GB-CA Add. Ms. 128/65

Cathedral Archives, Canterbury, England

fragment: 15th century: c 1450-70

Archive Cathedral Archives, Canterbury, England (GB-CA)
Shelfmark Add. Ms. 128/65
Surface Parchment
Numbering System Foliation
Measurements '44': c. 385 x 140; '45': c. 415 x 140 (third strip: c. 400 x 60). mm
Other Identifiers
  • CCM: CantC 4
  • olim (Former shelfmark): Sandon: CANT 4
Notations
  • black full mensural
  • black void semiminims
  • coloration in black void
Relationships
External Links
Provenance
  • England
Contents 2 pieces from 1 composers
General Description

Sandon diagramms the configuration of the three strips into a rotulus and provides a proper inventory

DIAMM, 2019
General Description

Strips recovered from the cathedral library's MS Misc. A/cs, vol. 37 (a Journal of Accounts of Treasurers of the Priory for the years 1467-79). The strips were originally part of a single manuscript roll containing one of the voice parts for a series of pieces; this roll was probably one of a set of four rolls, each of which contained one of the other voice parts for the same series of pieces. Copied by two scribes. Probably copied at Canterbury Cathedral.

DIAMM, 2017
Binding

strips are part of a collection of miscellaneous leaves from various music manuscripts preserved under the call number 'Additional 128'; the leaves are kept loose in a large black box.

DIAMM, 2017
Liminary Note

A 15th-century hand has written the name 'Symon Benet' ' on the verso side of strip #45.

DIAMM, 2017
Notation

Black full with black void semiminims and coloration

DIAMM, 2017
Foliation

Two of the strips (ca. 385 x 140 and ca. 415 x 140, respectively) bear the pencil numbers '44' and '45,' added by a modern hand.

DIAMM, 2017
Foliation

r+v

DIAMM, 2017
Surface

Parchment

DIAMM, 2017
DIAMM Note

NB The CANT numbers (1-5) were allocated by Sandon in his 1976 ‘Fragments’ article. They do not correspond to a reference in the form ‘Add. Ms. 128/(CANT no.)’.

128/2 = not clear whether this was ever anything different

128/5 = CANT 2 (cannot currently be traced) – the current 128/5 is different from CANT contents

128/6 = CANT 3

128/7 = CANT 5 (reported as stolen in 1977) – current 128/7 has no music

128/8 - incorporates the former 128/71 = CANT 1

128/13 – now has no music (seems to have become 128/66)

128/62 = CANT 6

128/65 = CANT 4

128/66 – may be the one formerly 128/13

128/70 – no olim

128/71 – now incorporated into 128/8

CANT 1 = 128/8

CANT 2 = 128/5 (not the current 128/5 though)

CANT 3 = 128/6

CANT 4 = 128/65

CANT 5 = 128/7

CANT 6 = 128/62

DIAMM, 2019
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

Single voice parts for 5 motets

Anonymous

3 parchment strips, recovered from the cathedral library's MS Misc. A/cs, vol. 37 (a Journal of Accounts of Treasurers of the Priory for the years 1467-79). Two of the strips (ca. 385 x 140 and ca. 415 x 140, respectively) bear the pencil numbers "44" and "45," added by a modern hand. These two strips were removed from the Journal at an unknown date. In 1971 Roger Bowers examined the Journal and discovered the third strip (ca. 400 x 60), which was once part of what is now strip #44. It appears that the three strips were originally part of a single manuscript roll containing one of the voice parts for a series of pieces; this roll, in turn, was probably one of a set of four rolls, each of which contained one of the other voice parts for the same series of pieces. Black notation with black void semiminims and coloration. Copied by two scribes. A 15th-century hand has written the name "Symon Benet' ' on the verso side of strip #45. These three strips are part of a collection of miscellaneous leaves from various music manuscripts preserved under the call number "Additional 128"; the leaves are kept loose in a large black box.

Ca. 1450-70 (SandonF). Probably copied at Canterbury Cathedral.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

verso

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
[-] Vidi aquam egredientem de templo - Anonymous
Appears on: [-]
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Vidi aquam egredientem
45v Asperges me Domine isopo et mundabor - Anonymous
Appears on: 45v
Genres: Asperges me, Motet
Voice: [no designation]
Languages: Latin
Voice Text: Asperges me Domine hysopo
Composer Compositions
Anonymous
Composition Composers (? Uncertain) Folios / Pages
Asperges me Domine isopo et mundabor Anonymous 45v
Vidi aquam egredientem de templo Anonymous [-]

Images © 2001 Canterbury Cathedral Archives, by kind permission of the Dean and Chapter of Canterbury

denotes primary source study

Bent, Margaret, and Andrew B Wathey. 2022. Fragments of English Polyphonic Music ca. 1390–1475: A Facsimile Edition.

Curtis, Gareth R K, and Andrew B Wathey. 1994. Fifteenth-Century English Liturgical Music: A List of the Surviving Repertory. Royal Musical Association Research Chronicle, 1-69.

Lefferts, Peter M. 1986. The Motet in England in the Fourteenth Century. UMI studies in Musicology.  Ann Arbor. Pages: 246.

Hamm, Charles E, and Herbert Kellman (editors). 1979-1988. Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550. Renaissance Manuscript Studies. 5 vols. Neuhausen nr. Stuttgart: American Institute of Musicology, Hänssler Verlag.

Sandon, Nicholas. 1976. Fragments of Medieval Polyphony at Canterbury Cathedral. Musica Disciplina, 37-53. Pages: 44-8, passim. Notes: diagramms the configuration of the three strips into a rotulus, and provides a proper inventory.

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description