D-Dl MS Grimma 55 (6)

Sächsische Landesbibliothek, Dresden, Germany

partbook: c. 1560-80

Archive Sächsische Landesbibliothek, Dresden, Germany (D-Dl)
Shelfmark MS Grimma 55 (6)
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System Foliation
Measurements c. 161 x 212 mm
Other Identifiers
  • CCM: DresSL Grimma 55
Copyists
Relationships
External Links
Provenance
Contents 87 pieces from 20 composers
General Description

A Bassus partbook from an incomplete set of seven volumes. Copied by Wolfgang Figulus(?), Kaspar Füger, and others. Copied at the Fürstenschule St. Afra in Meissen, under the direction of Wolfgang Figulus. Following Figulus' death (after 1588), the manuscript went to his son-in-law, Friedrich Birck, cantor at the Fürstenschule St. Augustin in Grimma from 1591 until his death in 1621. After Birck's death, his widow sold the manuscript to the Grimma Fürstenschule; in 1890 it was deposited in the library at Dresden.

DIAMM, 2017
Binding

Books 1-2 and 5-6 have modern brown pasteboard covers; books 3-4 have original leather covers, in very poor condition; book 7 has no covers.

DIAMM, 2017
Notation

not indicated

DIAMM, 2017
Foliation

Discantus has new pencil pagination. The Bassus & Discantus II have original foliation, the Tenor modern pencil foliation.

DIAMM, 2024
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

3 Masses, 1 Sanctus-Agnus pair, 9 Mass Proper sections, 1 psalm, 20 motets, 4 German sacred pieces, 3 textless pieces (one with incipit "Petite" only) = 41

(Beutel)-1, (Brandt)-1, (Crecquillon)-2, (Feys)-1, Figulus-3, (Füger?)-1, (Gombert/Josquin)-1, (Jaquet of Mantua)-1, (Josquin)-2, (Phinot)-3, (Senfl)-1, (Stoltzer)-2, (Verdelot)-1, anon-21

7 paper partbooks (Dl-ca. 150 folios, D2-i + 16 + i, Al and A2-condition too poor to count folios, T-126, B-139 + ii, Q-i + 54 + i), ca. 161 x 212. The altus books are in very poor condition, and cannot be used. Some new pencil foliation. Books 1-2 and 5-6 have modern brown pasteboard covers; books 3-4 have original leather covers, in very poor condition; book 7 has no covers. Copied by Wolfgang Figulus(?), Kaspar Füger, and others.

Ca. 1560-80 (SteudeMS); 1557-67 (HoffC). Copied at the Fürstenschule St. Afra in Meissen, under the direction of Wolfgang Figulus. Following Figulus' death (after 1588), the manuscript went to his son-in-law, Friedrich Birck, cantor at the Fürstenschule St. Augustin in Grimma from 1591 until his death in 1621. After Birck's death, his widow sold the manuscript to the Grimma Fürstenschule; in 1890 it was deposited in the library at Dresden.

Vol 4

Composers: Add "(M. Forestier/Josquin)-1"; change "(Jaquet of Mantua)-1" to "(Jacotin/Jaquet of Mantua)-1"; change "anon-21" to "anon-20."

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1 Amen Caspar Fügn Dresden[sis] (possibly signed as scribe not composer?)
Appears on: 1
Genres: Motet
Source Attribution: Caspar Fügn Dresden[sis] (possibly signed as scribe not composer?)
Voice: [no designation]
Languages: Hebrew
Voice Text: Amen
2–3 Missa Domine Deus omnipotens: Kyrie [Crecquillon]
Appears on: 2–3
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: [Crecquillon]
Voice: [no designation]
Languages: Latin
Voice Text: Missa super Domine deus omnipotens
General Note

Zwickau, Ms. 10, 1:2

3v–5 Missa Domine Deus omnipotens: Gloria -
Appears on: 3v–5
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Gloria
General Note

Zwickau, Ms. 10, 1:2

5–8v Missa Domine Deus omnipotens: Patrem omnipotentem [Credo] -
Appears on: 5–8v
Genres: Credo (patrem omnipotentem), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Credo [Missa super Domine Deus omnipotens]
General Note

Zwickau, Ms. 10, 1:2

8v–10v Missa Domine Deus omnipotens: Sanctus -
Appears on: 8v–10v
Genres: Mass Ordinary, Sanctus [& Benedictus]
Voice: [no designation]
Languages: Latin
Voice Text: Sanctus [Missa super Domine Deus omnipotens]
General Note

Zwickau, Ms. 10, 1:2

11–12v Missa Domine Deus omnipotens: Agnus Dei -
Appears on: 11–12v
Genres: Agnus Dei, Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Agnus Dei [Missa super Domine Deus omnipotens]
General Note

