D-Dl MS Grimma 54 [Bassus]

Sächsische Landesbibliothek, Dresden, Germany

partbook: c. 1590

Archive Sächsische Landesbibliothek, Dresden, Germany (D-Dl)
Shelfmark MS Grimma 54 [Bassus]
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System Pagination
Measurements 155 x 200 mm
Other Identifiers
  • CCM: DresSL Grimma 54
  • olim (Former shelfmark): LIV, Q282-286
Copyists
Relationships
External Links
External Authorities
Provenance
Contents 56 pieces from 31 composers
General Description

A Bassus partbook from a set of five volumes; a Sextus book is probably missing. Copied by several scribes, one of whom may have been Wolfgang Figulus. Copied at the Fürstenschule St. Afra in Meissen; later in possession of Friedrich Birck, cantor at the Fürstenschule St. Augustin in Grimma from 1591 until his death in 1621. After Birck's death, his widow sold the manuscript to the Grimma Fürstenschule; in 1890 it was deposited in the library at Dresden.

DIAMM, 2017
Extent

49 ff.

DIAMM, 2024
Binding

Rebound in modern brown cardboard covers

DIAMM, 2017
Notation

not indicated

DIAMM, 2017
Foliation

Other numberings: Original numbering of pieces.

DIAMM, 2017
Foliation

Modern pencil pagination

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 Canticle, 2 psalms, 1 hymn, 1 Passion, 26 motets, 2 German sacred pieces, 1 German secular piece = 34

(Alder/Senfl)-1, Bacchius-1, Berchem-1, (Burck)-1, Clemens non Papa-5, Cleve-1, Dressier-1, Finck-1, (Händl)-1, Josquin/(Lebrun/Richafort)-1, Kerle-1, Lassus-5, Meiland-1, (Obrecht/Longaval/Venture)-1, Rore/(Berchem/Morales)-1, (Schröter)-1, Wert-1, Wert/Clemens non Papa [C.N.P.]-1, anon-8

5 paper partbooks (D-i + 105 + i folios, A-i + 109 + i, T-ii + 96 + i, B-i + 95 + i, Q-i + 85), 155 x 200. Modern pencil foliation; original numbering of pieces. Rebound in modern brown cardboard covers. Copied by several scribes.

Ca. 1590 (SteudeMS). Copied at the Fürstenschule St. Afra in Meissen; later in possession of Friedrich Birck, cantor at the Fürstenschule St. Augustin in Grimma from 1591 until his death in 1621. After Birck's death, his widow sold the manuscript to the Grimma Fürstenschule; in 1890 it was deposited in the library at Dresden.

Vol 4

Composers: Change "Clemens non Papa-5" to "Clemens non Papa-4, Clemens non Papa/(Crecquillon)-l."

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1–2 Maria Magdalena - 1a pars (of 2): Maria Magdalena et altera Maria ibant Clemens non Papa
Appears on: 1–2
Genres: Motet
Source Attribution: Clemens non Papa
Voice: [no designation]
Languages: Latin
Voice Text: Maria Magdalena et altera Maria ibant II: Cito euntes dicite discipulis euis
General Note

Bk 15:32 - 21:75 - 44:44 - 47:64 - 101:3

2–3 Maria Magdalena - 2a pars (of 2): Cito euntes dicite discipulis eius -
Appears on: 2–3
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Cito euntes dicite discipulis eius [part 2]
General Note

Bk 15:32 - 21:75 - 44:44 - 47:64 - 101:3

4 Tibi laus, tibi gloria - 1a pars (of 2): Tibi laus, tibi gloria, tibi gratiarum actio Orlandus [de Lassus]
Appears on: 4
Genres: Motet
Source Attribution: Orlandus [de Lassus]
Voice: [no designation]
Languages: Latin
Voice Text: Tibi laus tibi gloria tibi gratiarum II: Da gaudiorum praemia da gratiarum
General Note

Bk 15:69 - 63:20

4–5 Tibi laus, tibi gloria - 2a pars (of 2): Da gaudiorum praemia da gratiarum munera -
Appears on: 4–5
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Da gaudiorum praemia [part 2]
General Note

