D-Dl MS Grimma 55 (3)

Sächsische Landesbibliothek, Dresden, Germany

partbook: c. 1560-80

Archive Sächsische Landesbibliothek, Dresden, Germany (D-Dl)
Shelfmark MS Grimma 55 (3)
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System Foliation
Measurements c. 161 x 212 mm
Other Identifiers
  • CCM: DresSL Grimma 55
Copyists
Relationships
External Links
Provenance
Contents 65 pieces from 16 composers
General Description

An Altus I partbook from an incomplete set of seven volumes. Copied by Wolfgang Figulus(?), Kaspar Füger, and others. Copied at the Fürstenschule St. Afra in Meissen, under the direction of Wolfgang Figulus. Following Figulus' death (after 1588), the manuscript went to his son-in-law, Friedrich Birck, cantor at the Fürstenschule St. Augustin in Grimma from 1591 until his death in 1621. After Birck's death, his widow sold the manuscript to the Grimma Fürstenschule; in 1890 it was deposited in the library at Dresden.

DIAMM, 2017
Physical Description

The altus books are in very poor condition, and cannot be used. (Foliation based on the microfilm, excluding any pages not filmed.)

DIAMM, 2024
Binding

Books 1-2 and 5-6 have modern brown pasteboard covers; books 3-4 have original leather covers, in very poor condition; book 7 has no covers.

DIAMM, 2017
Notation

not indicated

DIAMM, 2017
Foliation

Discantus has new pencil pagination. The Bassus & Discantus II have original foliation, the Tenor modern pencil foliation.

DIAMM, 2024
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

3 Masses, 1 Sanctus-Agnus pair, 9 Mass Proper sections, 1 psalm, 20 motets, 4 German sacred pieces, 3 textless pieces (one with incipit "Petite" only) = 41

(Beutel)-1, (Brandt)-1, (Crecquillon)-2, (Feys)-1, Figulus-3, (Füger?)-1, (Gombert/Josquin)-1, (Jaquet of Mantua)-1, (Josquin)-2, (Phinot)-3, (Senfl)-1, (Stoltzer)-2, (Verdelot)-1, anon-21

7 paper partbooks (Dl-ca. 150 folios, D2-i + 16 + i, Al and A2-condition too poor to count folios, T-126, B-139 + ii, Q-i + 54 + i), ca. 161 x 212. The altus books are in very poor condition, and cannot be used. Some new pencil foliation. Books 1-2 and 5-6 have modern brown pasteboard covers; books 3-4 have original leather covers, in very poor condition; book 7 has no covers. Copied by Wolfgang Figulus(?), Kaspar Füger, and others.

Ca. 1560-80 (SteudeMS); 1557-67 (HoffC). Copied at the Fürstenschule St. Afra in Meissen, under the direction of Wolfgang Figulus. Following Figulus' death (after 1588), the manuscript went to his son-in-law, Friedrich Birck, cantor at the Fürstenschule St. Augustin in Grimma from 1591 until his death in 1621. After Birck's death, his widow sold the manuscript to the Grimma Fürstenschule; in 1890 it was deposited in the library at Dresden.

Vol 4

Composers: Add "(M. Forestier/Josquin)-1"; change "(Jaquet of Mantua)-1" to "(Jacotin/Jaquet of Mantua)-1"; change "anon-21" to "anon-20."

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1–1v Omnes gentes (M79) - 1a pars (of 2): Omnes gentes plaudite manibus jubilate [Senfl]
Appears on: 1–1v
Genres: Motet
Source Attribution: [Senfl]
Voice: [no designation]
Languages: Latin
Voice Text: Omnes gentes plaudite manibus jubilate II: Ascendit deus in iubilo et dominus
General Note

EdM I, 13:8 - Bk 5:12

2–4 Omnes gentes (M79) - 2a pars (of 2): Ascendit Deus in jubilo et Dominus -
Appears on: 2–4
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Ascendit Deus in Jubilo [2a pars]
General Note

EdM I, 13:8 - Bk 5:12

4v–6 Sancta Trinitas unus Deus miserere nobis (6vv) [Jacotin/Jaquet of Mantua]
Appears on: 4v–6
Genres: Motet
Source Attribution: [Jacotin/Jaquet of Mantua]
Voice: [no designation]
Languages: Latin
Voice Text: Sancta trinitas unus deus miserere
General Note

