GB-Lbl Add. MS 17796

British Library, London, England

partbook: First half of 17th century; after 1624

Archive	British Library, London, England (GB-Lbl)
Shelfmark	Add. MS 17796
Image Availability	DIAMM does not have images of this source.
Surface	Paper
Numbering System	Foliation
Measurements	150 x 195 mm
Other Identifiers	CCM: LonBL 17792-6
Notations	black void mensural viol tablature
Copyists	Hutton, Dr. Matthew (1638–1711) Music Merro, John Music
Relationships	Merro, John (owner) Hutton, Dr. Matthew (1638–1711) (owner)
External Links	British Library online catalogue entry
Provenance	Gloucester? England
Contents	91 pieces from 27 composers

General Description

A Bassus partbook from a set originally of six volumes. Some pieces are in table-book format, with all voices in one book, arranged to be readable by singers around a table. The main scribe was John Merro (WillettsM); probably copied in western England, perhaps at Gloucester (WillettsM). Later owned by Dr. Matthew Hutton (1638-1711), an Oxford antiquary, who made some corrections and annotations, supplied some attributions, and added a few pieces. Purchased by British Museum at a Puttick's sale in 1849.

DIAMM, 2017

Binding

DIAMM, 2017

Notation

black void; ff. 47'-48 and 54'-64 in the Quintus volume are in viol tablature

DIAMM, 2017

Foliation

Original ink foliation 1-192 ('59' and '178' omitted). New pencil foliation 1-170 (omits folios with blank staves).

DIAMM, 2017

Decoration

Edges of leaves are gilded; no other decoration

DIAMM, 2017

Surface

paper

DIAMM, 2017

DIAMM Note

DIAMM inventory lists only the vocal pieces: in addition there are 38 pieces for 3 viols (Cantus ff,1v-18), 25 pieces for 4 viols (ff. 22-45v), 47 pieces for 5 viols (Cantus ff.50v-92v), and 14 for 6 viols (Cantus ff. 93v-105v & 176v) - folio numbers vary in other partbooks. Additionally Add ms 17795 contains 29 viol duets & trios.

DIAMM, 2019

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

2 Lamentations, 13 motets, 1 Service, 1 Service section, 44 anthems, 14 English secular pieces, 156 instrumental pieces (Fantasias, In nomines, dances, etc.) = 231

Amner-7, Bateson-1, Byrd-16, (Byrd/Ford)-1, (Byrd/T. Mudd II)-1, Carlton/Tomkins-1, Coperario-3, (H. Davies)-2, Deering-9, (Donato)-1, M. East-2, M. East/(Simmes)-1, A. Ferrabosco II-25, (Ford)-5, Gibbons-10, (N. Giles)-1, Hooper-1, Ives-6, M. Jeffries-1, Jenkins-3, Jenkins/(A. Ferrabosco II)-1, J. Lugge-1, T. Lupo-10, MicoS, Mico/Weelkes-1, J. Mundy-1, (W. Mundy)-3, Okeover-1, Palmer/(Peerson)-1, (R. Parsons I)-1, W. Randall-1, (Shepherd)-1, Tallis-4, Tomkins-25, (E. Tucker)-1, Ward-7, Ward/(Cranford)-1, Weelkes-3 + 1?, (W. White)-9, anon-58

5 paper partbooks of an original 6 (D-ii + ii + 192 + i + iv folios, A-iii + ii + 216 + ii + iv, T-iii + ii + 188 + ii + iii, B-iii + ii + 189 + i + iv, Q-iii + ii + 190 + i + iii), 150 x 195. Original ink foliation (D: 1-175; A: 1-214; T: 1-189; B: 1-174; Q: 1-192); new pencil foliation (D: 1-177; A: 1-183; T: 1-181; B: 1-172; Q: 1-170). Modern foliation omits folios with blank staves only. Errors or inconsistencies in original foliation - D: "175" used twice, last two gatherings not numbered; A: "133" and "134" used twice; T: "120" omitted; Q: "59" and "178" omitted. Blank staves only (original foliation) - D: 1, 16'-21', 26'-29', 97, 167'-172', one opening before and two openings after last fantasia; A: 1, 18'-20', 25'-29, 166-171', 190, 191'-214'; T: 1, 18'-20', 27'-29, one opening following f. 67, 165'-170', 188'; B: 15'-21', 26'-29', 73'-74, 164'-168'; Q: 1, 18-27', 45'-47, 48'-54, 73'-74.

Original brown leather bindings now glued inside modern covers; original covers bear gold-tooled ornaments: center piece with flower and leaf motifs, thistles at corners, voice designations, and initials "I M" [= John Merro]. No index. Black void mensural notation, except for Q ff. 47'-48 and 54'-64, in viol tablature; some pieces have all voices in one book, arranged to be readable by singers around a table. The main scribe was John Merro (WillettsM), who also copied NYorkP 4180-5; later additions by Matthew Hutton (see below). Edges of leaves are gilded; no other decoration.

First half of 17th century. Probably copied in western England, perhaps at Gloucester (WillettsM). The original owner (and main scribe) was John Merro, whose initials appear on the covers. Later owned by Dr. Matthew Hutton (1638-1711), an Oxford antiquary, who made some corrections and annotations, supplied some attributions, and added a few pieces. Purchased by British Museum at a Puttick's sale in 1849.

Vol 4

Contents: Change "14 English secular pieces" to "11 English secular pieces"; change "156 instrumental pieces" to "157 instrumental pieces"; add "2 Italian secular pieces."

Composers: Add "(Lassus)-2"; add "(J. Mundy/W. Mundy/Tallis)-1 "; change "(W. Mundy)-3" to "(W. Mundy)-2"; add "R. White-2"; change "(W. White) -9" to "W. White-8"; change "anon-58" to "anon-55."

