, Jacquet de (1483–1559)
Mouton, Jean (ca. 1459–1522)
Padovano [Patavus], Laurus
Richafort, Jean (ca. 1480–ca. 1550)
Sermisy, Claudin de (ca. 1490–1562)
Silva, Andreas de (ca. 1475–ca. 1522)
Stoltzer, Thomas (ca. 1480–1526)
Verdelot, Philippe (ca. 1480–ca. 1532)
Willaert, Adrian (ca. 1490–1562)
Composition Composers (? Uncertain) Folios / Pages
Alleluia. Noli flere Maria 5v–6
Ascendens Christus - 1a pars (of 2): Ascendens Christus in altum 11
Ascendens Christus - 2a pars (of 2): Omnis pulcritudo Domini 11v–12
Assumpta est Maria in caelum gaudent angeli 15v–16
Attendite populi - 1a pars (of 2): Attendite populi de longe 61v–62
Attendite populi - 2a pars (of 2): Et in adventu eius htabitur 62v–63
Ave caelorum regina - 1a pars (of 2): Ave caelorum regina 65v–66
Ave caelorum regina - 2a pars (of 2): Ave mater Jesu Christi 66v–67
Ave gloriose beatissime Antoni 54v–55
Ave Maria gratia plena, spiritus sanctis superveniet in te 80v–81
Ave maris stella 23.9 - 1a pars (of 2): Ave maris stella Sumens illud ave 21v–22
Ave maris stella 23.9 - 2a pars (of 2): Virgo singularis inter omnes mitis 22v–23
Ave mater matris Dei per quem salvi 53
Ave regina caelorum - 1a pars (of 2): Ave regina caelorum 34v
Ave regina caelorum - 2a pars (of 2): Gaude gloriosa super omnes 35
Ave stella matutina - 1a pars (of 2): Ave stella matutina Anonymous 68v–69
Ave stella matutina - 2a pars (of 2): Tu es arca completa Anonymous 69v–70
Cantate Domino - 1a pars (of 2): Cantate Domino canticum novum 59v–60
Cantate Domino - 2a pars (of 2): Cantate ei et psallite ei 60v–61
Cantate Domino canticum novum cantate 13v–14
Cantemus et laetemur - 1a pars (of 2): Cantemus et laetemur 4v
Cantemus et laetemur - 2a pars (of 2): Dominus dabit imperium regi nostro 5
Congratulamini mihi omnes (4vv) - 1a pars (of 2): Congratulamini mihi 29v–30
Congratulamini mihi omnes (4vv) - 2a pars (of 2): Recedentibus discipulis suis 30v–31
Congratulamini mihi omnes qui diligitis 70v–71
Deus canticum novum cantabo tibi 35v–36
Deus in nomine tuo - 1a pars (of 2): Deus in nomine tuo salvum mefac Anonymous 56v–57
Deus in nomine tuo - 2a pars (of 2): Averte mala inimicis meis Anonymous 57v–58
Domine ne in furore 16.7 - 1a pars (of 2): Domine ne in furore tua arguas me 63v–64
Domine ne in furore 16.7 - 2a pars (of 2): Turbatus est a furore oculus meus 64v–65
Domine ne in furore 16.8 - 1a pars (of 2): Domine ne in furore 81v–82v
Domine ne in furore 16.8 - 2a pars (of 2): Discedite a me omnes qui operamini 82v–83
Gaude virgo dilectissima Anonymous 55v–56
Gloriosi principes - 1a pars (of 2): Gloriosi principes terre 25v–26
Gloriosi principes - 2a pars (of 2): Tu es pastor ovium 26v–27
Hodie Christus natus est 12v–13
Impetum inimicorum ne timueritis 18v–19
In convertendo - 1a pars (of 2): In convertendo Dominus captivitatem Sion 23v–24
In convertendo - 2a pars (of 2): Qui seminant in lachrimis 24v–25
In te Domine speravi - 1a pars (of 2): In te Domine speravi 1v
In te Domine speravi - 2a pars (of 2): Quoniam fortitudo mea 2
Inter natos mulierum - 1a pars (of 2): Inter natos mulierum non surrexit 6v–7
Inter natos mulierum - 2a pars (of 2): Elizabeth impletum est 7v–8
Inviolata integra et casta (II) 43v
Johannes Jesu Christo multum dilecte virgo 78v–80
Laetare mater ecclesia 8v–9
Lapidaverunt Stephanum 53v–54
Lucrecia pulcra - 1a pars (of 2): Lucrecia pulcra et nimis candida Anonymous 85v–86
