D-Dl MS Grimma 57 [Tenor]

Sächsische Landesbibliothek, Dresden, Germany

partbook: c. 1560-86

Archive Sächsische Landesbibliothek, Dresden, Germany (D-Dl)
Shelfmark MS Grimma 57 [Tenor]
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System Foliation
Measurements 160 x 212 mm
Other Identifiers
  • CCM: DresSL Grimma 57
Copyists
Relationships
External Links
Provenance
Contents 70 pieces from 11 composers
General Description

A Tenor partbook from an incomplete set of four volumes. Copied by Wolfgang Figulus(?), Abraham Cummer, and others. Copied at the Fürstenschule St. Afra in Meissen, under the direction of Wolfgang Figulus. Following Figulus' death (after 1588), the manuscript went to his son-in-law, Friedrich Birck, cantor at the Fürstenschule St. Augustin in Grimma from 1591 until his death in 1621. After Birck's death, his widow sold the manuscript to the Grimma Fürstenschule; in 1890 it was deposited in the library at Dresden.

DIAMM, 2017
Binding

Restored and rebound in modern brown pasteboard covers.

DIAMM, 2017
Notation

not indicated

DIAMM, 2017
Foliation

Modern pencil foliation

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

2 Masses, 1 Kyrie-Gloria pair, 1 Credo, 6 Mass Proper sections, 1 psalm, 2 office hymns, 1 processional hymn, 2 Passions (1 in German), 1 Latin/German sacred piece, 18 motets, 1 text with-out music = 36

(Boyleau)-1, (Canis)-1, (Jonckers)-1, (Josquin)-2, (Paminger)-1, (Rener)-2, (Senfl)-4, (Stoltzer)-1, anon" 23

4 paper partbooks (D-i + 157 + i folios, T-i + 137 + i, B-i + 85 + i, Q-i + 143 + i), 160 x 212. Modern pencil foliation. Restored and rebound in modern brown pasteboard covers. Copied by Wolfgang Figulus(?), Abraham Cummer, and others.

Ca. 1560-86 (SteudeMS). Copied at the Fürstenschule St. Afra in Meissen, under the direction of Wolfgang Figulus. Following Figulus' death (after 1588), the manuscript went to his son-in-law, Friedrich Birck, cantor at the Fürstenschule St. Augustin in Grimma from 1591 until his death in 1621. After Birck's death, his widow sold the manuscript to the Grimma Fürstenschule; in 1890 it was deposited in the library at Dresden.

Vol 4

Composers: Change "(Senfl)-4" to "(Senfl)-5"; change "anon-23" to "anon-22."

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1–2v Puer natus est nobis Et filius datus est Vs: Cantate Domino Quia mirabilia fecit Anon. Anonymous
Appears on: 1–2v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: (Puer natus est nobis) Et filius datus est Vs: (Cantate domino) Quia mirabilia fecit
General Note