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
[-]	-	-	Anonymous
[Unknown Title] Appears on: [-]
17	Saint Marie now - 1a pars (of 3): Saint Marie now	-	Amner, John (1579–1641)
Saint Marie now - 1a pars (of 3): Saint Marie now Amner, John (1579–1641) Appears on: 17 Genres: Anthem
17v	Saint Marie now - 2a pars (of 3): At length to Christ	-	Amner, John (1579–1641)
Saint Marie now - 2a pars (of 3): At length to Christ Amner, John (1579–1641) Appears on: 17v Genres: Anthem
18	Saint Marie now - 3a pars (of 3): But he the God of love	-	Amner, John (1579–1641)
Saint Marie now - 3a pars (of 3): But he the God of love Amner, John (1579–1641) Appears on: 18 Genres: Anthem
18v–19	Sweet are the thoughts	-	Amner, John (1579–1641)
Sweet are the thoughts Amner, John (1579–1641) Appears on: 18v–19 Genres: Anthem
19v–20	Come let us rejoice	-	Amner, John (1579–1641)
Come let us rejoice Amner, John (1579–1641) Appears on: 19v–20 Genres: Anthem
20v–21	O griefe if yet my griefe (= Dolor se 'l mio dolor)	-	Donato, Baldassare (ca. 1529–1603) Donato, Baldassare (ca. 1529–1603)
O griefe if yet my griefe (= Dolor se 'l mio dolor) Donato, Baldassare (ca. 1529–1603) Donato, Baldassare (ca. 1529–1603) Appears on: 20v–21 Genres: Madrigal
[-]	-	-	Anonymous
[Unknown Title] Appears on: [-]
46v–50	Short service: Venite	Lugg	Lugge, John (ca. 1587–ca. 1647)
Short service: Venite Lugge, John (ca. 1587–ca. 1647) Appears on: 46v–50 Genres: Venite exultemus [Anglican, Morning Service] Source Attribution: Lugg
46v–50	Short service: Te Deum	-	Lugge, John (ca. 1587–ca. 1647)
Short service: Te Deum Lugge, John (ca. 1587–ca. 1647) Appears on: 46v–50 Genres: Te Deum
46v–50	Short service: Magnificat	-	Lugge, John (ca. 1587–ca. 1647)
Short service: Magnificat Lugge, John (ca. 1587–ca. 1647) Appears on: 46v–50 Genres: BVM, Canticle, Magnificat
46v–50	Short service: Nunc dimittis	-	Lugge, John (ca. 1587–ca. 1647)
Short service: Nunc dimittis Lugge, John (ca. 1587–ca. 1647) Appears on: 46v–50 Genres: Nunc Dimittis
[-]	-	-	Anonymous
[Unknown Title] Appears on: [-]
60v	My harte doth pante	-	Anonymous
My harte doth pante Anonymous Appears on: 60v Genres: Madrigal (English)
61	Why do I use my paper, ink and pen?	Birde	Byrd, William (ca. 1540–1623)
Why do I use my paper, ink and pen? Byrd, William (ca. 1540–1623) Appears on: 61 Genres: Song Source Attribution: Birde
61	Me thought of late	Birde	Byrd, William (ca. 1540–1623)
Me thought of late Byrd, William (ca. 1540–1623) Appears on: 61 Genres: Madrigal (English) Source Attribution: Birde
61v	Though Amaryllis dance in green	Birde	Byrd, William (ca. 1540–1623)
Though Amaryllis dance in green Byrd, William (ca. 1540–1623) Appears on: 61v Genres: Song Source Attribution: Birde
61v	When I was otherwise than now	Birde	Byrd, William (ca. 1540–1623)
When I was otherwise than now Byrd, William (ca. 1540–1623) Appears on: 61v Genres: Song Source Attribution: Birde
62	Susanna fair sometime assaulted was (2p. And if I grant)	Birde	Byrd, William (ca. 1540–1623)
Susanna fair sometime assaulted was (2p. And if I grant) Byrd, William (ca. 1540–1623) Appears on: 62 Genres: Song Source Attribution: Birde
62	My mind to me a kingdom is	-	Byrd, William (ca. 1540–1623)
My mind to me a kingdom is Byrd, William (ca. 1540–1623) Appears on: 62 Genres: Sacred Song
62v	Vezzosette nimphe	-	Anonymous
Vezzosette nimphe Anonymous Appears on: 62v Genres: Madrigal (Italian)
62v–63	Piacer	-	Anonymous
Piacer Anonymous Appears on: 62v–63 Genres: Madrigal (Italian)
63–64	Browning = The leaves be green	-	Byrd, William (ca. 1540–1623)
Browning = The leaves be green Byrd, William (ca. 1540–1623) Appears on: 63–64 Genres: Song
[-]	-	-	Anonymous
[Unknown Title] Appears on: [-]
104v–106v	The country cry 'God give you good morrow, sir rise'	-	Dering, Richard
The country cry 'God give you good morrow, sir rise' Dering, Richard Appears on: 104v–106v Genres: Song
106v–108v	The cries of London - 1a pars (of 2): God give you good morrow, my masters	-	Gibbons, Orlando (ca. 1583–1625)
The cries of London - 1a pars (of 2): God give you good morrow, my masters Gibbons, Orlando (ca. 1583–1625) Appears on: 106v–108v Genres: In nomine, Song
