D-Dl MS Grimma 55 (5)

Sächsische Landesbibliothek, Dresden, Germany

partbook: c. 1560-80

Archive Sächsische Landesbibliothek, Dresden, Germany (D-Dl)
Shelfmark MS Grimma 55 (5)
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System Foliation
Measurements c. 161 x 212 mm
Other Identifiers
  • CCM: DresSL Grimma 55
Copyists
Relationships
External Links
Provenance
Contents 87 pieces from 20 composers
General Description

A Tenor partbook from an incomplete set of seven volumes. Copied by Wolfgang Figulus(?), Kaspar Füger, and others. Copied at the Fürstenschule St. Afra in Meissen, under the direction of Wolfgang Figulus. Following Figulus' death (after 1588), the manuscript went to his son-in-law, Friedrich Birck, cantor at the Fürstenschule St. Augustin in Grimma from 1591 until his death in 1621. After Birck's death, his widow sold the manuscript to the Grimma Fürstenschule; in 1890 it was deposited in the library at Dresden.

DIAMM, 2017
Binding

Books 1-2 and 5-6 have modern brown pasteboard covers; books 3-4 have original leather covers, in very poor condition; book 7 has no covers.

DIAMM, 2017
Notation

not indicated

DIAMM, 2017
Foliation

Discantus has new pencil pagination. The Bassus & Discantus II have original foliation, the Tenor modern pencil foliation.

DIAMM, 2024
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

3 Masses, 1 Sanctus-Agnus pair, 9 Mass Proper sections, 1 psalm, 20 motets, 4 German sacred pieces, 3 textless pieces (one with incipit "Petite" only) = 41

(Beutel)-1, (Brandt)-1, (Crecquillon)-2, (Feys)-1, Figulus-3, (Füger?)-1, (Gombert/Josquin)-1, (Jaquet of Mantua)-1, (Josquin)-2, (Phinot)-3, (Senfl)-1, (Stoltzer)-2, (Verdelot)-1, anon-21

7 paper partbooks (Dl-ca. 150 folios, D2-i + 16 + i, Al and A2-condition too poor to count folios, T-126, B-139 + ii, Q-i + 54 + i), ca. 161 x 212. The altus books are in very poor condition, and cannot be used. Some new pencil foliation. Books 1-2 and 5-6 have modern brown pasteboard covers; books 3-4 have original leather covers, in very poor condition; book 7 has no covers. Copied by Wolfgang Figulus(?), Kaspar Füger, and others.

Ca. 1560-80 (SteudeMS); 1557-67 (HoffC). Copied at the Fürstenschule St. Afra in Meissen, under the direction of Wolfgang Figulus. Following Figulus' death (after 1588), the manuscript went to his son-in-law, Friedrich Birck, cantor at the Fürstenschule St. Augustin in Grimma from 1591 until his death in 1621. After Birck's death, his widow sold the manuscript to the Grimma Fürstenschule; in 1890 it was deposited in the library at Dresden.

Vol 4

Composers: Add "(M. Forestier/Josquin)-1"; change "(Jaquet of Mantua)-1" to "(Jacotin/Jaquet of Mantua)-1"; change "anon-21" to "anon-20."

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1 Amen Caspar Fügn Dresden[sis] (possibly signed as scribe not composer?)
Appears on: 1
Genres: Motet
Source Attribution: Caspar Fügn Dresden[sis] (possibly signed as scribe not composer?)
Voice: [no designation]
Languages: Hebrew
Voice Text: Amen
2–3v Missa Domine Deus omnipotens: Kyrie [Crecquillon]
Appears on: 2–3v
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: [Crecquillon]
Voice: [no designation]
Languages: Latin
Voice Text: Missa super Domine deus omnipotens
General Note

Zwickau, Ms. 10, 1:2

3v–5v Missa Domine Deus omnipotens: Gloria -
Appears on: 3v–5v
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Gloria
General Note

Zwickau, Ms. 10, 1:2

5v–9 Missa Domine Deus omnipotens: Patrem omnipotentem [Credo] -
Appears on: 5v–9
Genres: Credo (patrem omnipotentem), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Credo [Missa super Domine Deus omnipotens]
General Note

Zwickau, Ms. 10, 1:2

9–11 Missa Domine Deus omnipotens: Sanctus -
Appears on: 9–11
Genres: Mass Ordinary, Sanctus [& Benedictus]
Voice: [no designation]
Languages: Latin
Voice Text: Sanctus [Missa super Domine Deus omnipotens]
General Note

Zwickau, Ms. 10, 1:2

11–13 Missa Domine Deus omnipotens: Agnus Dei -
Appears on: 11–13
Genres: Agnus Dei, Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Agnus Dei [Missa super Domine Deus omnipotens]
General Note

