H-Bn MS Bártfa 8 (d)

Országos Széchényi Könyvtár (National Széchényi Library), Budapest, Hungary

partbook: c. 1550

Archive Országos Széchényi Könyvtár (National Széchényi Library), Budapest, Hungary (H-Bn)
Shelfmark MS Bártfa 8 (d)
Image Availability DIAMM does not have images of this source.
Surface Paper
Numbering System Foliation
Measurements originally c. 162 x 206 mm
Other Identifiers
  • CCM: BudOS 8
Relationships
Provenance
Contents 72 pieces from 11 composers
General Description

A Bassus partbook from a set of four volumes labelled 'Vox summa', 'Vox mercurialis', 'Vox media' (Bassus not labelled). A collection of Mass propers, mostly from Isaac's Choralis Constantinus settings, copied by several scribes; the last 7 pieces, copied by a single scribe (MurTVB) after a gap of a few folios, are unrelated to the main body of the ms.

Much of the manuscript may have been copied from BudOS P1; BudOS 8, in turn, may have served as a source for BudOS 24 (MurIO). Alternatively BudOS 8 may have been the principal source, with BudOS P1, BudOS 20 and BudOS 24 copied mostly or entirely from it; BudOS 2 was in turn copied from BudOS24 (CC2).

The contents of BudOS8 and BudOS 24 show considerable overlap, though the sequence of pieces in BudOS24 is more structured, and they are more neatly and carefully copied, than in BudOS8, The Choralis Constantinus II repertoire in BudOS 8 is substantially adapted to suit local requirements, with several pieces assigned to different liturgical feasts and three supplied with new texts (CC2).

From the Church of St. Aegidi in Bártfa (= Bartfeld = Bardejov). Brought to the National Library in Budapest in 1915.

DIAMM, 2023
Physical Description

Some folios missing, torn, or worn, but now covered with plastic.

DIAMM, 2017
Binding

Rebound in new cardboard covers (CCM) or possibly in half-leather (MurTVB).

DIAMM, 2023
Notation

not indicated

DIAMM, 2017
Date

c. 1550 (GomMB). MurTVB dates the ms after 1555, on the "incorrect assumption" (CC2) that the Isaac Choralis Constantinus pieces (part I) were copied from the Choralis print.

DIAMM, 2023
Foliation

Modern stamped foliation; new pencil foliation in A

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

4 Masses, 1 Kyrie, 1 German Credo, 11 Mass Proper cycles, 3 Mass Proper sections, 4 Magnificats, 1 Passion, 7 hymns, 4 motets = 36

(Bruck)-1, (Finck)-2, Isaac-11, (Josquin)-1, (Obrecht/Longaval/Venture)-1, (Stoltzer)-2, anon-23

4 paper partbooks (D-50 folios, A-49, T-46, B-45), originally ca. 162 x 206. Some folios missing, torn, or worn, but now covered with plastic. Modern stamped foliation; new pencil foliation in A. Rebound in new cardboard covers. Copied by several scribes. Portions of this manuscript may have been copied from BudOS PI; BudOS 8, in turn, may have served as a source for BudOS 24 (MurIO).

Ca. 1550 (GomMB); after 1555 (MurTVB). From the Church of St. Aegidi in Bártfa (= Bartfeld = Bardejov). Brought to the National Library in Budapest in 1915.