106v–108v	The cries of London - 2a pars (of 2): Will you go with me - A good sausage	-	Gibbons, Orlando (ca. 1583–1625)
The cries of London - 2a pars (of 2): Will you go with me - A good sausage Gibbons, Orlando (ca. 1583–1625) Appears on: 106v–108v Genres: Song
109–110	The second London cry 'O yes, can any man'	-	Anonymous
The second London cry 'O yes, can any man' Anonymous Appears on: 109–110 Genres: Song
110–110v	When Israel came out - 1a pars (of 2): When Israel came out of Egypt	M Easte	East, Michael
When Israel came out - 1a pars (of 2): When Israel came out of Egypt East, Michael Appears on: 110–110v Genres: Anthem Source Attribution: M Easte
110v–111	When Israel came out - 2a pars (of 2): What aileth thee	M Easte	East, Michael
When Israel came out - 2a pars (of 2): What aileth thee East, Michael Appears on: 110v–111 Genres: Anthem Source Attribution: M Easte
111v–112	Rise, O my soul - 1a pars (of 3): Rise, O my soul	(M) East	Simmes, William (?) East, Michael (?)
Rise, O my soul - 1a pars (of 3): Rise, O my soul Simmes, William (?) East, Michael (?) Appears on: 111v–112 Genres: Anthem Source Attribution: (M) East
112–112v	Rise, O my soul - 2a pars (of 3): And thou, my soul	-	East, Michael (?) Simmes, William (?)
Rise, O my soul - 2a pars (of 3): And thou, my soul East, Michael (?) Simmes, William (?) Appears on: 112–112v Genres: Anthem
112v–113	Rise, O my soul - 3a pars (of 3): To thee, O Jesus	-	East, Michael (?) Simmes, William (?)
Rise, O my soul - 3a pars (of 3): To thee, O Jesus East, Michael (?) Simmes, William (?) Appears on: 112v–113 Genres: Anthem
113–114v	Sing we merrily (2p. Take the psalm; 3p. Blow up the trumpet)	M Easte	East, Michael
Sing we merrily (2p. Take the psalm; 3p. Blow up the trumpet) East, Michael Appears on: 113–114v Genres: Anthem Source Attribution: M Easte
114v–116	Rejoice, sing and rejoice	Tho. Tomkins	Tomkins, Thomas (1572–1656)
Rejoice, sing and rejoice Tomkins, Thomas (1572–1656) Appears on: 114v–116 Genres: Anthem Source Attribution: Tho. Tomkins
116–117	O Lord, turn thy wrath (2p. Bow thine ear) (=Ne irascaris)	William Birde	Byrd, William (ca. 1540–1623)
O Lord, turn thy wrath (2p. Bow thine ear) (=Ne irascaris) Byrd, William (ca. 1540–1623) Appears on: 116–117 Genres: Anthem, Contrafactum Source Attribution: William Birde
117v–118	O go not from me	Palmer [Peerson]	Palmer, Henry (ca. 1590–1640) (?) Peerson, Martin
O go not from me Palmer, Henry (ca. 1590–1640) (?) Peerson, Martin Appears on: 117v–118 Genres: Motet Source Attribution: Palmer [Peerson]
118v–119	Deliver us Lord both night and day	-	Anonymous
Deliver us Lord both night and day Anonymous Appears on: 118v–119
119v–120	Almighty God, the fountain of all wisdom	Tho. Tomkins	Tomkins, Thomas (1572–1656)
Almighty God, the fountain of all wisdom Tomkins, Thomas (1572–1656) Appears on: 119v–120 Source Attribution: Tho. Tomkins
120v–121	Behold, it is Christ	E Hooper	Hooper, Edmund
Behold, it is Christ Hooper, Edmund Appears on: 120v–121 Genres: Anthem Source Attribution: E Hooper
121v–122	Stir up, we beseech thee	-	Anonymous
Stir up, we beseech thee Anonymous Appears on: 121v–122 Genres: Anthem
122v–123	How long shall mine enemies triumph	W Byrd	Byrd, William (ca. 1540–1623)
How long shall mine enemies triumph Byrd, William (ca. 1540–1623) Appears on: 122v–123 Genres: Anthem Source Attribution: W Byrd
123v–124v	Wipe away my sins [=Absterge Domine]	Tallis	Tallis, Thomas (ca. 1505–1585)
Wipe away my sins [=Absterge Domine] Tallis, Thomas (ca. 1505–1585) Appears on: 123v–124v Source Attribution: Tallis
125	Blessed be thy name (= Mihi autem nimis)	Tallis	Tallis, Thomas (ca. 1505–1585)
Blessed be thy name (= Mihi autem nimis) Tallis, Thomas (ca. 1505–1585) Appears on: 125 Genres: Anthem, Contrafactum Source Attribution: Tallis
125v–126	O give thanks unto the Lord	N Giles	Giles, Nathaniel (ca. 1558–1634)
O give thanks unto the Lord Giles, Nathaniel (ca. 1558–1634) Appears on: 125v–126 Genres: Anthem Source Attribution: N Giles
126v–127	Rejoice in the Lord O ye righteous	-	Davies, Hugh
Rejoice in the Lord O ye righteous Davies, Hugh Appears on: 126v–127 Genres: Anthem
127v–128	Holy Holy Holy, Lord God Almighty	R Parsons	Parsons (I), Robert (ca. 1535–ca. 1572)
