D-Dl MS Grimma 55 (4)

Sächsische Landesbibliothek, Dresden, Germany

partbook: c. 1560-80

Archive Sächsische Landesbibliothek, Dresden, Germany (D-Dl)
Shelfmark MS Grimma 55 (4)
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System Foliation
Measurements c. 161 x 212 mm
Other Identifiers
  • CCM: DresSL Grimma 55
Copyists
Relationships
External Links
Provenance
Contents 42 pieces from 17 composers
General Description

An Altus II (probably Sexta Vox) partbook from an incomplete set of seven volumes. Copied by Wolfgang Figulus(?), Kaspar Füger, and others. Copied at the Fürstenschule St. Afra in Meissen, under the direction of Wolfgang Figulus. Following Figulus' death (after 1588), the manuscript went to his son-in-law, Friedrich Birck, cantor at the Fürstenschule St. Augustin in Grimma from 1591 until his death in 1621. After Birck's death, his widow sold the manuscript to the Grimma Fürstenschule; in 1890 it was deposited in the library at Dresden.

DIAMM, 2017
Physical Description

The altus books are in very poor condition, and cannot be used. (Inventory foliation based on the microfilm.)

DIAMM, 2017
Binding

Books 1-2 and 5-6 have modern brown pasteboard covers; books 3-4 have original leather covers, in very poor condition; book 7 has no covers.

DIAMM, 2017
Notation

not indicated

DIAMM, 2017
Foliation

Discantus has new pencil pagination. The Bassus & Discantus II have original foliation, the Tenor modern pencil foliation.

DIAMM, 2024
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

3 Masses, 1 Sanctus-Agnus pair, 9 Mass Proper sections, 1 psalm, 20 motets, 4 German sacred pieces, 3 textless pieces (one with incipit "Petite" only) = 41

(Beutel)-1, (Brandt)-1, (Crecquillon)-2, (Feys)-1, Figulus-3, (Füger?)-1, (Gombert/Josquin)-1, (Jaquet of Mantua)-1, (Josquin)-2, (Phinot)-3, (Senfl)-1, (Stoltzer)-2, (Verdelot)-1, anon-21

7 paper partbooks (Dl-ca. 150 folios, D2-i + 16 + i, Al and A2-condition too poor to count folios, T-126, B-139 + ii, Q-i + 54 + i), ca. 161 x 212. The altus books are in very poor condition, and cannot be used. Some new pencil foliation. Books 1-2 and 5-6 have modern brown pasteboard covers; books 3-4 have original leather covers, in very poor condition; book 7 has no covers. Copied by Wolfgang Figulus(?), Kaspar Füger, and others.

Ca. 1560-80 (SteudeMS); 1557-67 (HoffC). Copied at the Fürstenschule St. Afra in Meissen, under the direction of Wolfgang Figulus. Following Figulus' death (after 1588), the manuscript went to his son-in-law, Friedrich Birck, cantor at the Fürstenschule St. Augustin in Grimma from 1591 until his death in 1621. After Birck's death, his widow sold the manuscript to the Grimma Fürstenschule; in 1890 it was deposited in the library at Dresden.

Vol 4

Composers: Add "(M. Forestier/Josquin)-1"; change "(Jaquet of Mantua)-1" to "(Jacotin/Jaquet of Mantua)-1"; change "anon-21" to "anon-20."

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1–2 Domine Deus omnipotens (6vv) - 1a pars (of 2): Domine Deus omnipotens tu non posuisti [Crecquillon]
Appears on: 1–2
Genres: Motet
Source Attribution: [Crecquillon]
Voice: [no designation]
Languages: Latin
Voice Text: Domine deus omnipotens tu non posuisti II: Confiteor tibi me peccasse super
General Note

Bk 5:33 - 37:44 - 55:22 - 100:2

2v–3 Domine Deus omnipotens (6vv) - 2a pars (of 2): Confiteor tibi me peccasse -
Appears on: 2v–3
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Confiteor tibi me peccasse [part 2]
General Note

