A-Wn Mus.Hs. 18745 [Bassus]

Österreichische Nationalbibliothek, Wien (Vienna), Austria

partbook: c. 1535

Archive Österreichische Nationalbibliothek, Wien (Vienna), Austria (A-Wn)
Shelfmark Mus.Hs. 18745 [Bassus]
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System Foliation
Measurements 180 x 220 mm
Other Identifiers
  • CCM: VienNB Mus. 18745
  • olim (Former shelfmark): A.N. 35.E.127
Notations
  • black void mensural
Copyists
Relationships
External Links
Provenance
  • Augsburg or Munich? Bavaria, Germany
Contents 75 pieces from 3 composers
General Description

A Bassus partbook from a set of four volumes. Copied by a single scribe, identified by Rifkin & Fallows as Bernard Rem, who also wrote MunU 328-31, VienNB Mus. 18810, and ZürZ 438. Probably copied in Augsburg or Munich (see BenteNW, StaeLW). Once owned by Fugger family of Augsburg (NowakM). Fugger library purchased by Emperor Ferdinand III and brought to Vienna in 1656.

DIAMM, 2017
Extent

Discantus - V + 80ff, Altus - V + 92ff, Tenor - V + 80ff, Bassus - V + 74ff.

DIAMM, 2022
Binding

Original covers of leather tooled with border design.

DIAMM, 2017
Watermark

resembles Briquet #12270 (NowakM).

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Foliation

Original ink foliation in each book excludes front flyleaves, but latter folios numbered I-V by modern hand

DIAMM, 2017
Decoration

No initials or decoration.

DIAMM, 2017
Index

Original index on ff. II-V of each book groups pieces by liturgical categories ('De Apostolis,' 'De Martyribus,' etc.); under each rubric, Proper sections listed first, followed by Ordinary sections.

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

7 Masses, 38 Mass Proper sections = 45

Isaac-42, (Isaac/Schach)-1, (Isaac/Senfl)-2

4 paper partbooks (D-v + 80 folios, A-v + 92, T-v + 80, B-v + 74), 180 x 220. Original ink foliation in each book excludes front flyleaves, but latter folios numbered I-V by modern hand. Original covers of leather tooled with border design. Original index on ff. II-V of each book groups pieces by liturgical categories ("De Apostolis," "De Martyribus," etc.); under each rubric, Proper sections listed first, followed by Ordinary sections. Copied by a single scribe, who also wrote MunU 328-31, VienNB Mus. 18810, and ZürZ 438. No initials or decoration. Watermark resembles Briquet #12270 (NowakM).

Ca. 1535 (BenteNW). Probably copied in Augsburg or Munich (see BenteNW, StaeLW). Once owned by Fugger family of Augsburg (NowakM). Fugger library purchased by Emperor Ferdinand III and brought to Vienna in 1656.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
II–V index - -

index

Appears on: II–V
V(v) blank ruled for index - -

blank ruled for index

Appears on: V(v)
1–1v Mihi autem nimis Henricus Ysaac
Appears on: 1–1v
Genres: Introit
Source Attribution: Henricus Ysaac
1v–2v Alleluia. Non vos me elegistis -
Appears on: 1v–2v
Genres: Alleluia
2v–4 Clare sanctorum senatus [Commune apostolorum] -
Appears on: 2v–4
Genres: Sequence
4 Vos qui secuti estis Sedebitis super sedes [Commune apostolorum] -
Appears on: 4
Genres: Communion
4v–5 [blank staves] - -

[blank staves]

Appears on: 4v–5
5v–6 Sapientiam sanctorum Narrant populi [De martiribus] Henricus Ysaac
Appears on: 5v–6
Genres: Introit
Source Attribution: Henricus Ysaac
6v Alleluia. Gaudete justi in Domino [De martiribus] -
Appears on: 6v
Genres: Alleluia
7–8 O devote recolenda victorum certamina [Proprium de omnibus sanctis] -
Appears on: 7–8
Genres: Sequence
8–9v Agone triumphali militum [De martiribus] -
Appears on: 8–9v
Genres: Motet
9v–11 Qui seminant in lacrimis [De Martiribus et Apostolis] -
Appears on: 9v–11
Genres: Tract
11v–12 Justorum animae in manu [De martiribus] -
Appears on: 11v–12
Genres: Communion
12v–13 [blank staves] - -