Holy Holy Holy, Lord God Almighty Parsons (I), Robert (ca. 1535–ca. 1572) Appears on: 127v–128 Genres: Anthem Source Attribution: R Parsons
128v–129	Remember not Lord our offences	J Amner	Amner, John (1579–1641)
Remember not Lord our offences Amner, John (1579–1641) Appears on: 128v–129 Genres: Anthem Source Attribution: J Amner
129v–130v	O Lord, I bow the knees of my heart	W Mundy	Mundy, William (ca. 1528–ca. 1591)
O Lord, I bow the knees of my heart Mundy, William (ca. 1528–ca. 1591) Appears on: 129v–130v Genres: Anthem Source Attribution: W Mundy
131	With all our hearts and mouth (= Salvator mundi (I))	Tallis	Tallis, Thomas (ca. 1505–1585)
With all our hearts and mouth (= Salvator mundi (I)) Tallis, Thomas (ca. 1505–1585) Appears on: 131 Genres: Anthem, Contrafactum Source Attribution: Tallis
131v	I will sing unto the Lord	J Amner	Amner, John (1579–1641)
I will sing unto the Lord Amner, John (1579–1641) Appears on: 131v Genres: Anthem Source Attribution: J Amner
132	He that descended	J Amner	Amner, John (1579–1641)
He that descended Amner, John (1579–1641) Appears on: 132 Genres: Anthem Source Attribution: J Amner
132v	God whom our offences	Birde	Byrd, William (ca. 1540–1623)
God whom our offences Byrd, William (ca. 1540–1623) Appears on: 132v Genres: Anthem Source Attribution: Birde
133v–134	All people clap your hands	-	Anonymous
All people clap your hands Anonymous Appears on: 133v–134
134v–135	O Lord, rebuke me not in thine indignation	-	Anonymous
O Lord, rebuke me not in thine indignation Anonymous Appears on: 134v–135 Genres: Anthem
135v–137	Christ rising again (2a pars Christ is risen again)	-	Anonymous
Christ rising again (2a pars Christ is risen again) Anonymous Appears on: 135v–137
137v–138	Lord enter not into judgement	-	Anonymous
Lord enter not into judgement Anonymous Appears on: 137v–138 Genres: Anthem
138v–139	Let God arise	-	Ford, Thomas
Let God arise Ford, Thomas Appears on: 138v–139 Genres: Anthem
139v–140	Out of the deep (I)	-	Byrd, William (ca. 1540–1623)
Out of the deep (I) Byrd, William (ca. 1540–1623) Appears on: 139v–140 Genres: Anthem
140v–141	Blessed art thou that fearest God (II)	-	Anonymous
Blessed art thou that fearest God (II) Anonymous Appears on: 140v–141
141v–143	Hear my crying, O God (2p. O Lord, I will dwell)	-	Anonymous
Hear my crying, O God (2p. O Lord, I will dwell) Anonymous Appears on: 141v–143 Genres: Anthem
143v–144	O give thanks unto the Lord	J Mundy	Mundy, John (ca. 1555–1630)
O give thanks unto the Lord Mundy, John (ca. 1555–1630) Appears on: 143v–144 Genres: Anthem Source Attribution: J Mundy
144v–145v	Give sentence with me	Randall	Randall, William (I)
Give sentence with me Randall, William (I) Appears on: 144v–145v Genres: Anthem Source Attribution: Randall
145v–146	Sing joyfully unto God our strength (2p. Blow the trumpet)	W Byrd	Byrd, William (ca. 1540–1623)
Sing joyfully unto God our strength (2p. Blow the trumpet) Byrd, William (ca. 1540–1623) Appears on: 145v–146 Genres: Anthem Source Attribution: W Byrd
146v–147	With Angells and Archangells	-	Anonymous
With Angells and Archangells Anonymous Appears on: 146v–147 Genres: Anthem
147v	Woe is me that I am constrained	To. Tomkins	Tomkins, Thomas (1572–1656)
Woe is me that I am constrained Tomkins, Thomas (1572–1656) Appears on: 147v Genres: Anthem Source Attribution: To. Tomkins
148	Turn unto the Lord our God	To. Tomkins	Tomkins, Thomas (1572–1656)
Turn unto the Lord our God Tomkins, Thomas (1572–1656) Appears on: 148 Genres: Anthem Source Attribution: To. Tomkins
148v–149	First [TCM: 2nd] Preces & Psalm for Easter Day evensong: Awake up my glory	-	Gibbons, Orlando (ca. 1583–1625)
First [TCM: 2nd] Preces & Psalm for Easter Day evensong: Awake up my glory Gibbons, Orlando (ca. 1583–1625) Appears on: 148v–149 Genres: Psalm
149v–150	O Lord arise	T Weekes	Weelkes, Thomas (ca. 1576–1623)
O Lord arise Weelkes, Thomas (ca. 1576–1623) Appears on: 149v–150 Genres: Anthem Source Attribution: T Weekes
150v–151	O sing unto the Lord a new song (Verse anthem)	-	Anonymous
O sing unto the Lord a new song (Verse anthem) Anonymous Appears on: 150v–151
151v–152	Rejoice in the Lord O ye righteous	M Jefferies	Jeffries (Jeffreys), Matthew (?)
