Click an entry to see more information about that item.
Folio / Pages | Composition / Item title | Source attribution | Composers (? Uncertain) |
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1 | Herre nun lestu - 1a pars (of 2): Herre nun lestu deynen diener | [Paulus Pretzschnerus Dresdensis] | |
Appears on:
1
Genres:
Canticle, Motet, Nunc Dimittis
Source Attribution:
[Paulus Pretzschnerus Dresdensis]
General Noteincomplete - beginning missing pwing to lost folios |
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1–1v | Herre nun lestu - 2a pars (of 2): Ein Licht zu erleuchten die Heiden | - | |
Appears on:
1–1v
Genres:
Canticle
|
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2–4 | Nunc dimittis - 1a pars (of 2): Nunc dimittis servum tuum | Joachimus â Burck | |
Appears on:
2–4
Genres:
Canticle
Source Attribution:
Joachimus â Burck
|
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4–5 | Nunc dimittis - 2a pars (of 2): Lumen ad revelationem | - | |
Appears on:
4–5
Genres:
Canticle
|
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5–8 | Also hatt Gott - 1a pars (of 2): Also hatt Gott die Welt geliebt | Paulus Pretzschnerus | |
Appears on:
5–8
Genres:
Motet
Source Attribution:
Paulus Pretzschnerus
|
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8–11 | Also hatt Gott - 2a pars (of 2): Gleich wie Moises eine schlang | - | |
Appears on:
8–11
Genres:
Motet
|
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11 | Qui prophetice prompsisti - 3a pars (of 3): Vita in ligno moritur infernus ex morsu | Ludowicus Senfelius | |
Appears on:
11
Genres:
Motet
Source Attribution:
Ludowicus Senfelius
General NoteIn this ms, the partes are copied in the order 3-1-2 |
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11–13 | Qui prophetice prompsisti - 1a pars (of 3): Qui prophetice prompsisti ero mors tua | - | |
Appears on:
11–13
Genres:
Motet
|
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13–14 | Qui prophetice prompsisti - 2a pars (of 3): Qui expansis in cruce manibus | - | |
Appears on:
13–14
Genres:
Motet
|
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15–18 | Justorum animae in manu Dei [Domini] sunt | (anon) | |
Appears on:
15–18
Genres:
Motet
Source Attribution:
(anon)
|
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18–20 | Domine quando veneris judicare terram | Jacobi Hendelii | |
Appears on:
18–20
Genres:
Motet
Source Attribution:
Jacobi Hendelii
|
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20–23 | Beati qui persecutionem | Joan: Bucheus: | |
Appears on:
20–23
Genres:
Motet
Source Attribution:
Joan: Bucheus:
|
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23–24 | Domine Jesu Christe non sum dignus | Clavii | |
Appears on:
23–24
Genres:
Motet
Source Attribution:
Clavii
|
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24–25 | Erhalt unns herr - 1a pars (of 6): Erhalt unns herr bei Deinem wort | - | |
Appears on:
24–25
Genres:
Motet
|
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26–27 | Erhalt unns herr - 2a pars (of 6): Beweiss Dein macht Herr Jesu Christ | - | |
Appears on:
26–27
Genres:
Motet
|
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27–28 | Erhalt unns herr - 3a pars (of 6): Gott heiliger Geist | - | |
Appears on:
27–28
Genres:
Motet
|
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28–30 | Erhalt unns herr - 4a pars (of 6): Verleih uns frieden | - | |
Appears on:
28–30
Genres:
Motet
|
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30–31 | Erhalt unns herr - 5a pars (of 6): Gib unserm Kayser [Gib unsern fürsten] | - | |
Appears on:
30–31
Genres:
Motet
|
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31 | Erhalt unns herr - 6a pars (of 6): Amen | - | |
Appears on:
31
Genres:
Motet
|
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32–33 | Magnificate Dominum mecum | [Valentinus Judex] | |
Appears on:
32–33
Genres:
Motet
Source Attribution:
[Valentinus Judex]
|
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34–35 | Ich will des Herren Zorn tragen | [Gregorii Langii] | |
Appears on:
34–35
Genres:
Motet
Source Attribution:
[Gregorii Langii]
|
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36–37 | Pater peccavi - 1a pars (of 2): Pater peccavi in caelum et coram te | Andreas Pevernage | |
Appears on:
36–37
Genres:
Motet
Source Attribution:
Andreas Pevernage
|
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38–39 | Pater peccavi - 2a pars (of 2): Quanti mercenarii in domo patris | - | |
Appears on:
38–39
Genres:
Motet
|
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40–41 | Quantas ostendisti mihi | Claudii Meruli | |
Appears on:
40–41
Genres:
Motet
Source Attribution:
Claudii Meruli
|
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42–43 | Gott ist getreu (= Non ti sdegnar o Filli) | Andreae Gabrielis | |
Appears on:
42–43
Genres:
Motet
Source Attribution:
Andreae Gabrielis
|
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44–45 | Benedictus es Domine Deus | Francesco Bianciardini | |
Appears on:
44–45
Genres:
Motet
Source Attribution:
Francesco Bianciardini
|
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46 | Eile mich Gott - 1a pars (of 3): Eile mich Gott zu erretten | Melchioris Vulpii | |
Appears on:
46
Genres:
Motet
Source Attribution:
Melchioris Vulpii
|
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47 | Eile mich Gott - 2a pars (of 3): Sie müssen zurücke kehren | - | |
Appears on:
47
Genres:
Motet
|
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48 | Eile mich Gott - 3a pars (of 3): Freuen und fröhlich müssen sein | - | |