Bk 5:33 - 37:44 - 55:22 - 100:2

3v Veni sancte spiritus 26.17 - 1a pars (of 2): Veni sancte spiritus et emitte [M. Forestier/ Josquin]
Appears on: 3v
Genres: Motet, Veni sancte spiritus
Source Attribution: [M. Forestier/ Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: Veni sancte spiritus et emitte caelitus 26.17 II: O lux beatissima reple cordis
General Note

Josquin, GA, Mot. 49 - Bk 21:113 - 101:6

4–5 Veni sancte spiritus 26.17 - 2a pars (of 2): O lux beatissima reple cordis -
Appears on: 4–5
Voice: [no designation]
Languages: Latin
Voice Text: O lux beatissima [part 2]
General Note

Josquin, GA, Mot. 49 - Bk 21:113 - 101:6

5v–6v Veni sancte spiritus - 1a pars (of 3): Veni sancte spiritus et emitte caelitus Anon. Anonymous
Appears on: 5v–6v
Genres: Motet, Veni sancte spiritus
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Veni sancte spiritus et emitte coelitus II: O lux beatissima reple cordis III: Lava quod est sordidum rige quod
6v–7 Veni sancte spiritus - 2a pars (of 3): O lux beatissima reple cordis - Anonymous
Appears on: 6v–7
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: O lux beatissima [part 2]
7–9 Veni sancte spiritus - 3a pars (of 3): Lava quod est sordidum rige quod - Anonymous
Appears on: 7–9
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Lava quod est sordidum [part 3]
[tacet?] Veni sancte spiritus - 1a pars (of 4): Veni sancte spiritus et emitte caelitus Veni pater pauperum veni dator munerum Anon. Anonymous
Appears on: [tacet?]
Genres: Motet, Veni sancte spiritus
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Veni sancte spiritus et emitte coelitus] Veni pater pauperum veni dator munerum
General Note

Bk 99:6

9–9v Veni sancte spiritus - 2a pars (of 4): In labore requies - Anonymous
Appears on: 9–9v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: In labore requies [part 2]
General Note

Bk 99:6

10–10v Veni sancte spiritus - 3a pars (of 4): Sine tuo numine - Anonymous
Appears on: 10–10v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Sine tuo numine [part 3]
General Note

Bk 99:6

10v–11 Nur bitten wir den heiligen Geist - Anonymous
Appears on: 10v–11
Genres: Hymn
11v–12 Veni sancte spiritus - 4a pars (of 4): Flecte quod est rigidum - Anonymous
Appears on: 11v–12
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Flecte quod est rigidum [part 4]
General Note

Bk 99:6

12v–13v Omnes gentes (M79) - 1a pars (of 2): Omnes gentes plaudite manibus jubilate [Senfl]
Appears on: 12v–13v
Genres: Motet
Source Attribution: [Senfl]
Voice: [no designation]
Languages: Latin
Voice Text: Omnes gentes plaudite manibus jubilate II: Ascendit deus in iubilo et dominus
General Note

EdM I, 13:8 - Bk 5:12

13v–16 Omnes gentes (M79) - 2a pars (of 2): Ascendit Deus in jubilo et Dominus -
Appears on: 13v–16
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Ascendit Deus in Jubilo [2a pars]
General Note

EdM I, 13:8 - Bk 5:12

16v–18 Sancta Trinitas unus Deus miserere nobis (6vv) [Jacotin/Jaquet of Mantua]
Appears on: 16v–18
Genres: Motet
Source Attribution: [Jacotin/Jaquet of Mantua]
Voice: [no designation]
Languages: Latin
Voice Text: Sancta trinitas unus deus miserere
General Note

RISM 1558^4:10 - Bk 21:154; Hans Ott, Novum et insigne opus musicum, Nuremberg, Hieronymus Formschneider, 1537, no 3; Tertius tomus Evangeliorum, quatuor, quinque, sex et plurium vocum, Nuremberg, J. Montanus & U. Neuber, 1555, no 7; Novum et insigne opus musicum, Nuremberg, J. von Berg & U. Neuber, 1558, no 10

