D-Z Mus. 73 (Q)

Ratsschulbibliothek, Zwickau, Germany

partbook: Mid 16th century

Archive Ratsschulbibliothek, Zwickau, Germany (D-Z)
Shelfmark Mus. 73 (Q)
Image Availability DIAMM does not have images of this source.
Surface Paper
Numbering System None / Unknown
Measurements 168-76 x 188-96 mm
Other Identifiers
  • CCM: ZwiR 73(5)
  • Other catalogues/source: VollBM [see bibliography] 4
  • olim (Former shelfmark): MS 69.1.61
  • Alternative names: MS LXXIII (Q)
Notations
  • black void mensural
Copyists
Relationships
External Authorities
Provenance
  • Magdeburg or Wittenberg? Bavaria, Germany
Contents 146 pieces from 25 composers
General Description

A Sextus partbook from a set of six volumes. Each book is organised systematically in two main sections (psalms and responsories), each in turn grouped into pieces in 4vv, 5vv, and 6vv. These six series are each numbered - see below. Sections of blank folios separate each series of pieces.

Copied mostly by Jodocus Schalreuter, who is named in dedicatory inscriptions at beginning of all but the Quintus and Sextus books. Slightly later additions by two other scribes; first wrote Series I, #40-43, Series III, #9-11, and Series V, #28; second, probably Georg Neumeyster, wrote Series I, #44, Series II, #20, and Series IV, #36. Probably copied in Magdeburg or Wittenberg (SteudeU).

Original owner and main scribe was Jodocus Schalreuter (ca. 1486-1550), active at Church of St. Mary or Church of St. Catherine in Zwickau until his banishment in 1547, resulting from his continued allegiance to the deposed Elector of Saxony, Johann Friedrich I; ZwiR 73 probably copied during period of Schalreuter's exile (SteudeU). Manuscript inherited by Schalreuter's sons, Paul and Nicolaus, in 1550. Later in same year, Schalreuter sons gave manuscript to Georg Neumeyster, former pupil of Jodocus Schalreuter, in Wittenberg; presented by Neumeyster to Zwickau Ratsschulbibliothek in 1553.

DIAMM, 2017
Extent

145ff

DIAMM, 2022
Binding

Original covers of brown leather (restored in 1973), tooled with ornamental designs; modern spines, metal clasps.

DIAMM, 2017
Watermark

generally resembles Briquet #1076-8.

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Foliation

Other numberings: Original ink numbering of pieces in six series—I: 1-44; II: 1-20; III: 1-11; IV: 1-36; V: 1-28; VI: I

DIAMM, 2017
Foliation

Modern foliation; no original foliation.

DIAMM, 2017
Decoration

No initials or decoration.

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

3 Te Deums, 125 motets, 11 German sacred pieces, 1 Latin secular piece = 140

M. Agricola-1, Alder-1, (Alder/Senfl)-1, (Arcadelt)-1, Arnoldt-1, Arthopius-2, Bergkholtz-1, Bochus-1, Braetel-11, Breitengraser -22, (Bruck/Sermisy)-1, Burckstaller-1, S. Cellarius-2, (Clemens non Papa)-1, Crocauer-1, Eckel-2, Finck-4, Förster/(Hähnel)-1, Hähnel [Ioannes Galliculus]/(Förster)-1, Haugk-4, Heugel-1, (Jaquet of Mantua)-2, (Jonckers)-1, (Josquin)-2, Josquin/(Appenzeller)-1, Kropstein-1, Lapicida-1, Maessens-1, (Maessens/Mouton)-1, Mahu-4, J. Molitor-1, (Morales)-1, Musa-1, Othmayr-4, Pöpel-2, Rabe-5, Reusch-3, Schockler-1, Senfl-12, (Sermisy)-2, Stoltzer-12, Stoltzer/(Brunn)-1, Verdelot/(Hellinck/Senfl)-1, (Walter)-1, (Wannenmacher)-1, anon-17

6 paper partbooks (D-i + 187 + i folios, A-196, T-192, B-195, Q-143, S-98), 168-76 x 188-96. No original foliation. Original ink numbering of pieces in six series—I: 1-44; II: 1-20; III: 1-11; IV: 1-36; V: 1-28; VI: 1. In each book, sections of blank folios separate each series of pieces; many folios in Q book and most folios in S book blank. Original covers of brown leather (restored in 1973), tooled with ornamental designs; modern spines, metal clasps. No index. Copied mostly by Jodocus Schalreuter (see below), named in dedicatory inscriptions at beginning of DATB books; Schalreuter also wrote UtreH s.s. (EldH). Slightly later additions by two other scribes; first wrote Series I, #40-43, Series III, #9-11, and Series V, #28; second wrote Series I, #44, Series II, #20, and Series IV, #36. No initials or decoration. Watermark generally resembles Briquet #1076-8.