[blank staves]

Appears on: 12v–13
13v–14 Laetabitur justus In Domino [Commune unius martyris] Henricus Ysaac
Appears on: 13v–14
Genres: Introit
Source Attribution: Henricus Ysaac
14–14v Alleluia. Justus ut palma [Commune unius martyris] -
Appears on: 14–14v
Genres: Alleluia
15–16 Morte Christum imitatus -
Appears on: 15–16
Genres: Sequence
16v–17v Desiderium animae eius [De uno martire] -
Appears on: 16v–17v
Genres: Tract
17v–18 Qui mihi ministrat [Commune unius martyris] -
Appears on: 17v–18
Genres: Communion
18v–19 [blank staves] - -

[blank staves]

Appears on: 18v–19
19v–20 Protexisti me Deus a conventu [Commune unius martyris] Henricus Ysaac
Appears on: 19v–20
Genres: Introit
Source Attribution: Henricus Ysaac
20v–21 Alleluia. Stabunt justi in magna [De martiribus] -
Appears on: 20v–21
Genres: Alleluia
21–21v Haec est sancta solemnitas [Commune unius martyris] -
Appears on: 21–21v
Genres: Motet
22–22v Laetabitur justus In Domino [Commune unius martyris] -
Appears on: 22–22v
Genres: Communion
23 [blank staves] - -

[blank staves]

Appears on: 23
23v–24 Statuit ei Dominus [De confessoribus] Henricus Ysaac
Appears on: 23v–24
Genres: Introit
Source Attribution: Henricus Ysaac
24–25 Alleluia. Juravit Dominus et non [De confessoribus] -
Appears on: 24–25
Genres: Alleluia
25–26v Ad laudes salvatoris [De confessoribus] -
Appears on: 25–26v
Genres: Motet
27–28v Beatus vir qui timet [De confessoribus] -
Appears on: 27–28v
Genres: Tract
28v–29 Beatus servus quem cum venerit [De confessoribus] -
Appears on: 28v–29
Genres: Communion
29v–30 [blank staves] - -

[blank staves]

Appears on: 29v–30
30v–31v Gaudeamus omnes in Domino [De Virginibus] Henricus Ysaac
Appears on: 30v–31v
Genres: Introit
Source Attribution: Henricus Ysaac
31v–32 Loquebar de testimoniis tuis [De Virginibus] -
Appears on: 31v–32
Genres: Introit
32v–33 Alleluia. Diffusa est gratia in labiis [De Virginibus] -
Appears on: 32v–33
Genres: Alleluia
33–34v Exultent filiae Sion -
Appears on: 33–34v
Genres: Sequence
34v–36 Audi filia et vide [De Virginibus] -
Appears on: 34v–36
Genres: Tract
36v–37 Simile est regnum caelorum [De Virginibus] -
Appears on: 36v–37
Genres: Communion
37v–38 [blank staves] - -

[blank staves]

Appears on: 37v–38
38v–39 Rorate caeli desuper [Proprium de veneratione BVM in adventu Domini] Henricus Ysaac
Appears on: 38v–39
Genres: Introit
Source Attribution: Henricus Ysaac
39–40 Salve sancta parens enixa puerpera [Proprium de veneratione BVM] -
Appears on: 39–40
Genres: Introit
40–40v Alleluia. Prophetae sancti predicaverunt [In adventu BVM] -
Appears on: 40–40v
Genres: Alleluia
40v–41 Alleluia. Post partum inviolata [Proprium in octavo Nativitate] -
Appears on: 40v–41
Genres: Alleluia
41–42v Fortem expediat pro nobis nuntium [Proprium de veneratione BVM in adventu Domini] -
Appears on: 41–42v
Genres: Sequence
42v–43v [Verbum bonum] Per quod ave salutata [Proprium de veneratione BVM] -
Appears on: 42v–43v
Genres: Sequence
43v–45 Audi filia [Commune de BVM] -
Appears on: 43v–45
Genres: Tract
45v Beata viscera Mariae virginis [Proprium de veneratione BVM] -
Appears on: 45v
Genres: Communion
46–48v [blank staves] - -

[blank staves]