Bk 41:10

3–6v Missa [Grimma57:1]: Kyrie [Tro: Fons bonitatis] Anon. Anonymous
Appears on: 3–6v
Genres: Kyrie eleison, Mass Ordinary, Troped Kyrie
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin, Greek
Voice Text: [Missa] [KGS]
6v–10 Missa [Grimma57:1]: Et in terra pax [Gloria] - Anonymous
Appears on: 6v–10
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Gloria [Missa]
10v–13 Missa [Grimma57:1]: Sanctus - Anonymous
Appears on: 10v–13
Genres: Mass Ordinary, Sanctus [& Benedictus]
Voice: [no designation]
Languages: Latin
Voice Text: Sanctus [Missa]
13v–14 Grates nunc omnes - 1a pars (of 2): Grates nunc omnes reddamus Domino deo Anon. Anonymous
Appears on: 13v–14
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Grates nunc omnes reddamus domino deo II: Huic oportet ut canamus cum angelis
14v–15 Grates nunc omnes - 2a pars (of 2): Huic oportet ut canamus cum angelis - Anonymous
Appears on: 14v–15
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Huic oportet [part 2]
14–17v Haec dicit Dominus Deus Zebaoth Anon. Anonymous
Appears on: 14–17v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Haec dicit dominus deus Zebaoht
17v–18 Quis credet - 1a pars (of 2): Quis credet sermoni nostro et brachium Anon. Anonymous
Appears on: 17v–18
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Quis credet sermoni nostro et brachium II: Vere languores nostros ipse tulit
18v–20 Quis credet - 2a pars (of 2): Vere languores nostros ipse tulit - Anonymous
Appears on: 18v–20
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Vere languores nostros [part 2]
20v–21v Ave Jesu Christe fili Dei vivi (= O crux gloriosa) Anon.
Appears on: 20v–21v
Genres: Contrafactum, Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Ave Jhesu Christe fili dei vivi
21v–24 Quid ultra debui facere popule meus Anon. Anonymous
Appears on: 21v–24
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Quid ultra debui facere popule meus
24v–27v Quis credet sermoni nostro et brachium Anon. Anonymous
Appears on: 24v–27v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Quis credet sermoni nostro et brachium
28–29v In principio erat verbum - 1a pars (of 2): In principio erat verbum et verbum [Boyleau]
Appears on: 28–29v
Genres: Motet
Source Attribution: [Boyleau]
Voice: [no designation]
Languages: Latin
Voice Text: In principio erat verbum et verbum II: Erat lux vera quae illuminat omnem
30–32 In principio erat verbum - 2a pars (of 2): Erat lux vera quae illuminat verbum -
Appears on: 30–32
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Erat lux vera quae illuminat [part 2]
32–34 Exiit edictum - 1a pars (of 2): Exiit edictum a Caesare Augusto [Paminger]
Appears on: 32–34
Genres: Motet
Source Attribution: [Paminger]
Voice: [no designation]
Languages: Latin
Voice Text: Exiit edictum a Caesare Augusto II: Et pastores erant in ea regione
General Note

Th. Gerlach 1573 (Prim. Tom. Eccl. Cant.)

34–35v Exiit edictum - 2a pars (of 2): Et pastores erant in ea regione -
Appears on: 34–35v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Et pastores erant in ea regione [part 2]
36–37 Ecce Maria genuit nobis salvatorem Anon. Anonymous
Appears on: 36–37
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Ecce Maria genuit nobis salvatorem
37v–39 O admirabile commercium creator generis [Stoltzer]
Appears on: 37v–39
Genres: Motet
Source Attribution: [Stoltzer]
Voice: [no designation]
Languages: Latin
Voice Text: O admirabile commertium creator generis
General Note

Hoffm.-Erbr. I, Wv 48 - Bk 12:15 - 21:44 - 41:19 - 47:22 - 100:12

39–39v Missa [Grimma57:2]: Kyrie Anon. Anonymous
Appears on: 39–39v
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin, Greek
Voice Text: [Missa] [KGSA]
39v–42 Missa [Grimma57:2]: Gloria - Anonymous
Appears on: 39v–42
Genres: Gloria (et in terra pax), Mass Ordinary
42v–43 Missa [Grimma57:2]: Sanctus - Anonymous
Appears on: 42v–43
Genres: Mass Ordinary, Sanctus [& Benedictus]
43–44v Missa [Grimma57:2]: Agnus Dei - Anonymous
Appears on: 43–44v
Genres: Agnus Dei, Mass Ordinary
45–45v Missa (5vv) [Grimma57:3]: Kyrie Anon. Anonymous
Appears on: 45–45v
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Missa]
46–47 Missa (5vv) [Grimma57:3]: Gloria - Anonymous
Appears on: 46–47
Genres: Gloria (et in terra pax), Mass Ordinary
47–48 Missa (5vv) [Grimma57:3]: Credo - Anonymous
Appears on: 47–48
Genres: Credo (patrem omnipotentem), Mass Ordinary
48v–49v Missa (5vv) [Grimma57:3]: Sanctus - Anonymous
Appears on: 48v–49v
Genres: Mass Ordinary, Sanctus [& Benedictus]
49v–51 Missa (5vv) [Grimma57:3]: Agnus Dei - Anonymous
Appears on: 49v–51
Genres: Agnus Dei, Mass Ordinary
51v–52v Puer natus est nobis Et filius datus est Vs: Cantate Domino canticum novum Quia mirabilia fecit [Rener]
Appears on: 51v–52v
Genres: Motet
Source Attribution: [Rener]
Voice: [no designation]
Languages: Latin
Voice Text: (Puer natus est nobis) Et filius datus est Vs: (Cantate domino) Quia mirabilia fecit
General Note