Mid 16th century; dates from 1530 to 1548 in manuscript are dates of composition rather than copying (HoffD). Probably copied in Magdeburg or Wittenberg (SteudeU). Original owner and main scribe was Jodocus Schalreuter (ca. 1486-1550), active at Church of St. Mary or Church of St. Catherine in Zwickau until his banishment in 1547, resulting from his continued allegiance to the deposed Elector of Saxony, Johann Friedrich I; ZwiR 73 probably copied during period of Schalreuter's exile (SteudeU). Manuscript inherited by Schalreuter's sons, Paul and Nicolaus, in 1550. Later in same year, Schalreuter sons gave manuscript to Georg Neumeyster, former pupil of Jodocus Schalreuter, in Wittenberg; presented by Neumeyster to Zwickau Ratsschulbibliothek in 1553.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1–(start of section II) In te Domine speravi - 1a pars (of 2): In te Domine speravi -
Appears on: 1–(start of section II)
Genres: Motet, Te Deum
1v In te Domine speravi - 2a pars (of 2): Quoniam fortitudo mea ... Et propter nomen -
Appears on: 1v
Genres: Motet
2 Beatus qui intelligit - 1a pars (of 2): Beatus qui intelligit erga egenum -
Appears on: 2
Genres: Motet
2–2v Beatus qui intelligit - 2a pars (of 2): Et ingrediebatur ut videret vane -
Appears on: 2–2v
Genres: Motet
2v–3 Jubilate Deo - 1a pars (of 2): Jubilate Deo omnis terra servite Domino -
Appears on: 2v–3
Genres: Motet
3–3v Jubilate Deo - 2a pars (of 2): Ingredimini portas eius in confessione -
Appears on: 3–3v
Genres: Motet
3v–4 Tollite portas - 1a pars (of 2): Tollite portas principes vestras orbis - Anonymous
Appears on: 3v–4
Genres: Motet
4–4v Tollite portas - 2a pars (of 2): Attollite portas principes vestras - Anonymous
Appears on: 4–4v
Genres: Motet
4v–5 Salvum me - 1a pars (of 2): Salvum me fac Domine -
Appears on: 4v–5
Genres: Motet
5–5v Salvum me - 2a pars (of 2): Veni in altitudinem maris -
Appears on: 5–5v
Genres: Motet
5v–6 Beatus qui intelligit - 1a pars (of 2): Beatus qui intelligit super egenum -
Appears on: 5v–6
Genres: Motet
6–6v Beatus qui intelligit - 2a pars (of 2): Verbum iniquum constituerunt adversum -
Appears on: 6–6v
Genres: Motet
6v–7 O quam praeclara - 1a pars (of 2): O quam praeclara sunt tua gesta -
Appears on: 6v–7
Genres: Motet
7 O quam praeclara - 2a pars (of 2): O fides spei columen -
Appears on: 7
Genres: Motet
7v Media vita - 1a pars (of 2): Media vita in morte sumus quem querimus -
Appears on: 7v
Genres: Motet
8 Media vita - 2a pars (of 2): Sancte Deus sancte fortis sancte -
Appears on: 8
Genres: Motet
8–8v Jauchzet dem Herren - 1a pars (of 2): Jauchzet dem Herren alle welt dienet -
Appears on: 8–8v
Genres: Motet
8v Jauchzet dem Herren - 2a pars (of 2): Geht zu seinen Toren ein -
Appears on: 8v
Genres: Motet
9 Te Deum - 1a pars (of 3): Te Deum laudamus te Dominum confitemur -
Appears on: 9
Genres: Te Deum
9–9v Te Deum - 2a pars (of 3): Tu ad liberandum suscepturus hominem -
Appears on: 9–9v
Genres: Te Deum
9v Te Deum - 3a pars (of 3): Per singulos dies benedicimus te -
Appears on: 9v
Genres: Te Deum
9v–10 Quare tumultuatae - 1a pars (of 2): Quare tumultuatae sunt gentes et populi -
Appears on: 9v–10
Genres: Motet
10v–11 Quare tumultuatae - 2a pars (of 2): Narrabo statutum Dominus dixit ad me -
Appears on: 10v–11
Genres: Motet
11–11v Domine ne in furore - 1a pars (of 2): Domine ne in furore tuo arguas me -
Appears on: 11–11v
Genres: Motet
11v–12 Domine ne in furore - 2a pars (of 2): Laboravi in gemitu meo natabilem -
Appears on: 11v–12
Genres: Motet
12–12v Usquequo Domine - 1a pars (of 2): Usquequo Domine oblivisceris mei -
Appears on: 12–12v
Genres: Motet
12v–13 Usquequo Domine - 2a pars (of 2): Respice responde mihi Deus meus -
Appears on: 12v–13
Genres: Motet
13–13v Judica me Deus - 1a pars (of 2): Judica me Deus et contende contentionem meam -
Appears on: 13–13v
Genres: Motet
14–14v Judica me Deus - 2a pars (of 2): Et ingrediar ad altare Dei ad Deum -
Appears on: 14–14v
Genres: Motet
14v–15v Seid ihr denn stumm - 1a pars (of 3): Seid ihr denn stumm, dass ihr nit reden -
Appears on: 14v–15v
Genres: Psalm
15v–16 Seid ihr denn stumm - 2a pars (of 3): Gott zerbricht ihre Zähne -
Appears on: 15v–16
Genres: Psalm
16v–17 Seid ihr denn stumm - 3a pars (of 3): Sie vergehen wie ein schnecke -
Appears on: 16v–17
Genres: Psalm
17–17v Ach Herr straf mich nicht - 1a pars (of 3): Ach Herr straf mich nicht in Deinem Zorn -
Appears on: 17–17v
Genres: Psalm
17v–18 Ach Herr straf mich nicht - 2a pars (of 3): Wende dich Herr und errette meine Seele -
Appears on: 17v–18
Genres: Psalm
18–18v Ach Herr straf mich nicht - 3a pars (of 3): Weichet von mir alle Übeltäter -
Appears on: 18–18v
Genres: Psalm
19–20 Deus venerunt gentes - 1a pars (of 2): Deus venerunt gentes in hereditatem tuam -
Appears on: 19–20
Genres: Motet
20v–21v Deus venerunt gentes - 2a pars (of 2): Adjuva nos Deus salutaris noster -
Appears on: 20v–21v
Genres: Motet
21v–22 Accesserunt ad Jesum - 1a pars (of 3): Accesserunt ad Jesum Pharisaei tentantes -
Appears on: 21v–22
Genres: Motet
22 Accesserunt ad Jesum - 2a pars (of 3): Non legistis quia qui fecit hominem -
Appears on: 22
Genres: Motet
22–22v Accesserunt ad Jesum - 3a pars (of 3): Propter hoc dimittet homo patrem -
Appears on: 22–22v
Genres: Motet
22v–23 Exultent saliant - 1a pars (of 2): Exultent saliant plaudant juvenesque senesque - Anonymous
Appears on: 22v–23
Genres: Motet
23–23v Exultent saliant - 2a pars (of 2): Connubio stabili Fernandi filia regis - Anonymous
