A Bassus partbook from a set of four volumes. Copied by a single scribe, identified by Rifkin & Fallows as Bernard Rem, who also wrote MunU 328-31, VienNB Mus. 18810, and ZürZ 438. Probably copied in Augsburg or Munich (see BenteNW, StaeLW). Once owned by Fugger family of Augsburg (NowakM). Fugger library purchased by Emperor Ferdinand III and brought to Vienna in 1656.
| Archive | Österreichische Nationalbibliothek, Vienna, Austria (A-Wn) |
|---|---|
| Shelfmark | Mus.Hs. 18745 [Bassus] |
| Image Availability | DIAMM does not have images of this source. Please refer to the external links for image availability. |
| Surface | Paper |
| Numbering System | Foliation |
| Measurements | 180 x 220 mm |
| Other Identifiers |
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| Contents | Contains 65 compositions from 2 composers. |
General Description
Extent
Discantus - V + 80ff, Altus - V + 92ff, Tenor - V + 80ff, Bassus - V + 74ff.
Binding
Original covers of leather tooled with border design.
Watermark
resembles Briquet #12270 (NowakM).
Notation
black void mensural
Foliation
Original ink foliation in each book excludes front flyleaves, but latter folios numbered I-V by modern hand
Decoration
No initials or decoration.
Index
Original index on ff. II-V of each book groups pieces by liturgical categories ('De Apostolis,' 'De Martyribus,' etc.); under each rubric, Proper sections listed first, followed by Ordinary sections.
Surface
paper
Census Catalogue of Music Description
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.
7 Masses, 38 Mass Proper sections = 45
Isaac-42, (Isaac/Schach)-1, (Isaac/Senfl)-2
4 paper partbooks (D-v + 80 folios, A-v + 92, T-v + 80, B-v + 74), 180 x 220. Original ink foliation in each book excludes front flyleaves, but latter folios numbered I-V by modern hand. Original covers of leather tooled with border design. Original index on ff. II-V of each book groups pieces by liturgical categories ("De Apostolis," "De Martyribus," etc.); under each rubric, Proper sections listed first, followed by Ordinary sections. Copied by a single scribe, who also wrote MunU 328-31, VienNB Mus. 18810, and ZürZ 438. No initials or decoration. Watermark resembles Briquet #12270 (NowakM).
Ca. 1535 (BenteNW). Probably copied in Augsburg or Munich (see BenteNW, StaeLW). Once owned by Fugger family of Augsburg (NowakM). Fugger library purchased by Emperor Ferdinand III and brought to Vienna in 1656.
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Sets
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Mus.Hs. 18745 Mus
Partbooks · 4 sources
‡ denotes primary source study
Fallows, David. 2006. The Copyist Formerly Known as Lucas Wagenrieder – Bernhard Rem and his Circle. Die Münchner Hofkapelle des 16. Jahrhunderts im europäischen Kontext: Bericht über das internationale Symposion der Musikhistorischen Kommission der Bayerischen Akademie der Wissenschaften in Verbindung mit der Gesellschaft für Bayerische Musikgeschichte, München 02.–04. August 2004, Phil.-Hist. Klasse, Abhandlungen, Neue Folge, vol. 128. 212-223. Munich: Bayerische Akademie der Wissenschaften.
Rifkin, Joshua. 2005. Jean Michel and 'Lucas Wagenrieder' : some new findings. Tijdschrift van de Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis, 55/2: 113-126.
Staehelin, Martin. 1981. Aus 'Lukas Wagenrieders' Werkstatt: ein unbekanntes Lieder-Manuskript des frühen 16. Jahrhunderts in Zürich. Formen und Probleme der Überlieferung mehrstimmiger Musik im Zeitalter Josquins Desprez, Wolfenbütteler Forschungen, vol. 6. 71-94. Munich. Pages: 75. Notes: mention of MS.
Staehelin, Martin. 1977. Die Messen Heinrich Isaacs. Publikationen der Schweizerischen Musikforschenden Gesellschaft Serie II, vol. 28/I-III. Bern and Stuttgart. Pages: I, xliv, 36-9, 72, 76 III, 107-12, 189-90. Notes: physical description; contents list (partial); concordances (partial); mention of MS; discussion.
Lerner, Edward R (editor). 1974-. Henrici Isaac (ca. 1450-1517): Opera Omnia. Corpus mensurabilis musicae, vol. 65. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: IV, xiv-xvi, xxi-xxvii, 16-27. Notes: contents list (partial); concordances (partial); transcriptions (partial).
Bente, Martin. 1968. Neue Wege der Quellenkritik und die Biographie Ludwig Senfls. Wiesbaden. Pages: 110-44. Notes: physical description (partial); contents list (partial); concordances (partial); mention of MS; discussion.
Pätzig, Gerhard-Rudolf. 1964. Das Chorbuch Mus. ms. 40024 der Deutschen Staatsbibliothek Berlin: Eine wichtige Quelle zum Schaffen Isaacs aus der Hand Leonhard Pämingers. Festschrift Walter Gerstenberg zum 60. Geburtstag, 122-42. Wolfenbüttel and Zürich. Pages: 123, 128-37. Notes: contents list (partial); concordances (partial).
Just, Martin. 1960. Studien zu Heinrich Isaacs Motetten. Eberhard-Karls-Universität, Tübingen, Unpublished Ph.D. dissertation. Pages: I, 36 II, 28, 89-90. Notes: contents list (partial); incipits (partial); mention of MS; discussion.
Pätzig, Gerhard-Rudolf. 1956. Liturgische Grundlagen und handschriftliche Überlieferung von Heinrich Isaacs "Choralis Constantinus". Eberhard-Karls-Universität (Tübingen), Unpublished Ph.D. dissertation. Pages: I, 83ff II, 93ff, 213-4. Notes: physical description (partial); contents list; concordances; incipits (partial); mention of MS; discussion.
Schmitz, Arnold (editor). 1955-. Musikalische Denkmäler. Mainz. Pages: VII, 92. Notes: physical description; contents list (partial); concordances (partial).
Nowak, Leopold. 1948. Die Musikhandschriften aus Fuggerschem Besitz in der Österreichischen Nationalbibliothek. Die Österreichische Nationalbibliothek. Festschrift herausgegeben zum 25 jährigen Dienstjubiläum des Generaldirektors Univ.-Prof. Dr. Josef Bick, edited by Leopold Nowak, Vienna: H. Bauer-Verlag. Notes: physical description (partial); mention of MS; discussion.
Mantuani, Joseph. 1864-99 R 1965. Tabulae Codicum Manu Scriptorum in Bibliotheca Palatina Vindobonensi Asservatorum. 10 vols. Vienna: (1864-99) Graz: (1965 reprint). Pages: X, 193-6. Notes: physical description (partial); contents list.
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DIAMM, 2016
Monday, 23 January, 2017
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