Zwickau, Ms. 10, 1:2

13v–15v Domine Deus omnipotens (6vv) - 1a pars (of 2): Domine Deus omnipotens tu non posuisti [Crecquillon]
Appears on: 13v–15v
Genres: Motet
Source Attribution: [Crecquillon]
Voice: [no designation]
Languages: Latin
Voice Text: Domine deus omnipotens tu non posuisti II: Confiteor tibi me peccasse super
General Note

Bk 5:33 - 37:44 - 55:22 - 100:2

15v–17v Domine Deus omnipotens (6vv) - 2a pars (of 2): Confiteor tibi me peccasse -
Appears on: 15v–17v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Confiteor tibi me peccasse [part 2]
General Note

Bk 5:33 - 37:44 - 55:22 - 100:2

17v–19 Veni sancte spiritus 26.17 - 1a pars (of 2): Veni sancte spiritus et emitte [M. Forestier/ Josquin]
Appears on: 17v–19
Genres: Motet, Veni sancte spiritus
Source Attribution: [M. Forestier/ Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: Veni sancte spiritus et emitte caelitus 26.17 II: O lux beatissima reple cordis
General Note

Josquin, GA, Mot. 49 - Bk 21:113 - 101:6

19–20v Veni sancte spiritus 26.17 - 2a pars (of 2): O lux beatissima reple cordis -
Appears on: 19–20v
Voice: [no designation]
Languages: Latin
Voice Text: O lux beatissima [part 2]
General Note

Josquin, GA, Mot. 49 - Bk 21:113 - 101:6

21–23 Veni sancte spiritus - 1a pars (of 3): Veni sancte spiritus et emitte caelitus Anon. Anonymous
Appears on: 21–23
Genres: Motet, Veni sancte spiritus
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Veni sancte spiritus et emitte coelitus II: O lux beatissima reple cordis III: Lava quod est sordidum rige quod
23–24v Veni sancte spiritus - 2a pars (of 3): O lux beatissima reple cordis - Anonymous
Appears on: 23–24v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: O lux beatissima [part 2]
24v–27v Veni sancte spiritus - 3a pars (of 3): Lava quod est sordidum rige quod - Anonymous
Appears on: 24v–27v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Lava quod est sordidum [part 3]
27v–28v Alleluia. Veni sancte spiritus reple corda Anon. Anonymous
Appears on: 27v–28v
Genres: Alleluia, Motet, Veni sancte spiritus
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Alleluia. Veni sancte spiritus reple corda
28v–29 Veni sancte spiritus - 1a pars (of 4): Veni sancte spiritus et emitte caelitus Veni pater pauperum veni dator munerum Anon. Anonymous
Appears on: 28v–29
Genres: Motet, Veni sancte spiritus
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Veni sancte spiritus et emitte coelitus] Veni pater pauperum veni dator munerum
General Note

Bk 99:6

29–29v Veni sancte spiritus - 2a pars (of 4): In labore requies - Anonymous
Appears on: 29–29v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: In labore requies [part 2]
General Note

Bk 99:6

30–30v Veni sancte spiritus - 3a pars (of 4): Sine tuo numine - Anonymous
Appears on: 30–30v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Sine tuo numine [part 3]
General Note

Bk 99:6

30v–31v Veni sancte spiritus - 4a pars (of 4): Flecte quod est rigidum - Anonymous
Appears on: 30v–31v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Flecte quod est rigidum [part 4]
General Note

Bk 99:6

32–32v Omnes gentes (M79) - 1a pars (of 2): Omnes gentes plaudite manibus jubilate [Senfl]
Appears on: 32–32v
Genres: Motet
Source Attribution: [Senfl]
Voice: [no designation]
Languages: Latin
Voice Text: Omnes gentes plaudite manibus jubilate II: Ascendit deus in iubilo et dominus
General Note

EdM I, 13:8 - Bk 5:12

32v–33v Omnes gentes (M79) - 2a pars (of 2): Ascendit Deus in jubilo et Dominus -
Appears on: 32v–33v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Ascendit Deus in Jubilo [2a pars]
General Note

EdM I, 13:8 - Bk 5:12

34–36 Sancta Trinitas unus Deus miserere nobis (6vv) [Jacotin/Jaquet of Mantua]
Appears on: 34–36
Genres: Motet
Source Attribution: [Jacotin/Jaquet of Mantua]
Voice: [no designation]
Languages: Latin
Voice Text: Sancta trinitas unus deus miserere
General Note