Vol 4

Contents: 2 Masses, 1 Kyrie-Gloria pair, 1 Sanctus-Agnus pair, 2 Kyries, 1 Gloria, 1 Sanctus, 38 Mass Proper sections (most arranged in cycles), 4 Mag-nificats, 10 hymns, 1 Passion, 2 motets, 1 set of responses, 1 German sacred piece = 65

Composers: (Brück)-1, (Finck)-3, (Isaac)-28, (Isaac-anon)-1, (Josquin)-1, (Longaval/Obrecht/Venture)-1, (Rein)-1, (Stoltzer)-4, anon-25

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1–3v Missa Sine nomine (KGCSA) - Anonymous
Appears on: 1–3v
Genres: Mass Ordinary
Concordances

=Thomaskirche 49/50 (KG only)

4–5 Passio Domini secundum Matthaeum - 1a pars (of 3): Passio Domini nostri Jesu Christi secundum Mattheum [Longueval/Obrecht/Venture]
Appears on: 4–5
Genres: Liturgical work, Motet, Passion
Source Attribution: [Longueval/Obrecht/Venture]
5–6 Passio Domini secundum Matthaeum - 2a pars (of 3): Apprehendit ergo eum Pilatus -
Appears on: 5–6
Genres: Passion
6–7 Passio Domini secundum Matthaeum - 3a pars (of 3): Orabat autem Jesus pro crucifigentibus -
Appears on: 6–7
Genres: Motet
7–7v Et valde mane - 1a pars (of 2): Et valde mane una sabbatorum veniunt [Finck]
Appears on: 7–7v
Genres: Motet
Source Attribution: [Finck]
7v–8 Et valde mane - 2a pars (of 2): Et ingressae mulieres non invenerunt -
Appears on: 7v–8
Genres: Motet
8–9 Magnificat Quinti Toni: Et exultavit [K.282] - Anonymous
Appears on: 8–9
Genres: BVM, Canticle, Magnificat
9–10 Magnificat Sexti Toni: Et exultavit [K.329] - Anonymous
Appears on: 9–10
Genres: BVM, Canticle, Magnificat
10–10v Magnificat octavi toni: Et exultavit [K.406] - Anonymous
Appears on: 10–10v
Genres: BVM, Canticle, Magnificat
10v–11v Magnificat Quinti Toni: Et exultavit [K.281] - Anonymous
Appears on: 10v–11v
Genres: BVM, Canticle, Magnificat
12 Benedicta sit Sancta trinitas Vs: Benedicamus Patrem et filium [Rein]
Appears on: 12
Genres: Motet
Source Attribution: [Rein]
12–12v Missa de Apostolis a4: Kyrie Magne Deus [Isaac]
Appears on: 12–12v
Genres: Mass Ordinary, Troped Kyrie
Source Attribution: [Isaac]
13 Missa: Kyrie solemne - Anonymous
Appears on: 13
Genres: Kyrie eleison, Mass Ordinary
Concordances

concordance: Kyrie 1/D/506 (no.59); KG Breslau I F 428 (f.133v-137)

13–14 Missa: Gloria [Gratias agimus tibi] - Anonymous
Appears on: 13–14
Genres: Gloria (et in terra pax), Mass Ordinary
Concordances

concordance: Kyrie 1/D/506 (no.59); KG Breslau I F 428 (f.133v-137)

14 Alleluia. Benedictus es Domine Deus [Proprium de SS Trinitate] v
Appears on: 14
Genres: Alleluia, Hymn
Source Attribution: v
14v–15 Benedicta semper sancta sit trinitas Pater filius sanctus spiritus tria sunt [Proprium de SS Trinitate] [Isaac]
Appears on: 14v–15
Genres: Sequence
Source Attribution: [Isaac]
15v–16 Wir glauben auch an Jesum Christ, seinen Sohn (German Credo) [Bruck]
Appears on: 15v–16
Genres: Chorale, Credo (patrem omnipotentem), Motet
Source Attribution: [Bruck]
Concordances

concordance: RISM 1544-21 (no.38)

16–16v Missa: Sanctus - Anonymous

Missa: Sanctus

Anonymous
Appears on: 16–16v
Genres: Mass Ordinary, Sanctus [& Benedictus]
16v Missa: Agnus Dei - Anonymous