Appears on:
48
Genres:
Motet
|
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49 | Confitebor tibi Domine | Joannis Bassani | |
Appears on:
49
Genres:
Motet
Source Attribution:
Joannis Bassani
|
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50–51 | Turbae autem quae praecedebant | Melchior Bischofs | |
Appears on:
50–51
Genres:
Motet
Source Attribution:
Melchior Bischofs
|
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52 | Facta est cum angelo multitudo coelestis (6vv) | Jacobi Reinerii | |
Appears on:
52
Genres:
Motet
Source Attribution:
Jacobi Reinerii
|
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53 | Surge illuminare Jerusalem | Vincentii Ruffi | |
Appears on:
53
Genres:
Motet
Source Attribution:
Vincentii Ruffi
|
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54 | Und du Bethlehem im Judischen Lande | Andreae Raselii | |
Appears on:
54
Genres:
Motet
Source Attribution:
Andreae Raselii
|
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55 | Das alte Jahr vergangen ist (8vv) | Bartholomaei Gesii | |
Appears on:
55
Genres:
Motet
Source Attribution:
Bartholomaei Gesii
|
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56 | Puer natus est - 1a pars (of 2): Puer natus est nobis | Hieronymi Praetorii | |
Appears on:
56
Genres:
Motet
Source Attribution:
Hieronymi Praetorii
|
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56–57 | Puer natus est - 2a pars (of 2): Haec dies quam fecit Dominus | - | |
Appears on:
56–57
Genres:
Motet
|
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58 | Furchte dich nicht Maria du hast Gnade | Andreae Raselii | |
Appears on:
58
Genres:
Motet
Source Attribution:
Andreae Raselii
|
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59 | Mane nobiscum Domine | Hieronimi Praetorii | |
Appears on:
59
Genres:
Motet
Source Attribution:
Hieronimi Praetorii
|
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60–61 | Dic nobis Maria | Johannis Bassani | |
Appears on:
60–61
Genres:
Motet
Source Attribution:
Johannis Bassani
|
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62–63 | Jubilate Deo (8vv) | Eliae Grotkurthii | |
Appears on:
62–63
Genres:
Motet
Source Attribution:
Eliae Grotkurthii
|
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64–65 | Also hatt Gott die Welt geliebt | Andreae Raselii | |
Appears on:
64–65
Genres:
Sacred Song
Source Attribution:
Andreae Raselii
|
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66 | O bone Jesu - 1a pars (of 2): O bone Jesu duo in me agnosco naturam | Hieronymi Praetorii | |
Appears on:
66
Genres:
Motet
Source Attribution:
Hieronymi Praetorii
|
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67 | O bone Jesu - 2a pars (of 2): Eia dulcissime Jesu, tolle ex me | - | |
Appears on:
67
Genres:
Motet
|
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68 | Quaerite primum regnum Dei et iustitiam eius | Philippi Dulichii | |
Appears on:
68
Genres:
Motet
Source Attribution:
Philippi Dulichii
|
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69 | Deus Deus meus ad te de luce vigilo sitivit | Joan. Leo Hasler | |
Appears on:
69
Genres:
Motet
Source Attribution:
Joan. Leo Hasler
|
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70 | Decantabat populus - 1a pars (of 2): Decantabat populus Israel et universa | Rinald. del Mel | |
Appears on:
70
Genres:
Motet
Source Attribution:
Rinald. del Mel
|
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71 | Decantabat populus - 2a pars (of 2): Sanctificati sunt sacerdotes | - | |
Appears on:
71
Genres:
Motet
|
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72 | Puer natus est nobis et filius datus est | Vincentii Ruffi | |
Appears on:
72
Genres:
Motet
Source Attribution:
Vincentii Ruffi
|
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73 | Eructavit cor meum | Andreae Gabrielis | |
Appears on:
73
Genres:
Motet
Source Attribution:
Andreae Gabrielis
|
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74 | Exsurgens Maria - 1a pars (of 2): Exsurgens Maria abiit in montana | Philipp: Dulichii | |
Appears on:
74
Genres:
Motet
Source Attribution:
Philipp: Dulichii
|
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74–75 | Exsurgens Maria - 2a pars (of 2): Et factum est ut audivit | - | |
Appears on:
74–75
Genres:
Motet
|
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76 | Es erhub sich - 1a pars (of 2): Es erhub sich ein Streit im Himmel | Joh: Sigfrid Bornensis | |
Appears on:
76
Genres:
Motet
Source Attribution:
Joh: Sigfrid Bornensis
|
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77 | Es erhub sich - 2a pars (of 2): Und ich höret eine grosse Stimme | - | |
Appears on:
77
Genres:
Motet
|
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78 | Consurgat Domine - 1a pars (of 2): Consurgat Domine Michael archangelus | Joannes Castileti | |
Appears on:
78
Genres:
Motet
Source Attribution:
Joannes Castileti
|
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79 | Consurgat Domine - 2a pars (of 2): O Michael caelestis militiae | - | |
Appears on:
79
Genres:
Motet
|
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80 | De profundis (6vv) - 1a pars (of 2): De profundis clamavi ad te Domine | Joan: Croce | |
Appears on:
80
Genres:
Motet
Source Attribution:
Joan: Croce
|
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81 | De profundis (6vv) - 2a pars (of 2): In te o Domine anima mea se sustentavit | - | |
Appears on:
81
Genres:
Motet
|