RISM 1558^4:10 - Bk 21:154; Publ. Hans Ott, Novum et insigne opus musicum, Nuremberg, Hieronymus Formschneider, 1537, no 3; Tertius tomus Evangeliorum, quatuor, quinque, sex et plurium vocum, Nuremberg, J. Montanus & U. Neuber, 1555, no 7; Novum et insigne opus musicum, Nuremberg, J. von Berg & U. Neuber, 1558, no 10

6v–7 Petite camusette à la mort m'avez mis 30.7 [Josquin]
Appears on: 6v–7
Genres: Chanson
Source Attribution: [Josquin]
Voice: [no designation]
Languages: French
Voice Text: Petite [camusette à la mort m'avez mis] 30.7
7–8v Petite camusette à la mort m'avez mis [Willaert]
Appears on: 7–8v
Genres: Chanson
Source Attribution: [Willaert]
Voice: [no designation]
Languages: French
Voice Text: [Petite camusette à la mort m'avez mis]
8v–10v Congregati sunt - 1a pars (of 2): Congregati sunt inimici nostri et gloriantur [Verdelot]
Appears on: 8v–10v
Genres: Motet
Source Attribution: [Verdelot]
Voice: [no designation]
Languages: Latin
Voice Text: Congregati sunt inimici nostri et gloriantur II: Disperde illos in virtute tua
10v–12 Congregati sunt - 2a pars (of 2): Disperge illos in virtute tua - with c. f. Da pacem Domine -
Appears on: 10v–12
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Disperge illos - with c. f. Da pacem domine [part 2]
12–13 Veni sancte spiritus reple tuorum corda (8vv) [M120] [Senfl]
Appears on: 12–13
Genres: Motet, Veni sancte spiritus
Source Attribution: [Senfl]
Voice: [no designation]
Languages: Latin
Voice Text: Veni sancte spiritus reple tuorum corda
13v–15v Apparuerunt apostolis - 1a pars (of 2): Apparuerunt apostolis disparditae linguae [Finck]
Appears on: 13v–15v
Genres: Motet
Source Attribution: [Finck]
Voice: [no designation]
Languages: Latin
Voice Text: Apparuerunt apostolis dispertitae lingue II: Loquebantur variis linguis apostoli
General Note

incomplete - loss of pages at end

16–18v Jam non dicam vos servos sed amicos (8vv) [Phinot]
Appears on: 16–18v
Genres: Motet
Source Attribution: [Phinot]
Voice: [no designation]
Languages: Latin
Voice Text: Jam non dicam vos servos sed amicos
General Note

RISM 1555^10:40 - 21:111 - 37:52 - 53:9

18v–22 Ite in orbem universum et praedicate Vs. Qui crediderit et baptisatus fuerit R. In nomine patris et filii et spiritus [Breitengraser]
Appears on: 18v–22
Genres: Hymn
Source Attribution: [Breitengraser]
Voice: [no designation]
Languages: Latin
Voice Text: Ite in orbem universum et predicate dicentes II: Qui crediderit et baptizatus fuerit III: In nomine patris et filii et spiritus
22–23v Ego sum resurrectio et vita qui credit [Breitengraser]
Appears on: 22–23v
Genres: Motet
Source Attribution: [Breitengraser]
Voice: [no designation]
Languages: Latin
Voice Text: Ego sum resurrectio et vita qui credit
General Note

incomplete - loss of pages at end

24–25v Tulerunt Dominum (8vv) 14.7 - 1a pars (of 2): Tulerunt dominum meum et nescio ubi (= Lugebat David Absalon) [Gombert/Josquin]
Appears on: 24–25v
Genres: Motet
Source Attribution: [Gombert/Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: Tulerunt dominum meum et nescio ubi 14.7 [= Lugebat David Absalom pius pater]
General Note

RISM 1554^10:41 - Bk 21:74 - 28:27 - 66:9

25v–27 Homo quidam - 1a pars (of 2): Homo quidam fecit caenam magnam et misit [Beutel]
Appears on: 25v–27
Genres: Motet
Source Attribution: [Beutel]
Voice: [no designation]
Languages: Latin
Voice Text: Homo quidam fecit caenam magnam et misit II: Venite et comedite et bibite vinum
General Note