Bk 15:69 - 63:20

5–6 Homo quidam erat - 1a pars (of 2): Homo quidam erat dives qui induebatur [Schröter]
Appears on: 5–6
Genres: Motet
Source Attribution: [Schröter]
Voice: [no designation]
Languages: Latin
Voice Text: Homo quidam erat dives qui induebatur II: Accidit autem dum moreretur Lazarus
General Note

Bk 57:5 - 96:14

6–7 Homo quidam erat - 2a pars (of 2): Accidit autem ut moreretur Lazarus -
Appears on: 6–7
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Accidit autem [part 2]
General Note

Bk 57:5 - 96:14

8–9 Super ripam Jordanis - 1a pars (of 2): Super ripam Jordanis stabat beatus Johannes Clemens non Papa/ [Crecquillon]
Appears on: 8–9
Genres: Motet
Source Attribution: Clemens non Papa/ [Crecquillon]
Voice: [no designation]
Languages: Latin
Voice Text: Super ripam Iordanis stabat beatus Ioannes II: Vox de coelo sonuit et vox patris
General Note

Bk 7:43

9–10 Super ripam Jordanis - 2a pars (of 2): Vox de caelo sonuit et vox patris -
Appears on: 9–10
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Vox de coelo sonuit [part 2]
General Note

Bk 7:43

10–11 Hodie in Iordane - 1a pars (of 2): Hodie in Iordane baptizato Domino aperti Jachet Berchem
Appears on: 10–11
Genres: Motet
Source Attribution: Jachet Berchem
Voice: [no designation]
Languages: Latin
Voice Text: Hodie in Iordane baptizato domino aperti II: Coeli aperti sunt super eum et vox
11–12 Hodie in Iordane - 2a pars (of 2): Caeli aperti sunt super eum et vox -
Appears on: 11–12
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Coeli aperi sunt super eum [part 2]
13–14 Deficiente vino jussit Jesus implere Anon. Anonymous
Appears on: 13–14
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Deficiente vino iussit Jesus implere
15–16 Nunc dimittis - 1a pars (of 2): Nunc dimittis servum tuum [Burck]
Appears on: 15–16
Genres: Canticle
Source Attribution: [Burck]
Voice: [no designation]
Languages: Latin
Voice Text: Nunc dimittis servum tuum domine II: Lumen ad relevationem gentium
General Note

Neuber, Montanus Erben 1566:13 - Bk 21:135 - 37:10 - 51:3

17–18 Nunc dimittis - 2a pars (of 2): Lumen ad revelationem -
Appears on: 17–18
Genres: Canticle
Voice: [no designation]
Languages: Latin
Voice Text: Lumen ad revelationem [part 2]
General Note

Neuber, Montanus Erben 1566:13 - Bk 21:135 - 37:10 - 51:3

18–20 Cum inducerent puerum Jesum parentes eius Anon. Anonymous
Appears on: 18–20
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Cum inducerent puerum Jesum parentes
20–22 Da Jacob das Kleid ansah mit großem Schmerzen [Alder/Senfl]
Appears on: 20–22
Genres: Motet
Source Attribution: [Alder/Senfl]
Voice: [no designation]
Languages: German
Voice Text: Da Jacob nuhn das kleitt ansah
General Note

RISM 1544^2_1:120 - Bk 46:36

22–25 Passio Domini secundum Matthaeum - 1a pars (of 3): Passio Domini nostri Jesu Christi secundum Mattheum Iacobus Obrecht/ [Longaval/Venture]
Appears on: 22–25
Genres: Liturgical work, Motet, Passion
Source Attribution: Iacobus Obrecht/ [Longaval/Venture]
Voice: [no designation]
Languages: Latin
Voice Text: Passio domini nostri Iesu Christi secundum Mattheum II: Apprehendit ergo eum Pilatus III: Orabat autem Iesus pro crucifigentibus
General Note