RISM 1558^4:10 - Bk 21:154; Hans Ott, Novum et insigne opus musicum, Nuremberg, Hieronymus Formschneider, 1537, no 3; Tertius tomus Evangeliorum, quatuor, quinque, sex et plurium vocum, Nuremberg, J. Montanus & U. Neuber, 1555, no 7; Novum et insigne opus musicum, Nuremberg, J. von Berg & U. Neuber, 1558, no 10

36–36v Petite camusette à la mort m'avez mis 30.7 [Josquin]
Appears on: 36–36v
Genres: Chanson
Source Attribution: [Josquin]
Voice: [no designation]
Languages: French
Voice Text: Petite [camusette à la mort m'avez mis] 30.7
37–37v Petite camusette à la mort m'avez mis [Willaert]
Appears on: 37–37v
Genres: Chanson
Source Attribution: [Willaert]
Voice: [no designation]
Languages: French
Voice Text: [Petite camusette à la mort m'avez mis]
38–38v Congregati sunt - 1a pars (of 2): Congregati sunt inimici nostri et gloriantur [Verdelot]
Appears on: 38–38v
Genres: Motet
Source Attribution: [Verdelot]
Voice: [no designation]
Languages: Latin
Voice Text: Congregati sunt inimici nostri et gloriantur II: Disperde illos in virtute tua
38v–39 Congregati sunt - 2a pars (of 2): Disperge illos in virtute tua - with c. f. Da pacem Domine -
Appears on: 38v–39
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Disperge illos - with c. f. Da pacem domine [part 2]
39v–40 Veni sancte spiritus reple tuorum corda (8vv) [M120] [Senfl]
Appears on: 39v–40
Genres: Motet, Veni sancte spiritus
Source Attribution: [Senfl]
Voice: [no designation]
Languages: Latin
Voice Text: Veni sancte spiritus reple tuorum corda
40v–41v Apparuerunt apostolis - 1a pars (of 2): Apparuerunt apostolis disparditae linguae [Finck]
Appears on: 40v–41v
Genres: Motet
Source Attribution: [Finck]
Voice: [no designation]
Languages: Latin
Voice Text: Apparuerunt apostolis dispertitae lingue II: Loquebantur variis linguis apostoli
41v–42 Apparuerunt apostolis - 2a pars (of 2): Loquebantur variis linguis apostoli -
Appears on: 41v–42
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Loquebantur variis linguis [part 2]
42–44 Jam non dicam vos servos sed amicos (8vv) [Phinot]
Appears on: 42–44
Genres: Motet
Source Attribution: [Phinot]
Voice: [no designation]
Languages: Latin
Voice Text: Jam non dicam vos servos sed amicos
General Note

RISM 1555^10:40 - 21:111 - 37:52 - 53:9

44v–46 Ite in orbem universum et praedicate Vs. Qui crediderit et baptisatus fuerit R. In nomine patris et filii et spiritus [Breitengraser]
Appears on: 44v–46
Genres: Hymn
Source Attribution: [Breitengraser]
Voice: [no designation]
Languages: Latin
Voice Text: Ite in orbem universum et predicate dicentes II: Qui crediderit et baptizatus fuerit III: In nomine patris et filii et spiritus
46 Ego sum resurrectio et vita qui credit [Breitengraser]
Appears on: 46
Genres: Motet
Source Attribution: [Breitengraser]
Voice: [no designation]
Languages: Latin
Voice Text: Ego sum resurrectio et vita qui credit
46v Da pacem Domine (M27) - 1a pars (of 2): Da pacem Domine in diebus nostris [Senfl]
Appears on: 46v
Genres: Motet
Source Attribution: [Senfl]
Voice: [no designation]
Languages: Latin
Voice Text: Da pacem domine in diebus nostris II: Quia non est alius qui pugnet
46v–47v Da pacem Domine (M27) - 2a pars (of 2): Quia non est alius qui pugnet -
Appears on: 46v–47v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Quia non est alius [part 2]
47v–48v O sacrum convivium in quo Christus sumitur (8vv) [Phinot]
Appears on: 47v–48v
Genres: Motet
Source Attribution: [Phinot]
Voice: [no designation]
Languages: Latin
Voice Text: O sacrum convivium in quo Christus sumitur
General Note

RISM 1555^11:49 - Bk 21:8 - 37:39

49–50 Tulerunt Dominum (8vv) 14.7 - 1a pars (of 2): Tulerunt dominum meum et nescio ubi (= Lugebat David Absalon) [Gombert/Josquin]
Appears on: 49–50
Genres: Motet
Source Attribution: [Gombert/Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: Tulerunt dominum meum et nescio ubi 14.7 [= Lugebat David Absalom pius pater]
General Note