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82 | Dominus pastor meus - 1a pars (of 3): Dominus pastor meus nihil mihi deerit | Melchioris Vulpii | |
Appears on:
82
Genres:
Motet
Source Attribution:
Melchioris Vulpii
|
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83 | Dominus pastor meus - 2a pars (of 3): Animam meam recreavit, deduxit me | - | |
Appears on:
83
Genres:
Motet
|
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84 | Dominus pastor meus - 3a pars (of 3): Parasti in conspectu meo mensam adversus eos | - | |
Appears on:
84
Genres:
Motet
|
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85–86 | Wohl dem der den Herren furchtet | Melchioris Vulpii | |
Appears on:
85–86
Genres:
Hymn
Source Attribution:
Melchioris Vulpii
|
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87–88 | Habe deine Lust an dem Herren | Paulus Pretzschner | |
Appears on:
87–88
Genres:
Motet
Source Attribution:
Paulus Pretzschner
|
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88–89 | Egressus Jesus secessit in partes Tyri et Sidoni | Jacobus Wertt | |
Appears on:
88–89
Genres:
Motet
Source Attribution:
Jacobus Wertt
|
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90–91 | Pater noster qui es in caelis | Johannis Knöffelii | |
Appears on:
90–91
Genres:
Motet
Source Attribution:
Johannis Knöffelii
|
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92 | Agimus tibi gratias | Orlandi | |
Appears on:
92
Genres:
Motet
Source Attribution:
Orlandi
|
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93–94 | Vespere autem sabbathi venit Maria Magdalene | Vincentii Ruffi | |
Appears on:
93–94
Genres:
Motet
Source Attribution:
Vincentii Ruffi
|
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95–96 | Si quis diligit me sermonem meum | Vincentii Ruffi | |
Appears on:
95–96
Genres:
Motet
Source Attribution:
Vincentii Ruffi
|
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96–97 | Sancta trinitas unus Deus | Vincentii Ruffi | |
Appears on:
96–97
Genres:
Motet
Source Attribution:
Vincentii Ruffi
|
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97–98 | Tu es pastor - 1a pars (of 2): Tu es pastor ovium princeps apostolorum | Vincentii Ruffi | |
Appears on:
97–98
Genres:
Motet
Source Attribution:
Vincentii Ruffi
|
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98–99 | Tu es pastor - 2a pars (of 2): Petre diligis me qui respondit | - | |
Appears on:
98–99
Genres:
Motet
|
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99–100 | Ecce ascendimus Jerosolymam et consummabuntur | Melchior Vulp: | |
Appears on:
99–100
Genres:
Motet
Source Attribution:
Melchior Vulp:
|
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101–102 | Sic Deus dilexit mundum | Vulpius | |
Appears on:
101–102
Genres:
Motet
Source Attribution:
Vulpius
|
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103–104 | Gabriel angelus - 1a pars (of 2): Gabriel angelus locutus est Mariae | Melchior Vulpius | |
Appears on:
103–104
Genres:
Motet
Source Attribution:
Melchior Vulpius
|
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104–105 | Gabriel angelus - 2a pars (of 2): Dixit autem Maria ecce ancilla Domini | - | |
Appears on:
104–105
Genres:
Motet
|
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106–107 | Laudate Dominum in sanctis eius (5vv) - 1a pars (of 2): Laudate Dominum in sanctis eius | Melchior Vulpius | |
Appears on:
106–107
Genres:
Motet
Source Attribution:
Melchior Vulpius
|
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107–109 | Laudate Dominum in sanctis eius (5vv) - 2a pars (of 2): Laudate Deum in sono tubae | - | |
Appears on:
107–109
Genres:
Motet
|
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110 | Domine quis habitabit - 1a pars (of 2): Domine quis habitabit in tabernaculo tuo | Melchioris Vulpii | |
Appears on:
110
Genres:
Motet
Source Attribution:
Melchioris Vulpii
|
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111 | Domine quis habitabit - 2a pars (of 2): Qui iurat proximo suo | - | |
Appears on:
111
Genres:
Motet
|
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112 | Dominus noster - 1a pars (of 2): Dominus noster Jesus Christus in ea nocte | Melchior Vulpius | |
Appears on:
112
Genres:
Motet
Source Attribution:
Melchior Vulpius
|
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113 | Dominus noster - 2a pars (of 2): Similiter et postquam cenavit accepto calice | - | |
Appears on:
113
Genres:
Motet
|
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114–115 | Simile est regnum - 1a pars (of 2): Simile est regnum caelorum | Melch: Vulpi: | |
Appears on:
114–115
Genres:
Motet
Source Attribution:
Melch: Vulpi:
|
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115–116 | Simile est regnum - 2a pars (of 2): Ite ergo ad exitus | - | |
Appears on:
115–116
Genres:
Motet
|
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116–117 | Cum descendisset - 1a pars (of 2): Cum descendisset Jesus de monte | Melchioris Vulpii | |
Appears on:
116–117
Genres:
Motet
Source Attribution:
Melchioris Vulpii
|
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118–119 | Cum descendisset - 2a pars (of 2): Cum autem introisset centurio | - | |
Appears on:
118–119
Genres:
Motet
|
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119–120 | Ascendente Jesu - 1a pars (of 2): Ascendente Jesu in naviculum | - | |
Appears on:
119–120
Genres:
Motet
|
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120–121 | Ascendente Jesu - 2a pars (of 2): Domine serva nos perimus | - | |
Appears on:
120–121
Genres:
Motet
|
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121–122 | Angelus ad mulieres dixit | - | |