Bk 7:81 (6 v.) - 9:9 - 47:46 - 95:2 - 96:1 - 111:108

26–29 Passio Domini secundum Matthaeum - 2a pars (of 3): Apprehendit ergo eum Pilatus -
Appears on: 26–29
Genres: Passion
Voice: [no designation]
Languages: Latin
Voice Text: Apprehendit ergo eum Pilatus [part 2]
General Note

Bk 7:81 (6 v.) - 9:9 - 47:46 - 95:2 - 96:1 - 111:108

29–32 Passio Domini secundum Matthaeum - 3a pars (of 3): Orabat autem Jesus pro crucifigentibus -
Appears on: 29–32
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Orabat autem Jesus part 3
General Note

Bk 7:81 (6 v.) - 9:9 - 47:46 - 95:2 - 96:1 - 111:108

33–35 Videns Jacob - 1a pars (of 2): Videns Jacob vestimenta Joseph scidit Clemens non Papa
Appears on: 33–35
Genres: Motet
Source Attribution: Clemens non Papa
Voice: [no designation]
Languages: Latin
Voice Text: Videns Jacob vestimenta Joseph scidit II: Congregatis autem cunctis liberis
35–37 Videns Jacob - 2a pars (of 2): Congregatis autem cunctis liberis -
Appears on: 35–37
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Congregatis autem cunctis [part 2]
38–39 Congratulamini mihi 26.3 - 1a pars (of 2) Congratulamini mihi omnes qui diligitis Josquinus/[Lebrun/ Richafort]
Appears on: 38–39
Genres: Motet
Source Attribution: Josquinus/[Lebrun/ Richafort]
Voice: [no designation]
Languages: Latin
Voice Text: Congratulamini mihi omnes qui diligitis 26.3 II: Tulerunt dominum meum et nescio ubi
39–41 Congratulamini mihi 26.3 - 2a pars (of 2): Tulerunt Dominum meum et nescio ubi -
Appears on: 39–41
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Tulerunt Dominum meum [part 2]
42–43 Dum transisset sabbatum - 1a pars (of 2): Dum transisset sabbatum Maria Magdalena Ioan: de Cleve/ [Baston]
Appears on: 42–43
Genres: Motet
Source Attribution: Ioan: de Cleve/ [Baston]
Voice: [no designation]
Languages: Latin
Voice Text: Dum transisset sabbathum Maria Magdalena II: Et valde mane una sabbatorum
General Note

Bk 44:33 - 96:8

43–45 Dum transisset sabbatum - 2a pars (of 2): Et valde mane una sabbatorum veniunt -
Appears on: 43–45
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Et valde mane [part 2]
General Note

Bk 44:33 - 96:8

45–47 Surgens Jesus Dominus noster stans in medio Orlandus [di Lassus]
Appears on: 45–47
Genres: Motet
Source Attribution: Orlandus [di Lassus]
Voice: [no designation]
Languages: Latin
Voice Text: Surgens Jesus dominus noster stans in medio
47–48 Peccavi super numerum - 1a pars (of 2): Peccavi super numerum arena maris Anon. Anonymous
Appears on: 47–48
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Peccavi super numerum arena maris II: Quoniam iniquitatem meam ego cognosco
49–50 Peccavi super numerum - 2a pars (of 2): Quoniam iniquitatem meam ego cognosco - Anonymous
Appears on: 49–50
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Quoniam iniquitatem meam [part 2]
50–52 Factum est silentium - 1a pars (of 2): Factum est silentium in caelo dum draco Ioannes de Bacchi [= Bacchius]
Appears on: 50–52
Genres: Motet
Source Attribution: Ioannes de Bacchi [= Bacchius]
Voice: [no designation]
Languages: Latin
Voice Text: Factum est silentium in coelo dum committeret II: Millia millium ministrabant ei
General Note

Bk 21:3 - 27:1 - 98:9

52–53 Factum est silentium - 2a pars (of 2): Millia millium ministrabant ei -
Appears on: 52–53
Voice: [no designation]
Languages: Latin
Voice Text: Millia millium ministrabant part 2
General Note