RISM 1554^10:41 - Bk 21:74 - 28:27 - 66:9

50v–52 Homo quidam - 1a pars (of 2): Homo quidam fecit caenam magnam et misit [Beutel]
Appears on: 50v–52
Genres: Motet
Source Attribution: [Beutel]
Voice: [no designation]
Languages: Latin
Voice Text: Homo quidam fecit caenam magnam et misit II: Venite et comedite et bibite vinum
General Note

RISM 1555^11:48

52–53 Homo quidam - 2a pars (of 2): Venite et comedite et bibite vinum -
Appears on: 52–53
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Venite et comedite [part 2]
General Note

RISM 1555^11:48

53v–54v Sancta Trinitas unus Deus miserere nobis (8vv) [Phinot]
Appears on: 53v–54v
Genres: Motet
Source Attribution: [Phinot]
Voice: [no designation]
Languages: Latin
Voice Text: Sancta trinitas unus deus miserere
General Note

RISM 1555^11:10 - Bk 21:149 - 37:53

55–56 Miserator et misericors Dominus paciens (= Se congié prens de mes belles amours 30.11) [Josquin]
Appears on: 55–56
Genres: Contrafactum, Motet
Source Attribution: [Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: Miserator et misericors dominus paciens 30.11 [= Se congié prens de mes belles amours]
56–58 Si bona suscepimus de manu Domini Anon. Anonymous
Appears on: 56–58
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Si bona suscepimus de manu domini
General Note

Bk 5:37

58v–60 Jesus Christus venit in mundum ut peccatores [Brandt]
Appears on: 58v–60
Genres: Motet
Source Attribution: [Brandt]
Voice: [no designation]
Languages: Latin
Voice Text: Hiesus Christus venit in hunc mundum
General Note

RISM 1558^4:52

60–61 Ego sum ipse qui deleo iniquitates (= Tenez moi en vos bras 30.12) [Josquin]
Appears on: 60–61
Genres: Contrafactum, Motet
Source Attribution: [Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: Ego sum ipse qui deleo iniquitates tuas 30.12 [= Tenez moy en vos bras mon amy]
61v–63v Emendemus in melius - 1a pars (of 2): Emendemus in melius que ignoranter [Feys]
Appears on: 61v–63v
Genres: Motet
Source Attribution: [Feys]
Voice: [no designation]
Languages: Latin
Voice Text: Emendemus in melius quae ignoranter II: Peccavimus cum patribus nostris
General Note

RISM 1556^8:5 - Bk 7:46 - 21:144 - 28:19 - 57:10 - 100:20

63v–65 Emendemus in melius - 2a pars (of 2): Peccavimus cum patribus -
Appears on: 63v–65
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Peccavimus cum patribus part 2
General Note

RISM 1556^8:5 - Bk 7:46 - 21:144 - 28:19 - 57:10 - 100:20

65–66 Bonum est homini - 1a pars (of 2): Bonum est homini uxorem non tangere [Figulus]
Appears on: 65–66
Genres: Motet
Source Attribution: [Figulus]
Voice: [no designation]
Languages: Latin
Voice Text: Bonum est homini uxorem non tangere II: Honorabile igitur inter omnes
General Note

Eichorn 1575 (Cant. sacr.):2

66–66v Bonum est homini - 2a pars (of 2): Honorabile igitur inter omnes -
Appears on: 66–66v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Honorabile igitur inter omnes [part 2]
General Note

Eichorn 1575 (Cant. sacr.):2

67–69 Siehe wie fein und lieblich ist's dass brüder (8vv) Vuolffgangus Figulus
Appears on: 67–69
Genres: Motet
Source Attribution: Vuolffgangus Figulus
Voice: [no designation]
Languages: German
Voice Text: Siehe wie fein und lieblich ists das bruder
General Note

Eichorn 1575 (Cant. sacr.):3 - Bk 28:35 - 99:22

69–71v Ich dank dem Hern - 1a pars (of 9): Ich dank dem Hern von gantzem Herzen [Figulus]
Appears on: 69–71v
Genres: Psalm
Source Attribution: [Figulus]
Voice: [no designation]
Languages: German
Voice Text: Ich danck dem Hern von gantzem hertzen II: Er sendet eine erlosung seinem volck
General Note

Eichorn 1575 (Cant. sacr.):7

71v–73v Ich dank dem Hern - 9a pars (of 9): Er sendet eine erlösung -
Appears on: 71v–73v
Genres: Psalm
Voice: [no designation]
Languages: German
Voice Text: Er sendet eine erlösung [part 2]
General Note