RISM 1555^11:48

27v–28 Homo quidam - 2a pars (of 2): Venite et comedite et bibite vinum -
Appears on: 27v–28
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Venite et comedite [part 2]
General Note

RISM 1555^11:48

28v–30 Sancta Trinitas unus Deus miserere nobis (8vv) [Phinot]
Appears on: 28v–30
Genres: Motet
Source Attribution: [Phinot]
Voice: [no designation]
Languages: Latin
Voice Text: Sancta trinitas unus deus miserere
General Note

RISM 1555^11:10 - Bk 21:149 - 37:53

30v–33 Miserator et misericors Dominus paciens (= Se congié prens de mes belles amours 30.11) [Josquin]
Appears on: 30v–33
Genres: Contrafactum, Motet
Source Attribution: [Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: Miserator et misericors dominus paciens 30.11 [= Se congié prens de mes belles amours]
33–35 Si bona suscepimus de manu Domini Anon. Anonymous
Appears on: 33–35
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Si bona suscepimus de manu domini
General Note

Bk 5:37

35v–37 Jesus Christus venit in mundum ut peccatores [Brandt]
Appears on: 35v–37
Genres: Motet
Source Attribution: [Brandt]
Voice: [no designation]
Languages: Latin
Voice Text: Hiesus Christus venit in hunc mundum
General Note

RISM 1558^4:52

37v, 41–41v, 39 Ego sum ipse qui deleo iniquitates (= Tenez moi en vos bras 30.12) [Josquin]
Appears on: 37v, 41–41v, 39
Genres: Contrafactum, Motet
Source Attribution: [Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: Ego sum ipse qui deleo iniquitates tuas 30.12 [= Tenez moy en vos bras mon amy]
General Note

pages bound in wrong order but the piece is complete

39v–40v, 38 Emendemus in melius - 1a pars (of 2): Emendemus in melius que ignoranter [Feys]
Appears on: 39v–40v, 38
Genres: Motet
Source Attribution: [Feys]
Voice: [no designation]
Languages: Latin
Voice Text: Emendemus in melius quae ignoranter II: Peccavimus cum patribus nostris
General Note

RISM 1556^8:5

General Note

pages bound in wrong order but apparently complete

38v, 42–43 Emendemus in melius - 2a pars (of 2): Peccavimus cum patribus -
Appears on: 38v, 42–43
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Peccavimus cum patribus part 2
General Note

RISM 1556^8:5

General Note

pages bound in wrong order but apparently complete

43v–45 Bonum est homini - 1a pars (of 2): Bonum est homini uxorem non tangere [Figulus]
Appears on: 43v–45
Genres: Motet
Source Attribution: [Figulus]
Voice: [no designation]
Languages: Latin
Voice Text: Bonum est homini uxorem non tangere II: Honorabile igitur inter omnes
General Note

Eichorn 1575 (Cant. sacr.):2

45–47 Bonum est homini - 2a pars (of 2): Honorabile igitur inter omnes -
Appears on: 45–47
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Honorabile igitur inter omnes [part 2]
General Note

Eichorn 1575 (Cant. sacr.):2

47v–49v Siehe wie fein und lieblich ist's dass brüder (8vv) Vuolffgangus Figulus
Appears on: 47v–49v
Genres: Motet
Source Attribution: Vuolffgangus Figulus
Voice: [no designation]
Languages: German
Voice Text: Siehe wie fein und lieblich ists das bruder
General Note

Eichorn 1575 (Cant. sacr.):3 - Bk 28:35 - 99:22

49v–52v Ich dank dem Hern - 1a pars (of 9): Ich dank dem Hern von gantzem Herzen [Figulus]
Appears on: 49v–52v
Genres: Psalm
Source Attribution: [Figulus]
Voice: [no designation]
Languages: German
Voice Text: Ich danck dem Hern von gantzem hertzen II: Er sendet eine erlosung seinem volck
General Note

