D-Dl MS Grimma 55 (2)

Sächsische Landesbibliothek, Dresden, Germany

partbook: c. 1560-80

Archive Sächsische Landesbibliothek, Dresden, Germany (D-Dl)
Shelfmark MS Grimma 55 (2)
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System Foliation
Measurements c. 161 x 212 mm
Other Identifiers
  • CCM: DresSL Grimma 55
Copyists
Relationships
External Links
Provenance
Contents 10 pieces from 8 composers
General Description

A Discantus II / Altus II (probably Septima or Octava vox) partbook from an incomplete set of seven volumes. Copied by Wolfgang Figulus(?), Kaspar Füger, and others. Copied at the Fürstenschule St. Afra in Meissen, under the direction of Wolfgang Figulus. Following Figulus' death (after 1588), the manuscript went to his son-in-law, Friedrich Birck, cantor at the Fürstenschule St. Augustin in Grimma from 1591 until his death in 1621. After Birck's death, his widow sold the manuscript to the Grimma Fürstenschule; in 1890 it was deposited in the library at Dresden.

DIAMM, 2024
Binding

Books 1-2 and 5-6 have modern brown pasteboard covers; books 3-4 have original leather covers, in very poor condition; book 7 has no covers.

DIAMM, 2017
Notation

not indicated

DIAMM, 2017
Foliation

Discantus has new pencil pagination. The Bassus & Discantus II have original foliation, the Tenor modern pencil foliation.

DIAMM, 2024
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

3 Masses, 1 Sanctus-Agnus pair, 9 Mass Proper sections, 1 psalm, 20 motets, 4 German sacred pieces, 3 textless pieces (one with incipit "Petite" only) = 41

(Beutel)-1, (Brandt)-1, (Crecquillon)-2, (Feys)-1, Figulus-3, (Füger?)-1, (Gombert/Josquin)-1, (Jaquet of Mantua)-1, (Josquin)-2, (Phinot)-3, (Senfl)-1, (Stoltzer)-2, (Verdelot)-1, anon-21

7 paper partbooks (Dl-ca. 150 folios, D2-i + 16 + i, Al and A2-condition too poor to count folios, T-126, B-139 + ii, Q-i + 54 + i), ca. 161 x 212. The altus books are in very poor condition, and cannot be used. Some new pencil foliation. Books 1-2 and 5-6 have modern brown pasteboard covers; books 3-4 have original leather covers, in very poor condition; book 7 has no covers. Copied by Wolfgang Figulus(?), Kaspar Füger, and others.

Ca. 1560-80 (SteudeMS); 1557-67 (HoffC). Copied at the Fürstenschule St. Afra in Meissen, under the direction of Wolfgang Figulus. Following Figulus' death (after 1588), the manuscript went to his son-in-law, Friedrich Birck, cantor at the Fürstenschule St. Augustin in Grimma from 1591 until his death in 1621. After Birck's death, his widow sold the manuscript to the Grimma Fürstenschule; in 1890 it was deposited in the library at Dresden.

Vol 4

Composers: Add "(M. Forestier/Josquin)-1"; change "(Jaquet of Mantua)-1" to "(Jacotin/Jaquet of Mantua)-1"; change "anon-21" to "anon-20."

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1–1v Missa Domine Deus omnipotens: Agnus Dei -
Appears on: 1–1v
Genres: Agnus Dei, Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Agnus Dei [Missa super Domine Deus omnipotens]
General Note

(D2 part for the 8vv final Agnus Dei only.)

Concordances

Zwickau, Ms. 10, 1:2

2–3v Sancta Trinitas unus Deus miserere nobis (6vv) [Jacotin/Jaquet of Mantua]
Appears on: 2–3v
Genres: Motet
Source Attribution: [Jacotin/Jaquet of Mantua]
Voice: [no designation]
Languages: Latin
Voice Text: Sancta trinitas unus deus miserere
General Note

RISM 1558^4:10 - Bk 21:154; Publ. Hans Ott, Novum et insigne opus musicum, Nuremberg, Hieronymus Formschneider, 1537, no 3; Tertius tomus Evangeliorum, quatuor, quinque, sex et plurium vocum, Nuremberg, J. Montanus & U. Neuber, 1555, no 7; Novum et insigne opus musicum, Nuremberg, J. von Berg & U. Neuber, 1558, no 10

4–5v Veni sancte spiritus reple tuorum corda (8vv) [M120] [Senfl]
Appears on: 4–5v
Genres: Motet, Veni sancte spiritus
Source Attribution: [Senfl]
Voice: [no designation]
Languages: Latin
Voice Text: Veni sancte spiritus reple tuorum corda
5v–7v Jam non dicam vos servos sed amicos (8vv) [Phinot]
Appears on: 5v–7v
Genres: Motet
Source Attribution: [Phinot]
Voice: [no designation]
Languages: Latin
Voice Text: Jam non dicam vos servos sed amicos
General Note