RISM 1545^5:7

52v–54 Missa (5vv): Kyrie Anon.
Appears on: 52v–54
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin, Greek
Voice Text: [Missa] [KG]
General Note

RISM 1545^5:7

54v–57v Missa (5vv): Et in terra pax [Gloria] -
Appears on: 54v–57v
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Gloria [Missa]
General Note

RISM 1545^5:7

57v–58v Alleluia. Dies sanctificatus illuxit nobis [Senfl]
Appears on: 57v–58v
Genres: Alleluia, Motet
Source Attribution: [Senfl]
Voice: [no designation]
Languages: Latin
Voice Text: Alleluia. Dies sanctificatus illuxit nobis
59–60 Grates nunc omnes - 1a pars (of 2): Grates nunc omnes reddamus Domino deo Anon. Anonymous
Appears on: 59–60
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Grates nunc omnes reddamus domino deo II: Huic oportet ut canamus cum angelis
60v–61v Grates nunc omnes - 2a pars (of 2): Huic oportet ut canamus cum angelis - Anonymous
Appears on: 60v–61v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Huic oportet [part 2]
61v–63 Praeter rerum seriem 24.12 - 1a pars (of 2): Praeter rerum seriem parit Deus [Josquin]
Appears on: 61v–63
Genres: Motet
Source Attribution: [Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: Praeter rerum seriem parit deum 24.12 II: Virtus sancti spiritus opus illud
General Note

Josquin, GA, Mot. 33 - Bk 21:152

63–64 Praeter rerum seriem 24.12 - 2a pars (of 2): Virtus sancti spiritus opus illud -
Appears on: 63–64
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: 2a p.: Virtus spiritus sancti
General Note

Josquin, GA, Mot. 33 - Bk 21:152

64v–65v Praeter rerum seriem - 1a pars (of 2): Praeter rerum seriem parit Deum Anon. Anonymous
Appears on: 64v–65v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Praeter rerum seriem parit deum II: Virtus sancti spiritus opus illud
65v–67 Praeter rerum seriem - 2a pars (of 2): Virtus sancti spiritus opus illud - Anonymous
Appears on: 65v–67
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Virtus sancti spiritus [part 2]
67v–68 Grates nunc omnes (5vv) - 1a pars (of 2): Grates nunc omnes reddamus Domino Deo [Senfl]
Appears on: 67v–68
Genres: Motet
Source Attribution: [Senfl]
Voice: [no designation]
Languages: Latin
Voice Text: Grates nunc omnes reddamus domino deo II: Huic oportet ut canamus cum angelis
General Note

RISM 1559^1:33 - Bk 21:47

68–68v Grates nunc omnes (5vv) - 2a pars (of 2): Huic oportet ut canamus cum angelis -
Appears on: 68–68v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Huic oportet [part 2]
General Note

RISM 1559^1:33 - Bk 21:47

68v–70v Castae parentis (6vv) - 1a pars (of 2): Castae parentis viscera [Canis]
Appears on: 68v–70v
Genres: Motet
Source Attribution: [Canis]
Voice: [no designation]
Languages: Latin
Voice Text: Castae parentis viscera coelestis intrat II: Enixa est puerpera quem Gabriel
General Note

Bk 5:50 - 96:22

70v–72 Castae parentis (6vv) - 2a pars (of 2): Enixa est puerpera fulget dies quem Gabriel -
Appears on: 70v–72
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Enixa est puerpera fulget dies quem Gabriel [2a pars]
General Note