Eichorn 1575 (Cant. sacr.):7

53–55 Ich dank dem Hern - 9a pars (of 9): Er sendet eine erlösung -
Appears on: 53–55
Genres: Psalm
Voice: [no designation]
Languages: German
Voice Text: Er sendet eine erlösung [part 2]
General Note

Eichorn 1575 (Cant. sacr.):7

55–59 Wer unter dem Schirm - 1a pars (of 2): Wer unter dem Schirm des Höchsten sitzt Anon. Anonymous
Appears on: 55–59
Genres: Psalm
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Wer unter dem schirm des hohsten sitz II: Es wirt dir kein ubel begegnen
59–62v Wer unter dem Schirm - 2a pars (of 2): Es wird dir kein übel begegnen - Anonymous
Appears on: 59–62v
Genres: Psalm
Voice: [no designation]
Languages: German
Voice Text: Es wirt dir kein ubel begegnen [part 2]
62v–67 Herr Gott du bist - 1a pars (of 2): Herr Gott du bist unser zuflucht Anon. Anonymous
Appears on: 62v–67
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Herr Gott du bist unser zuflucht II: Ach Herre lehre uns bedencken
67v–70 Herr Gott du bist - 2a pars (of 2): Ach Herre, lehre uns bedenken - Anonymous
Appears on: 67v–70
Genres: Sacred Song
Voice: [no designation]
Languages: German
Voice Text: Ach herre lehre uns bedencken [part 2]
71–72v Rorate caeli desuper et nubes pluant Vs: Caeli enarrant gloriam Et opera eius [Stoltzer]
Appears on: 71–72v
Genres: Motet
Source Attribution: [Stoltzer]
Voice: [no designation]
Languages: Latin
Voice Text: Rorate coeli desuper et nubes pluant Vs: (Coeli enarrant gloriam) Et opera eius
General Note

Hoffm.-Erbr. I, Wv 22 - Bk 99:13

72v–74 Alleluia. Prophetae sancti praedicaverunt [Stoltzer]
Appears on: 72v–74
Genres: Alleluia, Motet
Source Attribution: [Stoltzer]
Voice: [no designation]
Languages: Latin
Voice Text: Alleluia. Prophetae sancti praedicaverunt
General Note

Hoffm.-Erbr. I, Wv 22 - Bk 99:13

74–75 Mittit ad virginem - 1a pars (of 5): Mittit ad virginem non quemvis angelum [Stoltzer]
Appears on: 74–75
Genres: Motet
Source Attribution: [Stoltzer]
Voice: [no designation]
Languages: Latin
Voice Text: Mittit ad virginem non quemvis angelum
General Note

Hoffm.-Erbr. I, Wv 22

75–75v Mittit ad virginem - 2a pars (of 5): Naturam superat natus -
Appears on: 75–75v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Naturam superat natus [part 2]
General Note

Hoffm.-Erbr. I, Wv 22

75v–76 Mittit ad virginem - 3a pars (of 5): Foras eiiciat mundanum -
Appears on: 75v–76
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Foras eiiciat mundanum [part 3]
General Note

Hoffm.-Erbr. I, Wv 22

76v–77 Mittit ad virginem - 4a pars (of 5): Accede nuntians -
Appears on: 76v–77
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Accede nuntians [part 4]
General Note

Hoffm.-Erbr. I, Wv 22

77–78 Mittit ad virginem - 5a pars (of 5): Audit et suscipit -
Appears on: 77–78
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Audit et suscipit [part 5]
General Note

Hoffm.-Erbr. I, Wv 22

78–79v Missa Dominicalis: Kyrie [Finck]
Appears on: 78–79v
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: [Finck]
Voice: [no designation]
Languages: Latin
Voice Text: [Missa Dominicalis]
79v–83 Missa Dominicalis: Et in terra pax [Gloria] -
Appears on: 79v–83
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Gloria [Missa]
83v–87 Missa Dominicalis: Patrem omnipotentem [Credo] -
Appears on: 83v–87
Genres: Credo (patrem omnipotentem), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Credo [Missa]
87–89v Missa Dominicalis: Sanctus -
Appears on: 87–89v
Genres: Mass Ordinary, Sanctus [& Benedictus]
Voice: [no designation]
Languages: Latin
Voice Text: Sanctus [Missa]
89v–91 Missa Dominicalis: Agnus Dei -
Appears on: 89v–91
Genres: Agnus Dei, Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Agnus dei [Missa]
91–93v Missa: Sanctus Anon. Anonymous