Eichorn 1575 (Cant. sacr.):7

73v–76 Wer unter dem Schirm - 1a pars (of 2): Wer unter dem Schirm des Höchsten sitzt Anon. Anonymous
Appears on: 73v–76
Genres: Psalm
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Wer unter dem schirm des hohsten sitz II: Es wirt dir kein ubel begegnen
76–79 Wer unter dem Schirm - 2a pars (of 2): Es wird dir kein übel begegnen - Anonymous
Appears on: 76–79
Genres: Psalm
Voice: [no designation]
Languages: German
Voice Text: Es wirt dir kein ubel begegnen [part 2]
79–83 Herr Gott du bist - 1a pars (of 2): Herr Gott du bist unser zuflucht Anon. Anonymous
Appears on: 79–83
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Herr Gott du bist unser zuflucht II: Ach Herre lehre uns bedencken
83–85v Herr Gott du bist - 2a pars (of 2): Ach Herre, lehre uns bedenken - Anonymous
Appears on: 83–85v
Genres: Sacred Song
Voice: [no designation]
Languages: German
Voice Text: Ach herre lehre uns bedencken [part 2]
86–86v Rorate caeli desuper et nubes pluant Vs: Caeli enarrant gloriam Et opera eius [Stoltzer]
Appears on: 86–86v
Genres: Motet
Source Attribution: [Stoltzer]
Voice: [no designation]
Languages: Latin
Voice Text: Rorate coeli desuper et nubes pluant Vs: (Coeli enarrant gloriam) Et opera eius
General Note

Hoffm.-Erbr. I, Wv 22 - Bk 99:13

87–88 Alleluia. Prophetae sancti praedicaverunt [Stoltzer]
Appears on: 87–88
Genres: Alleluia, Motet
Source Attribution: [Stoltzer]
Voice: [no designation]
Languages: Latin
Voice Text: Alleluia. Prophetae sancti praedicaverunt
General Note

Hoffm.-Erbr. I, Wv 22 - Bk 99:13

88v–89 Mittit ad virginem - 1a pars (of 5): Mittit ad virginem non quemvis angelum [Stoltzer]
Appears on: 88v–89
Genres: Motet
Source Attribution: [Stoltzer]
Voice: [no designation]
Languages: Latin
Voice Text: Mittit ad virginem non quemvis angelum
General Note

Hoffm.-Erbr. I, Wv 22

89–89v Mittit ad virginem - 2a pars (of 5): Naturam superat natus -
Appears on: 89–89v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Naturam superat natus [part 2]
General Note

Hoffm.-Erbr. I, Wv 22

89v–90 Mittit ad virginem - 3a pars (of 5): Foras eiiciat mundanum -
Appears on: 89v–90
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Foras eiiciat mundanum [part 3]
General Note

Hoffm.-Erbr. I, Wv 22

90–90v Mittit ad virginem - 4a pars (of 5): Accede nuntians -
Appears on: 90–90v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Accede nuntians [part 4]
General Note

Hoffm.-Erbr. I, Wv 22

91–91v Mittit ad virginem - 5a pars (of 5): Audit et suscipit -
Appears on: 91–91v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Audit et suscipit [part 5]
General Note

Hoffm.-Erbr. I, Wv 22

91v–92v Missa Dominicalis: Kyrie [Finck]
Appears on: 91v–92v
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: [Finck]
Voice: [no designation]
Languages: Latin
Voice Text: [Missa Dominicalis]
92v–95 Missa Dominicalis: Et in terra pax [Gloria] -
Appears on: 92v–95
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Gloria [Missa]
95–99 Missa Dominicalis: Patrem omnipotentem [Credo] -
Appears on: 95–99
Genres: Credo (patrem omnipotentem), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Credo [Missa]
99–100 Missa Dominicalis: Sanctus -
Appears on: 99–100
Genres: Mass Ordinary, Sanctus [& Benedictus]
Voice: [no designation]
Languages: Latin
Voice Text: Sanctus [Missa]
100–100v Missa Dominicalis: Agnus Dei -
Appears on: 100–100v
Genres: Agnus Dei, Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Agnus dei [Missa]
100v–102 Missa: Sanctus Anon. Anonymous

Missa: Sanctus

Anonymous
Appears on: 100v–102
Genres: Agnus Dei, Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Missa] [SA]
102v–103v Missa: Agnus Dei - Anonymous

Missa: Agnus Dei

Anonymous
Appears on: 102v–103v
Genres: Agnus Dei, Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Agnus dei
103v–104v Missa: Kyrie Anon. Anonymous

Missa: Kyrie

Anonymous
Appears on: 103v–104v
Genres: Agnus Dei, Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin, Greek
Voice Text: [Missa] [KGSA]
104v–107 Missa: Et in terra pax [Gloria] - Anonymous
Appears on: 104v–107
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Gloria [Missa]
107–108 Missa: Sanctus - Anonymous

Missa: Sanctus

Anonymous
Appears on: 107–108
Genres: Mass Ordinary, Sanctus [& Benedictus]
Voice: [no designation]
Languages: Latin
Voice Text: Sanctus [Missa]
108 Missa: Agnus Dei - Anonymous