Missa: Agnus Dei

Anonymous
Appears on: 16v
Genres: Agnus Dei, Mass Ordinary
17–17v De ventre matris meae vocavit me Dominus Vs: Bonum est confiteri Et psallere nomini [Proprium de S. Joanne Baptistae] [Isaac]
Appears on: 17–17v
Genres: Introit
Source Attribution: [Isaac]
18 Alleluia. Inter natos mulierum non surrexit [Proprium de S. Joanne Baptistae] [Isaac]
Appears on: 18
Genres: Alleluia, Motet
Source Attribution: [Isaac]
18–19 Psallite regi nostro psallite prudenter Nam psalterium est iocundum (= Laus tibi Christe) [Isaac]
Appears on: 18–19
Genres: Motet
Source Attribution: [Isaac]
General Note

8(a) incomplete?

19v Vultum tuum Deprecabuntur omnes divites Vs: Eructavit cor meum Dico ego opera mea [Proprium de Annuntiatione BVM] [Isaac]
Appears on: 19v
Genres: Sequence
Source Attribution: [Isaac]
General Note

incomplete: ff. 20-21 missing in 8(a)

19v–20 Alleluia. Benedicta tu inter mulieres [Isaac]
Appears on: 19v–20
Genres: Alleluia, Motet
Source Attribution: [Isaac]
General Note

incomplete: ff. 20-21 missing in 8(a)

20–20v Alleluia. Haec est illa peccatrix (= Alleluia. Maria haec est illa) [Isaac]
Appears on: 20–20v
Genres: Alleluia, Contrafactum, Motet
Source Attribution: [Isaac]
20v–23 Missa Pange lingua = Missa Venerabile sacramento 4.3 [Josquin]
Appears on: 20v–23
Genres: Mass Ordinary
Source Attribution: [Josquin]
23 Puer natus est nobis Et filius datus est Vs: Cantate Domino Quia mirabilia fecit [Proprium de Nativitate Christi] [Isaac]
Appears on: 23
Genres: Introit
Source Attribution: [Isaac]
23v Alleluia. Dies sanctificatus illuxit nobis [Proprium de Nativitate Christi] [Isaac]
Appears on: 23v
Genres: Alleluia, Motet
Source Attribution: [Isaac]
23v–24 Grates nunc omnes - 1a pars (of 2): Grates nunc omnes reddamus Domino Deo [Finck]
Appears on: 23v–24
Genres: Motet
Source Attribution: [Finck]
24 Grates nunc omnes - 2a pars (of 2): Huic oportet ut canamus cum angelis -
Appears on: 24
Genres: Motet
24v Ecce advenit dominator Dominus et regnum Vs: Deus juditium tuum Et justitiam tuam filio regis [Proprium de Epiphania Domini] [Isaac]
Appears on: 24v
Genres: Introit
Source Attribution: [Isaac]
24v–25 Alleluia. Vidimus stellam eius in oriente [Proprium de Epiphania Domini] [Isaac]
Appears on: 24v–25
Genres: Alleluia, Motet
Source Attribution: [Isaac]
25–25v Quae miris sunt modis ornata cunctisque (Festa Christi omnis Christianitas) [Isaac]
Appears on: 25–25v
Genres: Motet
Source Attribution: [Isaac]
26 Suscepimus Deus misericordiam tuam in medio Vs: Magnus Dominus In civitate Dei nostri [Proprium de Purificatione B. Mariae Virginis] [Isaac]
Appears on: 26
Genres: Introit
Source Attribution: [Isaac]
26v–27v Laetabundus exultet fidelis chorus Regem regum intacte profudit thorus [Isaac]
Appears on: 26v–27v
Genres: Sequence
Source Attribution: [Isaac]
27v Ave Maria gratia plena Dominus tecum Benedicta tu in mulieribus ... Quomodo inquit fiet istud ... Ideoque quod nascetur [Isaac]
Appears on: 27v
Genres: Ave Maria, Motet
Source Attribution: [Isaac]
28 Rorate Caeli desuper et nubes pluant Vs: Caeli enarrant Et opera manuum eius [Proprium de Annuntiatione BVM] [Isaac]
Appears on: 28
Genres: Introit
Source Attribution: [Isaac]
28v Resurrexi Et adhuc tecum sum alleluia / Christ ist erstanden Vs: Domine probasti me Tu cognovisti [Proprium de resurrectione Domini] [Isaac]
Appears on: 28v
Genres: Introit
Source Attribution: [Isaac]
29–29v Missa Pascale a4 ad organum: Kyrie [Isaac-anon.]
Appears on: 29–29v
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: [Isaac-anon.]
General Note