Zwickau, Ms. 10, 1:2

13–14v Domine Deus omnipotens (6vv) - 1a pars (of 2): Domine Deus omnipotens tu non posuisti [Crecquillon]
Appears on: 13–14v
Genres: Motet
Source Attribution: [Crecquillon]
Voice: [no designation]
Languages: Latin
Voice Text: Domine deus omnipotens tu non posuisti II: Confiteor tibi me peccasse super
General Note

Bk 5:33 - 37:44 - 55:22 - 100:2

14v–16v Domine Deus omnipotens (6vv) - 2a pars (of 2): Confiteor tibi me peccasse -
Appears on: 14v–16v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Confiteor tibi me peccasse [part 2]
General Note

Bk 5:33 - 37:44 - 55:22 - 100:2

16v–18 Veni sancte spiritus 26.17 - 1a pars (of 2): Veni sancte spiritus et emitte [M. Forestier/ Josquin]
Appears on: 16v–18
Genres: Motet, Veni sancte spiritus
Source Attribution: [M. Forestier/ Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: Veni sancte spiritus et emitte caelitus 26.17 II: O lux beatissima reple cordis
General Note

Josquin, GA, Mot. 49 - Bk 21:113 - 101:6

18–19v Veni sancte spiritus 26.17 - 2a pars (of 2): O lux beatissima reple cordis -
Appears on: 18–19v
Voice: [no designation]
Languages: Latin
Voice Text: O lux beatissima [part 2]
General Note

Josquin, GA, Mot. 49 - Bk 21:113 - 101:6

20–21v Veni sancte spiritus - 1a pars (of 3): Veni sancte spiritus et emitte caelitus Anon. Anonymous
Appears on: 20–21v
Genres: Motet, Veni sancte spiritus
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Veni sancte spiritus et emitte coelitus II: O lux beatissima reple cordis III: Lava quod est sordidum rige quod
21v–22 Veni sancte spiritus - 2a pars (of 3): O lux beatissima reple cordis - Anonymous
Appears on: 21v–22
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: O lux beatissima [part 2]
22v–25 Veni sancte spiritus - 3a pars (of 3): Lava quod est sordidum rige quod - Anonymous
Appears on: 22v–25
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Lava quod est sordidum [part 3]
25–26 Alleluia. Veni sancte spiritus reple corda Anon. Anonymous
Appears on: 25–26
Genres: Alleluia, Motet, Veni sancte spiritus
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Alleluia. Veni sancte spiritus reple corda
26v–27 Veni sancte spiritus - 1a pars (of 4): Veni sancte spiritus et emitte caelitus Veni pater pauperum veni dator munerum Anon. Anonymous
Appears on: 26v–27
Genres: Motet, Veni sancte spiritus
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Veni sancte spiritus et emitte coelitus] Veni pater pauperum veni dator munerum
General Note

Bk 99:6

27–27v Veni sancte spiritus - 2a pars (of 4): In labore requies - Anonymous
Appears on: 27–27v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: In labore requies [part 2]
General Note

Bk 99:6

27v–28 Veni sancte spiritus - 3a pars (of 4): Sine tuo numine - Anonymous
Appears on: 27v–28
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Sine tuo numine [part 3]
General Note

Bk 99:6

28v–29 Veni sancte spiritus - 4a pars (of 4): Flecte quod est rigidum - Anonymous
Appears on: 28v–29
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Flecte quod est rigidum [part 4]
General Note

Bk 99:6

29v–32 Omnes gentes (M79) - 1a pars (of 2): Omnes gentes plaudite manibus jubilate [Senfl]
Appears on: 29v–32
Genres: Motet
Source Attribution: [Senfl]
Voice: [no designation]
Languages: Latin
Voice Text: Omnes gentes plaudite manibus jubilate II: Ascendit deus in iubilo et dominus
General Note

EdM I, 13:8 - Bk 5:12

32–35 Omnes gentes (M79) - 2a pars (of 2): Ascendit Deus in jubilo et Dominus -
Appears on: 32–35
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Ascendit Deus in Jubilo [2a pars]
General Note

EdM I, 13:8 - Bk 5:12

35–36v Sancta Trinitas unus Deus miserere nobis (6vv) [Jacotin/Jaquet of Mantua]
Appears on: 35–36v
Genres: Motet
Source Attribution: [Jacotin/Jaquet of Mantua]
Voice: [no designation]
Languages: Latin
Voice Text: Sancta trinitas unus deus miserere
General Note