Appears on:
121–122
Genres:
Motet
|
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122–123 | Accedentes servi - 1a pars (of 3): Accedentes servi ad patrem familias dixit | Melchioris Vulpii | |
Appears on:
122–123
Genres:
Motet
Source Attribution:
Melchioris Vulpii
|
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123 | Accedentes servi - 2a pars (of 3): At ille dixit non ne colligendo zizania eradicetis | - | |
Appears on:
123
Genres:
Motet
General NoteTacet in this part |
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123–124 | Accedentes servi - 3a pars (of 3): Colligite primum zizania et colligate ea fasciculos | - | |
Appears on:
123–124
Genres:
Motet
|
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124–125 | Laudate Dominum omnes gentes, laudate eum | Melch: Vulp: | |
Appears on:
124–125
Genres:
Motet
Source Attribution:
Melch: Vulp:
|
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125–126 | Exciens homo - 1a pars (of 2): Exciens homo primo diluculo | Melch: Vulp: | |
Appears on:
125–126
Genres:
Motet
Source Attribution:
Melch: Vulp:
|
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126–127 | Exciens homo - 2a pars (of 2): Cum autem vespera | - | |
Appears on:
126–127
Genres:
Motet
|
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127 | Levavi oculos - 1a pars (of 2): Levavi oculos in montes | Melch: Vulp: | |
Appears on:
127
Genres:
Motet
Source Attribution:
Melch: Vulp:
|
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128 | Levavi oculos - 2a pars (of 2): Dominus custodit te ab omni malo | - | |
Appears on:
128
Genres:
Motet
|
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128–129 | Cum turba plurima - 1a pars (of 2): Cum turba plurima conveniret et e singulis civitatibus | Melch: Vulp: | |
Appears on:
128–129
Genres:
Motet
Source Attribution:
Melch: Vulp:
|
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129–130 | Cum turba plurima - 2a pars (of 2): Et inter seminandum aliud cecidit circa viam | - | |
Appears on:
129–130
Genres:
Motet
|
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131 | Laudate Dominum in sanctis eius (6vv) | Melchioris Vulpii | |
Appears on:
131
Genres:
Motet
Source Attribution:
Melchioris Vulpii
|
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132–133 | Si quis diigit me | Melchioris Vulpii | |
Appears on:
132–133
Genres:
Motet
Source Attribution:
Melchioris Vulpii
|
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133–135 | Ecce magi ab oriente veniunt | Melchior: Vulp: | |
Appears on:
133–135
Genres:
Motet
Source Attribution:
Melchior: Vulp:
|
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135–137 | Deus misereatur nostri | Melchioris Vulpii | |
Appears on:
135–137
Genres:
Motet
Source Attribution:
Melchioris Vulpii
|
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138 | Exsultent - 1a pars (of 2): Exsultent et laetentur | Melchioris Vulpii | |
Appears on:
138
Genres:
Motet
Source Attribution:
Melchioris Vulpii
|
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138–139 | Exsultent - 2a pars (of 2): Ego vere egenus | - | |
Appears on:
138–139
Genres:
Motet
|
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140–141 | Caecus quidam sedebat juxta viam mendicans | Melchioris Vulpii | |
Appears on:
140–141
Genres:
Motet
Source Attribution:
Melchioris Vulpii
|
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142 | Corde natus - 1a pars (of 2): Corde natus ex parentis | Melchioris Vulpii | |
Appears on:
142
Genres:
Motet
Source Attribution:
Melchioris Vulpii
|
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143 | Corde natus - 2a pars (of 2): Ecce quem vates vetustis | - | |
Appears on:
143
Genres:
Motet
|
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144–145 | Surrexit pastor bonus (9vv) | Melch: Vulpii | |
Appears on:
144–145
Genres:
Motet
Source Attribution:
Melch: Vulpii
Layout2 parts copied - D2 (p.144-145) & T2 (p.145) |
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146 | Primas quidam - 1a pars (of 2): Primas quidam venit ad Jesum | Melchioris Vulpii | |
Appears on:
146
Genres:
Motet
Source Attribution:
Melchioris Vulpii
|
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147 | Primas quidam - 2a pars (of 2): Et cum venisset Jesus in aedes primatis | - | |
Appears on:
147
Genres:
Motet
|
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148 | Ad te levavi animam meam (6vv, LV729) | - | |
Appears on:
148
Genres:
Motet
|
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149 | Lobet den Herren alle Heiden | - | |
Appears on:
149
Genres:
Motet
|
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150 | Veni sancte spiritus | Nicolai Rostii | |
Appears on:
150
Genres:
Hymn
Source Attribution:
Nicolai Rostii
|
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150–152 | Diligite iustitiam (6vv) | - | Anonymous |
Diligite iustitiam (6vv)Anonymous
Appears on:
150–152
Genres:
Motet
|
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152–153 | Obsecro te domina sancta Maria (8vv) | Aug: Agazzarii | |
Appears on:
152–153
Genres:
Motet
Source Attribution:
Aug: Agazzarii
|
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154–155 | Incolae terrarum ab ortu solis | - | |
Appears on:
154–155
Genres:
Motet
Concordancesalso in Lobau 42 & Lobau 69 |
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155–158 | Machet die Thore weit (8vv) | Heinrici Sagittarii (=Ruling or Schutz?) |
Ruhling, Samuel
(?)
|
Appears on:
155–158
Genres:
Motet
Source Attribution:
Heinrici Sagittarii (=Ruling or Schutz?)