Kyrie I & Christe by Isaac; Kyrie II is not his (but Isaac's Kyrie II follows separately at f. 30v)

30 Gloria. Gratias agimus tibi propter -
Appears on: 30
Genres: Gloria (et in terra pax), Mass Ordinary
30v Alleluia. Pascha nostrum immolatus est [Proper for Easter] [Isaac]
Appears on: 30v
Genres: Alleluia
Source Attribution: [Isaac]
30v Missa Pascale a4 ad organum: Kyrie [Isaac]
Appears on: 30v
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: [Isaac]
General Note

Kyrie II only from Isaac's setting

31 [Victimae paschali] Agnus redemit oves - Anonymous
Appears on: 31
Genres: Hymn
Concordances

concordance: Dresden 1/D/506

31–31v Missa Pascale a4 ad organum: Sanctus [Isaac]
Appears on: 31–31v
Genres: Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: [Isaac]
General Note

incomplete in Altus, not copied from Pleni onwards

31v Missa Pascale a4 ad organum: Agnus Dei [Isaac]
Appears on: 31v
Genres: Agnus Dei, Mass Ordinary
Source Attribution: [Isaac]
General Note

Agnus re-uses the music of the Benedictus & in this ms the text is simply copied beneath Benedictus. Music not copied in Altus.

32 Viri Galilaei Quid admiramini aspicientes Vs: Omnes gentes plaudite Jubilate deo [Proprium de Ascensione Domini] [Isaac]
Appears on: 32
Genres: Introit
Source Attribution: [Isaac]
32–32v Alleluia. Dominus in Sina in sancto [Proprium de Ascensione Domini] [Isaac]
Appears on: 32–32v
Genres: Alleluia, Motet
Source Attribution: [Isaac]
32v–33 Rex omnipotens die hodierna Mundo triumphale redempto potentia (= Sancte spiritus adsit nobis) [Isaac]
Appears on: 32v–33
Genres: Hymn
Source Attribution: [Isaac]
General Note

this is not the correct Sequence for this set of propers; the same setting is repeated below in its proper liturgical position

33v Spiritus Domini Replevit orbem terrarum Vs: Confirma hoc Deus A templo sancto [Proprium De Sancto Spiritu] [Isaac]
Appears on: 33v
Genres: Introit
Source Attribution: [Isaac]
34 Alleluia. Veni sancte spiritus [Proprium De Sancto Spiritu] [Isaac]
Appears on: 34
Genres: Alleluia, Motet, Veni sancte spiritus
Source Attribution: [Isaac]
34v Rex omnipotens die hodierna Mundo triumphale redempto potentia (= Sancte spiritus adsit nobis) [Isaac]
Appears on: 34v
Genres: Hymn
Source Attribution: [Isaac]
General Note

the Sequence for this set of propers; repeated from above

35 Viderunt ingressus tuos Deus ingressus Vs: Illuxerunt coruscationes tuae orbi - Anonymous
Appears on: 35
Genres: Motet
Concordances

Appears only in Bartfa mss

35v Alleluia. Candor est lucis aeternae - Anonymous
Appears on: 35v
Genres: Alleluia, Motet
Concordances

Appears only in Bartfa mss

35v–36 Adest dies celebris quo pacatus miseris Mentes ut alliciat infirmas - Anonymous
Appears on: 35v–36
Genres: Motet
Concordances