Missa: Agnus Dei

Anonymous
Appears on: 108
Genres: Agnus Dei, Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Agnus Dei [Missa]
108v–110 Spiritus Domini replevit orbem terrarum Vs: Confirma hoc Deus quod operatus est Anon. Anonymous
Appears on: 108v–110
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Spiritus domini replevit orbem terrarum Vs: Confirma hoc deus quod operatus est
110–116v (textless Mass setting?) Anon. Anonymous
Appears on: 110–116v
Genres: textless
Source Attribution: Anon.
117 Laus tibi Christe - 1a pars (of 12): Laus tibi Christe qui es creator et redemptor [Finck]
Appears on: 117
Genres: Motet
Source Attribution: [Finck]
Voice: [no designation]
Languages: Latin
Voice Text: Laus tibi Christe qui es creator et redemptor
General Note

12 parts

117 Laus tibi Christe - 2a pars (of 12): Caeli et terrae maris -
Appears on: 117
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Coeli et terrae maris [part 2]
117v Laus tibi Christe - 3a pars (of 12): Qui peccatores venisti -
Appears on: 117v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Qui peccatores venisti [part 3]
117v–118 Laus tibi Christe - 4a pars (of 12): Quorum de grege -
Appears on: 117v–118
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Quorum de grege [part 4]
tacet? Laus tibi Christe - 5a pars (of 12): In domo Simonis -
Appears on: tacet?
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: In domo Symonis [part 5]
118–118v Laus tibi Christe - 6a pars (of 12): Peccator contemnit -
Appears on: 118–118v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Peccator contemnit [part 6]
119 Laus tibi Christe - 7a pars (of 12): Haec sunt convivia -
Appears on: 119
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Haec sunt convivia [part 7]
119 Laus tibi Christe - 8a pars (of 12): A Phariseo es invitatus -
Appears on: 119
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: A phariseo es invitatus [part 8]
119v Laus tibi Christe - 9a pars (of 12): Demonis eam septem -
Appears on: 119v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Demonis eam septem [part 9]
119v–120 Laus tibi Christe - 10a pars (of 12): Hanc Christe -
Appears on: 119v–120
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Hanc Christe [part 10]
120–120v Laus tibi Christe - 11a pars (of 12): Qualis sit tu scis -
Appears on: 120–120v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Qualis sit tu scis [part 11]
120v–121 Laus tibi Christe - 12a pars (of 12): Rex regum dives -
Appears on: 120v–121
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Rex regum dives [part 12]
121–122 Intravi In domum tuam pedibus meis Vs: Confitemini Domino Quoniam in saeculum Anon. Anonymous
Appears on: 121–122
Genres: Introit
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: (Intravi) In domum tuam pedibus meis Vs: (Confitemini domino) Quoniam in seculum
122v–126 (textless hymn) Anon. Anonymous

(textless hymn)

Anonymous
Appears on: 122v–126
Genres: Hymn
Source Attribution: Anon.
General Note

