D-Dl MS Grimma 55 (1)

Sächsische Landesbibliothek, Dresden, Germany

partbook: c. 1560-80

Archive Sächsische Landesbibliothek, Dresden, Germany (D-Dl)
Shelfmark MS Grimma 55 (1)
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System Foliation
Measurements c. 161 x 212 mm
Other Identifiers
  • CCM: DresSL Grimma 55
Copyists
Relationships
External Links
Provenance
Contents 88 pieces from 20 composers
General Description

A Discantus I partbook from an incomplete set of seven volumes. Copied by Wolfgang Figulus(?), Kaspar Füger, and others. Copied at the Fürstenschule St. Afra in Meissen, under the direction of Wolfgang Figulus. Following Figulus' death (after 1588), the manuscript went to his son-in-law, Friedrich Birck, cantor at the Fürstenschule St. Augustin in Grimma from 1591 until his death in 1621. After Birck's death, his widow sold the manuscript to the Grimma Fürstenschule; in 1890 it was deposited in the library at Dresden.

DIAMM, 2017
Binding

Books 1-2 and 5-6 have modern brown pasteboard covers; books 3-4 have original leather covers, in very poor condition; book 7 has no covers.

DIAMM, 2017
Notation

not indicated

DIAMM, 2017
Foliation

Discantus has new pencil pagination. The Bassus & Discantus II have original foliation, the Tenor modern pencil foliation.

DIAMM, 2024
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

3 Masses, 1 Sanctus-Agnus pair, 9 Mass Proper sections, 1 psalm, 20 motets, 4 German sacred pieces, 3 textless pieces (one with incipit "Petite" only) = 41

(Beutel)-1, (Brandt)-1, (Crecquillon)-2, (Feys)-1, Figulus-3, (Füger?)-1, (Gombert/Josquin)-1, (Jaquet of Mantua)-1, (Josquin)-2, (Phinot)-3, (Senfl)-1, (Stoltzer)-2, (Verdelot)-1, anon-21

7 paper partbooks (Dl-ca. 150 folios, D2-i + 16 + i, Al and A2-condition too poor to count folios, T-126, B-139 + ii, Q-i + 54 + i), ca. 161 x 212. The altus books are in very poor condition, and cannot be used. Some new pencil foliation. Books 1-2 and 5-6 have modern brown pasteboard covers; books 3-4 have original leather covers, in very poor condition; book 7 has no covers. Copied by Wolfgang Figulus(?), Kaspar Füger, and others.

Ca. 1560-80 (SteudeMS); 1557-67 (HoffC). Copied at the Fürstenschule St. Afra in Meissen, under the direction of Wolfgang Figulus. Following Figulus' death (after 1588), the manuscript went to his son-in-law, Friedrich Birck, cantor at the Fürstenschule St. Augustin in Grimma from 1591 until his death in 1621. After Birck's death, his widow sold the manuscript to the Grimma Fürstenschule; in 1890 it was deposited in the library at Dresden.

Vol 4

Composers: Add "(M. Forestier/Josquin)-1"; change "(Jaquet of Mantua)-1" to "(Jacotin/Jaquet of Mantua)-1"; change "anon-21" to "anon-20."

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
2 Amen Caspar Fügn Dresden[sis] (possibly signed as scribe not composer?)
Appears on: 2
Genres: Motet
Source Attribution: Caspar Fügn Dresden[sis] (possibly signed as scribe not composer?)
Voice: [no designation]
Languages: Hebrew
Voice Text: Amen
3–7 Missa Domine Deus omnipotens: Kyrie [Crecquillon]
Appears on: 3–7
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: [Crecquillon]
Voice: [no designation]
Languages: Latin
Voice Text: Missa super Domine deus omnipotens
General Note

Zwickau, Ms. 10, 1:2

7–11 Missa Domine Deus omnipotens: Gloria -
Appears on: 7–11
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Gloria
General Note

Zwickau, Ms. 10, 1:2

11–18 Missa Domine Deus omnipotens: Patrem omnipotentem [Credo] -
Appears on: 11–18
Genres: Credo (patrem omnipotentem), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Credo [Missa super Domine Deus omnipotens]
General Note

Zwickau, Ms. 10, 1:2

18–22 Missa Domine Deus omnipotens: Sanctus -
Appears on: 18–22
Genres: Mass Ordinary, Sanctus [& Benedictus]
Voice: [no designation]
Languages: Latin
Voice Text: Sanctus [Missa super Domine Deus omnipotens]
General Note

Zwickau, Ms. 10, 1:2

22–26 Missa Domine Deus omnipotens: Agnus Dei -
Appears on: 22–26
Genres: Agnus Dei, Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Agnus Dei [Missa super Domine Deus omnipotens]
General Note