Appears on: 23–23v
Genres: Motet
24 Tanto tempore vobiscum (5vv, M112) - 1a pars (of 2): Tanto tempore vobiscum sum et non cognovistis - Philippe qui videt me -
Appears on: 24
Genres: Motet
24–24v Tanto tempore vobiscum (5vv, M112) - 2a pars (of 2): Non turbetur cor vestrum creditis - Philippe qui videt me -
Appears on: 24–24v
Genres: Motet
46–(start of section III) Dixit Dominus - 1a pars (of 2): Dixit Dominus Domino meo Sede a dextris meis - Anonymous
Appears on: 46–(start of section III)
Genres: Motet
46–46v Dixit Dominus - 2a pars (of 2): Juravit Dominus et non penitebit eum - Anonymous
Appears on: 46–46v
Genres: Motet
46v Circumdederunt me gemitus mortis dolores - Anonymous
Appears on: 46v
Genres: Motet
46v–47 Circumdederunt me / Christus mortuus est 19.1 -
Appears on: 46v–47
Genres: Motet
47 Circumdederunt me / Sic Deus dilexit mundum 20.13 -
Appears on: 47
Genres: Motet
47–47v Beati omnes - 1a pars (of 2): Beati omnes qui timent Dominum qui ambulant -
Appears on: 47–47v
Genres: Motet
47v–48 Beati omnes - 2a pars (of 2): Ecce sic benedicetur homo qui timet -
Appears on: 47v–48
Genres: Motet
48–48v Candida virginitas - 1a pars (of 2): Candida virginitas -
Appears on: 48–48v
Genres: Motet
48v–49 Candida virginitas - 2a pars (of 2): Que meruit Dominum -
Appears on: 48v–49
Genres: Motet
49–49v Sic Deus dilexit mundum ut filium suum -
Appears on: 49–49v
Genres: Motet
49v–50v Dilexi quoniam - 1a pars (of 2): Dilexi quoniam exaudivit vocem orationis meae - Anonymous
Appears on: 49v–50v
Genres: Motet
50v–51 Dilexi quoniam - 2a pars (of 2): O Domine libera animam meam - Anonymous
Appears on: 50v–51
Genres: Motet
51v–52 Herr, neige deine Ohren - 1a pars (of 3): Herr, neige deine Ohren und erhöre mich -
Appears on: 51v–52
Genres: Motet
52–52v Herr, neige deine Ohren - 2a pars (of 3): Herr, es ist dir kein gleich -
Appears on: 52–52v
Genres: Motet
52v–53 Herr, neige deine Ohren - 3a pars (of 3): Ich dank dir, Herr, mein Gott -
Appears on: 52v–53
Genres: Motet
53v Tecum principium in die virtutis tuae - Anonymous
Appears on: 53v
Genres: Motet
53v–54 Sponsa Christi nil sibi gloriosus putat -
Appears on: 53v–54
Genres: Motet
75–(start of section V) Verbum caro - 1a pars (of 3): Verbum caro factum est et habitabit -
Appears on: 75–(start of section V)
Genres: Motet
75–75v Verbum caro - 2a pars (of 3): In principio erat verbum et verbum -
Appears on: 75–75v
Genres: Motet
75v–76 Verbum caro - 3a pars (of 3): Quem aethera et terra atque mare -
Appears on: 75v–76
Genres: Motet
76–76v Ubi est Abel - 1a pars (of 3): Ubi est Abel frater tuus dixit Dominus -
Appears on: 76–76v
Genres: Motet
76v–77 Ubi est Abel - 2a pars (of 3): Ecce vox sanguinis fratris tui Abel -
Appears on: 76v–77
Genres: Motet
77–77v Ubi est Abel - 3a pars (of 3): Maledicta terra in opere tuo que aperuit -
Appears on: 77–77v
Genres: Motet
77v Ite in orbem - 1a pars (of 3): Ite in orbem universum et predicate dicentes -
Appears on: 77v
Genres: Motet
77v Ite in orbem - 2a pars (of 3): Qui crediderit et baptisatus fuerit -
Appears on: 77v
Genres: Motet
77v Ite in orbem - 3a pars (of 3): Euntes in mundum universum predicate -
Appears on: 77v
Genres: Motet
78 Apparuerunt apostolis - 1a pars (of 3): Apparuerunt apostolis disperditae linguae -
Appears on: 78
Genres: Motet
78 Apparuerunt apostolis - 2a pars (of 3): Seditque supra singulos eorum spiritus -
Appears on: 78
Genres: Motet
78 Apparuerunt apostolis - 3a pars (of 3): Loquebantur variis linguis apostoli -
Appears on: 78
Genres: Motet
78–78v Quadam die (I) - 1a pars (of 3): Quadam die Olibrius molestus Deo et hominibus -
Appears on: 78–78v
Genres: Motet
78v Quadam die (I) - 2a pars (of 3): Mox in concupiscentiam eius exarsit -
Appears on: 78v
Genres: Motet
78v–79 Quadam die (I) - 3a pars (of 3): Erat enim nimium formosa in vultu -
Appears on: 78v–79
Genres: Motet
79 Christi virgo dilectissima - 1a pars (of 2): Christi virgo dilectissima virtutum operatrix -
Appears on: 79
Genres: Motet
79–79v Christi virgo dilectissima - 2a pars (of 2): Quoniam peccatorum mole premimur -
Appears on: 79–79v
Genres: Motet
79v Christus resurgens - 1a pars (of 2): Christus resurgens ex mortuis jam non -
Appears on: 79v
Genres: Motet
79v–80 Christus resurgens - 2a pars (of 2): Quod enim vivit deo alleluia -
Appears on: 79v–80
Genres: Motet
80 Spes mea - 1a pars (of 4): Spes mea Domine -
Appears on: 80
Genres: Motet
80 Spes mea - 2a pars (of 4): A juventute mea -
Appears on: 80
Genres: Motet
80–80v Spes mea - 3a pars (of 4): In te confirmatus sum ex utero -
Appears on: 80–80v
Genres: Motet
80v Spes mea - 4a pars (of 4): A juventute mea -
Appears on: 80v
Genres: Motet
80v Quadam die (II) - 1a pars (of 3): Quadam die Olibrius molestus Deo et hominibus -
Appears on: 80v
Genres: Motet
80v Quadam die (II) - 2a pars (of 3): Mox in concupiscentiam eius omnes gentes plaudite -
Appears on: 80v
Genres: Motet
81 Quadam die (II) - 3a pars (of 3): Erat enim nimium formosa in vultu -
Appears on: 81
Genres: Motet
81 Panem angelorum - 1a pars (of 3): Panem angelorum manducavit sanctus Anthonius -
Appears on: 81
Genres: Motet
81 Panem angelorum - 2a pars (of 3): Corvus enim nutu Dei panem tulit -
Appears on: 81
Genres: Motet
81v Panem angelorum - 3a pars (of 3): Eya inquit Paulus sumamus cibum -
Appears on: 81v
Genres: Motet
81v–82 Benedicamus patrem - 1a pars (of 3): Benedicamus patrem et filium cum sancto -
Appears on: 81v–82
Genres: Motet
82 Benedicamus patrem - 2a pars (of 3): In saecula saeculorum -