Bk 5:50 - 96:22

72v–78v Patrem omnipotentem [Credo] Anon. Anonymous
Appears on: 72v–78v
Genres: Credo (patrem omnipotentem), Mass Ordinary
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Credo] Patrem omnipotentem
General Note

an ossia is provided on f.77v

79–79v O Domine Jesu Christe - 1a pars (of 7): O Domine Jesu Christe adoro te in cruce pendentem [Finck]
Appears on: 79–79v
Genres: Motet
Source Attribution: [Finck]
Voice: [no designation]
Languages: Latin
Voice Text: O domine Iesu Christe adoro te in cruce II: O domine Iesu Christe adoro te III: O domine Iesu Christe per illam
80–80v O Domine Jesu Christe - 2a pars (of 7): O Domine Jesu Christe adoro te in cruce vulneratum -
Appears on: 80–80v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: O domine Jesu Christe adoro te [part 2]
81–82 O Domine Jesu Christe - 3a pars (of 7): O Domine Jesu Christe per illam amaritudinem -
Appears on: 81–82
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: O domine Jesu Christe per illam [part 3]
82v–85v [texts only] - -

[texts only]

Appears on: 82v–85v
Voice: [no designation]
Languages: insufficient
Voice Text: Text only, no music
General Note

Staves provided but text only, music not notated. [Das leiden unsers herren Jesu Christi wies uns - Sanct Joannes beschreibet [ohne Noten]

86–89v Qui habitat 18.7 - 1a pars (of 2): Qui habitat in adjutorio altissimi [Josquin]
Appears on: 86–89v
Genres: Motet
Source Attribution: [Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: Qui habitat in adiutorio altissimi 18.7 II: Non accedat ad te malum et flagellum
General Note

Josquin, GA, Mot. 52

90–93 Qui habitat 18.7 - 2a pars (of 2): Non accedat ad te malum -
Appears on: 90–93
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Non accedat ad te malum [part 2]
General Note

Josquin, GA, Mot. 52

93–96v Passio Domini - 1a pars (of 3): Passio Domini nostri Jesu Christi secundum Mathaeum Anon. Anonymous
Appears on: 93–96v
Genres: Liturgical work, Motet, Passion
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Passio domini nostri Jhesu Christi secundum Mathaeum II: Apprehendit ergo eum Pilatus III: Orabat autem Jesus pro crucifigentibus
96v–100 Passio Domini - 2a pars (of 3): Apprehendit ergo eum Pilatus - Anonymous
Appears on: 96v–100
Genres: Passion
Voice: [no designation]
Languages: Latin
Voice Text: Apprehendit ergo eum Pilatus [part 2]
100v, 109–112 Passio Domini - 3a pars (of 3): Orabat autem Jesus - Anonymous
Appears on: 100v, 109–112
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Orabat autem Jesus [part 3]
General Note

pages for the following two pieces bound in the middle of this piece, placing the last few pages of this piece after those two pieces

101–104v St. Matthew Passion: Orabat autem Jesus pro crucifigentibus Anon. Anonymous
Appears on: 101–104v
Genres: Liturgical work, Motet, Passion
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [St. Matthew Passion]: Orabat autem Jesus pro crucifigentibus
105–107v Christe qui lux es et dies noctis 2 Precamur sancte Domine defende nos 5 Defensor noster aspice insidiantes 8 Deo patri sit gloria eiusque soli Anon.
Appears on: 105–107v
Genres: Hymn
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Christe qui lux es et dies noctis 2 Precamur sancte domine defende nos 5 Defensor noster aspice insidiantes 8 Deo patri sit gloria eiusque soli
112v–113v Gloria laus et honor - 1a pars (of 4): Gloria laus et honor4 Anon. Anonymous
Appears on: 112v–113v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Gloria laus et honor tibi sit rex Christe II: Israhel es tu rex Davidis inclita III: Cetus in excelsis te laudat IV: Plebs Hebrea tibi cum palmis
113v–114 Gloria laus et honor - 2a pars(of 4): Israel es tu Rex - Anonymous
Appears on: 113v–114
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Israhel es tu Rex [part 2]
General Note

text for two verses underlaid

114v–115 Gloria laus et honor - 3a pars(of 4): Coetus in excelsis te laudat - Anonymous
Appears on: 114v–115
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Coetus in excelsis [part 3]
115–116 Gloria laus et honor - 4a pars(of 4): Plebs hebraea tibi - Anonymous
Appears on: 115–116
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Plebs hebrea tibi [part 4]
General Note

text of two verses underlaid

116–122v Das Leyden unsers Herren Jesu Christi, wie es Sanct Matthäus beschreibet Anon. Anonymous
Appears on: 116–122v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Das leyden unsers Herren Jhesu Christi wie es Sanct Mattheüs beschreibet
Layout

abbreviated text of the sections in chant placed between choral passages as 'cues'