Zwickau, Ms. 10, 1:2

27–31 Domine Deus omnipotens (6vv) - 1a pars (of 2): Domine Deus omnipotens tu non posuisti [Crecquillon]
Appears on: 27–31
Genres: Motet
Source Attribution: [Crecquillon]
Voice: [no designation]
Languages: Latin
Voice Text: Domine deus omnipotens tu non posuisti II: Confiteor tibi me peccasse super
General Note

Bk 5:33 - 37:44 - 55:22 - 100:2

31–35 Domine Deus omnipotens (6vv) - 2a pars (of 2): Confiteor tibi me peccasse -
Appears on: 31–35
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Confiteor tibi me peccasse [part 2]
General Note

Bk 5:33 - 37:44 - 55:22 - 100:2

35–38 Veni sancte spiritus 26.17 - 1a pars (of 2): Veni sancte spiritus et emitte [M. Forestier/ Josquin]
Appears on: 35–38
Genres: Motet, Veni sancte spiritus
Source Attribution: [M. Forestier/ Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: Veni sancte spiritus et emitte caelitus 26.17 II: O lux beatissima reple cordis
General Note

Josquin, GA, Mot. 49 - Bk 21:113 - 101:6

38–41 Veni sancte spiritus 26.17 - 2a pars (of 2): O lux beatissima reple cordis -
Appears on: 38–41
Voice: [no designation]
Languages: Latin
Voice Text: O lux beatissima [part 2]
General Note

Josquin, GA, Mot. 49 - Bk 21:113 - 101:6

42–46 Veni sancte spiritus - 1a pars (of 3): Veni sancte spiritus et emitte caelitus Anon. Anonymous
Appears on: 42–46
Genres: Motet, Veni sancte spiritus
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Veni sancte spiritus et emitte coelitus II: O lux beatissima reple cordis III: Lava quod est sordidum rige quod
46–49 Veni sancte spiritus - 2a pars (of 3): O lux beatissima reple cordis - Anonymous
Appears on: 46–49
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: O lux beatissima [part 2]
49–56 Veni sancte spiritus - 3a pars (of 3): Lava quod est sordidum rige quod - Anonymous
Appears on: 49–56
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Lava quod est sordidum [part 3]
56–58 Alleluia. Veni sancte spiritus reple corda Anon. Anonymous
Appears on: 56–58
Genres: Alleluia, Motet, Veni sancte spiritus
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Alleluia. Veni sancte spiritus reple corda
58–60 Veni sancte spiritus - 1a pars (of 4): Veni sancte spiritus et emitte caelitus Veni pater pauperum veni dator munerum Anon. Anonymous
Appears on: 58–60
Genres: Motet, Veni sancte spiritus
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Veni sancte spiritus et emitte coelitus] Veni pater pauperum veni dator munerum
General Note

Bk 99:6

60–62 Veni sancte spiritus - 2a pars (of 4): In labore requies - Anonymous
Appears on: 60–62
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: In labore requies [part 2]
General Note

Bk 99:6

62–63 Veni sancte spiritus - 3a pars (of 4): Sine tuo numine - Anonymous
Appears on: 62–63
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Sine tuo numine [part 3]
General Note

Bk 99:6

63–67 Veni sancte spiritus - 4a pars (of 4): Flecte quod est rigidum - Anonymous
Appears on: 63–67
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Flecte quod est rigidum [part 4]
General Note

Bk 99:6

67–72 Omnes gentes (M79) - 1a pars (of 2): Omnes gentes plaudite manibus jubilate [Senfl]
Appears on: 67–72
Genres: Motet
Source Attribution: [Senfl]
Voice: [no designation]
Languages: Latin
Voice Text: Omnes gentes plaudite manibus jubilate II: Ascendit deus in iubilo et dominus
General Note

EdM I, 13:8 - Bk 5:12

73–79 Omnes gentes (M79) - 2a pars (of 2): Ascendit Deus in jubilo et Dominus -
Appears on: 73–79
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Ascendit Deus in Jubilo [2a pars]
General Note

EdM I, 13:8 - Bk 5:12

80–82 Sancta Trinitas unus Deus miserere nobis (6vv) [Jacotin/Jaquet of Mantua]
Appears on: 80–82
Genres: Motet
Source Attribution: [Jacotin/Jaquet of Mantua]
Voice: [no designation]
Languages: Latin
Voice Text: Sancta trinitas unus deus miserere
General Note

RISM 1558^4:10 - Bk 21:154; Publ. Hans Ott, Novum et insigne opus musicum, Nuremberg, Hieronymus Formschneider, 1537, no 3; Tertius tomus Evangeliorum, quatuor, quinque, sex et plurium vocum, Nuremberg, J. Montanus & U. Neuber, 1555, no 7; Novum et insigne opus musicum, Nuremberg, J. von Berg & U. Neuber, 1558, no 10