RISM 1558^4:10 - Bk 21:154; Publ. Hans Ott, Novum et insigne opus musicum, Nuremberg, Hieronymus Formschneider, 1537, no 3; Tertius tomus Evangeliorum, quatuor, quinque, sex et plurium vocum, Nuremberg, J. Montanus & U. Neuber, 1555, no 7; Novum et insigne opus musicum, Nuremberg, J. von Berg & U. Neuber, 1558, no 10

37–37v Petite camusette à la mort m'avez mis 30.7 [Josquin]
Appears on: 37–37v
Genres: Chanson
Source Attribution: [Josquin]
Voice: [no designation]
Languages: French
Voice Text: Petite [camusette à la mort m'avez mis] 30.7
37v–39 Petite camusette à la mort m'avez mis [Willaert]
Appears on: 37v–39
Genres: Chanson
Source Attribution: [Willaert]
Voice: [no designation]
Languages: French
Voice Text: [Petite camusette à la mort m'avez mis]
39–40 Congregati sunt - 1a pars (of 2): Congregati sunt inimici nostri et gloriantur [Verdelot]
Appears on: 39–40
Genres: Motet
Source Attribution: [Verdelot]
Voice: [no designation]
Languages: Latin
Voice Text: Congregati sunt inimici nostri et gloriantur II: Disperde illos in virtute tua
40–41 Congregati sunt - 2a pars (of 2): Disperge illos in virtute tua - with c. f. Da pacem Domine -
Appears on: 40–41
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Disperge illos - with c. f. Da pacem domine [part 2]
41v–43 Veni sancte spiritus reple tuorum corda (8vv) [M120] [Senfl]
Appears on: 41v–43
Genres: Motet, Veni sancte spiritus
Source Attribution: [Senfl]
Voice: [no designation]
Languages: Latin
Voice Text: Veni sancte spiritus reple tuorum corda
43v–45 Apparuerunt apostolis - 1a pars (of 2): Apparuerunt apostolis disparditae linguae [Finck]
Appears on: 43v–45
Genres: Motet
Source Attribution: [Finck]
Voice: [no designation]
Languages: Latin
Voice Text: Apparuerunt apostolis dispertitae lingue II: Loquebantur variis linguis apostoli
45v–46v Apparuerunt apostolis - 2a pars (of 2): Loquebantur variis linguis apostoli -
Appears on: 45v–46v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Loquebantur variis linguis [part 2]
46v–48v Jam non dicam vos servos sed amicos (8vv) [Phinot]
Appears on: 46v–48v
Genres: Motet
Source Attribution: [Phinot]
Voice: [no designation]
Languages: Latin
Voice Text: Jam non dicam vos servos sed amicos
General Note

RISM 1555^10:40 - 21:111 - 37:52 - 53:9

49–52 Ite in orbem universum et praedicate Vs. Qui crediderit et baptisatus fuerit R. In nomine patris et filii et spiritus [Breitengraser]
Appears on: 49–52
Genres: Hymn
Source Attribution: [Breitengraser]
Voice: [no designation]
Languages: Latin
Voice Text: Ite in orbem universum et predicate dicentes II: Qui crediderit et baptizatus fuerit III: In nomine patris et filii et spiritus
52–53 Ego sum resurrectio et vita qui credit [Breitengraser]
Appears on: 52–53
Genres: Motet
Source Attribution: [Breitengraser]
Voice: [no designation]
Languages: Latin
Voice Text: Ego sum resurrectio et vita qui credit
53v–54 Da pacem Domine (M27) - 1a pars (of 2): Da pacem Domine in diebus nostris [Senfl]
Appears on: 53v–54
Genres: Motet
Source Attribution: [Senfl]
Voice: [no designation]
Languages: Latin
Voice Text: Da pacem domine in diebus nostris II: Quia non est alius qui pugnet
54–55 Da pacem Domine (M27) - 2a pars (of 2): Quia non est alius qui pugnet -
Appears on: 54–55
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Quia non est alius [part 2]
55–56 O sacrum convivium in quo Christus sumitur (8vv) [Phinot]
Appears on: 55–56
Genres: Motet
Source Attribution: [Phinot]
Voice: [no designation]
Languages: Latin
Voice Text: O sacrum convivium in quo Christus sumitur
General Note

RISM 1555^11:49 - Bk 21:8 - 37:39

56–57v Tulerunt Dominum (8vv) 14.7 - 1a pars (of 2): Tulerunt dominum meum et nescio ubi (= Lugebat David Absalon) [Gombert/Josquin]
Appears on: 56–57v
Genres: Motet
Source Attribution: [Gombert/Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: Tulerunt dominum meum et nescio ubi 14.7 [= Lugebat David Absalom pius pater]
General Note