General Note5 sections, Machet - Intermedium (Wer ist der Herr) - Ehre sei Gott - Intermedium (repeat) - Es ist der Herr. For composer, see SteudeS Item BibliographySteude, Wolfram. 1988. Bemerkungen zu "Machet die Tore weit" (SWV Anhang 8). Schütz-Jahrbuch, 50-61. |
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158–159 | O Domine Jesu Christe memento (8vv) | - | |
Appears on:
158–159
Genres:
Motet
|
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159–160 | O Domine Jesu Christe adoro te (8vv) | Johan: Gabriel | |
Appears on:
159–160
Genres:
Motet
Source Attribution:
Johan: Gabriel
|
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160–161 | Aurora lucis rutilat | T.F. | |
Appears on:
160–161
Genres:
Hymn
Source Attribution:
T.F.
|
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162–163 | Vespere autem sabbati | Adam[us] Gumpelzhaimerus | |
Appears on:
162–163
Genres:
Motet
Source Attribution:
Adam[us] Gumpelzhaimerus
|
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[163a] | Da der Sabbat (I) - 1a pars (of 5): Da der Sabbat vergangen war | A Kad: | |
Appears on:
[163a]
Genres:
Motet
Source Attribution:
A Kad:
General NoteIncomplete - 2 pages left blank for copying, but none completed |
|||
164 | In convertendo Dominus - 1a pars (of 2): In convertendo Dominus captivitatem Sion | Orlandi | |
Appears on:
164
Genres:
Motet
Source Attribution:
Orlandi
|
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164–165 | In convertendo Dominus - 2a pars (of 2): Convertere Domine captivitatem | - | |
Appears on:
164–165
Genres:
Motet
|
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165–167 | Gott ist unser Zuversicht (8vv) | Georg. Herbschleb. Cant. Primislau | |
Appears on:
165–167
Genres:
Motet
Source Attribution:
Georg. Herbschleb. Cant. Primislau
|
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167–169 | Dilectus meus mihi (8vv) | Hieron. Prator. (sic) | |
Appears on:
167–169
Genres:
Motet
Source Attribution:
Hieron. Prator. (sic)
|
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169–170 | Wie ein Jungling eine Jungfrau liebet | - | Anonymous |
Wie ein Jungling eine Jungfrau liebetAnonymous
Appears on:
169–170
Genres:
Motet
|
|||
170–172 | Ach Herr straf mich nicht in deinem Zorn | Heinrich Schützens | |
Appears on:
170–172
Genres:
Motet
Source Attribution:
Heinrich Schützens
General NoteEach of these 6 pieces is attributed to Schütz, but a note after them also attributes the group to Sagittarius. See SteudeS for a discussion of the identiy of Sagittarius. Item BibliographySteude, Wolfram. 1988. Bemerkungen zu "Machet die Tore weit" (SWV Anhang 8). Schütz-Jahrbuch, 50-61. |
|||
172–174 | Aus der tiefe ruf' ich Herr zu dir | H. Schützens | |
Appears on:
172–174
Genres:
Motet
Source Attribution:
H. Schützens
General NoteEach of these 6 pieces is attributed to Schütz, but a note after them also attributes the group to Sagittarius. See SteudeS for a discussion of the identiy of Sagittarius. Item BibliographySteude, Wolfram. 1988. Bemerkungen zu "Machet die Tore weit" (SWV Anhang 8). Schütz-Jahrbuch, 50-61. |
|||
174–176 | Herr unser Herrscher wie herrlich ist dein Nam | Sagittarii | |
Appears on:
174–176
Genres:
Motet
Source Attribution:
Sagittarii
General NoteEach of these 6 pieces is attributed to Schütz, but a note after them also attributes the group to Sagittarius. See SteudeS for a discussion of the identiy of Sagittarius. Item BibliographySteude, Wolfram. 1988. Bemerkungen zu "Machet die Tore weit" (SWV Anhang 8). Schütz-Jahrbuch, 50-61. |
|||
177–179 | An den Wassern zu Babel sassen wir | Heinrich Schützens | |
Appears on:
177–179
Genres:
Motet
Source Attribution:
Heinrich Schützens
General NoteEach of these 6 pieces is attributed to Schütz, but a note after them also attributes the group to Sagittarius. See SteudeS for a discussion of the identiy of Sagittarius. Item BibliographySteude, Wolfram. 1988. Bemerkungen zu "Machet die Tore weit" (SWV Anhang 8). Schütz-Jahrbuch, 50-61. |
|||
179–180 | Ist nicht Ephraim mein teurer Sohn | eiusd.autoris (i.e. Schutz) | |
Appears on:
179–180
Genres:
Motet
Source Attribution:
eiusd.autoris (i.e. Schutz)
General NoteEach of these 6 pieces is attributed to Schütz, but a note after them also attributes the group to Sagittarius. See SteudeS for a discussion of the identiy of Sagittarius. Item BibliographySteude, Wolfram. 1988. Bemerkungen zu "Machet die Tore weit" (SWV Anhang 8). Schütz-Jahrbuch, 50-61. |
|||
180–181 | Der Herr sprach zur meinem Herren | Henrici Schützens | |
Appears on:
180–181
Genres:
Motet
Source Attribution:
Henrici Schützens
General NoteEach of these 6 pieces is attributed to Schütz, but a note after them also attributes the group to Sagittarius. See SteudeS for a discussion of the identiy of Sagittarius. Item BibliographySteude, Wolfram. 1988. Bemerkungen zu "Machet die Tore weit" (SWV Anhang 8). Schütz-Jahrbuch, 50-61. |