83–84 Petite camusette à la mort m'avez mis 30.7 [Josquin]
Appears on: 83–84
Genres: Chanson
Source Attribution: [Josquin]
Voice: [no designation]
Languages: French
Voice Text: Petite [camusette à la mort m'avez mis] 30.7
85–86 Petite camusette à la mort m'avez mis [Willaert]
Appears on: 85–86
Genres: Chanson
Source Attribution: [Willaert]
Voice: [no designation]
Languages: French
Voice Text: [Petite camusette à la mort m'avez mis]
87–90 Congregati sunt - 1a pars (of 2): Congregati sunt inimici nostri et gloriantur [Verdelot]
Appears on: 87–90
Genres: Motet
Source Attribution: [Verdelot]
Voice: [no designation]
Languages: Latin
Voice Text: Congregati sunt inimici nostri et gloriantur II: Disperde illos in virtute tua
90–92 Congregati sunt - 2a pars (of 2): Disperge illos in virtute tua - with c. f. Da pacem Domine -
Appears on: 90–92
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Disperge illos - with c. f. Da pacem domine [part 2]
93–95 Veni sancte spiritus reple tuorum corda (8vv) [M120] [Senfl]
Appears on: 93–95
Genres: Motet, Veni sancte spiritus
Source Attribution: [Senfl]
Voice: [no designation]
Languages: Latin
Voice Text: Veni sancte spiritus reple tuorum corda
95–99 Apparuerunt apostolis - 1a pars (of 2): Apparuerunt apostolis disparditae linguae [Finck]
Appears on: 95–99
Genres: Motet
Source Attribution: [Finck]
Voice: [no designation]
Languages: Latin
Voice Text: Apparuerunt apostolis dispertitae lingue II: Loquebantur variis linguis apostoli
99–101 Apparuerunt apostolis - 2a pars (of 2): Loquebantur variis linguis apostoli -
Appears on: 99–101
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Loquebantur variis linguis [part 2]
102–107 Jam non dicam vos servos sed amicos (8vv) [Phinot]
Appears on: 102–107
Genres: Motet
Source Attribution: [Phinot]
Voice: [no designation]
Languages: Latin
Voice Text: Jam non dicam vos servos sed amicos
General Note

RISM 1555^10:40 - 21:111 - 37:52 - 53:9

107–112 Ite in orbem universum et praedicate Vs. Qui crediderit et baptisatus fuerit R. In nomine patris et filii et spiritus [Breitengraser]
Appears on: 107–112
Genres: Hymn
Source Attribution: [Breitengraser]
Voice: [no designation]
Languages: Latin
Voice Text: Ite in orbem universum et predicate dicentes II: Qui crediderit et baptizatus fuerit III: In nomine patris et filii et spiritus
General Note

Begininng of Vs Qui crediderit is missing - a folio is lost after p.110. A short section from the 'Alleluia' through the beginning of the verse "Qui crediderit" appears at pp. 123-124, but this is a Discantus II part presumably from the lost book in the set.

113–115 Ego sum resurrectio et vita qui credit [Breitengraser]
Appears on: 113–115
Genres: Motet
Source Attribution: [Breitengraser]
Voice: [no designation]
Languages: Latin
Voice Text: Ego sum resurrectio et vita qui credit
116–117 Da pacem Domine (M27) - 1a pars (of 2): Da pacem Domine in diebus nostris [Senfl]
Appears on: 116–117
Genres: Motet
Source Attribution: [Senfl]
Voice: [no designation]
Languages: Latin
Voice Text: Da pacem domine in diebus nostris II: Quia non est alius qui pugnet
118–119 Da pacem Domine (M27) - 2a pars (of 2): Quia non est alius qui pugnet -
Appears on: 118–119
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Quia non est alius [part 2]
120–122 O sacrum convivium in quo Christus sumitur (8vv) [Phinot]
Appears on: 120–122
Genres: Motet
Source Attribution: [Phinot]
Voice: [no designation]
Languages: Latin
Voice Text: O sacrum convivium in quo Christus sumitur
General Note

RISM 1555^11:49 - Bk 21:8 - 37:39

122, 125–126 Tulerunt Dominum (8vv) 14.7 - 1a pars (of 2): Tulerunt dominum meum et nescio ubi (= Lugebat David Absalon) [Gombert/Josquin]
Appears on: 122, 125–126
Genres: Motet
Source Attribution: [Gombert/Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: Tulerunt dominum meum et nescio ubi 14.7 [= Lugebat David Absalom pius pater]
General Note

RISM 1554^10:41 - Bk 21:74 - 28:27 - 66:9

123–124 Ite in orbem universum et praedicate Vs. Qui crediderit et baptisatus fuerit R. In nomine patris et filii et spiritus -
Appears on: 123–124
Genres: Hymn
General Note

A short section from the 'Alleluia' through the beginning of the verse "Qui crediderit" from a Discantus II part - presumably mistakenly bound in here rather than in the lost book in the set.