RISM 1554^10:41 - Bk 21:74 - 28:27 - 66:9

57v–59 Homo quidam - 1a pars (of 2): Homo quidam fecit caenam magnam et misit [Beutel]
Appears on: 57v–59
Genres: Motet
Source Attribution: [Beutel]
Voice: [no designation]
Languages: Latin
Voice Text: Homo quidam fecit caenam magnam et misit II: Venite et comedite et bibite vinum
General Note

RISM 1555^11:48

59 Homo quidam - 2a pars (of 2): Venite et comedite et bibite vinum -
Appears on: 59
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Venite et comedite [part 2]
Concordances

RISM 1555^11:48

General Note

incomplete - apparently the remainder was never copied

59v–61 Sancta Trinitas unus Deus miserere nobis (8vv) [Phinot]
Appears on: 59v–61
Genres: Motet
Source Attribution: [Phinot]
Voice: [no designation]
Languages: Latin
Voice Text: Sancta trinitas unus deus miserere
General Note

RISM 1555^11:10 - Bk 21:149 - 37:53

61–63 Miserator et misericors Dominus paciens (= Se congié prens de mes belles amours 30.11) [Josquin]
Appears on: 61–63
Genres: Contrafactum, Motet
Source Attribution: [Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: Miserator et misericors dominus paciens 30.11 [= Se congié prens de mes belles amours]
63v–65v Si bona suscepimus de manu Domini Anon. Anonymous
Appears on: 63v–65v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Si bona suscepimus de manu domini
General Note

Bk 5:37

65v–67 Jesus Christus venit in mundum ut peccatores [Brandt]
Appears on: 65v–67
Genres: Motet
Source Attribution: [Brandt]
Voice: [no designation]
Languages: Latin
Voice Text: Hiesus Christus venit in hunc mundum
General Note

RISM 1558^4:52

67v–69 Ego sum ipse qui deleo iniquitates (= Tenez moi en vos bras 30.12) [Josquin]
Appears on: 67v–69
Genres: Contrafactum, Motet
Source Attribution: [Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: Ego sum ipse qui deleo iniquitates tuas 30.12 [= Tenez moy en vos bras mon amy]
69–71 Emendemus in melius - 1a pars (of 2): Emendemus in melius que ignoranter [Feys]
Appears on: 69–71
Genres: Motet
Source Attribution: [Feys]
Voice: [no designation]
Languages: Latin
Voice Text: Emendemus in melius quae ignoranter II: Peccavimus cum patribus nostris
General Note

RISM 1556^8:5 - Bk 7:46 - 21:144 - 28:19 - 57:10 - 100:20

71–72v Emendemus in melius - 2a pars (of 2): Peccavimus cum patribus -
Appears on: 71–72v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Peccavimus cum patribus part 2
General Note

RISM 1556^8:5 - Bk 7:46 - 21:144 - 28:19 - 57:10 - 100:20

72v–74 Bonum est homini - 1a pars (of 2): Bonum est homini uxorem non tangere [Figulus]
Appears on: 72v–74
Genres: Motet
Source Attribution: [Figulus]
Voice: [no designation]
Languages: Latin
Voice Text: Bonum est homini uxorem non tangere II: Honorabile igitur inter omnes
General Note

Eichorn 1575 (Cant. sacr.):2

74–75v Bonum est homini - 2a pars (of 2): Honorabile igitur inter omnes -
Appears on: 74–75v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Honorabile igitur inter omnes [part 2]
General Note

Eichorn 1575 (Cant. sacr.):2

75v–77v Siehe wie fein und lieblich ist's dass brüder (8vv) Vuolffgangus Figulus
Appears on: 75v–77v
Genres: Motet
Source Attribution: Vuolffgangus Figulus
Voice: [no designation]
Languages: German
Voice Text: Siehe wie fein und lieblich ists das bruder
General Note

Eichorn 1575 (Cant. sacr.):3 - Bk 28:35 - 99:22

78–80 Ich dank dem Hern - 1a pars (of 9): Ich dank dem Hern von gantzem Herzen [Figulus]
Appears on: 78–80
Genres: Psalm
Source Attribution: [Figulus]
Voice: [no designation]
Languages: German
Voice Text: Ich danck dem Hern von gantzem hertzen II: Er sendet eine erlosung seinem volck
General Note

Eichorn 1575 (Cant. sacr.):7

80–82 Ich dank dem Hern - 9a pars (of 9): Er sendet eine erlösung -
Appears on: 80–82
Genres: Psalm
Voice: [no designation]
Languages: German
Voice Text: Er sendet eine erlösung [part 2]
General Note