Appears only in Bartfa mss

36 Viderunt omnes fines terrae salutare - Anonymous
Appears on: 36
Genres: Motet
General Note

not listed in MurTVB

36v Benedicite Domino omnes angeli Domino Vs: Benedic anima mea Et omnia quae intra - Anonymous
Appears on: 36v
Genres: Motet
Concordances

Appears only in Bartfa mss

37 Alleluia. Concussum est mare et contremuit - Anonymous
Appears on: 37
Genres: Alleluia, Motet
General Note

incomplete: in 8(c), where the folio after f.36 is missing with the end of this piece & all of the next one

37–37v Summi regis archangele Michael intende Te namque profitemur esse supernorum [Stoltzer]
Appears on: 37–37v
Genres: Motet
Source Attribution: [Stoltzer]
General Note

page missing in 8(c )

37v–38 Benedicta sit Sancta trinitas atque indivisa Vs: Benedicamus patrem Cum sancto spiritu [Proprium de SS Trinitate] [Isaac]
Appears on: 37v–38
Genres: Introit
Source Attribution: [Isaac]
38–38v Per inifinita saecula saeculorum [Isaac]
Appears on: 38–38v
Genres: Antiphon
Source Attribution: [Isaac]
Concordances

concordance: RISM A/I I 89

39 Veni creator spiritus mentes tuorum 2 Qui paraclitus diceris donum Dei 3 Tu septiformis munere dextre Dei 6 Da gaudiorum praemia da gratiarum [Finck]
Appears on: 39
Genres: Hymn, Veni creator spiritus
Source Attribution: [Finck]
39v Alleluia. Virga Jesse floruit virgo Deum - Anonymous
Appears on: 39v
Genres: Alleluia, Motet
39v Veni sancte spiritus reple tuorum corda - Anonymous
Appears on: 39v
Genres: Motet, Veni sancte spiritus
Concordances

Appears only in Bartfa mss

42 Veni creator spiritus mentes tuorum 2 Qui paracletus diceris donum Dei 4 Accende lumen sensibus infunde 6 Da gaudiorum praemia da gratiarum - Anonymous
Appears on: 42
Genres: Italian secular
Concordances

unicum

[42] O lux beata trinitas et principalis 2 Te mane laudum carmine te deprecamur - Anonymous
Appears on: [42]
Genres: Italian secular
General Note

not listed in MurTVB. Presumably present in all 4 books.

42v Gaude mater pietatis in valle gementium 3 Quod vertices prophetarum praecolunt 5 Genitori genitoque laus et jubilatio - Anonymous
Appears on: 42v
Genres: Hymn
43 Adsunt festa jubilaea in Mariae nunc 3 Haec paranympho dum credit sacrum 4 Confestim montes adiit Elisabeth 6 Clamat anus cum jubilo plena 8 Voti fit compos cum credit verbo 10 Soli deo sit gloria pro multiplici (= Anna regum progenies et sacerdotum) [Stoltzer]
Appears on: 43
Genres: Contrafactum, Hymn
Source Attribution: [Stoltzer]
43v Festum nunc celebre magnaque gaudia 3 Qui scandens superos vincula vinxerat 5 Ut cum flammivoma nube reverteris - Anonymous
Appears on: 43v
Genres: Hymn
Concordances

concordance: RISM 1542-12 (no.48)

44 Mirantur ergo saecula quod angelus 3 Gloria tibi domine qui natus es (= Anna regum progenies et sacerdotum) [Stoltzer]
Appears on: 44
Genres: Contrafactum, Hymn
Source Attribution: [Stoltzer]
44 Hanc honor iste victimam decebat 3 Fructi iacebunt inferi caput serpentis - Anonymous
Appears on: 44
Genres: Hymn
Concordances

Same music texted as 'Veni redemptor gentium' in BudOS P.6

44v Vita sanctorum Deus angelorum 3 Pascha quo victor rediens ab imo - Anonymous
Appears on: 44v
Genres: Italian secular
General Note