Missa: Sanctus

Anonymous
Appears on: 91–93v
Genres: Agnus Dei, Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Missa] [SA]
93v–95 Missa: Agnus Dei - Anonymous

Missa: Agnus Dei

Anonymous
Appears on: 93v–95
Genres: Agnus Dei, Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Agnus dei
95v–97v Missa: Kyrie Anon. Anonymous

Missa: Kyrie

Anonymous
Appears on: 95v–97v
Genres: Agnus Dei, Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin, Greek
Voice Text: [Missa] [KGSA]
97v–103v Missa: Et in terra pax [Gloria] - Anonymous
Appears on: 97v–103v
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Gloria [Missa]
103v–105 Missa: Sanctus - Anonymous

Missa: Sanctus

Anonymous
Appears on: 103v–105
Genres: Mass Ordinary, Sanctus [& Benedictus]
Voice: [no designation]
Languages: Latin
Voice Text: Sanctus [Missa]
105–106 Missa: Agnus Dei - Anonymous

Missa: Agnus Dei

Anonymous
Appears on: 105–106
Genres: Agnus Dei, Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Agnus Dei [Missa]
106–108v Spiritus Domini replevit orbem terrarum Vs: Confirma hoc Deus quod operatus est Anon. Anonymous
Appears on: 106–108v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Spiritus domini replevit orbem terrarum Vs: Confirma hoc deus quod operatus est
108v–115v (textless Mass setting?) Anon. Anonymous
Appears on: 108v–115v
Genres: textless
Source Attribution: Anon.
115v–116 Laus tibi Christe - 1a pars (of 12): Laus tibi Christe qui es creator et redemptor [Finck]
Appears on: 115v–116
Genres: Motet
Source Attribution: [Finck]
Voice: [no designation]
Languages: Latin
Voice Text: Laus tibi Christe qui es creator et redemptor
General Note

12 parts

116 Laus tibi Christe - 2a pars (of 12): Caeli et terrae maris -
Appears on: 116
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Coeli et terrae maris [part 2]
116v Laus tibi Christe - 3a pars (of 12): Qui peccatores venisti -
Appears on: 116v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Qui peccatores venisti [part 3]
117 Laus tibi Christe - 4a pars (of 12): Quorum de grege -
Appears on: 117
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Quorum de grege [part 4]
117–118 Laus tibi Christe - 5a pars (of 12): In domo Simonis -
Appears on: 117–118
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: In domo Symonis [part 5]
118–118v Laus tibi Christe - 6a pars (of 12): Peccator contemnit -
Appears on: 118–118v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Peccator contemnit [part 6]
118v–119 Laus tibi Christe - 7a pars (of 12): Haec sunt convivia -
Appears on: 118v–119
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Haec sunt convivia [part 7]
119–119v Laus tibi Christe - 8a pars (of 12): A Phariseo es invitatus -
Appears on: 119–119v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: A phariseo es invitatus [part 8]
119v Laus tibi Christe - 9a pars (of 12): Demonis eam septem -
Appears on: 119v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Demonis eam septem [part 9]
119v–120 Laus tibi Christe - 10a pars (of 12): Hanc Christe -
Appears on: 119v–120
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Hanc Christe [part 10]
120v Laus tibi Christe - 11a pars (of 12): Qualis sit tu scis -
Appears on: 120v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Qualis sit tu scis [part 11]
120v–121 Laus tibi Christe - 12a pars (of 12): Rex regum dives -
Appears on: 120v–121
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Rex regum dives [part 12]
121v–122v Intravi In domum tuam pedibus meis Vs: Confitemini Domino Quoniam in saeculum Anon. Anonymous
Appears on: 121v–122v
Genres: Introit
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: (Intravi) In domum tuam pedibus meis Vs: (Confitemini domino) Quoniam in seculum
123–127v (textless hymn) Anon. Anonymous

(textless hymn)