Eichorn 1575 (Cant. sacr.):7

82–84v Wer unter dem Schirm - 1a pars (of 2): Wer unter dem Schirm des Höchsten sitzt Anon. Anonymous
Appears on: 82–84v
Genres: Psalm
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Wer unter dem schirm des hohsten sitz II: Es wirt dir kein ubel begegnen
85–87v Wer unter dem Schirm - 2a pars (of 2): Es wird dir kein übel begegnen - Anonymous
Appears on: 85–87v
Genres: Psalm
Voice: [no designation]
Languages: German
Voice Text: Es wirt dir kein ubel begegnen [part 2]
88–91v Herr Gott du bist - 1a pars (of 2): Herr Gott du bist unser zuflucht Anon. Anonymous
Appears on: 88–91v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Herr Gott du bist unser zuflucht II: Ach Herre lehre uns bedencken
91v–94 Herr Gott du bist - 2a pars (of 2): Ach Herre, lehre uns bedenken - Anonymous
Appears on: 91v–94
Genres: Sacred Song
Voice: [no designation]
Languages: German
Voice Text: Ach herre lehre uns bedencken [part 2]
95–96 Rorate caeli desuper et nubes pluant Vs: Caeli enarrant gloriam Et opera eius [Stoltzer]
Appears on: 95–96
Genres: Motet
Source Attribution: [Stoltzer]
Voice: [no designation]
Languages: Latin
Voice Text: Rorate coeli desuper et nubes pluant Vs: (Coeli enarrant gloriam) Et opera eius
General Note

Hoffm.-Erbr. I, Wv 22 - Bk 99:13

96v–97v Alleluia. Prophetae sancti praedicaverunt [Stoltzer]
Appears on: 96v–97v
Genres: Alleluia, Motet
Source Attribution: [Stoltzer]
Voice: [no designation]
Languages: Latin
Voice Text: Alleluia. Prophetae sancti praedicaverunt
General Note

Hoffm.-Erbr. I, Wv 22 - Bk 99:13

97v–98 Mittit ad virginem - 1a pars (of 5): Mittit ad virginem non quemvis angelum [Stoltzer]
Appears on: 97v–98
Genres: Motet
Source Attribution: [Stoltzer]
Voice: [no designation]
Languages: Latin
Voice Text: Mittit ad virginem non quemvis angelum
General Note

Hoffm.-Erbr. I, Wv 22

98–98v Mittit ad virginem - 2a pars (of 5): Naturam superat natus -
Appears on: 98–98v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Naturam superat natus [part 2]
General Note

Hoffm.-Erbr. I, Wv 22

98v–99 Mittit ad virginem - 3a pars (of 5): Foras eiiciat mundanum -
Appears on: 98v–99
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Foras eiiciat mundanum [part 3]
General Note

Hoffm.-Erbr. I, Wv 22

99–99v Mittit ad virginem - 4a pars (of 5): Accede nuntians -
Appears on: 99–99v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Accede nuntians [part 4]
General Note

Hoffm.-Erbr. I, Wv 22

99v–100v Mittit ad virginem - 5a pars (of 5): Audit et suscipit -
Appears on: 99v–100v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Audit et suscipit [part 5]
General Note

Hoffm.-Erbr. I, Wv 22

100v–102 Missa Dominicalis: Kyrie [Finck]
Appears on: 100v–102
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: [Finck]
Voice: [no designation]
Languages: Latin
Voice Text: [Missa Dominicalis]
102–104a Missa Dominicalis: Et in terra pax [Gloria] -
Appears on: 102–104a
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Gloria [Missa]
104a–107v Missa Dominicalis: Patrem omnipotentem [Credo] -
Appears on: 104a–107v
Genres: Credo (patrem omnipotentem), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Credo [Missa]
108–110 Missa Dominicalis: Sanctus -
Appears on: 108–110
Genres: Mass Ordinary, Sanctus [& Benedictus]
Voice: [no designation]
Languages: Latin
Voice Text: Sanctus [Missa]
110v–111 Missa Dominicalis: Agnus Dei -
Appears on: 110v–111
Genres: Agnus Dei, Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Agnus dei [Missa]
111v–112v Missa: Sanctus Anon. Anonymous

Missa: Sanctus

Anonymous
Appears on: 111v–112v
Genres: Agnus Dei, Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Missa] [SA]
113–114 Missa: Agnus Dei - Anonymous

Missa: Agnus Dei

Anonymous
Appears on: 113–114
Genres: Agnus Dei, Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Agnus dei
114–115v Missa: Kyrie Anon. Anonymous

Missa: Kyrie

Anonymous
Appears on: 114–115v
Genres: Agnus Dei, Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin, Greek
Voice Text: [Missa] [KGSA]
115v–120v Missa: Et in terra pax [Gloria] - Anonymous
Appears on: 115v–120v
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Gloria [Missa]
120v–121v Missa: Sanctus - Anonymous