Appears on: 46–48v
49–49v Missa Pascale a4 ad organum: Kyrie Henricus Ysaac
Appears on: 49–49v
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Henricus Ysaac
49v–50v Missa Pascale a4 ad organum: Gloria -
Appears on: 49v–50v
Genres: Gloria (et in terra pax), Mass Ordinary
50v–51v Missa Pascale a4 ad organum: Sanctus -
Appears on: 50v–51v
Genres: Mass Ordinary, Sanctus [& Benedictus]
51v–52 Missa Pascale a4 ad organum: Agnus Dei -
Appears on: 51v–52
Genres: Agnus Dei, Mass Ordinary
52–52v Missa Dominicale quadragesimale (4vv): Kyrie Hennricus Ysaac
Appears on: 52–52v
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Hennricus Ysaac
52v–54 Missa Dominicale quadragesimale (4vv): Sanctus -
Appears on: 52v–54
Genres: Mass Ordinary, Sanctus [& Benedictus]
54–55 Missa Dominicale quadragesimale (4vv): Agnus Dei -
Appears on: 54–55
Genres: Agnus Dei, Mass Ordinary
55–56v Missa Solemnis a4: Kyrie Henricus Ysaac
Appears on: 55–56v
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Henricus Ysaac
56v–57v Missa Solemnis a4: Gloria -
Appears on: 56v–57v
Genres: Gloria (et in terra pax), Mass Ordinary
57v–58v Missa Solemnis a4: Sanctus -
Appears on: 57v–58v
Genres: Mass Ordinary, Sanctus [& Benedictus]
58v–59 Missa Solemnis a4: Agnus Dei -
Appears on: 58v–59
Genres: Agnus Dei, Mass Ordinary
59–60 Missa de Beata Virgine a4: Kyrie Hennricus Ysaac
Appears on: 59–60
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Hennricus Ysaac
60–61v Missa de Beata Virgine a4: Et in terra pax [Gloria] [Tro] Spiritus et alme -
Appears on: 60–61v
Genres: Mass Ordinary, Troped Gloria
61v–62v Missa de Beata Virgine a4: Sanctus -
Appears on: 61v–62v
Genres: Mass Ordinary, Sanctus [& Benedictus]
62v Missa de Beata Virgine a4: Agnus Dei -
Appears on: 62v
Genres: Agnus Dei, Mass Ordinary
63–63v Missa de Apostolis a4: Kyrie Magne Deus Hennricus Ysaac
Appears on: 63–63v
Genres: Mass Ordinary, Troped Kyrie
Source Attribution: Hennricus Ysaac
64–65v Missa de Apostolis a4: Gloria -
Appears on: 64–65v
Genres: Gloria (et in terra pax), Mass Ordinary
65v–66 Missa de Apostolis a4: Sanctus -
Appears on: 65v–66
Genres: Agnus Dei, Mass Ordinary
66v Missa de Apostolis a4: Agnus Dei -
Appears on: 66v
Genres: Agnus Dei, Mass Ordinary
67–67v Missa de Martyribus a4: Kyrie Hennricus Ysaac
Appears on: 67–67v
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Hennricus Ysaac
68–69v Missa de Martyribus a4: Gloria -
Appears on: 68–69v
Genres: Gloria (et in terra pax), Mass Ordinary
69v–70v Missa de Martyribus a4: Sanctus -
Appears on: 69v–70v
Genres: Mass Ordinary, Sanctus [& Benedictus]
70v Missa de Martyribus a4: Agnus Dei -
Appears on: 70v
Genres: Agnus Dei, Mass Ordinary
71–71v Missa de Confessoribus a4: Kyrie Hennricus Ysaac
Appears on: 71–71v
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Hennricus Ysaac
72–73 Missa de Confessoribus a4: Gloria -
Appears on: 72–73
Genres: Gloria (et in terra pax), Mass Ordinary
73v–74 Missa de Confessoribus a4: Sanctus -
Appears on: 73v–74
Genres: Mass Ordinary, Sanctus [& Benedictus]
74 Missa de Confessoribus a4: Agnus Dei -
Appears on: 74
Genres: Agnus Dei, Mass Ordinary
74v [blank staves] - -

[blank staves]

