Copied by a single scribe. Copied in France.
| Archive | Trinity College, Cambridge, England (GB-Ctc) |
|---|---|
| Shelfmark | R.2.71 |
| Surface | Paper |
| Numbering System | Foliation |
| Measurements | originally c. 180 x 140 mm |
| Other Identifiers |
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| Relationships |
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| Provenance |
|
| Contents | Contains 6 compositions, 2 from 2 composers, 4 are anonymous. |
General Description
Watermark
similar to Briquet #1680, #1724, and #1741 (FallowsJO).
Notation
not indicated
Date
Ca. 1465-85 (FallowsJO)
Ruling
Staff height ca. 13.
Foliation
1-4v
Foliation
Modern pencil foliation, 1-4 (f. 2 actually a verso, f. 2' actually a recto).
Decoration
No initials or decoration
Surface
paper
Census Catalogue of Music Description
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.
6 French secular pieces (all fragmentary) (Busnois)-1, Ockeghem-1, anon-4
4 fragmentary paper folios, originally ca. 180 x 140, recovered from binding of unidentified book by A. G. W. Murray, Trinity College librarian, in 1913.
Modern pencil foliation, 1-4 (f. 2 actually a verso, f. 2' actually a recto). Copied by a single scribe. Staff height ca. 13. No initials or decoration. Watermark similar to Briquet #1680, #1724, and #1741 (FallowsJO).
Ca. 1465-85 (FallowsJO). Copied in France.
4
The inventory could not be loaded.
‡ denotes primary source study
Gutiérrez-Denhoff, Martella. 1985. Der Wolfenbütteler Chansonnier Wolfenbüttel, Herzog August Bibliothek Codex Guelf. 287 Extrav.: Untersuchungen zu Repertoire und Überlieferung einer Musikhandschrift des 15. Jahrhunderts und ihres Umkreises. Wolfenbütteler Forschungen, vol. 29. Wiesbaden. Pages: 308, 319.
Weiss, Susan Forscher. 1985. The Manuscript Bologna, Civico Museo Bibliografico Musicale, Codex Q 18 (olim 143): A Bolognese Instrumental Collection of the Early Cinquecento. University of Maryland, Unpublished Ph.D. dissertation. Pages: 326.
Fallows, David. 1984. Johannes Ockeghem: The changing image, the songs and a new source. Early Music, 12: 218-30. Pages: 225-9.
Brown, Howard Mayer (editor). 1983. A Florentine Chansonnier from the Time of Lorenzo the Magnificent: Florence, Biblioteca Nazionale Centrale MS Banco Rari 229. Monuments of Renaissance Music, vol. VII. Chicago and London. Pages: 310.
Hamm, Charles E, and Herbert Kellman (editors). 1979-1988. Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550. Renaissance Manuscript Studies, vol. 1-5. 5 vols. Neuhausen nr. Stuttgart: American Institute of Musicology, Hänssler Verlag.
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DIAMM, 2016
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Watermark Note; Notation Note; Date Note; Ruling Note; Foliation Note; Foliation Note; Decoration Note; Surface Note
Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description