Missa: Sanctus

Anonymous
Appears on: 120v–121v
Genres: Mass Ordinary, Sanctus [& Benedictus]
Voice: [no designation]
Languages: Latin
Voice Text: Sanctus [Missa]
121v–122v Missa: Agnus Dei - Anonymous

Missa: Agnus Dei

Anonymous
Appears on: 121v–122v
Genres: Agnus Dei, Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Agnus Dei [Missa]
122v–124v Spiritus Domini replevit orbem terrarum Vs: Confirma hoc Deus quod operatus est Anon. Anonymous
Appears on: 122v–124v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Spiritus domini replevit orbem terrarum Vs: Confirma hoc deus quod operatus est
124v–130 (textless Mass setting?) Anon. Anonymous
Appears on: 124v–130
Genres: textless
Source Attribution: Anon.
130 Laus tibi Christe - 1a pars (of 12): Laus tibi Christe qui es creator et redemptor [Finck]
Appears on: 130
Genres: Motet
Source Attribution: [Finck]
Voice: [no designation]
Languages: Latin
Voice Text: Laus tibi Christe qui es creator et redemptor
General Note

12 parts

130–130v Laus tibi Christe - 2a pars (of 12): Caeli et terrae maris -
Appears on: 130–130v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Coeli et terrae maris [part 2]
130v Laus tibi Christe - 3a pars (of 12): Qui peccatores venisti -
Appears on: 130v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Qui peccatores venisti [part 3]
131 Laus tibi Christe - 4a pars (of 12): Quorum de grege -
Appears on: 131
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Quorum de grege [part 4]
131–131v Laus tibi Christe - 5a pars (of 12): In domo Simonis -
Appears on: 131–131v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: In domo Symonis [part 5]
131v–132 Laus tibi Christe - 6a pars (of 12): Peccator contemnit -
Appears on: 131v–132
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Peccator contemnit [part 6]
132 Laus tibi Christe - 7a pars (of 12): Haec sunt convivia -
Appears on: 132
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Haec sunt convivia [part 7]
132v Laus tibi Christe - 8a pars (of 12): A Phariseo es invitatus -
Appears on: 132v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: A phariseo es invitatus [part 8]
132v–133 Laus tibi Christe - 9a pars (of 12): Demonis eam septem -
Appears on: 132v–133
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Demonis eam septem [part 9]
133–133v Laus tibi Christe - 10a pars (of 12): Hanc Christe -
Appears on: 133–133v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Hanc Christe [part 10]
133v Laus tibi Christe - 11a pars (of 12): Qualis sit tu scis -
Appears on: 133v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Qualis sit tu scis [part 11]
133v–134 Laus tibi Christe - 12a pars (of 12): Rex regum dives -
Appears on: 133v–134
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Rex regum dives [part 12]
134–135 Intravi In domum tuam pedibus meis Vs: Confitemini Domino Quoniam in saeculum Anon. Anonymous
Appears on: 134–135
Genres: Introit
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: (Intravi) In domum tuam pedibus meis Vs: (Confitemini domino) Quoniam in seculum
135v–139 (textless hymn) Anon. Anonymous

(textless hymn)