122v–124v Collegerunt pontifices - 1a pars (of 2): Collegerunt pontifices et Pharisaei concilium [Senfl]
Appears on: 122v–124v
Genres: Motet
Source Attribution: [Senfl]
Voice: [no designation]
Languages: Latin
Voice Text: Collegerunt pontifices et Pharisaei II: Unus autem ex ipsis Caiphas nomine
General Note

RISM 1538^8:24

125–126v Collegerunt pontifices - 2a pars (of 2): Unus autem ex ipsis Caiphas nomine -
Appears on: 125–126v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Unus autem es ipsis [part 2]
General Note

RISM 1538^8:24

126v–128v Ingressus Pilatus - 1a pars (of 3): Ingressus Pilatus cum Jesu in pretorium [Senfl]
Appears on: 126v–128v
Genres: Motet
Source Attribution: [Senfl]
Voice: [no designation]
Languages: Latin
Voice Text: Ingressus Pilatus cum Jesu in pretorium II: Et cum indutus fuisset exclamaverunt III: Tunc ait illis Pilatus regem vestrum
General Note

RISM 1538^1:9

128v–129v Ingressus Pilatus - 2a pars (of 3): Et cum indutus fuisset exclamaverunt -
Appears on: 128v–129v
Genres: Motet
129v–131 Ingressus Pilatus - 3a pars (of 3): Tunc ait illis Pilatus regem vestrum -
Appears on: 129v–131
Genres: Motet
131 Qui prophetice prompsisti - 3a pars (of 3): Vita in ligno moritur infernus ex morsu [Senfl]
Appears on: 131
Genres: Motet
Source Attribution: [Senfl]
Voice: [no designation]
Languages: Latin
Voice Text: Vita in ligno moritur infernus ex morsu
General Note

RISM 1559^1:31 - Bk 21:151 - 44:65a - 51:5

131v–132v O vos omnes - 1a pars (of 2): O vos omnes qui transitis per viam [Jonckers]
Appears on: 131v–132v
Genres: Motet
Source Attribution: [Jonckers]
Voice: [no designation]
Languages: Latin
Voice Text: O vos omnes qui transitis per viam II: Attendite universi populi et videte
General Note

RISM 1555^12:28 - Bk 5:51

132v–133v O vos omnes - 2a pars (of 2): Attendite universi populi et videte -
Appears on: 132v–133v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Attendite universi populi [part 2]
General Note

RISM 1555^12:28 - Bk 5:51

134–134v Media vita / In mitten unser lebens (5vv, M56) - 1a pars (of 2): Media vita in morte sumus quem querimus - In mitten unser lebens [Senfl]
Appears on: 134–134v
Genres: Motet
Source Attribution: [Senfl]
Voice: [no designation]
Languages: Latin, German
Voice Text: Media vita in morte sumus quem querimus (With alternate German text in TQ books) II: Sancte deus fortis et misericors
General Note

München, Bayr. Staatsbibl. Mus. Ms. 19 - Bk 44:65

134v–135 Media vita / In mitten unser lebens (5vv, M56) - 2a pars (of 2): Sancte Deus fortis sancte et misericors - Heiliger starcker Gott -
Appears on: 134v–135
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Sanctus Deus - mit: Heyliger starcker got part 2
General Note