18v–19v Congregati sunt - 1a pars (of 2): Congregati sunt inimici nostri et gloriantur [Verdelot]
Appears on: 18v–19v
Genres: Motet
Source Attribution: [Verdelot]
Voice: [no designation]
Languages: Latin
Voice Text: Congregati sunt inimici nostri et gloriantur II: Disperde illos in virtute tua
20–20v Congregati sunt - 2a pars (of 2): Disperge illos in virtute tua - with c. f. Da pacem Domine -
Appears on: 20–20v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Disperge illos - with c. f. Da pacem domine [part 2]
21–23 Veni sancte spiritus reple tuorum corda (8vv) [M120] [Senfl]
Appears on: 21–23
Genres: Motet, Veni sancte spiritus
Source Attribution: [Senfl]
Voice: [no designation]
Languages: Latin
Voice Text: Veni sancte spiritus reple tuorum corda
23–23v Apparuerunt apostolis - 1a pars (of 2): Apparuerunt apostolis disparditae linguae [Finck]
Appears on: 23–23v
Genres: Motet
Source Attribution: [Finck]
Voice: [no designation]
Languages: Latin
Voice Text: Apparuerunt apostolis dispertitae lingue II: Loquebantur variis linguis apostoli
24–25 Apparuerunt apostolis - 2a pars (of 2): Loquebantur variis linguis apostoli -
Appears on: 24–25
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Loquebantur variis linguis [part 2]
25v–26 Jam non dicam vos servos sed amicos (8vv) [Phinot]
Appears on: 25v–26
Genres: Motet
Source Attribution: [Phinot]
Voice: [no designation]
Languages: Latin
Voice Text: Jam non dicam vos servos sed amicos
General Note

RISM 1555^10:40 - 21:111 - 37:52 - 53:9

26v–28 Ite in orbem universum et praedicate Vs. Qui crediderit et baptisatus fuerit R. In nomine patris et filii et spiritus [Breitengraser]
Appears on: 26v–28
Genres: Hymn
Source Attribution: [Breitengraser]
Voice: [no designation]
Languages: Latin
Voice Text: Ite in orbem universum et predicate dicentes II: Qui crediderit et baptizatus fuerit III: In nomine patris et filii et spiritus
28v–29v Ego sum resurrectio et vita qui credit [Breitengraser]
Appears on: 28v–29v
Genres: Motet
Source Attribution: [Breitengraser]
Voice: [no designation]
Languages: Latin
Voice Text: Ego sum resurrectio et vita qui credit
29v–30v Da pacem Domine (M27) - 1a pars (of 2): Da pacem Domine in diebus nostris [Senfl]
Appears on: 29v–30v
Genres: Motet
Source Attribution: [Senfl]
Voice: [no designation]
Languages: Latin
Voice Text: Da pacem domine in diebus nostris II: Quia non est alius qui pugnet
30v–31v Da pacem Domine (M27) - 2a pars (of 2): Quia non est alius qui pugnet -
Appears on: 30v–31v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Quia non est alius [part 2]
31v–32v O sacrum convivium in quo Christus sumitur (8vv) [Phinot]
Appears on: 31v–32v
Genres: Motet
Source Attribution: [Phinot]
Voice: [no designation]
Languages: Latin
Voice Text: O sacrum convivium in quo Christus sumitur
General Note

RISM 1555^11:49 - Bk 21:8 - 37:39

32v–33v Tulerunt Dominum (8vv) 14.7 - 1a pars (of 2): Tulerunt dominum meum et nescio ubi (= Lugebat David Absalon) [Gombert/Josquin]
Appears on: 32v–33v
Genres: Motet
Source Attribution: [Gombert/Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: Tulerunt dominum meum et nescio ubi 14.7 [= Lugebat David Absalom pius pater]
Concordances

RISM 1554^10:41

General Note

incomplete - loss of folio at end

34–35v Si bona suscepimus de manu Domini Anon. Anonymous
Appears on: 34–35v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Si bona suscepimus de manu domini
General Note

incomplete - beginning missing (loss of folios)