Rejoice in the Lord O ye righteous Jeffries (Jeffreys), Matthew (?) Appears on: 151v–152 Genres: Anthem Source Attribution: M Jefferies
152v–153	Holy Holy Holy Lord God Almighty	T Batson	Bateson, Thomas (ca. 1570–1630)
Holy Holy Holy Lord God Almighty Bateson, Thomas (ca. 1570–1630) Appears on: 152v–153 Genres: Anthem Source Attribution: T Batson
154–156	Service in F: Te Deum	Birde	Byrd, William (ca. 1540–1623)
Service in F: Te Deum Byrd, William (ca. 1540–1623) Appears on: 154–156 Genres: Liturgical work, Te Deum Source Attribution: Birde
156, 157	In resurrectione tua	Will. Bird	Byrd, William (ca. 1540–1623)
In resurrectione tua Byrd, William (ca. 1540–1623) Appears on: 156, 157 Genres: Motet Source Attribution: Will. Bird
157v–158	Dum transisset sabbatum	-	Anonymous
Dum transisset sabbatum Anonymous Appears on: 157v–158 Genres: Motet
158v	Cantate Domino	-	Anonymous
Cantate Domino Anonymous Appears on: 158v Genres: Motet
159	Veni in hortum meum	-	Anonymous
Veni in hortum meum Anonymous Appears on: 159 Genres: Motet
159v	Angelus ad pastores ait annuntio vobis	-	Lassus, Orlande de (ca. 1532–1594)
Angelus ad pastores ait annuntio vobis Lassus, Orlande de (ca. 1532–1594) Appears on: 159v Genres: Motet
160	Deus misereator nostri - 1a pars (of 5): Deus misereator nostri	-	Sheppard, John (ca. 1515–1558)
Deus misereator nostri - 1a pars (of 5): Deus misereator nostri Sheppard, John (ca. 1515–1558) Appears on: 160 Genres: Motet
160v–161	Deus misereator nostri - 4a pars (of 5): Laetentur et exsultent gentes	-	Sheppard, John (ca. 1515–1558)
Deus misereator nostri - 4a pars (of 5): Laetentur et exsultent gentes Sheppard, John (ca. 1515–1558) Appears on: 160v–161 Genres: Motet
161v–162v	Deus misereatur nostri et benedicat nobis	-	White, Robert (ca. 1538–1574)
Deus misereatur nostri et benedicat nobis White, Robert (ca. 1538–1574) Appears on: 161v–162v Genres: Anglican Service Music, Motet
162v–163	Adolescentulus sum ego	-	Mundy, William (ca. 1528–ca. 1591)
Adolescentulus sum ego Mundy, William (ca. 1528–ca. 1591) Appears on: 162v–163 Genres: Motet
163v–164	Laudate pueri Dominum	Will. Bird	Byrd, William (ca. 1540–1623)
Laudate pueri Dominum Byrd, William (ca. 1540–1623) Appears on: 163v–164 Source Attribution: Will. Bird
164v–165	Domine non est exaltatum	Mundy	Mundy, William (ca. 1528–ca. 1591)
Domine non est exaltatum Mundy, William (ca. 1528–ca. 1591) Appears on: 164v–165 Genres: Motet Source Attribution: Mundy
165v–166	Jerusalem plantabis vineam (8vv)	-	Anonymous
Jerusalem plantabis vineam (8vv) Anonymous Appears on: 165v–166 Genres: Motet
166v–167v	Lamentations (I) : Incipit lamentatio Jeremiae - Aleph - Beth - Convertere Jerusalem	Tallis	Tallis, Thomas (ca. 1505–1585)
Lamentations (I) : Incipit lamentatio Jeremiae - Aleph - Beth - Convertere Jerusalem Tallis, Thomas (ca. 1505–1585) Appears on: 166v–167v Genres: Lamentations, Motet Source Attribution: Tallis
167v–170	Lamentations (I) a5	White	White, Robert (ca. 1538–1574)
Lamentations (I) a5 White, Robert (ca. 1538–1574) Appears on: 167v–170 Genres: Lamentations, Motet Source Attribution: White
170v	O quam gloriosum - 1a pars (of 2): O quam gloriosum est regnum	Will. Bird	Byrd, William (ca. 1540–1623)
O quam gloriosum - 1a pars (of 2): O quam gloriosum est regnum Byrd, William (ca. 1540–1623) Appears on: 170v Genres: Motet Source Attribution: Will. Bird
171	O quam gloriosum - 2a pars (of 2): Benedictio et claritas	Will. Bird	Byrd, William (ca. 1540–1623)
O quam gloriosum - 2a pars (of 2): Benedictio et claritas Byrd, William (ca. 1540–1623) Appears on: 171 Genres: Motet Source Attribution: Will. Bird
171–171v	Tristitia et anxietas - 1a pars (of 2): Tristitia et anxietas, Domine tu jurasti	Will. Bird	Byrd, William (ca. 1540–1623)
Tristitia et anxietas - 1a pars (of 2): Tristitia et anxietas, Domine tu jurasti Byrd, William (ca. 1540–1623) Appears on: 171–171v Genres: Motet Source Attribution: Will. Bird
172	Tristitia et anxietas - 2a pars (of 2): Sed tu domine	Will. Bird	Byrd, William (ca. 1540–1623)
Tristitia et anxietas - 2a pars (of 2): Sed tu domine Byrd, William (ca. 1540–1623) Appears on: 172 Genres: Motet Source Attribution: Will. Bird

