The manuscript is mostly written in two columns, but one voice may well cover the whole width of the page if the Tr is longer than the Mot, etc. Most of the music appears to be the work of a single scribe, but the two isolated, undesignated voices of no. 10 are a later addition.
B-Br MS 19606
KBR (Koninklijke Bibliotheek / Bibliothèque royale), Brussels, Belgium
rotulus: early 14th century, certainly after 1314.
| Archive | KBR (Koninklijke Bibliotheek / Bibliothèque royale), Brussels, Belgium (B-Br) |
|---|---|
| Shelfmark | MS 19606 |
| Surface | Parchment |
| Format | roll |
| Measurements | 139 x 17.5 cm |
| Other Identifiers |
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| Notations |
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| Relationships |
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| External Links | |
| Provenance |
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| Contents | Contains 10 compositions, 3 from 1 composer, 7 are anonymous. |
General Description
Physical Description
at some time after it was written, the rotulus was cut in two and then sewn together again
Notation
Ars Nova; minim replaces undifferentiated semibreves in Fauvel motets. It cannot have been written much later than Fauv, because it has the black diamond notehead with downward stem noteshape for a semibrevis altera.
Date
the decoration and handwriting also suggest the early years of the 14th century
Ruling
63 red five-line staves on the recto; rather less on the verso. All are used on the recto, but only 54 on the verso
Foliation
roll
Decoration
initials are in red and blue. The first one, having a two-headed eagle in black against a purple background, is more importantly done in gold
Surface
parchment
RISM Description
RISM B/IV 2: A parchment rotulus measuring 139 x 17.5 cm. and dating from the early years of the 14th century, certainly after 1314. It was bought by the library at the sale of the manuscripts of J. F. Willems in 1846. The notation is Ars Nova, with the minim replacing undifferentiated semibreves where necessary in the Fauvel motets. It cannot have been written much later than Fauv, because it has the black diamond notehead with downward stem noteshape for a semibrevis altera. The decoration and handwriting also suggest the early years of the 14th century. The manuscript is mostly written in two columns, but one voice may well cover the whole width of the page if the Tr is longer than the Mot, etc. There are 63 red five-line staves on the recto and rather less on the verso. All are used on the recto, but only 54 on the verso. Initials are in red and blue. The first one, having a two-headed eagle in black against a purple background, is more importantly done in gold. Most of the music appears to be the work of a single scribe, but the two isolated, undesignated voices of no. 10 are a later addition. At some time after it was written, the rotulus was cut in two and then sewn together again.
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1r-2r top half
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‡ denotes primary source study
Kügle, Karl. 2008. An abbot and a rotulus: new light on Brussels 19606. Quomodo cantabimus canticum? Studies in honor of Edward H. Roesner, edited by Karl Kügle, 145–85. Middleton, WI.
Schrade, Leo. 1956. Philippe de Vitry: Some New Discoveries. Musical Quarterly, 42: 330ff.
Hoppin, Richard H. 1955. A Musical Rotulus of the Fourteenth Century. Revue Belge de Musicologie, 9: 131ff.
Johnson, M. 1955. The Motets of the Codex Ivrea. Indiana University, Ph. D. Pages: vol. II, 24 ff (transcription of Br 19606 10 after l-IV).
Schrade, Leo (editor). 1954 -1956. The Polyphonic Music of the Fourteenth Century. 3 vols. Pages: I, 5, 54, 60, 18, 26 (transcription of Br 19606 2, 3, 4, 7, 8 after F-Pn 146).
Auda, Antoine. 1953. Les "Motets Wallons" du manuscrit de Turin: Vari 42. 2 vols. Pages: I,fol.Dv;II, 15 (facsimile and transcription ofms Torino, Biblioteca Reale, Vari 42, no. 2 = Br 19606 1).
Becker, Philip Adolf. 1936. Fauvel und Fauvelliana. Berichte iiber die Verhandlungen der Sdchsischen Akademie der Wissenschaf-ten zu Leipzig, Philologisch-historische Klasse, 68/2: 36ff.
Rokseth, Y. 1935+1939. Les Polyphonies du XIVe siecle. 4 vols. Pages: fol. 350; III, 191 (facsimile and transcription of F-Mo 286 = Br 19606 1).
Dahnk, Emilie. 1935. l'heresie de Fauvel. Pages: 10, 204,209, LI, 65 (text editions of pieces found in F-Pn 146).
Ludwig, Friedrich (editor). 1926-9. Guillaume de Machaut: Musikalische Werke, 1-3. Leipzig: Publikationen älterer Musik. Pages: II, 21, 36a, 61a, 69a.
Besseler, Heinrich. 1926. Studien zur Musik des Mittelalters: II. Die Motette von Franko von Köln bis Philipp van Vitry. Archiv für Musikwissenschaft, 8: 137-258. Pages: II, 189ff.
Gennrich, Friedrich. 1921, 1927. Rondeaux, Virelais und Balladen aus dem Ende des 12., dem 13. und dem ersten Drittel des 14. Jahrhunderts. 2 vols. Pages: II, 236ff, 302 ff (transcription of Br 19606 7).
Aubry, Pierre. 1907. Le Roman de Fauvel. Pages: (complete facsimile of F-Pn 146; cf. Br 19606 2, 3, 4, 7, 8).
Wolf, Johannes. 1899. Zur Geschichte der Orgelmusik im vierzehnten Jahrhundert. Kirchenmusikalisches Jahrbuch, 14: 14ff. Pages: 19, 29 (keyboard versions from GB-Lbm 28550 of nos. 3 and 4).
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Julia Craig-McFeely
Tuesday, 23 July, 2024
Richard Dudas
Monday, 20 July, 2020
image link added
Richard Dudas
Monday, 20 July, 2020
Concordances updated for "Se cuers / Rex beatus"
Margaret Bent
Monday, 20 July, 2020
Re-ordered (& re-spelled) title of "Se cuers / Rex beatus" to reflect order of parts.
Margaret Bent
Tuesday, 14 April, 2020
Inventory updated, roll treated as one item with a front and a back only. 'An diex' added to title of 'Trahunt' ; order of pieces corrected - as follows Recto: Deus in adiutorium Super/ Presidentes Tribum/Quoniam Firmissime/ Adesto Mater formosa/ Gaude virgo Verso: Floret Trahunt/ An diex Se cuers/ Rex beatus O/ Nostris Impudenter/ Virtutibus
Karen Desmond
Friday, 19 May, 2017
DIAMM, 2016
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Physical Description Note; Notation Note; Date Note; Ruling Note; Foliation Note; Decoration Note; Surface Note
Répertoire Internationale des Sources Musicales
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description