Appears on: 82
Genres: Motet
82 Benedicamus patrem - 3a pars (of 3): Benedictus es Domine in firmamento -
Appears on: 82
Genres: Motet
82v Spes mea - 1a pars (of 2): Spes mea Domine a juventute mea -
Appears on: 82v
Genres: Motet
82v–83 Spes mea - 2a pars (of 2): In te confirmatus sum ex utero -
Appears on: 82v–83
83–83v Sustinuimus pacem - 1a pars (of 3): Sustinuimus pacem et non venit quaesivimus -
Appears on: 83–83v
Genres: Motet
83v–84 Sustinuimus pacem - 3a pars (of 3): Peccavimus cum patribus nostris -
Appears on: 83v–84
Genres: Motet
83v Sustinuimus pacem - 2a pars (of 3): Non in perpetuum obliviscaris nos -
Appears on: 83v
Genres: Motet
84 Homo quidam (P99, 5vv) - 1a pars (of 3): Homo quidam fecit caenam -
Appears on: 84
Genres: Motet
84 Homo quidam (P99, 5vv) - 2a pars (of 3): Quia parata sunt omnibus firmiter -
Appears on: 84
Genres: Motet
84v Homo quidam (P99, 5vv) - 3a pars (of 3): Venite comedite panem meum -
Appears on: 84v
Genres: Motet
84v Super salutem - 1a pars (of 3): Super salutem et omnem pulchritudinem -
Appears on: 84v
Genres: Motet
84v Super salutem - 2a pars (of 3): Gaudent chori angelorum confortes -
Appears on: 84v
Genres: Motet
85 Super salutem - 3a pars (of 3): Paradisi porta per Evam cunctis clausa -
Appears on: 85
Genres: Motet
85 Si bona suscepimus - 1a pars (of 4): Si bona suscepimus de manu Domini -
Appears on: 85
Genres: Motet
85–85v Si bona suscepimus - 2a pars (of 4): Dominus dedit Dominus abstulit sicut -
Appears on: 85–85v
Genres: Motet
85v Si bona suscepimus - 3a pars (of 4): In omnibus his non peccavit Job labiis -
Appears on: 85v
Genres: Motet
85v–86 Si bona suscepimus - 4a pars (of 4): Dominus dedit Dominus abstulit sicut -
Appears on: 85v–86
Genres: Motet
86–86v Verbum caro 20.16 - 1a pars (of 3): Verbum caro factum est -
Appears on: 86–86v
Genres: Motet
86v–87 Verbum caro 20.16 - 2a pars (of 3): In principio erat verbum -
Appears on: 86v–87
Genres: Motet
87 Verbum caro 20.16 - 3a pars (of 3): Cuius gloriam vidimus quasi unigeniti -
Appears on: 87
Genres: Motet
87v Videns Jacob (5vv) - 1a pars (of 3): Videns Jacob vestimenta Joseph scidit vestimenta -
Appears on: 87v
Genres: Motet
87v Videns Jacob (5vv) - 2a pars (of 3): Fera pessima devoravit filium meum -
Appears on: 87v
Genres: Motet
88 Videns Jacob (5vv) - 3a pars (of 3): Vide si tunica filii tui sit an non? -
Appears on: 88
Genres: Motet
88 In monte Oliveti - 1a pars (of 3): In monte Oliveti oravi ad patrem -
Appears on: 88
Genres: Motet
88 In monte Oliveti - 2a pars (of 3): Spiritus quidem promptus est caro -
Appears on: 88
Genres: Motet
88v In monte Oliveti - 3a pars (of 3): Verumtamen non sicut ego volo -
Appears on: 88v
Genres: Motet
88v Verbum caro factum - 1a pars (of 6): Verbum caro factum est de virgine Maria -
Appears on: 88v
Genres: Motet
88v Verbum caro factum - 2a pars (of 6): Plenum gratia et veritate -
Appears on: 88v
Genres: Motet
88v Verbum caro factum - 3a pars (of 6): In principio erat verbum -
Appears on: 88v
Genres: Motet
89 Verbum caro factum - 4a pars (of 6): Plenum gratia et veritate -
Appears on: 89
Genres: Motet
89 Verbum caro factum - 5a pars (of 6): Gloria superno genitori qui filium -
Appears on: 89
Genres: Motet
89 Verbum caro factum - 6a pars (of 6): Et parilem naturam sui qui plenus -
Appears on: 89
Genres: Motet
89v Rex noster adveniet - 1a pars (of 2): Rex noster adveniet Christus quem Johannes -
Appears on: 89v
Genres: Motet
89v Rex noster adveniet - 2a pars (of 2): Ecce agnus Dei qui tollit peccata -
Appears on: 89v
Genres: Motet
90 Exaudi nos - 1a pars (of 3): Exaudi nos Domine quoniam benigna est -
Appears on: 90
Genres: Motet
90 Exaudi nos - 2a pars (of 3): Respice nos Domine -
Appears on: 90
Genres: Motet
90v Exaudi nos - 3a pars (of 3): Salvum me fac Deus quoniam intraverunt -
Appears on: 90v
Genres: Motet
90v–91 Felix namque - 1a pars (of 3): Felix namque es sacra virgo Maria -
Appears on: 90v–91
Genres: Motet
91 Felix namque - 2a pars (of 3): Quia ex te ortus est sol justiciae -
Appears on: 91
Genres: Motet
91–91v Felix namque - 3a pars (of 3): Intercede pro populo illumina nos -
Appears on: 91–91v
Genres: Motet
91v–92 Ingressus Pilatus - 1a pars (of 3): Ingressus Pilatus cum Jesu in praetorium -
Appears on: 91v–92
Genres: Motet
92–92v Ingressus Pilatus - 2a pars (of 3): Et cum indutus fuisset exclamaverunt -
Appears on: 92–92v
Genres: Motet
92v–93 Ingressus Pilatus - 3a pars (of 3): Tunc ait illis Pilatus regem vestrum -
Appears on: 92v–93
Genres: Motet
93v Apparuerunt apostolis - 1a pars (of 2): Apparuerunt apostolis disparditae linguae -
Appears on: 93v
Genres: Motet
93v–94 Apparuerunt apostolis - 2a pars (of 2): Loquebantur variis linguis apostoli -
Appears on: 93v–94
Genres: Motet
94–94v Illuminare Jerusalem - 1a pars (of 3): Illuminare Jerusalem venit lux tua et gloria -
Appears on: 94–94v
Genres: Motet
94v Illuminare Jerusalem - 2a pars (of 3): Et gloria Domini super te Jerusalem -
Appears on: 94v
Genres: Motet
94v–95 Illuminare Jerusalem - 3a pars (of 3): Et ambulabunt gentes in lumine tuo -
Appears on: 94v–95
Genres: Motet
95–95v Homo quidam - 1a pars (of 3): Homo quidam fecit caenam magnam et misit - Anonymous
Appears on: 95–95v
Genres: Motet
95v Homo quidam - 2a pars (of 3): Quia parata sunt omnibus firmiter - Anonymous
Appears on: 95v
Genres: Motet
95v–96 Homo quidam - 3a pars (of 3): Venite comedite panem meum et bibite - Anonymous
Appears on: 95v–96
Genres: Motet
General Note