Anonymous
Appears on: 123–127v
Genres: Hymn
Source Attribution: Anon.
Composer Compositions
Anonymous
Beutel (Bultel), Jacob
Brandt, Jobst vom
Breittengrasser, Gulielmus (Wilhelm)
Bruck, Arnold von (ca. 1500–1554)
Despres, Josquin (ca. 1450–1521)
Fevin, Antoine de (ca. 1470–ca. 1512)
Feys, Arnoldus
Figulus, Wolfgang (ca. 1525–1589)
Finck, Heinrich
Gombert, Nicolas (ca. 1495–ca. 1560)
Phinot, Dominique
Senfl, Ludwig (ca. 1486–ca. 1543)
Stoltzer, Thomas (ca. 1480–1526)
Verdelot, Philippe (ca. 1480–ca. 1532)
Willaert, Adrian (ca. 1490–1562)
Composition Composers (? Uncertain) Folios / Pages
(textless hymn) Anonymous 123–127v
(textless Mass setting?) Anonymous 108v–115v
Alleluia. Prophetae sancti praedicaverunt 72v–74
Apparuerunt apostolis - 1a pars (of 2): Apparuerunt apostolis disparditae linguae 13v–15v
Bonum est homini - 1a pars (of 2): Bonum est homini uxorem non tangere 43v–45
Bonum est homini - 2a pars (of 2): Honorabile igitur inter omnes 45–47
Congregati sunt - 1a pars (of 2): Congregati sunt inimici nostri et gloriantur 8v–10v
Congregati sunt - 2a pars (of 2): Disperge illos in virtute tua - with c. f. Da pacem Domine 10v–12
Ego sum ipse qui deleo iniquitates (= Tenez moi en vos bras 30.12) 37v, 41–41v, 39
Ego sum resurrectio et vita qui credit 22–23v
Emendemus in melius - 1a pars (of 2): Emendemus in melius que ignoranter 39v–40v, 38
Emendemus in melius - 2a pars (of 2): Peccavimus cum patribus 38v, 42–43
Herr Gott du bist - 1a pars (of 2): Herr Gott du bist unser zuflucht Anonymous 62v–67
Herr Gott du bist - 2a pars (of 2): Ach Herre, lehre uns bedenken Anonymous 67v–70
Homo quidam - 1a pars (of 2): Homo quidam fecit caenam magnam et misit 25v–27
Homo quidam - 2a pars (of 2): Venite et comedite et bibite vinum 27v–28
Ich dank dem Hern - 1a pars (of 9): Ich dank dem Hern von gantzem Herzen 49v–52v
Ich dank dem Hern - 9a pars (of 9): Er sendet eine erlösung 53–55
Intravi In domum tuam pedibus meis Vs: Confitemini Domino Quoniam in saeculum Anonymous 121v–122v
Ite in orbem universum et praedicate Vs. Qui crediderit et baptisatus fuerit R. In nomine patris et filii et spiritus 18v–22
Jam non dicam vos servos sed amicos (8vv) 16–18v
Jesus Christus venit in mundum ut peccatores 35v–37
Laus tibi Christe - 10a pars (of 12): Hanc Christe 119v–120
Laus tibi Christe - 11a pars (of 12): Qualis sit tu scis 120v
Laus tibi Christe - 12a pars (of 12): Rex regum dives 120v–121
Laus tibi Christe - 1a pars (of 12): Laus tibi Christe qui es creator et redemptor 115v–116
Laus tibi Christe - 2a pars (of 12): Caeli et terrae maris 116
Laus tibi Christe - 3a pars (of 12): Qui peccatores venisti 116v
Laus tibi Christe - 4a pars (of 12): Quorum de grege 117
Laus tibi Christe - 5a pars (of 12): In domo Simonis 117–118
Laus tibi Christe - 6a pars (of 12): Peccator contemnit 118–118v
Laus tibi Christe - 7a pars (of 12): Haec sunt convivia 118v–119
Laus tibi Christe - 8a pars (of 12): A Phariseo es invitatus 119–119v
Laus tibi Christe - 9a pars (of 12): Demonis eam septem 119v
Miserator et misericors Dominus paciens (= Se congié prens de mes belles amours 30.11) 30v–33
Missa Dominicalis: Agnus Dei 89v–91
Missa Dominicalis: Et in terra pax [Gloria] 79v–83
Missa Dominicalis: Kyrie 78–79v
Missa Dominicalis: Patrem omnipotentem [Credo] 83v–87
Missa Dominicalis: Sanctus 87–89v
Missa: Agnus Dei Anonymous 93v–95
Missa: Agnus Dei Anonymous 105–106
Missa: Et in terra pax [Gloria] Anonymous 97v–103v
Missa: Kyrie Anonymous 95v–97v
Missa: Sanctus Anonymous 91–93v
Missa: Sanctus Anonymous 103v–105
Mittit ad virginem - 1a pars (of 5): Mittit ad virginem non quemvis angelum 74–75
Mittit ad virginem - 2a pars (of 5): Naturam superat natus 75–75v
Mittit ad virginem - 3a pars (of 5): Foras eiiciat mundanum 75v–76
Mittit ad virginem - 4a pars (of 5): Accede nuntians 76v–77
Mittit ad virginem - 5a pars (of 5): Audit et suscipit 77–78
Omnes gentes (M79) - 1a pars (of 2): Omnes gentes plaudite manibus jubilate 1–1v
Omnes gentes (M79) - 2a pars (of 2): Ascendit Deus in jubilo et Dominus 2–4
Petite camusette à la mort m'avez mis 7–8v
Petite camusette à la mort m'avez mis 30.7 6v–7
Rorate caeli desuper et nubes pluant Vs: Caeli enarrant gloriam Et opera eius 71–72v
Sancta Trinitas unus Deus miserere nobis (6vv) 4v–6
Sancta Trinitas unus Deus miserere nobis (8vv) 28v–30
Si bona suscepimus de manu Domini Anonymous 33–35
Siehe wie fein und lieblich ist's dass brüder (8vv) 47v–49v
Spiritus Domini replevit orbem terrarum Vs: Confirma hoc Deus quod operatus est Anonymous 106–108v
Tulerunt Dominum (8vv) 14.7 - 1a pars (of 2): Tulerunt dominum meum et nescio ubi (= Lugebat David Absalon) 24–25v
Veni sancte spiritus reple tuorum corda (8vv) [M120] 12–13
Wer unter dem Schirm - 1a pars (of 2): Wer unter dem Schirm des Höchsten sitzt Anonymous 55–59
Wer unter dem Schirm - 2a pars (of 2): Es wird dir kein übel begegnen Anonymous 59–62v