München, Bayr. Staatsbibl. Mus. Ms. 19 - Bk 44:65

135–136v Christe qui lux es - 1a pars (of 2): Christe qui lux es et dies noctis Anon. Anonymous
Appears on: 135–136v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Christe qui lux es et dies noctis 5 Defensor noster aspice insidiantes
136v–137v Christe qui lux es - 2a pars (of 2): (v5) Defensor noster aspice insidiantes - Anonymous
Appears on: 136v–137v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Defensor noster aspice [part 2]
Layout

last page cut in half - but the last few (missing) notes recopied on verso

Composer Compositions
Anonymous
Boyleau (fl. 1518)
Canis, Cornelius
Despres, Josquin (ca. 1450–1521)
Finck, Heinrich
Gombert, Nicolas (ca. 1495–ca. 1560)
Jonckers, Maistre Gosse
Paminger, Leonhard (1495–1567)
Rener, Adam (ca. 1485–ca. 1520)
Senfl, Ludwig (ca. 1486–ca. 1543)
Stoltzer, Thomas (ca. 1480–1526)
Composition Composers (? Uncertain) Folios / Pages
Alleluia. Dies sanctificatus illuxit nobis 57v–58v
Ave Jesu Christe fili Dei vivi (= O crux gloriosa) 20v–21v
Castae parentis (6vv) - 1a pars (of 2): Castae parentis viscera 68v–70v
Castae parentis (6vv) - 2a pars (of 2): Enixa est puerpera fulget dies quem Gabriel 70v–72
Christe qui lux es - 1a pars (of 2): Christe qui lux es et dies noctis Anonymous 135–136v
Christe qui lux es - 2a pars (of 2): (v5) Defensor noster aspice insidiantes Anonymous 136v–137v
Christe qui lux es et dies noctis 2 Precamur sancte Domine defende nos 5 Defensor noster aspice insidiantes 8 Deo patri sit gloria eiusque soli 105–107v
Collegerunt pontifices - 1a pars (of 2): Collegerunt pontifices et Pharisaei concilium 122v–124v
Collegerunt pontifices - 2a pars (of 2): Unus autem ex ipsis Caiphas nomine 125–126v
Das Leyden unsers Herren Jesu Christi, wie es Sanct Matthäus beschreibet Anonymous 116–122v
Ecce Maria genuit nobis salvatorem Anonymous 36–37
Exiit edictum - 1a pars (of 2): Exiit edictum a Caesare Augusto 32–34
Exiit edictum - 2a pars (of 2): Et pastores erant in ea regione 34–35v
Gloria laus et honor - 1a pars (of 4): Gloria laus et honor4 Anonymous 112v–113v
Gloria laus et honor - 2a pars(of 4): Israel es tu Rex Anonymous 113v–114
Gloria laus et honor - 3a pars(of 4): Coetus in excelsis te laudat Anonymous 114v–115
Gloria laus et honor - 4a pars(of 4): Plebs hebraea tibi Anonymous 115–116
Grates nunc omnes (5vv) - 1a pars (of 2): Grates nunc omnes reddamus Domino Deo 67v–68
Grates nunc omnes (5vv) - 2a pars (of 2): Huic oportet ut canamus cum angelis 68–68v
Grates nunc omnes - 1a pars (of 2): Grates nunc omnes reddamus Domino deo Anonymous 13v–14
Grates nunc omnes - 1a pars (of 2): Grates nunc omnes reddamus Domino deo Anonymous 59–60
Grates nunc omnes - 2a pars (of 2): Huic oportet ut canamus cum angelis Anonymous 14v–15
Grates nunc omnes - 2a pars (of 2): Huic oportet ut canamus cum angelis Anonymous 60v–61v
Haec dicit Dominus Deus Zebaoth Anonymous 14–17v
In principio erat verbum - 1a pars (of 2): In principio erat verbum et verbum 28–29v
In principio erat verbum - 2a pars (of 2): Erat lux vera quae illuminat verbum 30–32
Ingressus Pilatus - 1a pars (of 3): Ingressus Pilatus cum Jesu in pretorium 126v–128v
Ingressus Pilatus - 2a pars (of 3): Et cum indutus fuisset exclamaverunt 128v–129v
Ingressus Pilatus - 3a pars (of 3): Tunc ait illis Pilatus regem vestrum 129v–131
Media vita / In mitten unser lebens (5vv, M56) - 1a pars (of 2): Media vita in morte sumus quem querimus - In mitten unser lebens 134–134v