Bk 21:3 - 27:1 - 98:9

54–55 In excelso throno - 1a pars (of 2): In excelso throno vidi sedere virum Jacobus de Kerle/ [Tonsor]
Appears on: 54–55
Genres: Motet
Source Attribution: Jacobus de Kerle/ [Tonsor]
Voice: [no designation]
Languages: Latin
Voice Text: In excelso throno vidi sedere virum II: Jubilate deo omnis terra servite
General Note

Bk 21:14

55–56 In excelso throno - 2a pars (of 2): Jubilate Deo omnis terra -
Appears on: 55–56
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Jubilate Deo omnis terra [part 2]
General Note

Bk 21:14

56–57 Der Herr erhöre dich in der Not, der nam Ioachimus Finck
Appears on: 56–57
Genres: Motet
Source Attribution: Ioachimus Finck
Voice: [no designation]
Languages: German
Voice Text: Der Herr erhör dich in der nott der nam
58–59 In te Domine speravi (6vv) - 1a pars (of 2): In te Domine speravi non confundar [Lassus]
Appears on: 58–59
Genres: Motet
Source Attribution: [Lassus]
Voice: [no designation]
Languages: Latin
Voice Text: In te domine speravi non confundar II: Quoniam fortitudo mea et refugium
General Note

Henricus 1604:440

60–61 In te Domine speravi (6vv) - 2a pars (of 2): Quoniam fortitudo mea et refugium -
Appears on: 60–61
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Quoniam fortitudo [part 2]
General Note

Henricus 1604:440

62–63 Clamabat autem mulier Cananaea ad Dominum Ciprianus de Rore/ [Jaquet of Mantua/ Morales]
Appears on: 62–63
Genres: Motet
Source Attribution: Ciprianus de Rore/ [Jaquet of Mantua/ Morales]
Voice: [no designation]
Languages: Latin
Voice Text: Clamabat autem mulier Cananaea ad dominum
63–65 Ego me diligentes diligo et qui mane [Clemens non Papa]
Appears on: 63–65
Genres: Motet
Source Attribution: [Clemens non Papa]
Voice: [no designation]
Languages: Latin
Voice Text: Ego me diligentes diligo et qui mane
General Note

RISM 1559^1:54 - Bk 101:7

65–66 Speremus meliora omnes spem nomine sacro Jaches Wertt (in Q) / C.N.P. (= Clemens non Papa) (in B)
Appears on: 65–66
Genres: Motet
Source Attribution: Jaches Wertt (in Q) / C.N.P. (= Clemens non Papa) (in B)
Voice: [no designation]
Languages: Latin
Voice Text: Speremus meliora omnes spem nomine sacro
General Note

Bk 10:60 - 63:24

67–68 Credidi propter - 1a pars (of 2): Credidi propter quod locutus sum ego Orlandus di Lassus
Appears on: 67–68
Genres: Motet
Source Attribution: Orlandus di Lassus
Voice: [no designation]
Languages: Latin
Voice Text: Credidi propter quod locutus sum ego II: Vota mea domino reddam coram omni
General Note

Bk 10:50

68–69 Credidi propter - 2a pars (of 2): Vota mea Domino reddam coram omni -
Appears on: 68–69
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Vota mea domino reddam [part 2]
General Note

Bk 10:50

70 Exultent et laetentur - 1a pars (of 2): Exultent et laetentur in te omnes Meilandus
Appears on: 70
Genres: Motet
Source Attribution: Meilandus
Voice: [no designation]
Languages: Latin
Voice Text: Exultent et laetentur in te omnes II: Ego vero egenus et pauper sum
71 Exultent et laetentur - 2a pars (of 2): Ego vero egenus -
Appears on: 71
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Ego vero egenus [part 2]
72–75 Justorum animae in manu Dei [Domini] sunt Clemens non Papa
Appears on: 72–75
Genres: Motet
Source Attribution: Clemens non Papa
Voice: [no designation]
Languages: Latin
Voice Text: Iustorum animae in manu dei sunt
General Note