3a pars in 6vv - Q & S parts copied here

96 O admirabile commercium creator generis -
Appears on: 96
Genres: Motet
115–(start of section VI) Verbum caro - 1a pars (of 3): Verbum caro factum est et habitavit -
Appears on: 115–(start of section VI)
Genres: Motet
115–115v Verbum caro - 2a pars (of 3): Plenum gratia et veritate -
Appears on: 115–115v
Genres: Motet
115v Verbum caro - 3a pars (of 3): In principio erat verbum et verbum -
Appears on: 115v
Genres: Motet
Composer Compositions
Anonymous
Appenzeller, Benedictus (ca. 1480–ca. 1558)
Arcadelt, Jacques (ca. 1507–1568)
Arthopius, Balthasar (–1534)
Berchem, Jacques (ca. 1505–1567)
Bochus, Justus
Bratel, Ulrich
Breittengrasser, Gulielmus (Wilhelm)
Burckstaller, Joannes
Despres, Josquin (ca. 1450–1521)
Finck, Heinrich
Haugk, Virgilius (ca. 1490–1555)
Hellinck, Lupus (ca. 1494–1541)
Jonckers, Maistre Gosse
Kropstein, Nikolaus
Maessens, Pieter
Mahu, Stephan
Mantua, Jacquet de (1483–1559)
Morales, Cristóbal de (ca. 1500–1553)
Othmayr, Caspar
Rab, Valentin
Schöckler, Georgius
Senfl, Ludwig (ca. 1486–ca. 1543)
Stoltzer, Thomas (ca. 1480–1526)
Verdelot, Philippe (ca. 1480–ca. 1532)
Composition Composers (? Uncertain) Folios / Pages
Accesserunt ad Jesum - 1a pars (of 3): Accesserunt ad Jesum Pharisaei tentantes 21v–22
Accesserunt ad Jesum - 2a pars (of 3): Non legistis quia qui fecit hominem 22
Accesserunt ad Jesum - 3a pars (of 3): Propter hoc dimittet homo patrem 22–22v
Ach Herr straf mich nicht - 1a pars (of 3): Ach Herr straf mich nicht in Deinem Zorn 17–17v
Ach Herr straf mich nicht - 2a pars (of 3): Wende dich Herr und errette meine Seele 17v–18
Ach Herr straf mich nicht - 3a pars (of 3): Weichet von mir alle Übeltäter 18–18v
Apparuerunt apostolis - 1a pars (of 2): Apparuerunt apostolis disparditae linguae 93v
Apparuerunt apostolis - 1a pars (of 3): Apparuerunt apostolis disperditae linguae 78
Apparuerunt apostolis - 2a pars (of 2): Loquebantur variis linguis apostoli 93v–94
Apparuerunt apostolis - 2a pars (of 3): Seditque supra singulos eorum spiritus 78
Apparuerunt apostolis - 3a pars (of 3): Loquebantur variis linguis apostoli 78
Beati omnes - 1a pars (of 2): Beati omnes qui timent Dominum qui ambulant 47–47v
Beati omnes - 2a pars (of 2): Ecce sic benedicetur homo qui timet 47v–48
Beatus qui intelligit - 1a pars (of 2): Beatus qui intelligit erga egenum 2
Beatus qui intelligit - 1a pars (of 2): Beatus qui intelligit super egenum 5v–6
Beatus qui intelligit - 2a pars (of 2): Et ingrediebatur ut videret vane 2–2v
Beatus qui intelligit - 2a pars (of 2): Verbum iniquum constituerunt adversum 6–6v
Benedicamus patrem - 1a pars (of 3): Benedicamus patrem et filium cum sancto 81v–82
Benedicamus patrem - 2a pars (of 3): In saecula saeculorum 82
Benedicamus patrem - 3a pars (of 3): Benedictus es Domine in firmamento 82
Candida virginitas - 1a pars (of 2): Candida virginitas 48–48v
Candida virginitas - 2a pars (of 2): Que meruit Dominum 48v–49
Christi virgo dilectissima - 1a pars (of 2): Christi virgo dilectissima virtutum operatrix 79
Christi virgo dilectissima - 2a pars (of 2): Quoniam peccatorum mole premimur 79–79v
Christus resurgens - 1a pars (of 2): Christus resurgens ex mortuis jam non 79v
Christus resurgens - 2a pars (of 2): Quod enim vivit deo alleluia 79v–80
Circumdederunt me / Christus mortuus est 19.1 46v–47
Circumdederunt me / Sic Deus dilexit mundum 20.13 47
Circumdederunt me gemitus mortis dolores Anonymous 46v
Deus venerunt gentes - 1a pars (of 2): Deus venerunt gentes in hereditatem tuam 19–20
Deus venerunt gentes - 2a pars (of 2): Adjuva nos Deus salutaris noster 20v–21v
Dilexi quoniam - 1a pars (of 2): Dilexi quoniam exaudivit vocem orationis meae Anonymous 49v–50v
Dilexi quoniam - 2a pars (of 2): O Domine libera animam meam Anonymous 50v–51
Dixit Dominus - 1a pars (of 2): Dixit Dominus Domino meo Sede a dextris meis Anonymous 46–(start of section III)
Dixit Dominus - 2a pars (of 2): Juravit Dominus et non penitebit eum Anonymous 46–46v
Domine ne in furore - 1a pars (of 2): Domine ne in furore tuo arguas me 11–11v
Domine ne in furore - 2a pars (of 2): Laboravi in gemitu meo natabilem 11v–12
Exaudi nos - 1a pars (of 3): Exaudi nos Domine quoniam benigna est 90
Exaudi nos - 2a pars (of 3): Respice nos Domine 90
Exaudi nos - 3a pars (of 3): Salvum me fac Deus quoniam intraverunt 90v
Exultent saliant - 1a pars (of 2): Exultent saliant plaudant juvenesque senesque Anonymous 22v–23
Exultent saliant - 2a pars (of 2): Connubio stabili Fernandi filia regis Anonymous 23–23v
Felix namque - 1a pars (of 3): Felix namque es sacra virgo Maria 90v–91
Felix namque - 2a pars (of 3): Quia ex te ortus est sol justiciae 91
Felix namque - 3a pars (of 3): Intercede pro populo illumina nos 91–91v
Herr, neige deine Ohren - 1a pars (of 3): Herr, neige deine Ohren und erhöre mich 51v–52
Herr, neige deine Ohren - 2a pars (of 3): Herr, es ist dir kein gleich 52–52v
Herr, neige deine Ohren - 3a pars (of 3): Ich dank dir, Herr, mein Gott 52v–53
Homo quidam (P99, 5vv) - 1a pars (of 3): Homo quidam fecit caenam 84
Homo quidam (P99, 5vv) - 2a pars (of 3): Quia parata sunt omnibus firmiter 84
Homo quidam (P99, 5vv) - 3a pars (of 3): Venite comedite panem meum 84v
Homo quidam - 1a pars (of 3): Homo quidam fecit caenam magnam et misit Anonymous 95–95v
Homo quidam - 2a pars (of 3): Quia parata sunt omnibus firmiter Anonymous 95v
Homo quidam - 3a pars (of 3): Venite comedite panem meum et bibite Anonymous 95v–96
Illuminare Jerusalem - 1a pars (of 3): Illuminare Jerusalem venit lux tua et gloria 94–94v
Illuminare Jerusalem - 2a pars (of 3): Et gloria Domini super te Jerusalem 94v
Illuminare Jerusalem - 3a pars (of 3): Et ambulabunt gentes in lumine tuo 94v–95
In monte Oliveti - 1a pars (of 3): In monte Oliveti oravi ad patrem 88
In monte Oliveti - 2a pars (of 3): Spiritus quidem promptus est caro 88
In monte Oliveti - 3a pars (of 3): Verumtamen non sicut ego volo 88v
In te Domine speravi - 1a pars (of 2): In te Domine speravi 1–(start of section II)
In te Domine speravi - 2a pars (of 2): Quoniam fortitudo mea ... Et propter nomen 1v
Ingressus Pilatus - 1a pars (of 3): Ingressus Pilatus cum Jesu in praetorium 91v–92