|||
181–183 | Laudate pueri Dominum (10vv) | Daniel Seelich | |
Appears on:
181–183
Genres:
Motet
Source Attribution:
Daniel Seelich
General Note2x5vv choirs, 2nd choir parts doubled by strings: S1 vln, S2 vln, A vla, T vla da gamba, B bass |
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183–184 | Der Herr erhöre dich | Daniel: Selchii | |
Appears on:
183–184
Genres:
Motet
Source Attribution:
Daniel: Selchii
General NoteChoirs of 4+5vv, labelled chorus vocalis & chorus instrumentalis |
|||
185 | Jubilate Deo | Danielis Seelichii | |
Appears on:
185
Genres:
Motet
Source Attribution:
Danielis Seelichii
General NoteFor "4,8,9 voc in concerto" as above - but note that instrumental parts are also texted |
|||
186–187 | Egressus Jesus - 1a pars (of 2): Egressus Jesus | - | |
Appears on:
186–187
Genres:
Motet
|
|||
187–188 | Egressus Jesus - 2a pars (of 2): Et statim aperte | - | |
Appears on:
187–188
Genres:
Motet
|
|||
188–191 | Magnificat: Anima mea | Christoph Thomae Walliseri | |
Appears on:
188–191
Genres:
BVM, Canticle, Magnificat
Source Attribution:
Christoph Thomae Walliseri
|
|||
191–192 | Canite tuba in Sion | Benedicti Palavicini | |
Appears on:
191–192
Genres:
Motet
Source Attribution:
Benedicti Palavicini
|
|||
192–194 | Furwahr er trug unser' Krankheit | Michaelis Lohr | |
Appears on:
192–194
Genres:
Motet
Source Attribution:
Michaelis Lohr
|
|||
194–195 | Bleib bei uns Herr mit deinem Wort | Joh: Turing | |
Appears on:
194–195
Genres:
Motet
Source Attribution:
Joh: Turing
|
|||
196–197 | Venite exultemus Domino | Hieronymi Praetorii | |
Appears on:
196–197
Genres:
Motet
Source Attribution:
Hieronymi Praetorii
|
|||
197–198 | Habeto benevolentiam cum adversario tuo (2p. Amen dico tibi) | M. Vulpii | |
Appears on:
197–198
Genres:
Motet
Source Attribution:
M. Vulpii
|
|||
199 | Oremus praeceptis | Christoph Walliseri | |
Appears on:
199
Genres:
Motet
Source Attribution:
Christoph Walliseri
|
|||
200 | Tribularer si nescirem - 1a pars (of 2): Tribularer si nescirem misericordias tuas | Leonis Leonii | |
Appears on:
200
Genres:
Motet
Source Attribution:
Leonis Leonii
|
|||
200–201 | Tribularer si nescirem - 2a pars (of 2): Qui Cananaeam et publicanum vocasti ad poenitentiam | - | |
Appears on:
200–201
Genres:
Motet
|
|||
201–202 | Wohl dem der sich des Dürftigen annimmt | Abrahami Riemeri | |
Appears on:
201–202
Genres:
Motet
Source Attribution:
Abrahami Riemeri
|
|||
203–204 | Ich hab' den Herrn allzeit für Augen | - |
Ruhling, Samuel
(?)
Grimm, Heinrich
(?)
|
Appears on:
203–204
Genres:
Motet
|
|||
205–207 | Missa super Cum natus esset Jesus & Cantate Domino: Kyrie | Andreae Kadneri | |
Appears on:
205–207
Genres:
Kyrie eleison, Mass Ordinary
Source Attribution:
Andreae Kadneri
Concordancesalso in Lob65 (a compendium of Kadner's masses & motets, possibly autograph). On Walliser's Cum natus & H Praetorius's Cantate Domino |
|||
207–210 | Missa super Cum natus esset Jesus & Cantate Domino: Gloria | - | |
Appears on:
207–210
Genres:
Gloria (et in terra pax), Mass Ordinary
|
|||
210–212 | Christ lag in Todesbanden (5vv) | - | Anonymous |
Christ lag in Todesbanden (5vv)Anonymous
Appears on:
210–212
Genres:
Motet
|
|||
212–213 | Surrexit Christus hodie | Christiani Erbachi | |
Appears on:
212–213
Genres:
Motet
Source Attribution:
Christiani Erbachi
|
|||
214–215 | Herrn wenn ich nur dich habe | Michaelis Lohr | |
Appears on:
214–215
Genres:
Motet
Source Attribution:
Michaelis Lohr
|
|||
215–216 | Da der Sabbat (II) - 1a pars (of 5): Da der Sabbat vergangen war | Andr: Kadneri | |
Appears on:
215–216
Genres:
Motet
Source Attribution:
Andr: Kadneri
General Notea different setting from the one earlier in the collection (p.163a, the voice-part not copied in this book) |
|||
216 | Da der Sabbat (II) - 2a pars (of 5): Wer walzet uns den Stein | - | |
Appears on:
216
Genres:
Motet
General NoteThis pars is marked 'a3' or 'Trium', but voice-parts are copied in 4 books. Tacet in this part |
|||
216 | Da der Sabbat (II) - 3a pars (of 5): Und sie sahen dahin ... Dass der grosse Stein abgewalzet war | - | |
Appears on:
216
Genres:
Motet
|
|||
217 | Da der Sabbat (II) - 4a pars (of 5): Was suchet ihr den Lebendigen | - | |
Appears on:
217
Genres:
Motet
General NoteThis pars is marked 'a3' or 'Trium', but voice-parts are copied in 4 books. Tacet in this part |
|||
217 | Da der Sabbat (II) - 5a pars (of 5): Victoria - Alleluia. Surrexit Christus hodie | - | |
Appears on:
217
Genres:
Motet
|
|||
218 | Da der Sabbat vergangen war | - | |
Appears on:
218
Genres:
Motet
|
|||
219 | Erstanden ist der heilige Christ | Samuel: Rüling | |
Appears on:
219
Genres:
Motet
Source Attribution:
Samuel: Rüling
|
|||
220–222 | Und Tobias sprach ich will heute | H. G. H. (Heinrich Grimm Hofkapellmeister(?)) | |
Appears on:
220–222
Genres:
Motet
Source Attribution:
H. G. H. (Heinrich Grimm Hofkapellmeister(?))
|
|||
222–224 | Ein freundlich' Weib erfreuet ihren Mann | Abram: Riemerus | |
Appears on:
222–224
Genres:
Motet
Source Attribution:
Abram: Riemerus
|
|||
224–225 | Missa Ingredimini omnes (8vv): Kyrie | Johann: Stadelmayr | |
Appears on:
224–225
Genres:
Kyrie eleison, Mass Ordinary
Source Attribution:
Johann: Stadelmayr
|
|||
225–227 | Missa Ingredimini omnes (8vv): Gloria | - | |
Appears on:
225–227
Genres:
Gloria (et in terra pax), Mass Ordinary
|
|||
227 | Missa Fuggi pur se sai: Kyrie | Stadlmaieri | |
Appears on:
227
Genres:
Kyrie eleison, Mass Ordinary
Source Attribution:
Stadlmaieri
|
|||
228–229 | Missa Fuggi pur se sai: Gloria | - | |
Appears on:
228–229
Genres:
Gloria (et in terra pax), Mass Ordinary
|
|||
230–231 | Da antwortet' Laban und Bethuel (8vv) | Grimmii | |
Appears on:
230–231
Genres:
Motet
Source Attribution:
Grimmii
|
|||
231–232 | Te Deum (6vv) | And: Cadneri | |
Appears on:
231–232
Genres:
Te Deum
Source Attribution:
And: Cadneri
|
|||
234–236 | Te Deum (5vv) | And: Cadneri | |
Appears on:
234–236
Genres:
Te Deum
Source Attribution:
And: Cadneri
|
|||
236–238 | An den Wassern zu Babel saßen wir und weineten | A. Cadneri | |
Appears on:
236–238
Genres:
Motet
Source Attribution:
A. Cadneri
|
|||
239–240 | War' Gott nicht mit uns diese Zeit | A. Cad. | |
Appears on:
239–240
Genres:
Motet
Source Attribution:
A. Cad.
|
|||
241–242 | Missa (5vv): Kyrie | And. Cadneri | |
Appears on:
241–242
Genres:
Kyrie eleison, Mass Ordinary
Source Attribution:
And. Cadneri
General Notenot concordant with any of the masses in Lob65, the 'Kadner manuscript' |
|||
242–243 | Missa (5vv): Gloria | - | |
Appears on:
242–243
Genres:
Gloria (et in terra pax), Mass Ordinary
|
|||
244 | Da antwortet' Laban und Bethuel (5vv) | H. Grimmii | |
Appears on:
244
Genres:
Motet
Source Attribution:
H. Grimmii
|
|||
245 | Lobe den Herren meine Seele und vergiss nicht | Heinrich Schüzens | |
Appears on:
245
Genres:
Motet
Source Attribution:
Heinrich Schüzens
|
|||
246–247 | Bonum est confiteri Domino (8vv) | Christoph: Straus | |
Appears on:
246–247
Genres:
Motet
Source Attribution:
Christoph: Straus
General NoteChoir 1: S 1, S 2, A, B; vln, fl, b.c.; Choir 2: A1, A2, T, B; trb 1, 2; b.c |
|||
247–250 | Lobet den Herrn - 1a pars (of 2): Lobet den Herrn in den Versammlungen | A. Cadeneri | |
Appears on:
247–250
Genres:
Motet
Source Attribution:
A. Cadeneri
|
|||
250–251 | Lobet den Herrn - 2a pars (of 2): Danket dem Herren denn er ist sehr freundlich | - | |
Appears on:
250–251
Genres:
Motet
|
|||
251–253 | Danket dem Herren, denn er ist freundlich | Heinrich Schütz | |
Appears on:
251–253
Genres:
Motet
Source Attribution:
Heinrich Schütz
|
|||
254–257 | Historia der fröhlichen und siegreichen Auferstehung unsers einigen Erlösers und Seligmachers Jesu Christi | Heinrich Schützen Churf. Sächs. Capellmeister | |
Appears on:
254–257
Genres:
Passion
Source Attribution:
Heinrich Schützen Churf. Sächs. Capellmeister
|
|||
258–259 | Cum natus esset Jesus in Bethlehem Juda | Thom. Walliseri | |
Appears on:
258–259
Genres:
Motet
Source Attribution:
Thom. Walliseri
|
|||
260–261 | Cantate Domino canticum novum | - | |
Appears on:
260–261
Genres:
Motet
|
|||
262 | Missa Jubilate Deo: Kyrie | Johannis Stadelmaier | |
Appears on:
262
Genres:
Kyrie eleison, Mass Ordinary
Source Attribution:
Johannis Stadelmaier
|
|||
262–263 | Missa Jubilate Deo: Gloria | - | |
Appears on:
262–263
Genres:
Gloria (et in terra pax), Mass Ordinary