Anonymous
Appears on: 135v–139
Genres: Hymn
Source Attribution: Anon.
Composer Compositions
Anonymous
Beutel (Bultel), Jacob
Brandt, Jobst vom
Breittengrasser, Gulielmus (Wilhelm)
Bruck, Arnold von (ca. 1500–1554)
Crecquillon, Thomas (ca. 1505–ca. 1557)
Despres, Josquin (ca. 1450–1521)
Fevin, Antoine de (ca. 1470–ca. 1512)
Feys, Arnoldus
Figulus, Wolfgang (ca. 1525–1589)
Finck, Heinrich
Forestier, Mathurin
Füger, Caspar (1561–1617)
Gombert, Nicolas (ca. 1495–ca. 1560)
Lassus, Orlande de (ca. 1532–1594)
Phinot, Dominique
Senfl, Ludwig (ca. 1486–ca. 1543)
Stoltzer, Thomas (ca. 1480–1526)
Verdelot, Philippe (ca. 1480–ca. 1532)
Willaert, Adrian (ca. 1490–1562)
Composition Composers (? Uncertain) Folios / Pages
(textless hymn) Anonymous 135v–139
(textless Mass setting?) Anonymous 124v–130
Alleluia. Prophetae sancti praedicaverunt 96v–97v
Alleluia. Veni sancte spiritus reple corda Anonymous 25–26
Amen 1
Apparuerunt apostolis - 1a pars (of 2): Apparuerunt apostolis disparditae linguae 43v–45
Apparuerunt apostolis - 2a pars (of 2): Loquebantur variis linguis apostoli 45v–46v
Bonum est homini - 1a pars (of 2): Bonum est homini uxorem non tangere 72v–74
Bonum est homini - 2a pars (of 2): Honorabile igitur inter omnes 74–75v
Congregati sunt - 1a pars (of 2): Congregati sunt inimici nostri et gloriantur 39–40
Congregati sunt - 2a pars (of 2): Disperge illos in virtute tua - with c. f. Da pacem Domine 40–41
Da pacem Domine (M27) - 1a pars (of 2): Da pacem Domine in diebus nostris 53v–54
Da pacem Domine (M27) - 2a pars (of 2): Quia non est alius qui pugnet 54–55
Domine Deus omnipotens (6vv) - 1a pars (of 2): Domine Deus omnipotens tu non posuisti 13–14v
Domine Deus omnipotens (6vv) - 2a pars (of 2): Confiteor tibi me peccasse 14v–16v
Ego sum ipse qui deleo iniquitates (= Tenez moi en vos bras 30.12) 67v–69
Ego sum resurrectio et vita qui credit 52–53
Emendemus in melius - 1a pars (of 2): Emendemus in melius que ignoranter 69–71
Emendemus in melius - 2a pars (of 2): Peccavimus cum patribus 71–72v
Herr Gott du bist - 1a pars (of 2): Herr Gott du bist unser zuflucht Anonymous 88–91v
Herr Gott du bist - 2a pars (of 2): Ach Herre, lehre uns bedenken Anonymous 91v–94
Homo quidam - 1a pars (of 2): Homo quidam fecit caenam magnam et misit 57v–59
Homo quidam - 2a pars (of 2): Venite et comedite et bibite vinum 59
Ich dank dem Hern - 1a pars (of 9): Ich dank dem Hern von gantzem Herzen 78–80
Ich dank dem Hern - 9a pars (of 9): Er sendet eine erlösung 80–82
Intravi In domum tuam pedibus meis Vs: Confitemini Domino Quoniam in saeculum Anonymous 134–135
Ite in orbem universum et praedicate Vs. Qui crediderit et baptisatus fuerit R. In nomine patris et filii et spiritus 49–52
Jam non dicam vos servos sed amicos (8vv) 46v–48v
Jesus Christus venit in mundum ut peccatores 65v–67
Laus tibi Christe - 10a pars (of 12): Hanc Christe 133–133v
Laus tibi Christe - 11a pars (of 12): Qualis sit tu scis 133v
Laus tibi Christe - 12a pars (of 12): Rex regum dives 133v–134
Laus tibi Christe - 1a pars (of 12): Laus tibi Christe qui es creator et redemptor 130
Laus tibi Christe - 2a pars (of 12): Caeli et terrae maris 130–130v
Laus tibi Christe - 3a pars (of 12): Qui peccatores venisti 130v
Laus tibi Christe - 4a pars (of 12): Quorum de grege 131
Laus tibi Christe - 5a pars (of 12): In domo Simonis 131–131v
Laus tibi Christe - 6a pars (of 12): Peccator contemnit 131v–132
Laus tibi Christe - 7a pars (of 12): Haec sunt convivia 132
Laus tibi Christe - 8a pars (of 12): A Phariseo es invitatus 132v
Laus tibi Christe - 9a pars (of 12): Demonis eam septem 132v–133
Miserator et misericors Dominus paciens (= Se congié prens de mes belles amours 30.11) 61–63
Missa Domine Deus omnipotens: Agnus Dei 11–12v
Missa Domine Deus omnipotens: Gloria 3v–5
Missa Domine Deus omnipotens: Kyrie 2–3
Missa Domine Deus omnipotens: Patrem omnipotentem [Credo] 5–8v
Missa Domine Deus omnipotens: Sanctus 8v–10v
Missa Dominicalis: Agnus Dei 110v–111
Missa Dominicalis: Et in terra pax [Gloria] 102–104a
Missa Dominicalis: Kyrie 100v–102
Missa Dominicalis: Patrem omnipotentem [Credo] 104a–107v
Missa Dominicalis: Sanctus 108–110
Missa: Agnus Dei Anonymous 113–114
Missa: Agnus Dei Anonymous 121v–122v
Missa: Et in terra pax [Gloria] Anonymous 115v–120v
Missa: Kyrie Anonymous 114–115v
Missa: Sanctus Anonymous 111v–112v
Missa: Sanctus Anonymous 120v–121v
Mittit ad virginem - 1a pars (of 5): Mittit ad virginem non quemvis angelum 97v–98
Mittit ad virginem - 2a pars (of 5): Naturam superat natus 98–98v
Mittit ad virginem - 3a pars (of 5): Foras eiiciat mundanum 98v–99
Mittit ad virginem - 4a pars (of 5): Accede nuntians 99–99v
Mittit ad virginem - 5a pars (of 5): Audit et suscipit 99v–100v
O sacrum convivium in quo Christus sumitur (8vv) 55–56
Omnes gentes (M79) - 1a pars (of 2): Omnes gentes plaudite manibus jubilate 29v–32
Omnes gentes (M79) - 2a pars (of 2): Ascendit Deus in jubilo et Dominus 32–35
Petite camusette à la mort m'avez mis 37v–39
Petite camusette à la mort m'avez mis 30.7 37–37v
Rorate caeli desuper et nubes pluant Vs: Caeli enarrant gloriam Et opera eius 95–96
Sancta Trinitas unus Deus miserere nobis (6vv) 35–36v
Sancta Trinitas unus Deus miserere nobis (8vv) 59v–61
Si bona suscepimus de manu Domini Anonymous 63v–65v
Siehe wie fein und lieblich ist's dass brüder (8vv) 75v–77v
Spiritus Domini replevit orbem terrarum Vs: Confirma hoc Deus quod operatus est Anonymous 122v–124v
Tulerunt Dominum (8vv) 14.7 - 1a pars (of 2): Tulerunt dominum meum et nescio ubi (= Lugebat David Absalon) 56–57v
Veni sancte spiritus - 1a pars (of 3): Veni sancte spiritus et emitte caelitus Anonymous 20–21v
Veni sancte spiritus - 1a pars (of 4): Veni sancte spiritus et emitte caelitus Veni pater pauperum veni dator munerum Anonymous 26v–27
Veni sancte spiritus - 2a pars (of 3): O lux beatissima reple cordis Anonymous 21v–22
Veni sancte spiritus - 2a pars (of 4): In labore requies Anonymous 27–27v
Veni sancte spiritus - 3a pars (of 3): Lava quod est sordidum rige quod Anonymous 22v–25
Veni sancte spiritus - 3a pars (of 4): Sine tuo numine Anonymous 27v–28
Veni sancte spiritus - 4a pars (of 4): Flecte quod est rigidum Anonymous 28v–29
Veni sancte spiritus 26.17 - 1a pars (of 2): Veni sancte spiritus et emitte 16v–18
Veni sancte spiritus 26.17 - 2a pars (of 2): O lux beatissima reple cordis 18–19v
Veni sancte spiritus reple tuorum corda (8vv) [M120] 41v–43
Wer unter dem Schirm - 1a pars (of 2): Wer unter dem Schirm des Höchsten sitzt Anonymous 82–84v
Wer unter dem Schirm - 2a pars (of 2): Es wird dir kein übel begegnen Anonymous 85–87v