Only texted in 8(a)

45 Mittis in terram referans Olympum nuncium 3 Nuncians coram Dominum videri et quidem 5 Laudibus cives celebrant superni te - Anonymous
Appears on: 45
Genres: Hymn
Concordances

Same music texted as 'Nuntius celso veniens' in RISM 1542-12 (no.78)

Composer Compositions
Anonymous
Bruck, Arnold von (ca. 1500–1554)
Despres, Josquin (ca. 1450–1521)
Finck, Heinrich
Galliculus, Johannes
Isaac, Heinrich (ca. 1450–1517)
Longueval, Antoine de (fl. 1498-1525)
Obrecht, Jacobus (ca. 1457–1505)
Rein, Conrad (ca. 1475–1522)
Stoltzer, Thomas (ca. 1480–1526)
Venture, Johannes a la (fl. c1500)
Composition Composers (? Uncertain) Folios / Pages
[Victimae paschali] Agnus redemit oves Anonymous 31
Adest dies celebris quo pacatus miseris Mentes ut alliciat infirmas Anonymous 35v–36
Adsunt festa jubilaea in Mariae nunc 3 Haec paranympho dum credit sacrum 4 Confestim montes adiit Elisabeth 6 Clamat anus cum jubilo plena 8 Voti fit compos cum credit verbo 10 Soli deo sit gloria pro multiplici (= Anna regum progenies et sacerdotum) 43
Alleluia. Benedicta tu inter mulieres 19v–20
Alleluia. Benedictus es Domine Deus [Proprium de SS Trinitate] 14
Alleluia. Candor est lucis aeternae Anonymous 35v
Alleluia. Concussum est mare et contremuit Anonymous 37
Alleluia. Dies sanctificatus illuxit nobis [Proprium de Nativitate Christi] 23v
Alleluia. Dominus in Sina in sancto [Proprium de Ascensione Domini] 32–32v
Alleluia. Haec est illa peccatrix (= Alleluia. Maria haec est illa) 20–20v
Alleluia. Inter natos mulierum non surrexit [Proprium de S. Joanne Baptistae] 18
Alleluia. Pascha nostrum immolatus est [Proper for Easter] 30v
Alleluia. Veni sancte spiritus [Proprium De Sancto Spiritu] 34
Alleluia. Vidimus stellam eius in oriente [Proprium de Epiphania Domini] 24v–25
Alleluia. Virga Jesse floruit virgo Deum Anonymous 39v
Ave Maria gratia plena Dominus tecum Benedicta tu in mulieribus ... Quomodo inquit fiet istud ... Ideoque quod nascetur 27v
Benedicite Domino omnes angeli Domino Vs: Benedic anima mea Et omnia quae intra Anonymous 36v
Benedicta semper sancta sit trinitas Pater filius sanctus spiritus tria sunt [Proprium de SS Trinitate] 14v–15
Benedicta sit Sancta trinitas atque indivisa Vs: Benedicamus patrem Cum sancto spiritu [Proprium de SS Trinitate] 37v–38
Benedicta sit Sancta trinitas Vs: Benedicamus Patrem et filium 12
De ventre matris meae vocavit me Dominus Vs: Bonum est confiteri Et psallere nomini [Proprium de S. Joanne Baptistae] 17–17v
Ecce advenit dominator Dominus et regnum Vs: Deus juditium tuum Et justitiam tuam filio regis [Proprium de Epiphania Domini] 24v
Et valde mane - 1a pars (of 2): Et valde mane una sabbatorum veniunt 7–7v
Et valde mane - 2a pars (of 2): Et ingressae mulieres non invenerunt 7v–8
Festum nunc celebre magnaque gaudia 3 Qui scandens superos vincula vinxerat 5 Ut cum flammivoma nube reverteris Anonymous 43v
Gaude mater pietatis in valle gementium 3 Quod vertices prophetarum praecolunt 5 Genitori genitoque laus et jubilatio Anonymous 42v
Gloria. Gratias agimus tibi propter 30
Grates nunc omnes - 1a pars (of 2): Grates nunc omnes reddamus Domino Deo 23v–24
Grates nunc omnes - 2a pars (of 2): Huic oportet ut canamus cum angelis 24
Hanc honor iste victimam decebat 3 Fructi iacebunt inferi caput serpentis Anonymous 44
Laetabundus exultet fidelis chorus Regem regum intacte profudit thorus 26v–27v
