The main part of the manuscript includes the Topographia Hiberniae of Giraldus Cambrensis and various verses on sleep, the family of the B.V.M., etc. The music follows on f. 33-37v. Only the three-part Kyries have music, but other three-part compositions for which no notes were inserted include the V. Virgo dei genitrix to the Gradual Benedicta et venerabilis, part of a Gloria and the Alleluya V. Post partum virgo.
GB-Lbl Arundel 14
British Library, London, England
Codex (complete), miscellany), with added polyphony: 14th century
| Archive | British Library, London, England (GB-Lbl) |
|---|---|
| Shelfmark | Arundel 14 |
| Surface | Parchment |
| Format | portrait |
| Measurements | 267 x 188 mm |
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| Contents | Contains 8 compositions, 8 are anonymous. |
General Description
Physical Description
margins have been slightly trimmed
Binding
a typical Arundel binding of granulated brown leather with the arms of the Arundel Library on the front cover.
Notation
Ars nova notation with Gothic script (the typical English tendency to join together c.o.p. ligatures is noticeable, while ascending oblique ligatures may also indicate insular origin)
Ruling
9 red five-line staves per page
Foliation
34-35v
Decoration
Alternating green and red initials
Surface
Parchment
RISM Description
RISM B/IV 2: A 13th century parchment manuscript meas. 267 x 188 mm. and containing 37 folios. The main part of the manuscript includes the Topographia Hiberniae of Giraldus Cambrensis and various verses on sleep, the family of the B.V.M., etc. The music follows on f. 33-37v and dates from the 14th century. Here the margins have been slightly cut down. The score notation is of Ars Nova type with Gothic script. Only the three-part Kyries have music, but other three-part compositions for which no notes were inserted include the V. Virgo dei genitrix to the Gradual Benedicta et venerabilis, part of a Gloria and the Alleluya V. Post partum virgo. There are 9 red five-line staves per page, and green and red initials alternate. The typical English tendency to join together c.o.p. ligatures is noticeable, while ascending oblique ligatures may also indicate insular origin. The binding is a typical Arundel one of granulated brown leather with the arms of the Arundel Library on the front cover.
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35
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‡ denotes primary source study
Apfel, Ernst. 1959. Studien zur Satztechnik der mittelalterlichen englischen Musik. 2 vols. Pages: II, 98-103 (diplomatic facsimiles of nos. 1-6 in score with reduction of ligatures to single notes); I, 76f.
Reaney, Gilbert. 1953. John Dunstable and Late Medieval Music in England. The Score, 8: 22ff. Pages: 28 (transcription of no. 4).
Reese, Gustave. 1940. Music in the Middle Ages: With an introduction on the music of ancient times. New York: W.W. Norton & Co. Pages: 405.
Bukofzer, Manfred F. 1936. Geschichte des englischen Diskants und des Fauxbourdons nach den theoretischen Quellen. Sammlung Musikwissenschaftlicher Abhandlungen, vol. 21. Strasbourg. Pages: ex. 19 (transcription of no. 3); 117.
Bukofzer, Manfred F. 1935. The Gymel. The Earliest Form of English Polyphony. Music and Letters, 16: 77ff. Pages: 83 (transcription of no. 6); 83f.
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DIAMM, 2016
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Physical Description Note; Binding Note; Notation Note; Ruling Note; Foliation Note; Decoration Note; Surface Note
Répertoire Internationale des Sources Musicales
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description