Set: MS Grimma 55 (1-7)

Type: Partbooks

No images available

D-Dl MS Grimma 55 (1)

No images available

D-Dl MS Grimma 55 (2)

No images available

D-Dl MS Grimma 55 (3)

No images available

D-Dl MS Grimma 55 (4)

No images available

D-Dl MS Grimma 55 (5)

No images available

D-Dl MS Grimma 55 (6)

No images available

D-Dl MS Grimma 55 (7)

denotes primary source study

Kirsch, Winfried. 1976. Josquin's Motets in the German Tradition. Josquin des Prez: Proceedings of the International Josquin Festival-Conference ... 21-25 June 1971, 261-78. London, New York, and Toronto. Pages: 271. Notes: contents list (partial).

Steude, Wolfram. 1974. Die Musiksammeihandschriften des 16. und 17. Jahrhunderts in der Sächsischen Landesbibliothek zu Dresden. Quellenkataloge zur Musikgeschichte.  Wilhelmshaven. Pages: 93-5. Notes: physical description (partial); contents list; concordances (partial).

Dehnhard, Walter. 1971. Die deutschen Psalmmotette in der Reformationszeit. Neue Musikgeschichtliche Forschungen.  Wiesbaden. Pages: 305. Notes: contents list (partial).

Windh, John Ernfrid. 1971. Early Lutheran Masses. University of Illinois, Unpublished D.M.A. thesis. Pages: 116ff. Notes: mention of MS.

Böker-Heil, Norbert. 1967. Die Motetten von Philippe Verdelot.  Frankfurt am Main. Pages: 247, 278. Notes: concordances (partial); incipits (partial).

Hoffmann-Erbrecht, Lothar. 1955. Die Chorbücher der Stadtkirche zu Pirna. Acta Musicologica, 121-137. Pages: 135. Notes: physical description; contents list (partial); concordances (partial).

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Monday, 23 January, 2017

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description