Appears on: 74v
Composer Compositions
Anonymous
Isaac, Heinrich (ca. 1450–1517)
Schachinger, Johann
Composition Composers (? Uncertain) Folios / Pages
[Verbum bonum] Per quod ave salutata [Proprium de veneratione BVM] 42v–43v
Ad laudes salvatoris [De confessoribus] 25–26v
Agone triumphali militum [De martiribus] 8–9v
Alleluia. Diffusa est gratia in labiis [De Virginibus] 32v–33
Alleluia. Gaudete justi in Domino [De martiribus] 6v
Alleluia. Juravit Dominus et non [De confessoribus] 24–25
Alleluia. Justus ut palma [Commune unius martyris] 14–14v
Alleluia. Non vos me elegistis 1v–2v
Alleluia. Post partum inviolata [Proprium in octavo Nativitate] 40v–41
Alleluia. Prophetae sancti predicaverunt [In adventu BVM] 40–40v
Alleluia. Stabunt justi in magna [De martiribus] 20v–21
Audi filia [Commune de BVM] 43v–45
Audi filia et vide [De Virginibus] 34v–36
Beata viscera Mariae virginis [Proprium de veneratione BVM] 45v
Beatus servus quem cum venerit [De confessoribus] 28v–29
Beatus vir qui timet [De confessoribus] 27–28v
Clare sanctorum senatus [Commune apostolorum] 2v–4
Desiderium animae eius [De uno martire] 16v–17v
Exultent filiae Sion 33–34v
Fortem expediat pro nobis nuntium [Proprium de veneratione BVM in adventu Domini] 41–42v
Gaudeamus omnes in Domino [De Virginibus] 30v–31v
Haec est sancta solemnitas [Commune unius martyris] 21–21v
Justorum animae in manu [De martiribus] 11v–12
Laetabitur justus In Domino [Commune unius martyris] 13v–14
Laetabitur justus In Domino [Commune unius martyris] 22–22v
Loquebar de testimoniis tuis [De Virginibus] 31v–32
Mihi autem nimis 1–1v
Missa de Apostolis a4: Agnus Dei 66v
Missa de Apostolis a4: Gloria 64–65v
Missa de Apostolis a4: Kyrie Magne Deus 63–63v
Missa de Apostolis a4: Sanctus 65v–66
Missa de Beata Virgine a4: Agnus Dei 62v
Missa de Beata Virgine a4: Et in terra pax [Gloria] [Tro] Spiritus et alme 60–61v
Missa de Beata Virgine a4: Kyrie 59–60
Missa de Beata Virgine a4: Sanctus 61v–62v
Missa de Confessoribus a4: Agnus Dei 74
Missa de Confessoribus a4: Gloria 72–73
Missa de Confessoribus a4: Kyrie 71–71v
Missa de Confessoribus a4: Sanctus 73v–74
Missa de Martyribus a4: Agnus Dei 70v
Missa de Martyribus a4: Gloria 68–69v
Missa de Martyribus a4: Kyrie 67–67v
Missa de Martyribus a4: Sanctus 69v–70v
Missa Dominicale quadragesimale (4vv): Agnus Dei 54–55
Missa Dominicale quadragesimale (4vv): Kyrie 52–52v
Missa Dominicale quadragesimale (4vv): Sanctus 52v–54
Missa Pascale a4 ad organum: Agnus Dei 51v–52
Missa Pascale a4 ad organum: Gloria 49v–50v
Missa Pascale a4 ad organum: Kyrie 49–49v
Missa Pascale a4 ad organum: Sanctus 50v–51v
Missa Solemnis a4: Agnus Dei 58v–59
Missa Solemnis a4: Gloria 56v–57v
Missa Solemnis a4: Kyrie 55–56v
Missa Solemnis a4: Sanctus 57v–58v
Morte Christum imitatus 15–16
O devote recolenda victorum certamina [Proprium de omnibus sanctis] 7–8
Protexisti me Deus a conventu [Commune unius martyris] 19v–20
Qui mihi ministrat [Commune unius martyris] 17v–18
Qui seminant in lacrimis [De Martiribus et Apostolis] 9v–11
Rorate caeli desuper [Proprium de veneratione BVM in adventu Domini] 38v–39
Salve sancta parens enixa puerpera [Proprium de veneratione BVM] 39–40
Sapientiam sanctorum Narrant populi [De martiribus] 5v–6
Simile est regnum caelorum [De Virginibus] 36v–37
Statuit ei Dominus [De confessoribus] 23v–24
Vos qui secuti estis Sedebitis super sedes [Commune apostolorum] 4

Set: Mus.Hs. 18745 Mus

Type: Partbooks

No images available

A-Wn Mus.Hs. 18745 [Altus]