Composer	Compositions
Amner, John (1579–1641)	Come let us rejoice – 19v–20 He that descended – 132 I will sing unto the Lord – 131v Remember not Lord our offences – 128v–129 Saint Marie now - 1a pars (of 3): Saint Marie now – 17 Saint Marie now - 2a pars (of 3): At length to Christ – 17v Saint Marie now - 3a pars (of 3): But he the God of love – 18 Sweet are the thoughts – 18v–19
Anonymous	All people clap your hands – 133v–134 Blessed art thou that fearest God (II) – 140v–141 Cantate Domino – 158v Christ rising again (2a pars Christ is risen again) – 135v–137 Deliver us Lord both night and day – 118v–119 Dum transisset sabbatum – 157v–158 Hear my crying, O God (2p. O Lord, I will dwell) – 141v–143 Jerusalem plantabis vineam (8vv) – 165v–166 Lord enter not into judgement – 137v–138 My harte doth pante – 60v O Lord, rebuke me not in thine indignation – 134v–135 O sing unto the Lord a new song (Verse anthem) – 150v–151 Piacer – 62v–63 Stir up, we beseech thee – 121v–122 The second London cry 'O yes, can any man' – 109–110 Veni in hortum meum – 159 Vezzosette nimphe – 62v With Angells and Archangells – 146v–147
Bateson, Thomas (ca. 1570–1630)	Holy Holy Holy Lord God Almighty – 152v–153
Byrd, William (ca. 1540–1623)	Browning = The leaves be green – 63–64 God whom our offences – 132v How long shall mine enemies triumph – 122v–123 In resurrectione tua – 156, 157 Laudate pueri Dominum – 163v–164 Me thought of late – 61 My mind to me a kingdom is – 62 O Lord, turn thy wrath (2p. Bow thine ear) (=Ne irascaris) – 116–117 O quam gloriosum - 1a pars (of 2): O quam gloriosum est regnum – 170v O quam gloriosum - 2a pars (of 2): Benedictio et claritas – 171 Out of the deep (I) – 139v–140 Service in F: Te Deum – 154–156 Sing joyfully unto God our strength (2p. Blow the trumpet) – 145v–146 Susanna fair sometime assaulted was (2p. And if I grant) – 62 Though Amaryllis dance in green – 61v Tristitia et anxietas - 1a pars (of 2): Tristitia et anxietas, Domine tu jurasti – 171–171v Tristitia et anxietas - 2a pars (of 2): Sed tu domine – 172 When I was otherwise than now – 61v Why do I use my paper, ink and pen? – 61
Davies, Hugh	Rejoice in the Lord O ye righteous – 126v–127
Dering, Richard	The country cry 'God give you good morrow, sir rise' – 104v–106v
Donato, Baldassare (ca. 1529–1603)	O griefe if yet my griefe (= Dolor se 'l mio dolor) – 20v–21 O griefe if yet my griefe (= Dolor se 'l mio dolor) – 20v–21
East, Michael	(?) Rise, O my soul - 1a pars (of 3): Rise, O my soul – 111v–112 (?) Rise, O my soul - 2a pars (of 3): And thou, my soul – 112–112v (?) Rise, O my soul - 3a pars (of 3): To thee, O Jesus – 112v–113 Sing we merrily (2p. Take the psalm; 3p. Blow up the trumpet) – 113–114v When Israel came out - 1a pars (of 2): When Israel came out of Egypt – 110–110v When Israel came out - 2a pars (of 2): What aileth thee – 110v–111
Ford, Thomas	Let God arise – 138v–139
Gibbons, Orlando (ca. 1583–1625)	First [TCM: 2nd] Preces & Psalm for Easter Day evensong: Awake up my glory – 148v–149 The cries of London - 1a pars (of 2): God give you good morrow, my masters – 106v–108v The cries of London - 2a pars (of 2): Will you go with me - A good sausage – 106v–108v
Giles, Nathaniel (ca. 1558–1634)	O give thanks unto the Lord – 125v–126
Hooper, Edmund	Behold, it is Christ – 120v–121
Jeffries (Jeffreys), Matthew	(?) Rejoice in the Lord O ye righteous – 151v–152
Lassus, Orlande de (ca. 1532–1594)	Angelus ad pastores ait annuntio vobis – 159v
Lugge, John (ca. 1587–ca. 1647)	Short service: Magnificat – 46v–50 Short service: Nunc dimittis – 46v–50 Short service: Te Deum – 46v–50 Short service: Venite – 46v–50
Mundy, John (ca. 1555–1630)	O give thanks unto the Lord – 143v–144
Mundy, William (ca. 1528–ca. 1591)	Adolescentulus sum ego – 162v–163 Domine non est exaltatum – 164v–165 O Lord, I bow the knees of my heart – 129v–130v
Palmer, Henry (ca. 1590–1640)	(?) O go not from me – 117v–118
Parsons (I), Robert (ca. 1535–ca. 1572)	Holy Holy Holy, Lord God Almighty – 127v–128
Peerson, Martin	O go not from me – 117v–118
Randall, William (I)	Give sentence with me – 144v–145v
Sheppard, John (ca. 1515–1558)	Deus misereator nostri - 1a pars (of 5): Deus misereator nostri – 160 Deus misereator nostri - 4a pars (of 5): Laetentur et exsultent gentes – 160v–161
Simmes, William	(?) Rise, O my soul - 1a pars (of 3): Rise, O my soul – 111v–112 (?) Rise, O my soul - 2a pars (of 3): And thou, my soul – 112–112v (?) Rise, O my soul - 3a pars (of 3): To thee, O Jesus – 112v–113
Tallis, Thomas (ca. 1505–1585)	Blessed be thy name (= Mihi autem nimis) – 125 Lamentations (I) : Incipit lamentatio Jeremiae - Aleph - Beth - Convertere Jerusalem – 166v–167v Wipe away my sins [=Absterge Domine] – 123v–124v With all our hearts and mouth (= Salvator mundi (I)) – 131
Tomkins, Thomas (1572–1656)	Almighty God, the fountain of all wisdom – 119v–120 Rejoice, sing and rejoice – 114v–116 Turn unto the Lord our God – 148 Woe is me that I am constrained – 147v
Weelkes, Thomas (ca. 1576–1623)	O Lord arise – 149v–150
White, Robert (ca. 1538–1574)	Deus misereatur nostri et benedicat nobis – 161v–162v Lamentations (I) a5 – 167v–170