f. 124-124a blank

Composer Compositions
Anonymous
Beutel (Bultel), Jacob
Brandt, Jobst vom
Breittengrasser, Gulielmus (Wilhelm)
Bruck, Arnold von (ca. 1500–1554)
Crecquillon, Thomas (ca. 1505–ca. 1557)
Despres, Josquin (ca. 1450–1521)
Fevin, Antoine de (ca. 1470–ca. 1512)
Feys, Arnoldus
Figulus, Wolfgang (ca. 1525–1589)
Finck, Heinrich
Forestier, Mathurin
Füger, Caspar (1561–1617)
Gombert, Nicolas (ca. 1495–ca. 1560)
Lassus, Orlande de (ca. 1532–1594)
Phinot, Dominique
Senfl, Ludwig (ca. 1486–ca. 1543)
Stoltzer, Thomas (ca. 1480–1526)
Verdelot, Philippe (ca. 1480–ca. 1532)
Willaert, Adrian (ca. 1490–1562)
Composition Composers (? Uncertain) Folios / Pages
(textless hymn) Anonymous 122v–126
(textless Mass setting?) Anonymous 110–116v
Alleluia. Prophetae sancti praedicaverunt 87–88
Alleluia. Veni sancte spiritus reple corda Anonymous 27v–28v
Amen 1
Apparuerunt apostolis - 1a pars (of 2): Apparuerunt apostolis disparditae linguae 40v–41v
Apparuerunt apostolis - 2a pars (of 2): Loquebantur variis linguis apostoli 41v–42
Bonum est homini - 1a pars (of 2): Bonum est homini uxorem non tangere 65–66
Bonum est homini - 2a pars (of 2): Honorabile igitur inter omnes 66–66v
Congregati sunt - 1a pars (of 2): Congregati sunt inimici nostri et gloriantur 38–38v
Congregati sunt - 2a pars (of 2): Disperge illos in virtute tua - with c. f. Da pacem Domine 38v–39
Da pacem Domine (M27) - 1a pars (of 2): Da pacem Domine in diebus nostris 46v
Da pacem Domine (M27) - 2a pars (of 2): Quia non est alius qui pugnet 46v–47v
Domine Deus omnipotens (6vv) - 1a pars (of 2): Domine Deus omnipotens tu non posuisti 13v–15v
Domine Deus omnipotens (6vv) - 2a pars (of 2): Confiteor tibi me peccasse 15v–17v
Ego sum ipse qui deleo iniquitates (= Tenez moi en vos bras 30.12) 60–61
Ego sum resurrectio et vita qui credit 46
Emendemus in melius - 1a pars (of 2): Emendemus in melius que ignoranter 61v–63v
Emendemus in melius - 2a pars (of 2): Peccavimus cum patribus 63v–65
Herr Gott du bist - 1a pars (of 2): Herr Gott du bist unser zuflucht Anonymous 79–83
Herr Gott du bist - 2a pars (of 2): Ach Herre, lehre uns bedenken Anonymous 83–85v
Homo quidam - 1a pars (of 2): Homo quidam fecit caenam magnam et misit 50v–52
Homo quidam - 2a pars (of 2): Venite et comedite et bibite vinum 52–53
Ich dank dem Hern - 1a pars (of 9): Ich dank dem Hern von gantzem Herzen 69–71v
Ich dank dem Hern - 9a pars (of 9): Er sendet eine erlösung 71v–73v
Intravi In domum tuam pedibus meis Vs: Confitemini Domino Quoniam in saeculum Anonymous 121–122
Ite in orbem universum et praedicate Vs. Qui crediderit et baptisatus fuerit R. In nomine patris et filii et spiritus 44v–46
Jam non dicam vos servos sed amicos (8vv) 42–44
Jesus Christus venit in mundum ut peccatores 58v–60
Laus tibi Christe - 10a pars (of 12): Hanc Christe 119v–120
Laus tibi Christe - 11a pars (of 12): Qualis sit tu scis 120–120v
Laus tibi Christe - 12a pars (of 12): Rex regum dives 120v–121
Laus tibi Christe - 1a pars (of 12): Laus tibi Christe qui es creator et redemptor 117
Laus tibi Christe - 2a pars (of 12): Caeli et terrae maris 117
Laus tibi Christe - 3a pars (of 12): Qui peccatores venisti 117v
Laus tibi Christe - 4a pars (of 12): Quorum de grege 117v–118
Laus tibi Christe - 5a pars (of 12): In domo Simonis tacet?
Laus tibi Christe - 6a pars (of 12): Peccator contemnit 118–118v
Laus tibi Christe - 7a pars (of 12): Haec sunt convivia 119
Laus tibi Christe - 8a pars (of 12): A Phariseo es invitatus 119
Laus tibi Christe - 9a pars (of 12): Demonis eam septem 119v
Miserator et misericors Dominus paciens (= Se congié prens de mes belles amours 30.11) 55–56
Missa Domine Deus omnipotens: Agnus Dei 11–13
Missa Domine Deus omnipotens: Gloria 3v–5v
Missa Domine Deus omnipotens: Kyrie 2–3v
Missa Domine Deus omnipotens: Patrem omnipotentem [Credo] 5v–9
Missa Domine Deus omnipotens: Sanctus 9–11
Missa Dominicalis: Agnus Dei 100–100v
Missa Dominicalis: Et in terra pax [Gloria] 92v–95
Missa Dominicalis: Kyrie 91v–92v
Missa Dominicalis: Patrem omnipotentem [Credo] 95–99
Missa Dominicalis: Sanctus 99–100
Missa: Agnus Dei Anonymous 102v–103v
Missa: Agnus Dei Anonymous 108
Missa: Et in terra pax [Gloria] Anonymous 104v–107
Missa: Kyrie Anonymous 103v–104v
Missa: Sanctus Anonymous 100v–102
Missa: Sanctus Anonymous 107–108
Mittit ad virginem - 1a pars (of 5): Mittit ad virginem non quemvis angelum 88v–89
Mittit ad virginem - 2a pars (of 5): Naturam superat natus 89–89v
Mittit ad virginem - 3a pars (of 5): Foras eiiciat mundanum 89v–90
Mittit ad virginem - 4a pars (of 5): Accede nuntians 90–90v
Mittit ad virginem - 5a pars (of 5): Audit et suscipit 91–91v
O sacrum convivium in quo Christus sumitur (8vv) 47v–48v
Omnes gentes (M79) - 1a pars (of 2): Omnes gentes plaudite manibus jubilate 32–32v
Omnes gentes (M79) - 2a pars (of 2): Ascendit Deus in jubilo et Dominus 32v–33v
Petite camusette à la mort m'avez mis 37–37v
Petite camusette à la mort m'avez mis 30.7 36–36v
Rorate caeli desuper et nubes pluant Vs: Caeli enarrant gloriam Et opera eius 86–86v
Sancta Trinitas unus Deus miserere nobis (6vv) 34–36
Sancta Trinitas unus Deus miserere nobis (8vv) 53v–54v
Si bona suscepimus de manu Domini Anonymous 56–58
Siehe wie fein und lieblich ist's dass brüder (8vv) 67–69
Spiritus Domini replevit orbem terrarum Vs: Confirma hoc Deus quod operatus est Anonymous 108v–110
Tulerunt Dominum (8vv) 14.7 - 1a pars (of 2): Tulerunt dominum meum et nescio ubi (= Lugebat David Absalon) 49–50
Veni sancte spiritus - 1a pars (of 3): Veni sancte spiritus et emitte caelitus Anonymous 21–23
Veni sancte spiritus - 1a pars (of 4): Veni sancte spiritus et emitte caelitus Veni pater pauperum veni dator munerum Anonymous 28v–29
Veni sancte spiritus - 2a pars (of 3): O lux beatissima reple cordis Anonymous 23–24v
Veni sancte spiritus - 2a pars (of 4): In labore requies Anonymous 29–29v
Veni sancte spiritus - 3a pars (of 3): Lava quod est sordidum rige quod Anonymous 24v–27v
Veni sancte spiritus - 3a pars (of 4): Sine tuo numine Anonymous 30–30v
Veni sancte spiritus - 4a pars (of 4): Flecte quod est rigidum Anonymous 30v–31v
Veni sancte spiritus 26.17 - 1a pars (of 2): Veni sancte spiritus et emitte 17v–19
Veni sancte spiritus 26.17 - 2a pars (of 2): O lux beatissima reple cordis 19–20v
Veni sancte spiritus reple tuorum corda (8vv) [M120] 39v–40
Wer unter dem Schirm - 1a pars (of 2): Wer unter dem Schirm des Höchsten sitzt Anonymous 73v–76
Wer unter dem Schirm - 2a pars (of 2): Es wird dir kein übel begegnen Anonymous 76–79

