GB-Ctc R.2.71

Trinity College, Cambridge, England

fragment: 15th century: c. 1465-85

Archive Trinity College, Cambridge, England (GB-Ctc)
Shelfmark R.2.71
Surface Paper
Numbering System Foliation
Measurements originally c. 180 x 140 mm
Other Identifiers
  • CCM: CambriT R.2.71
Relationships
Provenance
  • France
Contents 8 pieces from 3 composers
General Description

Copied by a single scribe. Copied in France.

DIAMM, 2017
Watermark

similar to Briquet #1680, #1724, and #1741 (FallowsJO).

DIAMM, 2017
Notation

not indicated

DIAMM, 2017
Date

Ca. 1465-85 (FallowsJO)

DIAMM, 2017
Ruling

Staff height ca. 13.

DIAMM, 2017
Foliation

1-4v

DIAMM, 2017
Foliation

Modern pencil foliation, 1-4 (f. 2 actually a verso, f. 2' actually a recto).

DIAMM, 2017
Decoration

No initials or decoration

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

6 French secular pieces (all fragmentary) (Busnois)-1, Ockeghem-1, anon-4

4 fragmentary paper folios, originally ca. 180 x 140, recovered from binding of unidentified book by A. G. W. Murray, Trinity College librarian, in 1913.

Modern pencil foliation, 1-4 (f. 2 actually a verso, f. 2' actually a recto). Copied by a single scribe. Staff height ca. 13. No initials or decoration. Watermark similar to Briquet #1680, #1724, and #1741 (FallowsJO).

Ca. 1465-85 (FallowsJO). Copied in France.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

4v

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1 Benedicta semper sancta sit trinitas = Je ne demande autre degre -
Busnoys, Antoine (ca. 1430–1492)

Benedicta semper sancta sit trinitas = Je ne demande autre degre

Busnoys, Antoine (ca. 1430–1492)
Appears on: 1
Genres: Chanson, Contrafactum, Motet
Voice: [no designation]
Languages: French
Voice Text: Benedicta semper sancta sit trinitas
1v ... assez? tout oultre Du monde... - Anonymous

... assez? tout oultre Du monde...

Anonymous
Appears on: 1v
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: ... assez? tout oultre Du monde...
2 Diteme lesse moih la vie - Anonymous

Diteme lesse moih la vie

Anonymous
Appears on: 2
Genres: Chanson
Voice: [no designation]
Languages: Italian
Voice Text: Diteme lesse moih la vie
2v indescipherable - -

indescipherable

Appears on: 2v
Voice: [no designation]
Languages: insufficient
Voice Text: indescipherable
3 Se te me plaind - Anonymous

Se te me plaind

Anonymous
Appears on: 3
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Se te me plaind
3v indescipherable - -

indescipherable

Appears on: 3v
Voice: [no designation]
Languages: insufficient
Voice Text: indescipherable
4 O n'est veilliéz - Anonymous

O n'est veilliéz

Anonymous
Appears on: 4
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: o nest ... veilliéz
4v Ma maitresse et ma plus grande amie -
Ockeghem, Jean de (ca. 1410–1497)

Ma maitresse et ma plus grande amie

Ockeghem, Jean de (ca. 1410–1497)
Appears on: 4v
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Ma maistresse et [ma] plus grante amye (chanson and tenor)
Composer Compositions
Anonymous
Busnoys, Antoine (ca. 1430–1492)
Ockeghem, Jean de (ca. 1410–1497)
Composition Composers (? Uncertain) Folios / Pages
... assez? tout oultre Du monde... Anonymous 1v
Benedicta semper sancta sit trinitas = Je ne demande autre degre
Busnoys, Antoine (ca. 1430–1492)
1
Diteme lesse moih la vie Anonymous 2
Ma maitresse et ma plus grande amie
Ockeghem, Jean de (ca. 1410–1497)
4v
O n'est veilliéz Anonymous 4
Se te me plaind Anonymous 3

Images © Trinity College, Cambridge

‡ denotes primary source study

Gutiérrez-Denhoff, Martella. 1985. Der Wolfenbütteler Chansonnier Wolfenbüttel, Herzog August Bibliothek Codex Guelf. 287 Extrav.: Untersuchungen zu Repertoire und Überlieferung einer Musikhandschrift des 15. Jahrhunderts und ihres Umkreises. Wolfenbütteler Forschungen.  Wiesbaden. Pages: 308, 319.

Weiss, Susan Forscher. 1985. The Manuscript Bologna, Civico Museo Bibliografico Musicale, Codex Q 18 (olim 143): A Bolognese Instrumental Collection of the Early Cinquecento. University of Maryland, Unpublished Ph.D. dissertation. Pages: 326.

Fallows, David. 1984. Johannes Ockeghem: The changing image, the songs and a new source. Early Music, 218-30. Pages: 225-9.

Brown, Howard Mayer (editor). 1983. A Florentine Chansonnier from the Time of Lorenzo the Magnificent: Florence, Biblioteca Nazionale Centrale MS Banco Rari 229. Monuments of Renaissance Music.  Chicago and London. Pages: 310.

Hamm, Charles E, and Herbert Kellman (editors). 1979-1988. Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550. Renaissance Manuscript Studies. 5 vols. Neuhausen nr. Stuttgart: American Institute of Musicology, Hänssler Verlag.

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Watermark Note; Notation Note; Date Note; Ruling Note; Foliation Note; Foliation Note; Decoration Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description