35v, 37–38v Jesus Christus venit in mundum ut peccatores [Brandt]
Appears on: 35v, 37–38v
Genres: Motet
Source Attribution: [Brandt]
Voice: [no designation]
Languages: Latin
Voice Text: Hiesus Christus venit in hunc mundum
General Note

RISM 1558^4:52

36–36v Sancta Trinitas unus Deus miserere nobis (8vv) [Stoltzer]
Appears on: 36–36v
Genres: Motet
Source Attribution: [Stoltzer]
Voice: [no designation]
Languages: Latin
Voice Text: Rorate coeli desuper et nubes pluant Vs: (Coeli enarrant gloriam) Et opera eius
General Note

Hoffm.-Erbr. I, Wv 22 - Bk 99:13

39–40v Ego sum ipse qui deleo iniquitates (= Tenez moi en vos bras 30.12) [Josquin]
Appears on: 39–40v
Genres: Contrafactum, Motet
Source Attribution: [Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: Ego sum ipse qui deleo iniquitates tuas 30.12 [= Tenez moy en vos bras mon amy]
41–42v Emendemus in melius - 1a pars (of 2): Emendemus in melius que ignoranter [Feys]
Appears on: 41–42v
Genres: Motet
Source Attribution: [Feys]
Voice: [no designation]
Languages: Latin
Voice Text: Emendemus in melius quae ignoranter II: Peccavimus cum patribus nostris
General Note

RISM 1556^8:5 - Bk 7:46 - 21:144 - 28:19 - 57:10 - 100:20

42v–44 Emendemus in melius - 2a pars (of 2): Peccavimus cum patribus -
Appears on: 42v–44
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Peccavimus cum patribus part 2
General Note

RISM 1556^8:5 - Bk 7:46 - 21:144 - 28:19 - 57:10 - 100:20

44–46 Bonum est homini - 1a pars (of 2): Bonum est homini uxorem non tangere [Figulus]
Appears on: 44–46
Genres: Motet
Source Attribution: [Figulus]
Voice: [no designation]
Languages: Latin
Voice Text: Bonum est homini uxorem non tangere II: Honorabile igitur inter omnes
General Note

Eichorn 1575 (Cant. sacr.):2

46–47v Bonum est homini - 2a pars (of 2): Honorabile igitur inter omnes -
Appears on: 46–47v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Honorabile igitur inter omnes [part 2]
General Note

Eichorn 1575 (Cant. sacr.):2

48–50v Siehe wie fein und lieblich ist's dass brüder (8vv) Vuolffgangus Figulus
Appears on: 48–50v
Genres: Motet
Source Attribution: Vuolffgangus Figulus
Voice: [no designation]
Languages: German
Voice Text: Siehe wie fein und lieblich ists das bruder
General Note

Eichorn 1575 (Cant. sacr.):3 - Bk 28:35 - 99:22

50v–53v Ich dank dem Hern - 1a pars (of 9): Ich dank dem Hern von gantzem Herzen [Figulus]
Appears on: 50v–53v
Genres: Psalm
Source Attribution: [Figulus]
Voice: [no designation]
Languages: German
Voice Text: Ich danck dem Hern von gantzem hertzen II: Er sendet eine erlosung seinem volck
General Note

Eichorn 1575 (Cant. sacr.):7

54–55v Ich dank dem Hern - 9a pars (of 9): Er sendet eine erlösung -
Appears on: 54–55v
Genres: Psalm
Voice: [no designation]
Languages: German
Voice Text: Er sendet eine erlösung [part 2]
General Note