Composition	Composers (? Uncertain)	Folios / Pages
Adolescentulus sum ego	Mundy, William (ca. 1528–ca. 1591)	162v–163
All people clap your hands	Anonymous	133v–134
Almighty God, the fountain of all wisdom	Tomkins, Thomas (1572–1656)	119v–120
Angelus ad pastores ait annuntio vobis	Lassus, Orlande de (ca. 1532–1594)	159v
Behold, it is Christ	Hooper, Edmund	120v–121
Blessed art thou that fearest God (II)	Anonymous	140v–141
Blessed be thy name (= Mihi autem nimis)	Tallis, Thomas (ca. 1505–1585)	125
Browning = The leaves be green	Byrd, William (ca. 1540–1623)	63–64
Cantate Domino	Anonymous	158v
Christ rising again (2a pars Christ is risen again)	Anonymous	135v–137
Come let us rejoice	Amner, John (1579–1641)	19v–20
Deliver us Lord both night and day	Anonymous	118v–119
Deus misereator nostri - 1a pars (of 5): Deus misereator nostri	Sheppard, John (ca. 1515–1558)	160
Deus misereator nostri - 4a pars (of 5): Laetentur et exsultent gentes	Sheppard, John (ca. 1515–1558)	160v–161
Deus misereatur nostri et benedicat nobis	White, Robert (ca. 1538–1574)	161v–162v
Domine non est exaltatum	Mundy, William (ca. 1528–ca. 1591)	164v–165
Dum transisset sabbatum	Anonymous	157v–158
First [TCM: 2nd] Preces & Psalm for Easter Day evensong: Awake up my glory	Gibbons, Orlando (ca. 1583–1625)	148v–149
Give sentence with me	Randall, William (I)	144v–145v
God whom our offences	Byrd, William (ca. 1540–1623)	132v
He that descended	Amner, John (1579–1641)	132
Hear my crying, O God (2p. O Lord, I will dwell)	Anonymous	141v–143
Holy Holy Holy Lord God Almighty	Bateson, Thomas (ca. 1570–1630)	152v–153
Holy Holy Holy, Lord God Almighty	Parsons (I), Robert (ca. 1535–ca. 1572)	127v–128
How long shall mine enemies triumph	Byrd, William (ca. 1540–1623)	122v–123
I will sing unto the Lord	Amner, John (1579–1641)	131v
In resurrectione tua	Byrd, William (ca. 1540–1623)	156, 157
Jerusalem plantabis vineam (8vv)	Anonymous	165v–166
Lamentations (I) : Incipit lamentatio Jeremiae - Aleph - Beth - Convertere Jerusalem	Tallis, Thomas (ca. 1505–1585)	166v–167v
Lamentations (I) a5	White, Robert (ca. 1538–1574)	167v–170
Laudate pueri Dominum	Byrd, William (ca. 1540–1623)	163v–164
Let God arise	Ford, Thomas	138v–139
Lord enter not into judgement	Anonymous	137v–138
Me thought of late	Byrd, William (ca. 1540–1623)	61
My harte doth pante	Anonymous	60v
My mind to me a kingdom is	Byrd, William (ca. 1540–1623)	62
O give thanks unto the Lord	Giles, Nathaniel (ca. 1558–1634)	125v–126
O give thanks unto the Lord	Mundy, John (ca. 1555–1630)	143v–144
O go not from me	Palmer, Henry (ca. 1590–1640) (?) Peerson, Martin	117v–118
O griefe if yet my griefe (= Dolor se 'l mio dolor)	Donato, Baldassare (ca. 1529–1603) Donato, Baldassare (ca. 1529–1603)	20v–21
O Lord arise	Weelkes, Thomas (ca. 1576–1623)	149v–150
O Lord, I bow the knees of my heart	Mundy, William (ca. 1528–ca. 1591)	129v–130v
O Lord, rebuke me not in thine indignation	Anonymous	134v–135
O Lord, turn thy wrath (2p. Bow thine ear) (=Ne irascaris)	Byrd, William (ca. 1540–1623)	116–117
O quam gloriosum - 1a pars (of 2): O quam gloriosum est regnum	Byrd, William (ca. 1540–1623)	170v
O quam gloriosum - 2a pars (of 2): Benedictio et claritas	Byrd, William (ca. 1540–1623)	171
O sing unto the Lord a new song (Verse anthem)	Anonymous	150v–151
Out of the deep (I)	Byrd, William (ca. 1540–1623)	139v–140
Piacer	Anonymous	62v–63
Rejoice in the Lord O ye righteous	Davies, Hugh	126v–127
Rejoice in the Lord O ye righteous	Jeffries (Jeffreys), Matthew (?)	151v–152
Rejoice, sing and rejoice	Tomkins, Thomas (1572–1656)	114v–116
Remember not Lord our offences	Amner, John (1579–1641)	128v–129
Rise, O my soul - 1a pars (of 3): Rise, O my soul	Simmes, William (?) East, Michael (?)	111v–112
Rise, O my soul - 2a pars (of 3): And thou, my soul	East, Michael (?) Simmes, William (?)	112–112v
Rise, O my soul - 3a pars (of 3): To thee, O Jesus	East, Michael (?) Simmes, William (?)	112v–113
Saint Marie now - 1a pars (of 3): Saint Marie now	Amner, John (1579–1641)	17
Saint Marie now - 2a pars (of 3): At length to Christ	Amner, John (1579–1641)	17v
Saint Marie now - 3a pars (of 3): But he the God of love	Amner, John (1579–1641)	18
Service in F: Te Deum	Byrd, William (ca. 1540–1623)	154–156
Short service: Magnificat	Lugge, John (ca. 1587–ca. 1647)	46v–50
Short service: Nunc dimittis	Lugge, John (ca. 1587–ca. 1647)	46v–50
Short service: Te Deum	Lugge, John (ca. 1587–ca. 1647)	46v–50
Short service: Venite	Lugge, John (ca. 1587–ca. 1647)	46v–50
Sing joyfully unto God our strength (2p. Blow the trumpet)	Byrd, William (ca. 1540–1623)	145v–146
Sing we merrily (2p. Take the psalm; 3p. Blow up the trumpet)	East, Michael	113–114v
Stir up, we beseech thee	Anonymous	121v–122
Susanna fair sometime assaulted was (2p. And if I grant)	Byrd, William (ca. 1540–1623)	62
Sweet are the thoughts	Amner, John (1579–1641)	18v–19
The country cry 'God give you good morrow, sir rise'	Dering, Richard	104v–106v
The cries of London - 1a pars (of 2): God give you good morrow, my masters	Gibbons, Orlando (ca. 1583–1625)	106v–108v
The cries of London - 2a pars (of 2): Will you go with me - A good sausage	Gibbons, Orlando (ca. 1583–1625)	106v–108v
The second London cry 'O yes, can any man'	Anonymous	109–110
Though Amaryllis dance in green	Byrd, William (ca. 1540–1623)	61v
Tristitia et anxietas - 1a pars (of 2): Tristitia et anxietas, Domine tu jurasti	Byrd, William (ca. 1540–1623)	171–171v
Tristitia et anxietas - 2a pars (of 2): Sed tu domine	Byrd, William (ca. 1540–1623)	172
Turn unto the Lord our God	Tomkins, Thomas (1572–1656)	148
Veni in hortum meum	Anonymous	159
Vezzosette nimphe	Anonymous	62v
When I was otherwise than now	Byrd, William (ca. 1540–1623)	61v
When Israel came out - 1a pars (of 2): When Israel came out of Egypt	East, Michael	110–110v
When Israel came out - 2a pars (of 2): What aileth thee	East, Michael	110v–111
Why do I use my paper, ink and pen?	Byrd, William (ca. 1540–1623)	61
Wipe away my sins [=Absterge Domine]	Tallis, Thomas (ca. 1505–1585)	123v–124v
With all our hearts and mouth (= Salvator mundi (I))	Tallis, Thomas (ca. 1505–1585)	131
With Angells and Archangells	Anonymous	146v–147
Woe is me that I am constrained	Tomkins, Thomas (1572–1656)	147v