Magnificat octavi toni: Et exultavit [K.406] Anonymous 10–10v
Magnificat Quinti Toni: Et exultavit [K.281] Anonymous 10v–11v
Magnificat Quinti Toni: Et exultavit [K.282] Anonymous 8–9
Magnificat Sexti Toni: Et exultavit [K.329] Anonymous 9–10
Mirantur ergo saecula quod angelus 3 Gloria tibi domine qui natus es (= Anna regum progenies et sacerdotum) 44
Missa de Apostolis a4: Kyrie Magne Deus 12–12v
Missa Pange lingua = Missa Venerabile sacramento 4.3 20v–23
Missa Pascale a4 ad organum: Agnus Dei 31v
Missa Pascale a4 ad organum: Kyrie 29–29v
Missa Pascale a4 ad organum: Kyrie 30v
Missa Pascale a4 ad organum: Sanctus 31–31v
Missa Sine nomine (KGCSA) Anonymous 1–3v
Missa: Agnus Dei Anonymous 16v
Missa: Gloria [Gratias agimus tibi] Anonymous 13–14
Missa: Kyrie solemne Anonymous 13
Missa: Sanctus Anonymous 16–16v
Mittis in terram referans Olympum nuncium 3 Nuncians coram Dominum videri et quidem 5 Laudibus cives celebrant superni te Anonymous 45
O lux beata trinitas et principalis 2 Te mane laudum carmine te deprecamur Anonymous [42]
Passio Domini secundum Matthaeum - 1a pars (of 3): Passio Domini nostri Jesu Christi secundum Mattheum 4–5
Passio Domini secundum Matthaeum - 2a pars (of 3): Apprehendit ergo eum Pilatus 5–6
Passio Domini secundum Matthaeum - 3a pars (of 3): Orabat autem Jesus pro crucifigentibus 6–7
Per inifinita saecula saeculorum 38–38v
Psallite regi nostro psallite prudenter Nam psalterium est iocundum (= Laus tibi Christe) 18–19
Puer natus est nobis Et filius datus est Vs: Cantate Domino Quia mirabilia fecit [Proprium de Nativitate Christi] 23
Quae miris sunt modis ornata cunctisque (Festa Christi omnis Christianitas) 25–25v
Resurrexi Et adhuc tecum sum alleluia / Christ ist erstanden Vs: Domine probasti me Tu cognovisti [Proprium de resurrectione Domini] 28v
Rex omnipotens die hodierna Mundo triumphale redempto potentia (= Sancte spiritus adsit nobis) 32v–33
Rex omnipotens die hodierna Mundo triumphale redempto potentia (= Sancte spiritus adsit nobis) 34v
Rorate Caeli desuper et nubes pluant Vs: Caeli enarrant Et opera manuum eius [Proprium de Annuntiatione BVM] 28
Spiritus Domini Replevit orbem terrarum Vs: Confirma hoc Deus A templo sancto [Proprium De Sancto Spiritu] 33v
Summi regis archangele Michael intende Te namque profitemur esse supernorum 37–37v
Suscepimus Deus misericordiam tuam in medio Vs: Magnus Dominus In civitate Dei nostri [Proprium de Purificatione B. Mariae Virginis] 26
Veni creator spiritus mentes tuorum 2 Qui paracletus diceris donum Dei 4 Accende lumen sensibus infunde 6 Da gaudiorum praemia da gratiarum Anonymous 42
Veni creator spiritus mentes tuorum 2 Qui paraclitus diceris donum Dei 3 Tu septiformis munere dextre Dei 6 Da gaudiorum praemia da gratiarum 39
Veni sancte spiritus reple tuorum corda Anonymous 39v
Viderunt ingressus tuos Deus ingressus Vs: Illuxerunt coruscationes tuae orbi Anonymous 35
Viderunt omnes fines terrae salutare Anonymous 36
Viri Galilaei Quid admiramini aspicientes Vs: Omnes gentes plaudite Jubilate deo [Proprium de Ascensione Domini] 32
Vita sanctorum Deus angelorum 3 Pascha quo victor rediens ab imo Anonymous 44v
Vultum tuum Deprecabuntur omnes divites Vs: Eructavit cor meum Dico ego opera mea [Proprium de Annuntiatione BVM] 19v
Wir glauben auch an Jesum Christ, seinen Sohn (German Credo) 15v–16