Set: MS Grimma 55 (1-7)

Type: Partbooks

No images available

D-Dl MS Grimma 55 (1)

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D-Dl MS Grimma 55 (2)

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D-Dl MS Grimma 55 (3)

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D-Dl MS Grimma 55 (4)

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D-Dl MS Grimma 55 (5)

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D-Dl MS Grimma 55 (6)

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D-Dl MS Grimma 55 (7)

denotes primary source study

Kirsch, Winfried. 1976. Josquin's Motets in the German Tradition. Josquin des Prez: Proceedings of the International Josquin Festival-Conference ... 21-25 June 1971, 261-78. London, New York, and Toronto. Pages: 271. Notes: contents list (partial).

Steude, Wolfram. 1974. Die Musiksammeihandschriften des 16. und 17. Jahrhunderts in der Sächsischen Landesbibliothek zu Dresden. Quellenkataloge zur Musikgeschichte.  Wilhelmshaven. Pages: 93-5. Notes: physical description (partial); contents list; concordances (partial).

Dehnhard, Walter. 1971. Die deutschen Psalmmotette in der Reformationszeit. Neue Musikgeschichtliche Forschungen.  Wiesbaden. Pages: 305. Notes: contents list (partial).

Windh, John Ernfrid. 1971. Early Lutheran Masses. University of Illinois, Unpublished D.M.A. thesis. Pages: 116ff. Notes: mention of MS.

Böker-Heil, Norbert. 1967. Die Motetten von Philippe Verdelot.  Frankfurt am Main. Pages: 247, 278. Notes: concordances (partial); incipits (partial).

Hoffmann-Erbrecht, Lothar. 1955. Die Chorbücher der Stadtkirche zu Pirna. Acta Musicologica, 121-137. Pages: 135. Notes: physical description; contents list (partial); concordances (partial).

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Physical Description Note; Binding Note; Notation Note; Foliation Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description