Bk 7:80 - 51:6

76–77 Vidi speciosam - 1a pars (of 2): Vidi speciosam sicut columbam ascendentem [Victoria]
Appears on: 76–77
Genres: Motet
Source Attribution: [Victoria]
Voice: [no designation]
Languages: Latin
Voice Text: Vidi speciosam sicut columbam ascendentem II: Quae est ista quae ascendit per desertum
77–79 Vidi speciosam - 2a pars (of 2): Quae est ista quae ascendit -
Appears on: 77–79
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Quae est ista quae ascendit [part 2]
79–80 Descendit angelus Domini - 1a pars (of 2): Descendit angelus Domini ad Zachariam [Victoria]
Appears on: 79–80
Genres: Motet
Source Attribution: [Victoria]
Voice: [no designation]
Languages: Latin
Voice Text: Descendit angelus domini ad Zachariam II: Ne timeas quoniam audita est oratio
80–81 Descendit angelus Domini - 2a pars (of 2): Ne timeas quoniam audita est oratio -
Appears on: 80–81
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Ne timeas quoniam exaudita [part 2]
82–84 Cor mundum crea in me Deus et spiritum [Händl]
Appears on: 82–84
Genres: Motet
Source Attribution: [Händl]
Voice: [no designation]
Languages: Latin
Voice Text: Cor mundum crea in me deus et spiritum
General Note

DTÖ 12, S. 60 - Bk 38:93

84–85 Transeunte Domino - 1a pars (of 2): Transeunte Domino clamabat caecus ad eum Jaches Wert/[Lassus]
Appears on: 84–85
Genres: Motet
Source Attribution: Jaches Wert/[Lassus]
Voice: [no designation]
Languages: Latin
Voice Text: Transeunte domino clamabat coecus ad eum II: Et ait illi Jesus quid vis ut faciam
General Note

Bk 21:138 - 37:6 - 44:61 - 50:115

85–86 Transeunte Domino - 2a pars (of 2): Et ait illi Jesus quid vis ut faciam -
Appears on: 85–86
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Et ait illi Jesus [part 2]
General Note

Bk 21:138 - 37:6 - 44:61 - 50:115

87–88 Vexilla regis - 1a pars (of 4): Vexilla regis prodeunt fulget crucis Orlandus [de Lassus]
Appears on: 87–88
Genres: Motet
Source Attribution: Orlandus [de Lassus]
Voice: [no designation]
Languages: Latin
Voice Text: Vexilla regis prodeunt fulget crucis II: Impleta sunt quae concinit David III: Beata cuius brachiis secli pependit IV: O crux ave spes unica hoc passionis
General Note

Bk 37:16

88–89 Vexilla regis - 2a pars (of 4): Impleta sunt quae concinit David -
Appears on: 88–89
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Impleta sunt qui concinit [part 2]
General Note

Bk 37:16

89 Vexilla regis - 3a pars (of 4): Beata cuius brachiis secli pependit -
Appears on: 89
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: [tacet in this part]
General Note

tacet in this part

89–90 Vexilla regis - 4a pars (of 4): O crux ave spes unica hoc passionis -
Appears on: 89–90
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: O crux ave spes unica part 4
General Note

Bk 37:16

91–92 Felices quos alma Dei mandata verentes Anon. Anonymous
Appears on: 91–92
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Felices quos alma dei mandata verentes
92–93 Ein freundtlich Weib erfreuet ihren Mann Gallus Dreslerus
Appears on: 92–93
Genres: Motet
Source Attribution: Gallus Dreslerus
Voice: [no designation]
Languages: German
Voice Text: Ein freundtlich weib erfrewet ihren man
General Note

Bk 63:10

94–95 Susanna se videns rapi stuprandam fraude Anon.
Appears on: 94–95
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Susanna se videns rapi stuprandam
General Note