127–130 Homo quidam - 1a pars (of 2): Homo quidam fecit caenam magnam et misit [Beutel]
Appears on: 127–130
Genres: Motet
Source Attribution: [Beutel]
Voice: [no designation]
Languages: Latin
Voice Text: Homo quidam fecit caenam magnam et misit II: Venite et comedite et bibite vinum
General Note

RISM 1555^11:48

130–133 Homo quidam - 2a pars (of 2): Venite et comedite et bibite vinum -
Appears on: 130–133
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Venite et comedite [part 2]
General Note

RISM 1555^11:48

134–137 Sancta Trinitas unus Deus miserere nobis (8vv) [Phinot]
Appears on: 134–137
Genres: Motet
Source Attribution: [Phinot]
Voice: [no designation]
Languages: Latin
Voice Text: Sancta trinitas unus deus miserere
General Note

RISM 1555^11:10 - Bk 21:149 - 37:53

137–142 Miserator et misericors Dominus paciens (= Se congié prens de mes belles amours 30.11) [Josquin]
Appears on: 137–142
Genres: Contrafactum, Motet
Source Attribution: [Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: Miserator et misericors dominus paciens 30.11 [= Se congié prens de mes belles amours]
142–146 Si bona suscepimus de manu Domini Anon. Anonymous
Appears on: 142–146
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Si bona suscepimus de manu domini
General Note

Bk 5:37

147–150 Jesus Christus venit in mundum ut peccatores [Brandt]
Appears on: 147–150
Genres: Motet
Source Attribution: [Brandt]
Voice: [no designation]
Languages: Latin
Voice Text: Hiesus Christus venit in hunc mundum
General Note

RISM 1558^4:52

151–153 Ego sum ipse qui deleo iniquitates (= Tenez moi en vos bras 30.12) [Josquin]
Appears on: 151–153
Genres: Contrafactum, Motet
Source Attribution: [Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: Ego sum ipse qui deleo iniquitates tuas 30.12 [= Tenez moy en vos bras mon amy]
154–157 Emendemus in melius - 1a pars (of 2): Emendemus in melius que ignoranter [Feys]
Appears on: 154–157
Genres: Motet
Source Attribution: [Feys]
Voice: [no designation]
Languages: Latin
Voice Text: Emendemus in melius quae ignoranter II: Peccavimus cum patribus nostris
General Note

RISM 1556^8:5 - Bk 7:46 - 21:144 - 28:19 - 57:10 - 100:20

158–160 Emendemus in melius - 2a pars (of 2): Peccavimus cum patribus -
Appears on: 158–160
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Peccavimus cum patribus part 2
General Note

RISM 1556^8:5 - Bk 7:46 - 21:144 - 28:19 - 57:10 - 100:20

160–164 Bonum est homini - 1a pars (of 2): Bonum est homini uxorem non tangere [Figulus]
Appears on: 160–164
Genres: Motet
Source Attribution: [Figulus]
Voice: [no designation]
Languages: Latin
Voice Text: Bonum est homini uxorem non tangere II: Honorabile igitur inter omnes
General Note

Eichorn 1575 (Cant. sacr.):2

164–168 Bonum est homini - 2a pars (of 2): Honorabile igitur inter omnes -
Appears on: 164–168
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Honorabile igitur inter omnes [part 2]
General Note

Eichorn 1575 (Cant. sacr.):2

168–172 Siehe wie fein und lieblich ist's dass brüder (8vv) Vuolffgangus Figulus
Appears on: 168–172
Genres: Motet
Source Attribution: Vuolffgangus Figulus
Voice: [no designation]
Languages: German
Voice Text: Siehe wie fein und lieblich ists das bruder
General Note

Eichorn 1575 (Cant. sacr.):3 - Bk 28:35 - 99:22

173–179 Ich dank dem Hern - 1a pars (of 9): Ich dank dem Hern von gantzem Herzen [Figulus]
Appears on: 173–179
Genres: Psalm
Source Attribution: [Figulus]
Voice: [no designation]
Languages: German
Voice Text: Ich danck dem Hern von gantzem hertzen II: Er sendet eine erlosung seinem volck
General Note

Eichorn 1575 (Cant. sacr.):7

179–183 Ich dank dem Hern - 9a pars (of 9): Er sendet eine erlösung -
Appears on: 179–183
Genres: Psalm
Voice: [no designation]
Languages: German
Voice Text: Er sendet eine erlösung [part 2]
General Note

