GB-CA Add. Ms. 128/6

Cathedral Archives, Canterbury, England

fragment: 15th century: c 1430-40

Archive Cathedral Archives, Canterbury, England (GB-CA)
Shelfmark Add. Ms. 128/6
Surface Parchment
Numbering System None
Measurements 490 x 320 mm
Other Identifiers
  • CCM: CantC 3
  • olim (Former shelfmark): Sandon: CANT 3
Notations
  • black full mensural
  • black void semiminims
  • coloration in red
Relationships
External Links
Provenance
  • England
Contents 2 pieces from 2 composers
General Description

This fragment is one of a number of miscellaneous leaves from various music manuscripts preserved under the call number 'Additional 128'. The recto contains the motetus part of Dunstaple's motet Preco preheminencie / Precursor precessit (Dunstable edition no. 29); the verso contains the triplum Ave miles triumphalis and tenor Criste morte nato mundo vite reserato of an otherwise unknown motet. Both anonymous here. Probably copied at Canterbury Cathedral. The fragment was discovered in 1971 in the wrapping of Literary MS C 11 of the cathedral library (the account book and commonplace book of one William Ingram, a monk at the cathedral between 1503 and 1533).

Margaret Bent, 2010
Binding

The leaves are kept loose in a large black box.

Margaret Bent, 2010
Notation

Black notation + black void semiminims and red coloration

Margaret Bent, 2010
Date

Ca. 1430-40 (SandonF)' In view of the suggestion (Bent, Dunstaple book, p. 8) that this motet was performed in Canterbury Cathedral in 1416, a date closer to 1420 for this fragment seems likely and is consistent with the notation and general appearance.

Margaret Bent, 2010
Foliation

r+v

Margaret Bent, 2010
Surface

parchment

Margaret Bent, 2010
DIAMM Note

Recto, motetus part of Dunstaple's motet Preco preheminencie / Precursor precessit (Dunstable edition no. 29); verso, triplum Ave miles triumphalis and tenor Criste morte nato mundo vite reserato of an otherwise unknown motet. Both anonymous here. In view of the suggestion (Bent, Dunstaple book, p. 8) that this motet was performed in Canterbury Cathedral in 1416, a date closer to 1420 for this fragment seems likely and is consistent with the notation and general appearance.

Margaret Bent, 2010
DIAMM Note

NB The CANT numbers (1-5) were allocated by Sandon in his 1976 ‘Fragments’ article. They do not correspond to a reference in the form ‘Add. Ms. 128/(CANT no.)’.

128/2 = not clear whether this was ever anything different

128/5 = CANT 2 (cannot currently be traced) – the current 128/5 is different from CANT contents

128/6 = CANT 3

128/7 = CANT 5 (reported as stolen in 1977) – current 128/7 has no music

128/8 - incorporates the former 128/71 = CANT 1

128/13 – now has no music (seems to have become 128/66)

128/62 = CANT 6

128/65 = CANT 4

128/66 – may be the one formerly 128/13

128/70 – no olim

128/71 – now incorporated into 128/8

CANT 1 = 128/8

CANT 2 = 128/5 (not the current 128/5 though)

CANT 3 = 128/6

CANT 4 = 128/65

CANT 5 = 128/7

CANT 6 = 128/62

DIAMM, 2019
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

2 motets [fragmentary and incomplete)

(Dunstable)-1, anon-1

1 fragmentary parchment folio, ca. 490 x 320. No foliation or numbering. Black notation with black void semiminims and red coloration. This fragment is one of a number of miscellaneous leaves from various music manuscripts preserved under the call number "Additional 128"; the leaves are kept loose in a large black box.

Ca. 1430-40 (SandonF). Probably copied at Canterbury Cathedral. The fragment was discovered in 1971 in the wrapping of Literary MS C 11 of the cathedral library (the account book and commonplace book of one William Ingram, a monk at the cathedral between 1503 and 1533).

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

recto

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
recto Preco praeeminentiae / Praecursor praemittitur / Inter natos mulierum -
Appears on: recto
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Preco praeeminentiae/Praecursor praemittitur/Inter natos mulierum
verso Ave miles triumphalis - Anonymous
Appears on: verso
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Ave miles triumphalis

Images © 2001 Canterbury Cathedral Archives, by kind permission of the Dean and Chapter of Canterbury

denotes primary source study

Bent, Margaret, and Andrew B Wathey. 2022. Fragments of English Polyphonic Music ca. 1390–1475: A Facsimile Edition.

Curtis, Gareth R K, and Andrew B Wathey. 1994. Fifteenth-Century English Liturgical Music: A List of the Surviving Repertory. Royal Musical Association Research Chronicle, 1-69.

Allsen, Jon Michael. 1992. Style and Intertextuality in the Isorhythmic Motet, 1400–1440. University of Wisconsin-Madison, Ph.D. diss.

Bent, Margaret. 1981. Dunstaple. Oxford Studies of Composers.  London: Oxford University Press. Pages: 8.

Hamm, Charles E, and Herbert Kellman (editors). 1979-1988. Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550. Renaissance Manuscript Studies. 5 vols. Neuhausen nr. Stuttgart: American Institute of Musicology, Hänssler Verlag. Pages: I p.141.

Sandon, Nicholas. 1976. Fragments of Medieval Polyphony at Canterbury Cathedral. Musica Disciplina, 37-53. Pages: 41-4, passim. Notes: physical description; contents list; concordances; incipits; texts; mention of MS; discussion.

Ker, Neil R. 1969-1992. Medieval Manuscripts in British Libraries. 4 vols. Oxford. Pages: II, 326, 328.

Lewis, Anthony (editor). 1951-. Musica Britannica: A National Collection of Music.  London.

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Margaret Bent, 2010

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Date Note; Foliation Note; Surface Note; DIAMM Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description