|
|||
263–264 | Missa Donna la pura luce: Kyrie | Johannis Stadelmai: | |
Appears on:
263–264
Genres:
Kyrie eleison, Mass Ordinary
Source Attribution:
Johannis Stadelmai:
|
|||
264–265 | Missa Donna la pura luce: Gloria | - | |
Appears on:
264–265
Genres:
Gloria (et in terra pax), Mass Ordinary
|
|||
265–266 | Missa Dies est laetitiae: Kyrie | Johannis Stadelmaiers | |
Appears on:
265–266
Genres:
Kyrie eleison, Mass Ordinary
Source Attribution:
Johannis Stadelmaiers
|
|||
266–267 | Missa Dies est laetitiae: Gloria | - | |
Appears on:
266–267
Genres:
Gloria (et in terra pax), Mass Ordinary
|
|||
267–268 | Jauchzet dem Herren alle Welt | A. H. (=Hammerschmidt) | |
Appears on:
267–268
Genres:
Motet
Source Attribution:
A. H. (=Hammerschmidt)
General NoteFor 6vv + b.c. (which is in the 7a book). The 8a book has an additional optional altus part. Vocal parts have instruments ad lib (2 vl, 3 vla, fl, 4 trb) |
|||
268–269 | Der Herr erhore dich in der Not | A. H. (=Hammerschmidt) | |
Appears on:
268–269
Genres:
Motet
Source Attribution:
A. H. (=Hammerschmidt)
General NoteFor 6vv + b.c. (which is in the 7a book); optional string parts also indicated. |
|||
270–271 | Alleluia. Freuet euch ihr Christen alle | - | |
Appears on:
270–271
Genres:
Motet
General NoteGrouped into 2 choirs 5 (capella) + 3 (favorit); vocal parts have ad lib instruments (vl, vla, fl, cnto, trb). |
|||
272–273 | Steh auf Nordwind / Meine Schwester liebe Braut | Eliae Nathusii | |
Appears on:
272–273
Genres:
Motet
Source Attribution:
Eliae Nathusii
General NoteMaulN suggests there are missing voice-part(s) in this piece, but RISM-Online disagrees. The voice-parts are accompanied by instrumental parts: D=solo+coro; A=A+trb; T=T+trb; B=B+trb; Q=S2 solo +coro; S=T solo+coro; 7a=T coro+trb+bc; 8a=Tsolo+coro Item BibliographyMaul, Michael. 2002. Elias Nathusius. Ein Leipziger Komponist des 17. Jahrhunderts. Jahrbuch des Ständige Konferenz Mitteldeutsche Barockmusik in Sachsen, Sachsen-Anhalt und Thüringen, 70-98. https://digital.slub-dresden.de/werkansicht/dlf/264790/72(Accessed: 10-02-2023). |
|||
273–274 | Missa A Domino factum est: Kyrie | - | |
Appears on:
273–274
Genres:
Kyrie eleison, Mass Ordinary
|
|||
274–275 | Missa A Domino factum est: Gloria | - | |
Appears on:
274–275
Genres:
Gloria (et in terra pax), Mass Ordinary
|
|||
276–279 | Herr Gott dich loben wir | - | Anonymous |
Herr Gott dich loben wirAnonymous
Appears on:
276–279
Genres:
Motet
General NoteFor 4vv, 3 trb & continuo. Extra parts copied in: Bassus (+trb), Quintus (bc x2), Sextus (A+trb), 7a (B+trb), 8a (T+trb) |
|||
280–283 | Magnificat quinti toni: Et exultavit | George Ledern | |
Appears on:
280–283
Genres:
BVM, Canticle, Magnificat
Source Attribution:
George Ledern
General NoteAdditional Latin, German, Latin/German Christmas motets are inserted between the verses. |
|||
280 | Uns ist geborn - 2a pars (of 2): Virga Jesse floruit Emanuel noster apparuit | - | |
Appears on:
280
Genres:
Contrafactum, Motet
|
|||
281 | Zu Bethlehem im Krippelein | - | |
Appears on:
281
Genres:
Hymn
|
|||
281 | In dulci jubilo | - | Anonymous |
In dulci jubiloAnonymous
Appears on:
281
Genres:
Hymn
|
|||
282 | Freut euch ir menschen kinder all | - | |
Appears on:
282
Genres:
Sacred Song
|
|||
283 | Jetzt sprosst herfür aus Davids Stämmelein (6vv) | - | |
Appears on:
283
Genres:
Motet
|
|||
283 | Ehr sei dir, lieber Herre Gott | - | Anonymous |
Ehr sei dir, lieber Herre GottAnonymous
Appears on:
283
Genres:
Motet
|