Set: MS Bártfa 8 (a-d)

Type: Partbooks

No images available

H-Bn MS Bártfa 8 (a)

No images available

H-Bn MS Bártfa 8 (b)

No images available

H-Bn MS Bártfa 8 (c)

No images available

H-Bn MS Bártfa 8 (d)

denotes primary source study

Burn, David J, Ruth I. DeFord, and Stefan Gasch (editors). 2021. Choralis Constantinus II. CMM.  American Institute of Musicology.

Murányi, Robert Arpad. 1991. Thematisches Verzeichnis der Musiksammlung von Bartfeld (Bártfa).  Bonn: Gudrun Schröder. Pages: XXIII, 35-40.

Brusniak, Friedhelm. 1980. Conrad Rein (ca. 1475-1522)-Schulmeister und Komponist. Neue Musikgeschichtliche Forschungen.  Wiesbaden. Pages: 350. Notes: contents list (partial); concordances (partial); incipits (partial).

Murányi, Robert Arpad. 1975. Die Isaac-Offizien der Bartfelder Sammlung. Studia Musicologica, 315-45. Pages: 316ff. Notes: incipits (partial); mention of MS; discussion.

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts.  Tutzing. Pages: 127. Notes: concordances (partial); incipits (partial).

Hoffmann-Erbrecht, Lothar. 1964. Thomas Stoltzer: Leben und Schaffen. Die Musik in Alten und Neuen Europa.  Kassel. Pages: 166. Notes: mention of MS.

Seiffert, Max (editor). 1957-61. Denkmäler Deutscher Tonkunst. Leipzig, 1892-1931.  Wiesbaden and Graz. Pages: LXV, 28. Notes: transcription (partial).

Pätzig, Gerhard-Rudolf. 1956. Liturgische Grundlagen und handschriftliche Überlieferung von Heinrich Isaacs "Choralis Constantinus". Eberhard-Karls-Universität (Tübingen), Unpublished Ph.D. dissertation. Pages: II, 192-3. Notes: mention of MS; contents list (partial).

Geering, Arnold (editor). 1935. Das Erbe Deutscher Musik.  Leipzig, Kassel, Wolfenbüttel, and Wiesbaden. Pages: XXV, 77ff. Notes: concordances (partial).

Gombosi, Otto Johannes. 1932. Quellen aus dem 16.-17. Jh. zur Geschichte der Musikpflege in Bartfeld (Bártfa) und Oberungarn. Ungarische Jahrbücher, 331-40. Pages: 334. Notes: mention of MS.

Gombosi, Otto Johannes. 1929. Die Musikalien der Pfarr- kirche zu St. Aegidi in Bartfa. Festschrift für Johannes Wolf zu seinem Sechzigsten Geburtstage,  Berlin. Pages: 41-2. Notes: mention of MS.

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Physical Description Note; Binding Note; Notation Note; Foliation Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description