Eichorn 1575 (Cant. sacr.):7

56–59 Wer unter dem Schirm - 1a pars (of 2): Wer unter dem Schirm des Höchsten sitzt Anon. Anonymous
Appears on: 56–59
Genres: Psalm
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Wer unter dem schirm des hohsten sitz II: Es wirt dir kein ubel begegnen
59–63 Wer unter dem Schirm - 2a pars (of 2): Es wird dir kein übel begegnen - Anonymous
Appears on: 59–63
Genres: Psalm
Voice: [no designation]
Languages: German
Voice Text: Es wirt dir kein ubel begegnen [part 2]
63–67 Herr Gott du bist - 1a pars (of 2): Herr Gott du bist unser zuflucht Anon. Anonymous
Appears on: 63–67
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Herr Gott du bist unser zuflucht II: Ach Herre lehre uns bedencken
67v–70 Herr Gott du bist - 2a pars (of 2): Ach Herre, lehre uns bedenken - Anonymous
Appears on: 67v–70
Genres: Sacred Song
Voice: [no designation]
Languages: German
Voice Text: Ach herre lehre uns bedencken [part 2]
Composer Compositions
Anonymous
Brandt, Jobst vom
Breittengrasser, Gulielmus (Wilhelm)
Bruck, Arnold von (ca. 1500–1554)
Crecquillon, Thomas (ca. 1505–ca. 1557)
Despres, Josquin (ca. 1450–1521)
Fevin, Antoine de (ca. 1470–ca. 1512)
Feys, Arnoldus
Figulus, Wolfgang (ca. 1525–1589)
Finck, Heinrich
Forestier, Mathurin
Gombert, Nicolas (ca. 1495–ca. 1560)
Lassus, Orlande de (ca. 1532–1594)
Phinot, Dominique
Senfl, Ludwig (ca. 1486–ca. 1543)
Verdelot, Philippe (ca. 1480–ca. 1532)
Willaert, Adrian (ca. 1490–1562)
Composition Composers (? Uncertain) Folios / Pages
Apparuerunt apostolis - 1a pars (of 2): Apparuerunt apostolis disparditae linguae 23–23v
Apparuerunt apostolis - 2a pars (of 2): Loquebantur variis linguis apostoli 24–25
Bonum est homini - 1a pars (of 2): Bonum est homini uxorem non tangere 44–46
Bonum est homini - 2a pars (of 2): Honorabile igitur inter omnes 46–47v
Congregati sunt - 1a pars (of 2): Congregati sunt inimici nostri et gloriantur 18v–19v
Congregati sunt - 2a pars (of 2): Disperge illos in virtute tua - with c. f. Da pacem Domine 20–20v
Da pacem Domine (M27) - 1a pars (of 2): Da pacem Domine in diebus nostris 29v–30v
Da pacem Domine (M27) - 2a pars (of 2): Quia non est alius qui pugnet 30v–31v
Domine Deus omnipotens (6vv) - 1a pars (of 2): Domine Deus omnipotens tu non posuisti 1–2
Domine Deus omnipotens (6vv) - 2a pars (of 2): Confiteor tibi me peccasse 2v–3
Ego sum ipse qui deleo iniquitates (= Tenez moi en vos bras 30.12) 39–40v
Ego sum resurrectio et vita qui credit 28v–29v
Emendemus in melius - 1a pars (of 2): Emendemus in melius que ignoranter 41–42v
Emendemus in melius - 2a pars (of 2): Peccavimus cum patribus 42v–44
Herr Gott du bist - 1a pars (of 2): Herr Gott du bist unser zuflucht Anonymous 63–67
Herr Gott du bist - 2a pars (of 2): Ach Herre, lehre uns bedenken Anonymous 67v–70
Ich dank dem Hern - 1a pars (of 9): Ich dank dem Hern von gantzem Herzen 50v–53v
Ich dank dem Hern - 9a pars (of 9): Er sendet eine erlösung 54–55v
Ite in orbem universum et praedicate Vs. Qui crediderit et baptisatus fuerit R. In nomine patris et filii et spiritus 26v–28
Jam non dicam vos servos sed amicos (8vv) 25v–26
Jesus Christus venit in mundum ut peccatores 35v, 37–38v
Nur bitten wir den heiligen Geist Anonymous 10v–11
O sacrum convivium in quo Christus sumitur (8vv) 31v–32v
Omnes gentes (M79) - 1a pars (of 2): Omnes gentes plaudite manibus jubilate 12v–13v
Omnes gentes (M79) - 2a pars (of 2): Ascendit Deus in jubilo et Dominus 13v–16
Sancta Trinitas unus Deus miserere nobis (6vv) 16v–18
Sancta Trinitas unus Deus miserere nobis (8vv) 36–36v
Si bona suscepimus de manu Domini Anonymous 34–35v
Siehe wie fein und lieblich ist's dass brüder (8vv) 48–50v
Tulerunt Dominum (8vv) 14.7 - 1a pars (of 2): Tulerunt dominum meum et nescio ubi (= Lugebat David Absalon) 32v–33v
Veni sancte spiritus - 1a pars (of 3): Veni sancte spiritus et emitte caelitus Anonymous 5v–6v
Veni sancte spiritus - 1a pars (of 4): Veni sancte spiritus et emitte caelitus Veni pater pauperum veni dator munerum Anonymous [tacet?]
Veni sancte spiritus - 2a pars (of 3): O lux beatissima reple cordis Anonymous 6v–7
Veni sancte spiritus - 2a pars (of 4): In labore requies Anonymous 9–9v
Veni sancte spiritus - 3a pars (of 3): Lava quod est sordidum rige quod Anonymous 7–9
Veni sancte spiritus - 3a pars (of 4): Sine tuo numine Anonymous 10–10v
Veni sancte spiritus - 4a pars (of 4): Flecte quod est rigidum Anonymous 11v–12
Veni sancte spiritus 26.17 - 1a pars (of 2): Veni sancte spiritus et emitte 3v
Veni sancte spiritus 26.17 - 2a pars (of 2): O lux beatissima reple cordis 4–5
Veni sancte spiritus reple tuorum corda (8vv) [M120] 21–23
Wer unter dem Schirm - 1a pars (of 2): Wer unter dem Schirm des Höchsten sitzt Anonymous 56–59
Wer unter dem Schirm - 2a pars (of 2): Es wird dir kein übel begegnen Anonymous 59–63