Bk 7:89

Composer Compositions
Alder, Cosmas (1500–1550)
Anonymous
Bacchius, Johannes de (–ca. 1557)
Baston, Josquin (fl. 1542–63)
Berchem, Jacques (ca. 1505–1567)
Burck, Joachim à (1546–1610)
Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Cleve, Johannes de (ca. 1528–1582)
Crecquillon, Thomas (ca. 1505–ca. 1557)
Despres, Josquin (ca. 1450–1521)
Dressler, Gallus
Finck, Heinrich
Handl (Gallus), Jacobus (1550–1591)
Kerle, Jacobus de
Lassus, Orlande de (ca. 1532–1594)
Le Maistre, Jacobus
Longueval, Antoine de (fl. 1498-1525)
Mantua, Jacquet de (1483–1559)
Meiland, Jacob (1542–1577)
Morales, Cristóbal de (ca. 1500–1553)
Obrecht, Jacobus (ca. 1457–1505)
Pevernage, Andreas
Richafort, Jean (ca. 1480–ca. 1550)
Rore, Cipriano de (ca. 1515–1565)
Schroeter, Leonhard
Senfl, Ludwig (ca. 1486–ca. 1543)
Tonsor, Michael
Venture, Johannes a la (fl. c1500)
Victoria, Tomas Luis de (1548–1611)
Wert, Giaches [Jaches] de (1535–1596)
le Brun, Jean (fl. early 16th century)
Composition Composers (? Uncertain) Folios / Pages
Clamabat autem mulier Cananaea ad Dominum 62–63
Congratulamini mihi 26.3 - 1a pars (of 2) Congratulamini mihi omnes qui diligitis 38–39
Congratulamini mihi 26.3 - 2a pars (of 2): Tulerunt Dominum meum et nescio ubi 39–41
Cor mundum crea in me Deus et spiritum 82–84
Credidi propter - 1a pars (of 2): Credidi propter quod locutus sum ego 67–68
Credidi propter - 2a pars (of 2): Vota mea Domino reddam coram omni 68–69
Cum inducerent puerum Jesum parentes eius Anonymous 18–20
Da Jacob das Kleid ansah mit großem Schmerzen 20–22
Deficiente vino jussit Jesus implere Anonymous 13–14
Der Herr erhöre dich in der Not, der nam 56–57
Descendit angelus Domini - 1a pars (of 2): Descendit angelus Domini ad Zachariam 79–80
Descendit angelus Domini - 2a pars (of 2): Ne timeas quoniam audita est oratio 80–81
Dum transisset sabbatum - 1a pars (of 2): Dum transisset sabbatum Maria Magdalena 42–43
Dum transisset sabbatum - 2a pars (of 2): Et valde mane una sabbatorum veniunt 43–45
Ego me diligentes diligo et qui mane 63–65
Ein freundtlich Weib erfreuet ihren Mann 92–93
Exultent et laetentur - 1a pars (of 2): Exultent et laetentur in te omnes 70
Exultent et laetentur - 2a pars (of 2): Ego vero egenus 71
Factum est silentium - 1a pars (of 2): Factum est silentium in caelo dum draco 50–52
Factum est silentium - 2a pars (of 2): Millia millium ministrabant ei 52–53
Felices quos alma Dei mandata verentes Anonymous 91–92
Hodie in Iordane - 1a pars (of 2): Hodie in Iordane baptizato Domino aperti 10–11
Hodie in Iordane - 2a pars (of 2): Caeli aperti sunt super eum et vox 11–12
Homo quidam erat - 1a pars (of 2): Homo quidam erat dives qui induebatur 5–6
Homo quidam erat - 2a pars (of 2): Accidit autem ut moreretur Lazarus 6–7
In excelso throno - 1a pars (of 2): In excelso throno vidi sedere virum 54–55
In excelso throno - 2a pars (of 2): Jubilate Deo omnis terra 55–56
In te Domine speravi (6vv) - 1a pars (of 2): In te Domine speravi non confundar 58–59
In te Domine speravi (6vv) - 2a pars (of 2): Quoniam fortitudo mea et refugium 60–61
Justorum animae in manu Dei [Domini] sunt 72–75
Maria Magdalena - 1a pars (of 2): Maria Magdalena et altera Maria ibant 1–2
Maria Magdalena - 2a pars (of 2): Cito euntes dicite discipulis eius 2–3
Nunc dimittis - 1a pars (of 2): Nunc dimittis servum tuum 15–16
Nunc dimittis - 2a pars (of 2): Lumen ad revelationem 17–18
Passio Domini secundum Matthaeum - 1a pars (of 3): Passio Domini nostri Jesu Christi secundum Mattheum 22–25
Passio Domini secundum Matthaeum - 2a pars (of 3): Apprehendit ergo eum Pilatus 26–29
Passio Domini secundum Matthaeum - 3a pars (of 3): Orabat autem Jesus pro crucifigentibus 29–32
Peccavi super numerum - 1a pars (of 2): Peccavi super numerum arena maris Anonymous 47–48
Peccavi super numerum - 2a pars (of 2): Quoniam iniquitatem meam ego cognosco Anonymous 49–50
Speremus meliora omnes spem nomine sacro 65–66
Super ripam Jordanis - 1a pars (of 2): Super ripam Jordanis stabat beatus Johannes 8–9
Super ripam Jordanis - 2a pars (of 2): Vox de caelo sonuit et vox patris 9–10
Surgens Jesus Dominus noster stans in medio 45–47
Susanna se videns rapi stuprandam fraude 94–95
Tibi laus, tibi gloria - 1a pars (of 2): Tibi laus, tibi gloria, tibi gratiarum actio 4
Tibi laus, tibi gloria - 2a pars (of 2): Da gaudiorum praemia da gratiarum munera 4–5
Transeunte Domino - 1a pars (of 2): Transeunte Domino clamabat caecus ad eum 84–85
Transeunte Domino - 2a pars (of 2): Et ait illi Jesus quid vis ut faciam 85–86
Vexilla regis - 1a pars (of 4): Vexilla regis prodeunt fulget crucis 87–88
Vexilla regis - 2a pars (of 4): Impleta sunt quae concinit David 88–89
Vexilla regis - 3a pars (of 4): Beata cuius brachiis secli pependit 89
Vexilla regis - 4a pars (of 4): O crux ave spes unica hoc passionis 89–90
Videns Jacob - 1a pars (of 2): Videns Jacob vestimenta Joseph scidit 33–35
Videns Jacob - 2a pars (of 2): Congregatis autem cunctis liberis 35–37
Vidi speciosam - 1a pars (of 2): Vidi speciosam sicut columbam ascendentem 76–77
Vidi speciosam - 2a pars (of 2): Quae est ista quae ascendit 77–79