Set: MS Grimma 55 (1-7)

Type: Partbooks

No images available

D-Dl MS Grimma 55 (1)

No images available

D-Dl MS Grimma 55 (2)

No images available

D-Dl MS Grimma 55 (3)

No images available

D-Dl MS Grimma 55 (4)

No images available

D-Dl MS Grimma 55 (5)

No images available

D-Dl MS Grimma 55 (6)

No images available

D-Dl MS Grimma 55 (7)

denotes primary source study

Kirsch, Winfried. 1976. Josquin's Motets in the German Tradition. Josquin des Prez: Proceedings of the International Josquin Festival-Conference ... 21-25 June 1971, 261-78. London, New York, and Toronto. Pages: 271. Notes: contents list (partial).

Steude, Wolfram. 1974. Die Musiksammeihandschriften des 16. und 17. Jahrhunderts in der Sächsischen Landesbibliothek zu Dresden. Quellenkataloge zur Musikgeschichte.  Wilhelmshaven. Pages: 93-5. Notes: physical description (partial); contents list; concordances (partial).

Dehnhard, Walter. 1971. Die deutschen Psalmmotette in der Reformationszeit. Neue Musikgeschichtliche Forschungen.  Wiesbaden. Pages: 305. Notes: contents list (partial).

Windh, John Ernfrid. 1971. Early Lutheran Masses. University of Illinois, Unpublished D.M.A. thesis. Pages: 116ff. Notes: mention of MS.

Böker-Heil, Norbert. 1967. Die Motetten von Philippe Verdelot.  Frankfurt am Main. Pages: 247, 278. Notes: concordances (partial); incipits (partial).

Hoffmann-Erbrecht, Lothar. 1955. Die Chorbücher der Stadtkirche zu Pirna. Acta Musicologica, 121-137. Pages: 135. Notes: physical description; contents list (partial); concordances (partial).

This form is used to make comments on a source. If you wish to notify us of a correction to the record, you should use the "Contribute a change" form instead.

No comments have been made.

Contributions to this record are recorded here. If you wish to contribute information or a correction to this record, use the "Contribute a Change" link. This will then be reviewed by DIAMM staff and, if accepted, your contribution will be acknowledged here.

DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Foliation Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description