Set: MS Grimma 55 (1-7)

Type: Partbooks

No images available

D-Dl MS Grimma 55 (1)

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D-Dl MS Grimma 55 (2)

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D-Dl MS Grimma 55 (3)

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D-Dl MS Grimma 55 (4)

No images available

D-Dl MS Grimma 55 (5)

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D-Dl MS Grimma 55 (6)

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D-Dl MS Grimma 55 (7)

denotes primary source study

Kirsch, Winfried. 1976. Josquin's Motets in the German Tradition. Josquin des Prez: Proceedings of the International Josquin Festival-Conference ... 21-25 June 1971, 261-78. London, New York, and Toronto. Pages: 271. Notes: contents list (partial).

Steude, Wolfram. 1974. Die Musiksammeihandschriften des 16. und 17. Jahrhunderts in der Sächsischen Landesbibliothek zu Dresden. Quellenkataloge zur Musikgeschichte.  Wilhelmshaven. Pages: 93-5. Notes: physical description (partial); contents list; concordances (partial).

Dehnhard, Walter. 1971. Die deutschen Psalmmotette in der Reformationszeit. Neue Musikgeschichtliche Forschungen.  Wiesbaden. Pages: 305. Notes: contents list (partial).

Windh, John Ernfrid. 1971. Early Lutheran Masses. University of Illinois, Unpublished D.M.A. thesis. Pages: 116ff. Notes: mention of MS.

Böker-Heil, Norbert. 1967. Die Motetten von Philippe Verdelot.  Frankfurt am Main. Pages: 247, 278. Notes: concordances (partial); incipits (partial).

Hoffmann-Erbrecht, Lothar. 1955. Die Chorbücher der Stadtkirche zu Pirna. Acta Musicologica, 121-137. Pages: 135. Notes: physical description; contents list (partial); concordances (partial).

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Physical Description Note; Binding Note; Notation Note; Foliation Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description