Ingressus Pilatus - 2a pars (of 3): Et cum indutus fuisset exclamaverunt 92–92v
Ingressus Pilatus - 3a pars (of 3): Tunc ait illis Pilatus regem vestrum 92v–93
Ite in orbem - 1a pars (of 3): Ite in orbem universum et predicate dicentes 77v
Ite in orbem - 2a pars (of 3): Qui crediderit et baptisatus fuerit 77v
Ite in orbem - 3a pars (of 3): Euntes in mundum universum predicate 77v
Jauchzet dem Herren - 1a pars (of 2): Jauchzet dem Herren alle welt dienet 8–8v
Jauchzet dem Herren - 2a pars (of 2): Geht zu seinen Toren ein 8v
Jubilate Deo - 1a pars (of 2): Jubilate Deo omnis terra servite Domino 2v–3
Jubilate Deo - 2a pars (of 2): Ingredimini portas eius in confessione 3–3v
Judica me Deus - 1a pars (of 2): Judica me Deus et contende contentionem meam 13–13v
Judica me Deus - 2a pars (of 2): Et ingrediar ad altare Dei ad Deum 14–14v
Media vita - 1a pars (of 2): Media vita in morte sumus quem querimus 7v
Media vita - 2a pars (of 2): Sancte Deus sancte fortis sancte 8
O admirabile commercium creator generis 96
O quam praeclara - 1a pars (of 2): O quam praeclara sunt tua gesta 6v–7
O quam praeclara - 2a pars (of 2): O fides spei columen 7
Panem angelorum - 1a pars (of 3): Panem angelorum manducavit sanctus Anthonius 81
Panem angelorum - 2a pars (of 3): Corvus enim nutu Dei panem tulit 81
Panem angelorum - 3a pars (of 3): Eya inquit Paulus sumamus cibum 81v
Quadam die (I) - 1a pars (of 3): Quadam die Olibrius molestus Deo et hominibus 78–78v
Quadam die (I) - 2a pars (of 3): Mox in concupiscentiam eius exarsit 78v
Quadam die (I) - 3a pars (of 3): Erat enim nimium formosa in vultu 78v–79
Quadam die (II) - 1a pars (of 3): Quadam die Olibrius molestus Deo et hominibus 80v
Quadam die (II) - 2a pars (of 3): Mox in concupiscentiam eius omnes gentes plaudite 80v
Quadam die (II) - 3a pars (of 3): Erat enim nimium formosa in vultu 81
Quare tumultuatae - 1a pars (of 2): Quare tumultuatae sunt gentes et populi 9v–10
Quare tumultuatae - 2a pars (of 2): Narrabo statutum Dominus dixit ad me 10v–11
Rex noster adveniet - 1a pars (of 2): Rex noster adveniet Christus quem Johannes 89v
Rex noster adveniet - 2a pars (of 2): Ecce agnus Dei qui tollit peccata 89v
Salvum me - 1a pars (of 2): Salvum me fac Domine 4v–5
Salvum me - 2a pars (of 2): Veni in altitudinem maris 5–5v
Seid ihr denn stumm - 1a pars (of 3): Seid ihr denn stumm, dass ihr nit reden 14v–15v
Seid ihr denn stumm - 2a pars (of 3): Gott zerbricht ihre Zähne 15v–16
Seid ihr denn stumm - 3a pars (of 3): Sie vergehen wie ein schnecke 16v–17
Si bona suscepimus - 1a pars (of 4): Si bona suscepimus de manu Domini 85
Si bona suscepimus - 2a pars (of 4): Dominus dedit Dominus abstulit sicut 85–85v
Si bona suscepimus - 3a pars (of 4): In omnibus his non peccavit Job labiis 85v
Si bona suscepimus - 4a pars (of 4): Dominus dedit Dominus abstulit sicut 85v–86
Sic Deus dilexit mundum ut filium suum 49–49v
Spes mea - 1a pars (of 2): Spes mea Domine a juventute mea 82v
Spes mea - 1a pars (of 4): Spes mea Domine 80
Spes mea - 2a pars (of 2): In te confirmatus sum ex utero 82v–83
Spes mea - 2a pars (of 4): A juventute mea 80
Spes mea - 3a pars (of 4): In te confirmatus sum ex utero 80–80v
Spes mea - 4a pars (of 4): A juventute mea 80v
Sponsa Christi nil sibi gloriosus putat 53v–54
Super salutem - 1a pars (of 3): Super salutem et omnem pulchritudinem 84v
Super salutem - 2a pars (of 3): Gaudent chori angelorum confortes 84v
Super salutem - 3a pars (of 3): Paradisi porta per Evam cunctis clausa 85
Sustinuimus pacem - 1a pars (of 3): Sustinuimus pacem et non venit quaesivimus 83–83v
Sustinuimus pacem - 2a pars (of 3): Non in perpetuum obliviscaris nos 83v
Sustinuimus pacem - 3a pars (of 3): Peccavimus cum patribus nostris 83v–84
Tanto tempore vobiscum (5vv, M112) - 1a pars (of 2): Tanto tempore vobiscum sum et non cognovistis - Philippe qui videt me 24
Tanto tempore vobiscum (5vv, M112) - 2a pars (of 2): Non turbetur cor vestrum creditis - Philippe qui videt me 24–24v
Te Deum - 1a pars (of 3): Te Deum laudamus te Dominum confitemur 9
Te Deum - 2a pars (of 3): Tu ad liberandum suscepturus hominem 9–9v
Te Deum - 3a pars (of 3): Per singulos dies benedicimus te 9v
Tecum principium in die virtutis tuae Anonymous 53v
Tollite portas - 1a pars (of 2): Tollite portas principes vestras orbis Anonymous 3v–4
Tollite portas - 2a pars (of 2): Attollite portas principes vestras Anonymous 4–4v
Ubi est Abel - 1a pars (of 3): Ubi est Abel frater tuus dixit Dominus 76–76v
Ubi est Abel - 2a pars (of 3): Ecce vox sanguinis fratris tui Abel 76v–77
Ubi est Abel - 3a pars (of 3): Maledicta terra in opere tuo que aperuit 77–77v
Usquequo Domine - 1a pars (of 2): Usquequo Domine oblivisceris mei 12–12v
Usquequo Domine - 2a pars (of 2): Respice responde mihi Deus meus 12v–13
Verbum caro - 1a pars (of 3): Verbum caro factum est et habitabit 75–(start of section V)
Verbum caro - 1a pars (of 3): Verbum caro factum est et habitavit 115–(start of section VI)
Verbum caro - 2a pars (of 3): In principio erat verbum et verbum 75–75v
Verbum caro - 2a pars (of 3): Plenum gratia et veritate 115–115v
Verbum caro - 3a pars (of 3): In principio erat verbum et verbum 115v
Verbum caro - 3a pars (of 3): Quem aethera et terra atque mare 75v–76
Verbum caro 20.16 - 1a pars (of 3): Verbum caro factum est 86–86v
Verbum caro 20.16 - 2a pars (of 3): In principio erat verbum 86v–87
Verbum caro 20.16 - 3a pars (of 3): Cuius gloriam vidimus quasi unigeniti 87
Verbum caro factum - 1a pars (of 6): Verbum caro factum est de virgine Maria 88v
Verbum caro factum - 2a pars (of 6): Plenum gratia et veritate 88v
Verbum caro factum - 3a pars (of 6): In principio erat verbum 88v
Verbum caro factum - 4a pars (of 6): Plenum gratia et veritate 89
Verbum caro factum - 5a pars (of 6): Gloria superno genitori qui filium 89
Verbum caro factum - 6a pars (of 6): Et parilem naturam sui qui plenus 89
Videns Jacob (5vv) - 1a pars (of 3): Videns Jacob vestimenta Joseph scidit vestimenta 87v
Videns Jacob (5vv) - 2a pars (of 3): Fera pessima devoravit filium meum 87v
Videns Jacob (5vv) - 3a pars (of 3): Vide si tunica filii tui sit an non? 88