Eichorn 1575 (Cant. sacr.):7

183–189 Wer unter dem Schirm - 1a pars (of 2): Wer unter dem Schirm des Höchsten sitzt Anon. Anonymous
Appears on: 183–189
Genres: Psalm
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Wer unter dem schirm des hohsten sitz II: Es wirt dir kein ubel begegnen
189–195 Wer unter dem Schirm - 2a pars (of 2): Es wird dir kein übel begegnen - Anonymous
Appears on: 189–195
Genres: Psalm
Voice: [no designation]
Languages: German
Voice Text: Es wirt dir kein ubel begegnen [part 2]
196–203 Herr Gott du bist - 1a pars (of 2): Herr Gott du bist unser zuflucht Anon. Anonymous
Appears on: 196–203
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Herr Gott du bist unser zuflucht II: Ach Herre lehre uns bedencken
203–208 Herr Gott du bist - 2a pars (of 2): Ach Herre, lehre uns bedenken - Anonymous
Appears on: 203–208
Genres: Sacred Song
Voice: [no designation]
Languages: German
Voice Text: Ach herre lehre uns bedencken [part 2]
209–211 Rorate caeli desuper et nubes pluant Vs: Caeli enarrant gloriam Et opera eius [Stoltzer]
Appears on: 209–211
Genres: Motet
Source Attribution: [Stoltzer]
Voice: [no designation]
Languages: Latin
Voice Text: Rorate coeli desuper et nubes pluant Vs: (Coeli enarrant gloriam) Et opera eius
General Note

Hoffm.-Erbr. I, Wv 22 - Bk 99:13

212–214 Alleluia. Prophetae sancti praedicaverunt [Stoltzer]
Appears on: 212–214
Genres: Alleluia, Motet
Source Attribution: [Stoltzer]
Voice: [no designation]
Languages: Latin
Voice Text: Alleluia. Prophetae sancti praedicaverunt
General Note

Hoffm.-Erbr. I, Wv 22 - Bk 99:13

214–215 Mittit ad virginem - 1a pars (of 5): Mittit ad virginem non quemvis angelum [Stoltzer]
Appears on: 214–215
Genres: Motet
Source Attribution: [Stoltzer]
Voice: [no designation]
Languages: Latin
Voice Text: Mittit ad virginem non quemvis angelum
General Note

Hoffm.-Erbr. I, Wv 22

215–216 Mittit ad virginem - 2a pars (of 5): Naturam superat natus -
Appears on: 215–216
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Naturam superat natus [part 2]
General Note

Hoffm.-Erbr. I, Wv 22

217 Mittit ad virginem - 3a pars (of 5): Foras eiiciat mundanum -
Appears on: 217
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Foras eiiciat mundanum [part 3]
General Note

Hoffm.-Erbr. I, Wv 22

218–219 Mittit ad virginem - 4a pars (of 5): Accede nuntians -
Appears on: 218–219
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Accede nuntians [part 4]
General Note

Hoffm.-Erbr. I, Wv 22

219–221 Mittit ad virginem - 5a pars (of 5): Audit et suscipit -
Appears on: 219–221
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Audit et suscipit [part 5]
General Note

Hoffm.-Erbr. I, Wv 22

221–224 Missa Dominicalis: Kyrie [Finck]
Appears on: 221–224
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: [Finck]
Voice: [no designation]
Languages: Latin
Voice Text: [Missa Dominicalis]
224–230 Missa Dominicalis: Et in terra pax [Gloria] -
Appears on: 224–230
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Gloria [Missa]
231–237 Missa Dominicalis: Patrem omnipotentem [Credo] -
Appears on: 231–237
Genres: Credo (patrem omnipotentem), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Credo [Missa]
238–242 Missa Dominicalis: Sanctus -
Appears on: 238–242
Genres: Mass Ordinary, Sanctus [& Benedictus]
Voice: [no designation]
Languages: Latin
Voice Text: Sanctus [Missa]
242–244 Missa Dominicalis: Agnus Dei -
Appears on: 242–244
Genres: Agnus Dei, Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Agnus dei [Missa]
244–249 Missa: Sanctus Anon. Anonymous

Missa: Sanctus

Anonymous
Appears on: 244–249
Genres: Agnus Dei, Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Missa] [SA]
249–252 Missa: Agnus Dei - Anonymous

Missa: Agnus Dei

Anonymous
Appears on: 249–252
Genres: Agnus Dei, Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Agnus dei
253–255 Missa: Kyrie Anon. Anonymous

Missa: Kyrie

Anonymous
Appears on: 253–255
Genres: Agnus Dei, Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin, Greek
Voice Text: [Missa] [KGSA]
255–265 Missa: Et in terra pax [Gloria] - Anonymous
Appears on: 255–265
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Gloria [Missa]
265–268 Missa: Sanctus - Anonymous

