GB-Cu Add. 5943

University Library, Cambridge, England

manuscript of polyphony: Early 15th century

Archive University Library, Cambridge, England (GB-Cu)
Shelfmark Add. 5943
Surface Mixed Paper and Parchment
Numbering System Foliation
Format portrait
Measurements 219 x 148 mm
Other Identifiers
  • RISM: GB-Cu5943
  • CCM: CambriU 5943
Notations
  • black void mensural
  • English mensural
Relationships
Provenance
  • England
Contents Contains 18 compositions, 18 are anonymous.
General Description

The manuscript also contains tables of eclipses from 1414 to the middle of the 15th century, moral tracts, sermons, account listings, and memoranda; the music is on ff. 161-171. . Originated in Somersetshire, England (GreS). On the penultimate folio is a Latin inscription dated 10 December 1418, which states that the book is the property of one John (the surname has been erased), a Carthusian monk at Henton Priory, in Somersetshire. (The monastery, mostly demolished during the suppression under Henry VIII, was located near the present village of Hinton Charterhouse). The book had been given to the monk John by Thomas Türke, formerly perpetual vicar at 'Biere' [ = Beer]. The manuscript was later owned by Baron Howard de Walden; it was acquired by Cambridge University Library in 1915 through the London firm of Bernard Quaritch.

DIAMM, 2017
Physical Description

ff. 1, 8, and 156-158 are now missing

DIAMM, 2017
Binding

New cardboard covers with brown leather spine

DIAMM, 2017
Notation

black void English mensural notation

DIAMM, 2017
Foliation

Original foliation to 182; ff. 1, 8, and 156-158 are now missing.

DIAMM, 2017
Foliation

161-171v

DIAMM, 2017
Surface

iii parchment + 177 paper + iii parchment

DIAMM, 2017
RISM Description

RISM B/IV 4: 15. Jh.; 182 Blätter Papier + je 3 Pergament Vorsatz- und Nachstoßblätter, 219 x 148 mm. Moderne Foliierung - Einband: originale Deckel fehlen; Handschrift in Schachtel aufbewahrt.

Diese Handschrift stammt, wie sich aus den in ihr enthaltenen Ekliptiktabellen ergibt, aus dem frühen 15. Jh. (um 1415). Sie enthält zur Hauptsache Sermones, Moraltraktate und ähnlich; Musik zu englischen, französischen und lateinischen Texten steht auf f. 161ff.; von f. 161-172: je Seite 8-10 Fünfliniensysteme, von f. 161-169: mit weißer, englischer Mensuralnotation des frühen 15. Jh. (f. 170r/v ohne Notation). Die Handschrift befand sich früher im Besitze von Lord Howard de Waiden und wurde 1915 von der Universitätsbibliothek Cambridge bei B. Quaritch gekauft.

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of any of this content without permission may result in legal action.

Répertoire International des Sources Musicales
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 Gloria (incomplete), 1 Credo, 1 hymn, 1 motet, 9 English pieces, 4 French pieces, 1 round = 18

Anonymous

iii parchment + 177 paper + iii parchment folios, 218 x 144. Original foliation to 182; ff. 1, 8, and 156-158 are now missing. New cardboard covers with brown leather spine. No index. The manuscript also contains tables of eclipses from 1414 to the middle of the 15th century, moral tracts, sermons, account listings, and memoranda; the music is on ff. 161-171.

Ca. 1415 (RISM). Originated in Somersetshire, England (GreS). On the penultimate folio is a Latin inscription dated 10 December 1418, which states that the book is the property of one John (the surname has been erased), a Carthusian monk at Henton Priory, in Somersetshire. (The monastery, mostly demolished during the suppression under Henry VIII, was located near the present village of Hinton Charterhouse). The book had been given to the monk John by Thomas Türke, formerly perpetual vicar at "Biere" [ = Beer]. The manuscript was later owned by Baron Howard de Walden; it was acquired by Cambridge University Library in 1915 through the London firm of Bernard Quaritch.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

172v

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denotes primary source study

Curtis, Gareth R K, and Andrew B Wathey. 1994. Fifteenth-Century English Liturgical Music: A List of the Surviving Repertory. Royal Musical Association Research Chronicle, 27: 1-69.

Fenlon, Iain (editor). 1982. Cambridge Music Manuscripts, 900-1700.  Cambridge.

Hamm, Charles E, and Herbert Kellman (editors). 1979-1988. Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550. Renaissance Manuscript Studies, vol. 1-5. 5 vols. Neuhausen nr. Stuttgart: American Institute of Musicology, Hänssler Verlag.

Rastall, Richard, and Leslie Hewitt. 1973. A Fifteenth-Century Song Book. Early Music in Facsimile, vol. 1.  Leeds.

Schlager, Karlheinz (editor). 1971-. Répertoire International des Sources Musicales. Series A/I, vol. Einzeldrucke vor 1800.  Kassel.

Russell, Theodore C. 1967. Cantus Firmus Technique in the Music of Fifteenth Century Manuscripts of English Provenance. Student Musicologists at Minnesota, 2: 52-77. Pages: 65-6.

Greene, Richard Leighton. 1962. A Selection of English Carols.  Oxford. Pages: 180-1.

Stevens, John E. 1961. Music & Poetry in the Early Tudor Court.  Cambridge. Pages: 433-58,463.

Westrup, Jack A (editor). 1954-. New Oxford History of Music.  London, New York, and Toronto. Pages: III, 120, 126, 127, 183.

Lewis, Anthony (editor). 1951-. Musica Britannica: A National Collection of Music.  London. Pages: IV, No. 1a.

Bukofzer, Manfred F. 1950. Studies in Medieval and Renaissance Music. Pages: 95f.

Wolf, Johannes. 1913-9; Reprinted: Hildesheim, 1963. Handbuch der Notationskunde.  Leipzig. Pages: I, 452.

Myers, S L. 1906. Music, Cantilenas, Songs etc. from an Early 15th Century Manuscript.  London.

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Physical Description Note; Binding Note; Notation Note; Foliation Note; Foliation Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

Répertoire Internationale des Sources Musicales

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description