Set: MSS 17792-17796

Type: Partbooks

No images available

No images available

No images available

No images available

No images available

‡ denotes primary source study

Daniel, Ralph T, and Peter Le Huray. 1972. The Sources of English Church Music 1549-1660. Early English Church Music. London. Notes: contents list (partial); concordances (partial).

Bray, Roger W. 1969. The Interpretation of Musica Ficta in English Music, C. 1490-C. 1580 [dissertation]. Oxford University, Unpublished Ph.D. dissertation. Pages: I, 172, 176, 179, 184; II, 76ff. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Brett, Philip. 1965. The Songs of William Byrd. Cambridge University, Unpublished Ph.D. dissertation. Pages: 33-4, 110, 124-6, 238-9. Notes: physical description (partial); contents list (partial); concordances (partial); mention of MS; discussion.

Harrison, Frank Llewellyn (editor). 1963-. Early English Church Music. London: Stainer & Bell. Pages: II, 217-8; XII, 120-2; XXIII, 146; XXIX, 128,134. Notes: physical description (partial); contents list (partial); concordances (partial).

Kerman, Joseph. 1961. Byrd's Motets: Chronology and Canon. Journal of the American Musicological Society, 359-82. Pages: 363. Notes: contents list (partial); concordances (partial).

Willetts, Pamela J. 1961. Music from the Circle of Anthony Wood at Oxford. The British Museum Quarterly, 71-5. Notes: physical description (partial); facsimile (partial); mention of MS; discussion.

Noble, Jeremy. 1955. La Répertoire Instrumental Anglais: 1550-1585. La Musique Instrumentale de la Renaissance, 91-114. Paris. Pages: 97ff. Notes: physical description (partial); contents list (partial); concordances (partial).

Hughes, Dom Anselm. 1953. Catalogue of the Musical Manuscripts at Peterhouse, Cambridge. Cambridge. Pages: I, 13-5, 143, 198, 282, 398; II, 153-4; III, 43, 172, 183, 204, 225, 232. Notes: physical description (partial); contents list.

Lewis, Anthony (editor). 1951-. Musica Britannica: A National Collection of Music. London. Pages: IX, 220-6; XXII, xxi, 59-62, 173, 182, 185-7; XXIII, 126, 128, 133. Notes: mention of MS; contents list (partial); concordances (partial); transcriptions (partial); facsimile (partial).

Fellowes, Edmund H (editor). 1937-50, 1962. The Collected Works of William Byrd. Pages: XV, 158-60, 166, 179; XVII, 29-38, 154-5. Notes: mention of MS; contents list (partial); concordances (partial); transcriptions (partial).

Meyer, Ernst Hermann. 1934. Die mehrstimmige Spielmusik des 17. Jahrhunderts in Nord-und Mitteleuropa. Kassel. Pages: 135-48, passim. Notes: mention of MS; contents list (partial); transcription (partial).

Fellowes, Edmund H (editor). 1923-48. Tudor Church Music. London, Oxford et al. Pages: II, xxi, xxxiii-xxxvi; V, xx; VI, xxvii. Notes: physical description (partial); contents list (partial); concordances (partial).

Madden, F. 1843-. Catalogue of Additions to the Manuscripts in the British Museum. Pages: [1848-53], 55. Notes: physical description (partial).

This form is used to make comments on a source. If you wish to notify us of a correction to the record, you should use the "Contribute a change" form instead.

No comments have been made.

Contributions to this record are recorded here. If you wish to contribute information or a correction to this record, use the "Contribute a Change" link. This will then be reviewed by DIAMM staff and, if accepted, your contribution will be acknowledged here.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description