Missa: Sanctus

Anonymous
Appears on: 265–268
Genres: Mass Ordinary, Sanctus [& Benedictus]
Voice: [no designation]
Languages: Latin
Voice Text: Sanctus [Missa]
268–270 Missa: Agnus Dei - Anonymous

Missa: Agnus Dei

Anonymous
Appears on: 268–270
Genres: Agnus Dei, Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Agnus Dei [Missa]
270–275 Spiritus Domini replevit orbem terrarum Vs: Confirma hoc Deus quod operatus est Anon. Anonymous
Appears on: 270–275
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Spiritus domini replevit orbem terrarum Vs: Confirma hoc deus quod operatus est
275–288 (textless Mass setting?) Anon. -
Appears on: 275–288
Genres: textless
Source Attribution: Anon.
Voice: [no designation]
Languages: none
Voice Text: Textless
General Note

a lengthy multi-part composition - presumably a mass setting

288–289 Laus tibi Christe - 1a pars (of 12): Laus tibi Christe qui es creator et redemptor [Finck]
Appears on: 288–289
Genres: Motet
Source Attribution: [Finck]
Voice: [no designation]
Languages: Latin
Voice Text: Laus tibi Christe qui es creator et redemptor
289 Laus tibi Christe - 2a pars (of 12): Caeli et terrae maris -
Appears on: 289
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Coeli et terrae maris [part 2]
289–290 Laus tibi Christe - 3a pars (of 12): Qui peccatores venisti -
Appears on: 289–290
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Qui peccatores venisti [part 3]
290 Laus tibi Christe - 4a pars (of 12): Quorum de grege -
Appears on: 290
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Quorum de grege [part 4]
291–292 Laus tibi Christe - 5a pars (of 12): In domo Simonis -
Appears on: 291–292
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: In domo Symonis [part 5]
292–293 Laus tibi Christe - 6a pars (of 12): Peccator contemnit -
Appears on: 292–293
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Peccator contemnit [part 6]
293–294 Laus tibi Christe - 7a pars (of 12): Haec sunt convivia -
Appears on: 293–294
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Haec sunt convivia [part 7]
294–295 Laus tibi Christe - 8a pars (of 12): A Phariseo es invitatus -
Appears on: 294–295
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: A phariseo es invitatus [part 8]
295 Laus tibi Christe - 9a pars (of 12): Demonis eam septem -
Appears on: 295
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Demonis eam septem [part 9]
295–296 Laus tibi Christe - 10a pars (of 12): Hanc Christe -
Appears on: 295–296
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Hanc Christe [part 10]
296 Laus tibi Christe - 11a pars (of 12): Qualis sit tu scis -
Appears on: 296
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Qualis sit tu scis [part 11]
296–297 Laus tibi Christe - 12a pars (of 12): Rex regum dives -
Appears on: 296–297
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Rex regum dives [part 12]
298–300 Intravi In domum tuam pedibus meis Vs: Confitemini Domino Quoniam in saeculum Anon. Anonymous
Appears on: 298–300
Genres: Introit
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: (Intravi) In domum tuam pedibus meis Vs: (Confitemini domino) Quoniam in seculum
301–309 (textless hymn) Anon. -
Appears on: 301–309
Genres: Hymn
Source Attribution: Anon.
Voice: [no designation]
Languages: none
Voice Text: Textless
Concordances

The opening three phrases of the Discantus (only) are identical to the 3vv "Alleluia. Anna mater" in 1/D/505