Set: MS LXXIII

Type: Partbooks

No images available

D-Z Mus. 73 (A)

No images available

D-Z Mus. 73 (B)

No images available

D-Z Mus. 73 (D)

No images available

D-Z Mus. 73 (Q)

No images available

D-Z Mus. 73 (S)

No images available

D-Z Mus. 73 (T)

denotes primary source study

Moorefield, Arthur Albert. None. An Introduction to Johannes Galliculus. Musicological Studies.  Brooklyn. Pages: 64-5, 139. Notes: contents list (partial); mention of MS; discussion.

Just, Martin. 1998. Die Schalreuter-Handschrift ZwickauR 73. Gestalt und Entstehung musikalischer Quellen im 15. und 16. Jahrhundert, 179-92. Wiesbaden.

Elders, Willem. 1981. Ein handschriftlicher 'Liber Psalmorum' aus der deutschen Überlieferung. Formen und Probleme der Überlieferung mehrstimmiger Musik im Zeitalter Josquins Desprez, Wolfenbütteler Forschungen.  Munich. Notes: physical description (partial); contents list (partial); concordances (partial); incipits (partial); facsimile (partial); mention of MS; discussion.

Lewis, Mary Stuart. 1979. Antonio Gardane and His Publications of Sacred Music, 1538-55. Brandeis University, Unpublished Ph.D. dissertation. Pages: 336-7,349-50,369,816. Notes: contents list (partial); concordances (partial).