Media vita / In mitten unser lebens (5vv, M56) - 2a pars (of 2): Sancte Deus fortis sancte et misericors - Heiliger starcker Gott 134v–135
Missa (5vv) [Grimma57:3]: Agnus Dei Anonymous 49v–51
Missa (5vv) [Grimma57:3]: Credo Anonymous 47–48
Missa (5vv) [Grimma57:3]: Gloria Anonymous 46–47
Missa (5vv) [Grimma57:3]: Kyrie Anonymous 45–45v
Missa (5vv) [Grimma57:3]: Sanctus Anonymous 48v–49v
Missa (5vv): Et in terra pax [Gloria] 54v–57v
Missa (5vv): Kyrie 52v–54
Missa [Grimma57:1]: Et in terra pax [Gloria] Anonymous 6v–10
Missa [Grimma57:1]: Kyrie [Tro: Fons bonitatis] Anonymous 3–6v
Missa [Grimma57:1]: Sanctus Anonymous 10v–13
Missa [Grimma57:2]: Agnus Dei Anonymous 43–44v
Missa [Grimma57:2]: Gloria Anonymous 39v–42
Missa [Grimma57:2]: Kyrie Anonymous 39–39v
Missa [Grimma57:2]: Sanctus Anonymous 42v–43
O admirabile commercium creator generis 37v–39
O Domine Jesu Christe - 1a pars (of 7): O Domine Jesu Christe adoro te in cruce pendentem 79–79v
O Domine Jesu Christe - 2a pars (of 7): O Domine Jesu Christe adoro te in cruce vulneratum 80–80v
O Domine Jesu Christe - 3a pars (of 7): O Domine Jesu Christe per illam amaritudinem 81–82
O vos omnes - 1a pars (of 2): O vos omnes qui transitis per viam 131v–132v
O vos omnes - 2a pars (of 2): Attendite universi populi et videte 132v–133v
Passio Domini - 1a pars (of 3): Passio Domini nostri Jesu Christi secundum Mathaeum Anonymous 93–96v
Passio Domini - 2a pars (of 3): Apprehendit ergo eum Pilatus Anonymous 96v–100
Passio Domini - 3a pars (of 3): Orabat autem Jesus Anonymous 100v, 109–112
Patrem omnipotentem [Credo] Anonymous 72v–78v
Praeter rerum seriem - 1a pars (of 2): Praeter rerum seriem parit Deum Anonymous 64v–65v
Praeter rerum seriem - 2a pars (of 2): Virtus sancti spiritus opus illud Anonymous 65v–67
Praeter rerum seriem 24.12 - 1a pars (of 2): Praeter rerum seriem parit Deus 61v–63
Praeter rerum seriem 24.12 - 2a pars (of 2): Virtus sancti spiritus opus illud 63–64
Puer natus est nobis Et filius datus est Vs: Cantate Domino canticum novum Quia mirabilia fecit 51v–52v
Puer natus est nobis Et filius datus est Vs: Cantate Domino Quia mirabilia fecit Anonymous 1–2v
Qui habitat 18.7 - 1a pars (of 2): Qui habitat in adjutorio altissimi 86–89v
Qui habitat 18.7 - 2a pars (of 2): Non accedat ad te malum 90–93
Qui prophetice prompsisti - 3a pars (of 3): Vita in ligno moritur infernus ex morsu 131
Quid ultra debui facere popule meus Anonymous 21v–24
Quis credet - 1a pars (of 2): Quis credet sermoni nostro et brachium Anonymous 17v–18
Quis credet - 2a pars (of 2): Vere languores nostros ipse tulit Anonymous 18v–20
Quis credet sermoni nostro et brachium Anonymous 24v–27v
St. Matthew Passion: Orabat autem Jesus pro crucifigentibus Anonymous 101–104v

Set: MS Grimma 57 (1-4)

Type: Partbooks

No images available

D-Dl MS Grimma 57 [Bassus]

No images available

D-Dl MS Grimma 57 [Discantus]

No images available

D-Dl MS Grimma 57 [Quintus]

No images available

D-Dl MS Grimma 57 [Tenor]

denotes primary source study

Steude, Wolfram. 1974. Die Musiksammeihandschriften des 16. und 17. Jahrhunderts in der Sächsischen Landesbibliothek zu Dresden. Quellenkataloge zur Musikgeschichte.  Wilhelmshaven. Pages: 99-100. Notes: physical description (partial); contents list; concordances (partial).

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Foliation Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description