Composer Compositions
Anonymous
Beutel (Bultel), Jacob
Brandt, Jobst vom
Breittengrasser, Gulielmus (Wilhelm)
Bruck, Arnold von (ca. 1500–1554)
Crecquillon, Thomas (ca. 1505–ca. 1557)
Despres, Josquin (ca. 1450–1521)
Fevin, Antoine de (ca. 1470–ca. 1512)
Feys, Arnoldus
Figulus, Wolfgang (ca. 1525–1589)
Finck, Heinrich
Forestier, Mathurin
Füger, Caspar (1561–1617)
Gombert, Nicolas (ca. 1495–ca. 1560)
Lassus, Orlande de (ca. 1532–1594)
Phinot, Dominique
Senfl, Ludwig (ca. 1486–ca. 1543)
Stoltzer, Thomas (ca. 1480–1526)
Verdelot, Philippe (ca. 1480–ca. 1532)
Willaert, Adrian (ca. 1490–1562)
Composition Composers (? Uncertain) Folios / Pages
(textless hymn) - 301–309
(textless Mass setting?) - 275–288
Alleluia. Prophetae sancti praedicaverunt 212–214
Alleluia. Veni sancte spiritus reple corda Anonymous 56–58
Amen 2
Apparuerunt apostolis - 1a pars (of 2): Apparuerunt apostolis disparditae linguae 95–99
Apparuerunt apostolis - 2a pars (of 2): Loquebantur variis linguis apostoli 99–101
Bonum est homini - 1a pars (of 2): Bonum est homini uxorem non tangere 160–164
Bonum est homini - 2a pars (of 2): Honorabile igitur inter omnes 164–168
Congregati sunt - 1a pars (of 2): Congregati sunt inimici nostri et gloriantur 87–90
Congregati sunt - 2a pars (of 2): Disperge illos in virtute tua - with c. f. Da pacem Domine 90–92
Da pacem Domine (M27) - 1a pars (of 2): Da pacem Domine in diebus nostris 116–117
Da pacem Domine (M27) - 2a pars (of 2): Quia non est alius qui pugnet 118–119
Domine Deus omnipotens (6vv) - 1a pars (of 2): Domine Deus omnipotens tu non posuisti 27–31
Domine Deus omnipotens (6vv) - 2a pars (of 2): Confiteor tibi me peccasse 31–35
Ego sum ipse qui deleo iniquitates (= Tenez moi en vos bras 30.12) 151–153
Ego sum resurrectio et vita qui credit 113–115
Emendemus in melius - 1a pars (of 2): Emendemus in melius que ignoranter 154–157
Emendemus in melius - 2a pars (of 2): Peccavimus cum patribus 158–160
Herr Gott du bist - 1a pars (of 2): Herr Gott du bist unser zuflucht Anonymous 196–203
Herr Gott du bist - 2a pars (of 2): Ach Herre, lehre uns bedenken Anonymous 203–208
Homo quidam - 1a pars (of 2): Homo quidam fecit caenam magnam et misit 127–130
Homo quidam - 2a pars (of 2): Venite et comedite et bibite vinum 130–133
Ich dank dem Hern - 1a pars (of 9): Ich dank dem Hern von gantzem Herzen 173–179
Ich dank dem Hern - 9a pars (of 9): Er sendet eine erlösung 179–183
Intravi In domum tuam pedibus meis Vs: Confitemini Domino Quoniam in saeculum Anonymous 298–300
Ite in orbem universum et praedicate Vs. Qui crediderit et baptisatus fuerit R. In nomine patris et filii et spiritus 107–112
Ite in orbem universum et praedicate Vs. Qui crediderit et baptisatus fuerit R. In nomine patris et filii et spiritus 123–124
Jam non dicam vos servos sed amicos (8vv) 102–107
Jesus Christus venit in mundum ut peccatores 147–150
Laus tibi Christe - 10a pars (of 12): Hanc Christe 295–296
Laus tibi Christe - 11a pars (of 12): Qualis sit tu scis 296
Laus tibi Christe - 12a pars (of 12): Rex regum dives 296–297
Laus tibi Christe - 1a pars (of 12): Laus tibi Christe qui es creator et redemptor 288–289
Laus tibi Christe - 2a pars (of 12): Caeli et terrae maris 289
Laus tibi Christe - 3a pars (of 12): Qui peccatores venisti 289–290
Laus tibi Christe - 4a pars (of 12): Quorum de grege 290
Laus tibi Christe - 5a pars (of 12): In domo Simonis 291–292
Laus tibi Christe - 6a pars (of 12): Peccator contemnit 292–293
Laus tibi Christe - 7a pars (of 12): Haec sunt convivia 293–294
Laus tibi Christe - 8a pars (of 12): A Phariseo es invitatus 294–295
Laus tibi Christe - 9a pars (of 12): Demonis eam septem 295
Miserator et misericors Dominus paciens (= Se congié prens de mes belles amours 30.11) 137–142
Missa Domine Deus omnipotens: Agnus Dei 22–26
Missa Domine Deus omnipotens: Gloria 7–11
Missa Domine Deus omnipotens: Kyrie 3–7
Missa Domine Deus omnipotens: Patrem omnipotentem [Credo] 11–18
Missa Domine Deus omnipotens: Sanctus 18–22
Missa Dominicalis: Agnus Dei 242–244
Missa Dominicalis: Et in terra pax [Gloria] 224–230
Missa Dominicalis: Kyrie 221–224
Missa Dominicalis: Patrem omnipotentem [Credo] 231–237
Missa Dominicalis: Sanctus 238–242
Missa: Agnus Dei Anonymous 249–252
Missa: Agnus Dei Anonymous 268–270
Missa: Et in terra pax [Gloria] Anonymous 255–265
Missa: Kyrie Anonymous 253–255
Missa: Sanctus Anonymous 244–249
Missa: Sanctus Anonymous 265–268
Mittit ad virginem - 1a pars (of 5): Mittit ad virginem non quemvis angelum 214–215
Mittit ad virginem - 2a pars (of 5): Naturam superat natus 215–216
Mittit ad virginem - 3a pars (of 5): Foras eiiciat mundanum 217
Mittit ad virginem - 4a pars (of 5): Accede nuntians 218–219
Mittit ad virginem - 5a pars (of 5): Audit et suscipit 219–221
O sacrum convivium in quo Christus sumitur (8vv) 120–122
Omnes gentes (M79) - 1a pars (of 2): Omnes gentes plaudite manibus jubilate 67–72
Omnes gentes (M79) - 2a pars (of 2): Ascendit Deus in jubilo et Dominus 73–79
Petite camusette à la mort m'avez mis 85–86
Petite camusette à la mort m'avez mis 30.7 83–84
Rorate caeli desuper et nubes pluant Vs: Caeli enarrant gloriam Et opera eius 209–211
Sancta Trinitas unus Deus miserere nobis (6vv) 80–82
Sancta Trinitas unus Deus miserere nobis (8vv) 134–137
Si bona suscepimus de manu Domini Anonymous 142–146
Siehe wie fein und lieblich ist's dass brüder (8vv) 168–172
Spiritus Domini replevit orbem terrarum Vs: Confirma hoc Deus quod operatus est Anonymous 270–275
Tulerunt Dominum (8vv) 14.7 - 1a pars (of 2): Tulerunt dominum meum et nescio ubi (= Lugebat David Absalon) 122, 125–126
Veni sancte spiritus - 1a pars (of 3): Veni sancte spiritus et emitte caelitus Anonymous 42–46
Veni sancte spiritus - 1a pars (of 4): Veni sancte spiritus et emitte caelitus Veni pater pauperum veni dator munerum Anonymous 58–60
Veni sancte spiritus - 2a pars (of 3): O lux beatissima reple cordis Anonymous 46–49
Veni sancte spiritus - 2a pars (of 4): In labore requies Anonymous 60–62
Veni sancte spiritus - 3a pars (of 3): Lava quod est sordidum rige quod Anonymous 49–56
Veni sancte spiritus - 3a pars (of 4): Sine tuo numine Anonymous 62–63
Veni sancte spiritus - 4a pars (of 4): Flecte quod est rigidum Anonymous 63–67
Veni sancte spiritus 26.17 - 1a pars (of 2): Veni sancte spiritus et emitte 35–38
Veni sancte spiritus 26.17 - 2a pars (of 2): O lux beatissima reple cordis 38–41
Veni sancte spiritus reple tuorum corda (8vv) [M120] 93–95
Wer unter dem Schirm - 1a pars (of 2): Wer unter dem Schirm des Höchsten sitzt Anonymous 183–189
Wer unter dem Schirm - 2a pars (of 2): Es wird dir kein übel begegnen Anonymous 189–195