Lucrecia pulcra - 2a pars (of 2): Coralina labia dentes eburneos Anonymous 86v–87
Noe noe virgo parit natum - 1a pars (of 2): Noe noe noe virgo parit natum 19v–20
Noe noe virgo parit natum - 2a pars (of 2): O res mira ingens nature 20v–21
Nunc dimittis servum tuum 20.8 31v–32
O clemens o pia - 1a pars (of 2): O clemens o pia virgo 16v–17
O clemens o pia - 2a pars (of 2): Noli virgo inviolata 17v–18
O Domine Jesu Christe - 1a pars (of 7): O Domine Jesu Christe adoro te in cruce pendentem 49v
O Domine Jesu Christe - 2a pars (of 7): O Domine ... in cruce vulneratum 50
O Domine Jesu Christe - 3a pars (of 7): O Domine ... propter illam amaritudinem 50v
O Domine Jesu Christe - 4a pars (of 7): O Domine ... in sepulchro positum 51
O Domine Jesu Christe - 5a pars (of 7): O Domine ... descendentem ad inferos 51v
O Domine Jesu Christe - 6a pars (of 7): O Domine... resurgentem a mortis 52
O Domine Jesu Christe - 7a pars (of 7): O Domine Jesu Christe pastor bone 52v
O vos omnes - 1a pars (of 2): O vos omnes qui transitis per viam 44v–45
O vos omnes - 2a pars (of 2): Cogitationes meae dissipate sunt 45v–46
Omnes gentes - 1a pars (of 2): Omnes gentes plaudite manibus jubilate 3
Omnes gentes - 2a pars (of 2): Psallite Deo nostro 3v–4
Peccavi super numerum arene maris . Anonymous 87v–88
Quasi unus de paradisi - 1a pars (of 2): Quasi unus de paradisi fluminibus 28
Quasi unus de paradisi - 2a pars (of 2): Deus qui beatum Marcum evangelistam tuum 28v–29
Qui confidunt - 1a pars (of 2): Qui confidunt in Domino 46v–47
Qui confidunt - 2a pars (of 2): Benefac Domine 47v–48
Quid retribuam Domino Anonymous 67v–68
Quis dabit pacem - 1a pars (of 2): Quis dabit pacem populo timenti 32v–33
Quis dabit pacem - 2a pars (of 2): Quam tuas laudes 33v–34
Regina caeli 25.2 - 1a pars (of 2): Regina caeli laetare Alleluia 71v–72
Regina caeli 25.2 - 2a pars (of 2): Resurrexit sicut dixit Alleluia 72v–73
Regina caeli laetare Anonymous 75v–76
Regina caeli laetare Anonymous 77v–78
Regina caeli laetare (II) 74v–75
Regina caeli laetare - 1a pars (of 2): Regina caeli laetare Anonymous 73v
Regina caeli laetare - 2a pars (of 2): Resurrexit sicut dixit Anonymous 73v–74
Retribuere dignare - 1a pars (of 2): Retribuere dignare Domine 42v
Retribuere dignare - 2a pars (of 2): Dominus conservet eos 43
Salve sancta facies nostri redemptoris 76v–77
Simile est regnum caelorum homini 27v
Sub tuum praesidium confugimus Domine 48v–49
Te Deum laudamus 26.16 - 1a pars (of 3): Te Deum laudamus te dominum confitemur 40v–41
Te Deum laudamus 26.16 - 2a pars (of 3): Venerandum tuum/Patrem immense majestatis 41
Te Deum laudamus 26.16 - 3a pars (of 3): Te ergo quaesumus 41v–42
Usquequo Domine - 1a pars (of 2): Usquequo Domine oblivisceris 38v–39
Usquequo Domine - 2a pars (of 2): Illumina oculos meos 39v–40
Usquequo Domine oblivisceris 36v–37
Veni sancte spiritus reple tuorum corda 14v–15
Verbum iniquum - 1a pars (of 2): Verbum iniquum et dolosum Anonymous 83v–84
Verbum iniquum - 2a pars (of 2): Sed tantum victui meo Anonymous 84v–85
Virgo gloriosa Christi - 1a pars (of 2): Virgo gloriosa Christi 9v–10
Virgo gloriosa Christi - 2a pars (of 2): Deus qui beatam Caterinam virginem tuam 10v
Virgo prudentíssima quo progrederis 2v
Visita quaesumus Domine habitationem istam 37v–38
Vox in rama audita est murmur heu nimirum 58v–59