RISM 1555^10:40 - 21:111 - 37:52 - 53:9

8–9 O sacrum convivium in quo Christus sumitur (8vv) [Phinot]
Appears on: 8–9
Genres: Motet
Source Attribution: [Phinot]
Voice: [no designation]
Languages: Latin
Voice Text: O sacrum convivium in quo Christus sumitur
General Note

RISM 1555^11:49 - Bk 21:8 - 37:39

9–10 Tulerunt Dominum (8vv) 14.7 - 1a pars (of 2): Tulerunt dominum meum et nescio ubi (= Lugebat David Absalon) [Gombert/Josquin]
Appears on: 9–10
Genres: Motet
Source Attribution: [Gombert/Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: Tulerunt dominum meum et nescio ubi 14.7 [= Lugebat David Absalom pius pater]
General Note

RISM 1554^10:41 - Bk 21:74 - 28:27 - 66:9

10v–11v Sancta Trinitas unus Deus miserere nobis (8vv) [Phinot]
Appears on: 10v–11v
Genres: Motet
Source Attribution: [Phinot]
Voice: [no designation]
Languages: Latin
Voice Text: Sancta trinitas unus deus miserere
General Note

RISM 1555^11:10 - Bk 21:149 - 37:53

12–13 Bonum est homini - 1a pars (of 2): Bonum est homini uxorem non tangere [Figulus]
Appears on: 12–13
Genres: Motet
Source Attribution: [Figulus]
Voice: [no designation]
Languages: Latin
Voice Text: Bonum est homini uxorem non tangere II: Honorabile igitur inter omnes
General Note

Eichorn 1575 (Cant. sacr.):2

13–13v Bonum est homini - 2a pars (of 2): Honorabile igitur inter omnes -
Appears on: 13–13v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Honorabile igitur inter omnes [part 2]
General Note

Eichorn 1575 (Cant. sacr.):2

13v–16 Siehe wie fein und lieblich ist's dass brüder (8vv) Vuolffgangus Figulus
Appears on: 13v–16
Genres: Motet
Source Attribution: Vuolffgangus Figulus
Voice: [no designation]
Languages: German
Voice Text: Siehe wie fein und lieblich ists das bruder
General Note

Eichorn 1575 (Cant. sacr.):3 - Bk 28:35 - 99:22

Set: MS Grimma 55 (1-7)

Type: Partbooks

No images available

D-Dl MS Grimma 55 (1)

No images available

D-Dl MS Grimma 55 (2)

No images available

D-Dl MS Grimma 55 (3)

No images available

D-Dl MS Grimma 55 (4)

No images available

D-Dl MS Grimma 55 (5)

No images available

D-Dl MS Grimma 55 (6)

No images available

D-Dl MS Grimma 55 (7)

denotes primary source study

Kirsch, Winfried. 1976. Josquin's Motets in the German Tradition. Josquin des Prez: Proceedings of the International Josquin Festival-Conference ... 21-25 June 1971, 261-78. London, New York, and Toronto. Pages: 271. Notes: contents list (partial).

Steude, Wolfram. 1974. Die Musiksammeihandschriften des 16. und 17. Jahrhunderts in der Sächsischen Landesbibliothek zu Dresden. Quellenkataloge zur Musikgeschichte.  Wilhelmshaven. Pages: 93-5. Notes: physical description (partial); contents list; concordances (partial).

Dehnhard, Walter. 1971. Die deutschen Psalmmotette in der Reformationszeit. Neue Musikgeschichtliche Forschungen.  Wiesbaden. Pages: 305. Notes: contents list (partial).

Windh, John Ernfrid. 1971. Early Lutheran Masses. University of Illinois, Unpublished D.M.A. thesis. Pages: 116ff. Notes: mention of MS.

Böker-Heil, Norbert. 1967. Die Motetten von Philippe Verdelot.  Frankfurt am Main. Pages: 247, 278. Notes: concordances (partial); incipits (partial).

Hoffmann-Erbrecht, Lothar. 1955. Die Chorbücher der Stadtkirche zu Pirna. Acta Musicologica, 121-137. Pages: 135. Notes: physical description; contents list (partial); concordances (partial).

This form is used to make comments on a source. If you wish to notify us of a correction to the record, you should use the "Contribute a change" form instead.

No comments have been made.

Contributions to this record are recorded here. If you wish to contribute information or a correction to this record, use the "Contribute a Change" link. This will then be reviewed by DIAMM staff and, if accepted, your contribution will be acknowledged here.

DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Foliation Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description