Set: MS Grimma 55 (1-7)

Type: Partbooks

No images available

D-Dl MS Grimma 55 (1)

No images available

D-Dl MS Grimma 55 (2)

No images available

D-Dl MS Grimma 55 (3)

No images available

D-Dl MS Grimma 55 (4)

No images available

D-Dl MS Grimma 55 (5)

No images available

D-Dl MS Grimma 55 (6)

No images available

D-Dl MS Grimma 55 (7)

denotes primary source study

Kirsch, Winfried. 1976. Josquin's Motets in the German Tradition. Josquin des Prez: Proceedings of the International Josquin Festival-Conference ... 21-25 June 1971, 261-78. London, New York, and Toronto. Pages: 271. Notes: contents list (partial).

Steude, Wolfram. 1974. Die Musiksammeihandschriften des 16. und 17. Jahrhunderts in der Sächsischen Landesbibliothek zu Dresden. Quellenkataloge zur Musikgeschichte.  Wilhelmshaven. Pages: 93-5. Notes: physical description (partial); contents list; concordances (partial).

Dehnhard, Walter. 1971. Die deutschen Psalmmotette in der Reformationszeit. Neue Musikgeschichtliche Forschungen.  Wiesbaden. Pages: 305. Notes: contents list (partial).

Windh, John Ernfrid. 1971. Early Lutheran Masses. University of Illinois, Unpublished D.M.A. thesis. Pages: 116ff. Notes: mention of MS.

Böker-Heil, Norbert. 1967. Die Motetten von Philippe Verdelot.  Frankfurt am Main. Pages: 247, 278. Notes: concordances (partial); incipits (partial).

Hoffmann-Erbrecht, Lothar. 1955. Die Chorbücher der Stadtkirche zu Pirna. Acta Musicologica, 121-137. Pages: 135. Notes: physical description; contents list (partial); concordances (partial).

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DIAMM, 2016

Monday, 23 January, 2017

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description