Steude, Wolfram. 1978. Untersuchungen zur mitteldeutschen Musiküberlieferung und Musikpflege im 16. Jahrhundert.  Leipzig. Pages: 29-32, passim. Notes: contents list (partial); mention of MS; discussion.

Youens, Laura. 1978. Music for the Lutheran Mass in Leipzig, Universitätsbibliothek, MS. Thomaskirche 49/50. Indiana University, Unpublished Ph.D. dissertation. Pages: 341,621,633-4,731,786. Notes: contents list (partial); concordances (partial); incipits (partial).

Thompson, Glenda Goss. 1975. Benedictus Appenzeller: Maître de la Chapelle to Mary of Hungary and Chansonnier. University of North Carolina, Unpublished Ph.D. dissertation. Pages: 543-4. Notes: contents list (partial); concordances (partial); incipits (partial).

Nugent, George Edward. 1973. The Jacquet Motets and Their Authors. Princeton University, Unpublished Ph.D. dissertation. Pages: I,141,152ff. Notes: mention of MS; contents list (partial); concordances (partial).

Steude, Wolfram. 1972. Untersuchungen zu Herkunft, Verbreitung und spezifischem Inhalt mitteldeutscher Musikhandschriften des 16. Jahrhunderts. University of Rostock, Unpublished Ph.D. dissertation. Pages: 13-7. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Dehnhard, Walter. 1971. Die deutschen Psalmmotette in der Reformationszeit. Neue Musikgeschichtliche Forschungen.  Wiesbaden. Pages: 128,137,140-2, 145-56,277,285-9,308-9. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Windh, John Ernfrid. 1971. Early Lutheran Masses. University of Illinois, Unpublished D.M.A. thesis. Pages: 150-1. Notes: physical description (partial); mention of MS; discussion.

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts.  Tutzing. Pages: 175. Notes: contents list (partial); incipits (partial).

Moorefield, Arthur Albert. 1965. The Music of Johannes Galliculus and Its Function in the Early Lutheran Liturgy. University of California at Los Angeles, Unpublished Ph.D. dissertation. Pages: I,88-9,187,214. Notes: contents list (partial); mention of MS; discussion.

Hoffmann-Erbrecht, Lothar. 1964. Thomas Stoltzer: Leben und Schaffen. Die Musik in Alten und Neuen Europa.  Kassel. Pages: 169, 175-83, passim. Notes: physical description (partial); contents list (partial); concordances (partial); mention of MS; discussion.

Bente, Martin. 1962. Ulrich Brätel. Über Leben und Werk des ersten württembergischen Hofkomponisten der Reformationszeit. Hans Albrecht in Memoriam, 63-74, 63-74. Kassel. Pages: 67-9. Notes: mention of MS; contents list (partial); concordances (partial).

Hoffmann-Erbrecht, Lothar. 1961. Datierungsprobleme bei Kompositionen in deutschen Musikhandschriften des 16. Jahrhunderts. Festschrift Helmuth Osthoff zum 65. Geburtstage, 47-60. Tutzing. Pages: 52. Notes: contents list (partial); mention of MS; discussion.

Seiffert, Max (editor). 1957-61. Denkmäler Deutscher Tonkunst. Leipzig, 1892-1931.  Wiesbaden and Graz. Pages: LXV, 70-4, 143, 145. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Schröder, Inge-Maria. 1954. Die Responsorien-vertonungen des Balthasar Resinarius.  Kassel. Pages: 51-2. Notes: mention of MS; contents list (partial); concordances (partial).

Brennecke, Wilfried. 1953. Die Handschrift A.R. 940/41 der Proske-Bibliothek zu Regensburg. Schriften des Landesinstituts für Musikforschung Kiel.  Kassel and Basel. Pages: 30,40,64. Notes: contents list (partial); concordances (partial).

Albrecht, Hans. 1950. Caspar Othmayr: Leben und Werk.  Kassel and Basel. Pages: 132-3. Notes: contents list (partial); concordances (partial).

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik.  Kassel. Pages: XI, 1594-6. Notes: contents list (partial); concordances (partial); facsimile (partial); mention of MS; discussion.

Geering, Arnold (editor). 1949-. Ludwig Senfl: Sämtliche Werke.  Wolfenbüttel and Zürich. Pages: VI,95,99. Notes: mention of MS; contents list (partial); concordances (partial).

Geering, Arnold (editor). 1935. Das Erbe Deutscher Musik.  Leipzig, Kassel, Wolfenbüttel, and Wiesbaden. Pages: XIII, 116, 121 XXII,ix,85ff XXVI, 126-8,154,163-4 LXVI.viii, 14-21,174ff. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial); facsimile (partial).

Geering, Arnold. 1933. Die Vokalmusik in der Schweiz zur Zeit der Reformation. Schweizerisches Jahrbuch für Musikwissenschaft, . Pages: 171-3. Notes: physical description; mention of MS; discussion.

Smijers, Albert (editor). 1926-64. Werken van Josquin des Prez: Motetten.  Amsterdam. Pages: XXIV, xxxv, 149-60. Notes: contents list (partial); transcription (partial).

Vollhardt, Reinhard. 1893-6. Bibliographie der Musik-Werke in der Ratsschulbibliothek zu Zwickau. Monatshefte für Musikgeschichte, . Pages: 4-14. Notes: physical description (partial); contents list; incipits (partial).

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Marnix van Berchum

Sunday, 27 January, 2019

Problem: the six partbooks have been incorrectly inventoried as if each contains one section of the six sections into which the repertory is divided (i.e. the inventory of series 1 is in the [S] part book, series 2 in the [A] part book etc.). Resolved: I've transferred the inventories of each series from the various partbooks onto the Discantus, where the complete inventory is now consolidated, and DELETED the items attached to each of the other books (but left the 'inventory provided' tick-box ticked). The set therefore has a complete inventory, but users will have to refer to the Discantus to find it. [Other books don't have inventories or the inventory tab, but also don't display the text 'DIAMM does not have inventory...'.] I've added the 'series numbering' for each piece so that it shows on the inventory, in lieu of foliation. (I also noticed we had two composers Virgilius Haugk & Haugk Virgilius! So I have combined them.)

DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Watermark Note; Notation Note; Foliation Note; Foliation Note; Decoration Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description