No images available

A-Wn Mus.Hs. 18745 [Bassus]

No images available

A-Wn Mus.Hs. 18745 [Discantus]

No images available

A-Wn Mus.Hs. 18745 [Tenor]

denotes primary source study

Fallows, David. 2006. The Copyist Formerly Known as Lucas Wagenrieder – Bernhard Rem and his Circle. Die Münchner Hofkapelle des 16. Jahrhunderts im europäischen Kontext: Bericht über das internationale Symposion der Musikhistorischen Kommission der Bayerischen Akademie der Wissenschaften in Verbindung mit der Gesellschaft für Bayerische Musikgeschichte, München 02.–04. August 2004, Phil.-Hist. Klasse, Abhandlungen, Neue Folge. 212-223. Munich: Bayerische Akademie der Wissenschaften.

Rifkin, Joshua. 2005. Jean Michel and 'Lucas Wagenrieder' : some new findings. Tijdschrift van de Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis, 113-126.

Staehelin, Martin. 1981. Aus 'Lukas Wagenrieders' Werkstatt: ein unbekanntes Lieder-Manuskript des frühen 16. Jahrhunderts in Zürich. Formen und Probleme der Überlieferung mehrstimmiger Musik im Zeitalter Josquins Desprez, Wolfenbütteler Forschungen. 71-94. Munich. Pages: 75. Notes: mention of MS.

Staehelin, Martin. 1977. Die Messen Heinrich Isaacs. Publikationen der Schweizerischen Musikforschenden Gesellschaft Serie II.  Bern and Stuttgart. Pages: I, xliv, 36-9, 72, 76 III, 107-12, 189-90. Notes: physical description; contents list (partial); concordances (partial); mention of MS; discussion.

Lerner, Edward R (editor). 1974-. Henrici Isaac (ca. 1450-1517): Opera Omnia. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: IV, xiv-xvi, xxi-xxvii, 16-27. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Bente, Martin. 1968. Neue Wege der Quellenkritik und die Biographie Ludwig Senfls.  Wiesbaden. Pages: 110-44. Notes: physical description (partial); contents list (partial); concordances (partial); mention of MS; discussion.

Pätzig, Gerhard-Rudolf. 1964. Das Chorbuch Mus. ms. 40024 der Deutschen Staatsbibliothek Berlin: Eine wichtige Quelle zum Schaffen Isaacs aus der Hand Leonhard Pämingers. Festschrift Walter Gerstenberg zum 60. Geburtstag, 122-42. Wolfenbüttel and Zürich. Pages: 123, 128-37. Notes: contents list (partial); concordances (partial).

Just, Martin. 1960. Studien zu Heinrich Isaacs Motetten. Eberhard-Karls-Universität, Tübingen, Unpublished Ph.D. dissertation. Pages: I, 36 II, 28, 89-90. Notes: contents list (partial); incipits (partial); mention of MS; discussion.

Pätzig, Gerhard-Rudolf. 1956. Liturgische Grundlagen und handschriftliche Überlieferung von Heinrich Isaacs "Choralis Constantinus". Eberhard-Karls-Universität (Tübingen), Unpublished Ph.D. dissertation. Pages: I, 83ff II, 93ff, 213-4. Notes: physical description (partial); contents list; concordances; incipits (partial); mention of MS; discussion.

Schmitz, Arnold (editor). 1955-. Musikalische Denkmäler.  Mainz. Pages: VII, 92. Notes: physical description; contents list (partial); concordances (partial).

Nowak, Leopold. 1948. Die Musikhandschriften aus Fuggerschem Besitz in der Österreichischen Nationalbibliothek. Die Österreichische Nationalbibliothek. Festschrift herausgegeben zum 25 jährigen Dienstjubiläum des Generaldirektors Univ.-Prof. Dr. Josef Bick, edited by Leopold Nowak,  Vienna: H. Bauer-Verlag. Notes: physical description (partial); mention of MS; discussion.

Mantuani, Joseph. 1864-99 R 1965. Tabulae Codicum Manu Scriptorum in Bibliotheca Palatina Vindobonensi Asservatorum. 10 vols. Vienna: (1864-99) Graz: (1965 reprint). Pages: X, 193-6. Notes: physical description (partial); contents list.

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Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Watermark Note; Notation Note; Surface Note