Set: MS Grimma 54 (1-5)

Type: Partbooks

No images available

D-Dl MS Grimma 54 [Altus]

No images available

D-Dl MS Grimma 54 [Bassus]

No images available

D-Dl MS Grimma 54 [Discantus]

No images available

D-Dl MS Grimma 54 [Quintus]

No images available

D-Dl MS Grimma 54 [Tenor]

denotes primary source study

Kirsch, Winfried. 1976. Josquin's Motets in the German Tradition. Josquin des Prez: Proceedings of the International Josquin Festival-Conference ... 21-25 June 1971, 261-78. London, New York, and Toronto. Pages: 271. Notes: contents list (partial).

Steude, Wolfram. 1974. Die Musiksammeihandschriften des 16. und 17. Jahrhunderts in der Sächsischen Landesbibliothek zu Dresden. Quellenkataloge zur Musikgeschichte.  Wilhelmshaven. Pages: 91-2. Notes: physical description (partial); contents list; concordances (partial).

Wolf, Johannes (editor). 1908-21. Reprint: Farnborough, England, 1968. Werken van Jacob Obrecht.  Leipzig and Amsterdam,. Pages: XXVIII, [x]. Notes: physical description.

Kade, Otto. 1893 R 1971. Die Altere Passionskomposition bis zum Jahre 1631.  Gütersloh: (1893) New York: (1971 reprint). Pages: 10. Notes: physical description.

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Foliation Note; Foliation Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description