Set: Q.20

Type: Partbooks

No images available

I-Bc Q.20 [Altus]

No images available

I-Bc Q.20 [Bassus]

No images available

I-Bc Q.20 [Discantus]

No images available

I-Bc Q.20 [Tenor]

denotes primary source study

Dean, Jeffrey J. 1984. The Scribes of the Sistine Chapel 1501-1527. University of Chicago, Unpublished Ph.D. dissertation. Pages: 219-21. Notes: physical description (partial); contents list (partial); concordances (partial); mention of MS; discussion.

Bragard, Anne-Marie. 1980. Les musiciens ultramontains des chapelles du pape Médicis Léon X (1513-1521). Bulletin de l'Institut historique belge de Rome, 187ff. Pages: 199ff.

Hamm, Charles E, and Herbert Kellman (editors). 1979-1988. Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550. Renaissance Manuscript Studies. 5 vols. Neuhausen nr. Stuttgart: American Institute of Musicology, Hänssler Verlag. Pages: I, 74.

Kirsch, Winfried. 1977. Die Motetten des Andreas de Silva: Studien zur Geschichte der Motette im 16. Jahrhundert. Frankfurter Beiträge zur Musikwissenschaft.  Tutzing. Pages: 31-3, passim. Notes: contents list (partial); concordances (partial); discussion; cussion of the MS.

Kirsch, Winfried. 1976. Josquin's Motets in the German Tradition. Josquin des Prez: Proceedings of the International Josquin Festival-Conference ... 21-25 June 1971, 261-78. London, New York, and Toronto. Pages: 264. Notes: mention of MS.

Nugent, George Edward. 1973. The Jacquet Motets and Their Authors. Princeton University, Unpublished Ph.D. dissertation. Pages: I, 145ff. Notes: contents list (partial); concordances (partial).

Seay, Albert (editor). 1972-73. Elziarii Geneti (Carpentras): Opera Omnia. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: V, x, passim. Notes: mention of MS; transcription (partial).

Jackson, Philip T, and George Edward Nugent (editors). 1971-. Jachet of Mantua: Opera Omnia. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: IV, xx, xxii. Notes: contents list (partial); concordances (partial).

Blackburn, Bonnie J. 1970. The Lupus Problem. University of Chicago, Unpublished Ph.D. dissertation. Pages: 364, passim. Notes: mention of MS; concordances (partial).

Hudson, Barton (editor). 1969-72. Antoine Brumel: Collected Works. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: V, xl, 99-102. Notes: mention of MS; transcription (partial).

Smijers, Albert, Myroslaw Antonowycz, and Willem Elders (editors). 1969. Werken van Josquin des Prés: Supplement.  Amsterdam. Pages: 8-22. Notes: transcription (partial).

Perkins, Leeman L (editor). 1969. Johannis Lhéritier: Opera Omnia. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: I, xl. Notes: physical description; mention of MS; discussion.

Böker-Heil, Norbert. 1967. Die Motetten von Philippe Verdelot.  Frankfurt am Main. Pages: (245ff. Notes: mention of MS; concordances (partial); incipits (partial).

Bragard, Anne-Marie (editor). 1966-. Philippe Verdelot: Opera Omnia. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: III.x,1-11. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Just, Martin. 1963. Heinrich Isaacs Motetten in Italienischen Quellen. Analecta Musicologica, 1-19. Pages: 5-7. Notes: concordances (partial).

Main, Alexander, and Albert Seay (editors). 1962-. Costanza Festa: Opera Omnia. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: V, x, xvi, 44-8. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Osthoff, Helmuth. 1962. Josquin Desprez. 2 vols. Tutzing. Pages: II, 16. Notes: mention of MS.

Kabis, Mary Elise. 1957. The Works of Jean Richafort, Renaissance Composer (1480?-c. 1548). New York University, Unpublished Ph.D. dissertation. Pages: 18, passim. Notes: concordances (partial); mention of MS.

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik.  Kassel. Pages: XIII, 165-6. Notes: facsimile (partial).

Torchi, Luigi. 1906. I Monumenti dell'antica musica francese a Bologna. Rivista Musicale Italiana, 451-505,575-615. Pages: 503. Notes: mention of MS.

Gaspari, Gaetano (compiler). 1905. Catalogo della biblioteca del Liceo musicale di Bologna compilato da Gaetano Gaspari: compiuto e pubblicato da Dr Raffaele Cadolini, aggiunto al bibliotecario. 4 vols. Bologna. Pages: II, 341-2. Notes: contents list (partial).

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