H-Bn MS Bártfa 8 (a)

Országos Széchényi Könyvtár (National Széchényi Library), Budapest, Hungary

partbook: c. 1550

Archive	Országos Széchényi Könyvtár (National Széchényi Library), Budapest, Hungary (H-Bn)
Shelfmark	MS Bártfa 8 (a)
Image Availability	DIAMM does not have images of this source.
Surface	Paper
Numbering System	Foliation
Measurements	originally c. 162 x 206 mm
Other Identifiers	CCM: BudOS 8
Relationships	Church of St. Aegidi (copied at)
Provenance	Church of St. Aegidi , Bardejov (Bártfa), Slovakia
Contents	72 pieces from 11 composers

General Description

A Discantus partbook from a set of four volumes labelled 'Vox summa', 'Vox mercurialis', 'Vox media' (Bassus not labelled). A collection of Mass propers, mostly from Isaac's Choralis Constantinus settings, copied by several scribes; the last 7 pieces, copied by a single scribe (MurTVB) after a gap of a few folios, are unrelated to the main body of the ms.

Much of the manuscript may have been copied from BudOS P1; BudOS 8, in turn, may have served as a source for BudOS 24 (MurIO). Alternatively BudOS 8 may have been the principal source, with BudOS P1, BudOS 20 and BudOS 24 copied mostly or entirely from it; BudOS 2 was in turn copied from BudOS24 (CC2).

The contents of BudOS8 and BudOS 24 show considerable overlap, though the sequence of pieces in BudOS24 is more structured, and they are more neatly and carefully copied, than in BudOS8, The Choralis Constantinus II repertoire in BudOS 8 is substantially adapted to suit local requirements, with several pieces assigned to different liturgical feasts and three supplied with new texts (CC2).

From the Church of St. Aegidi in Bártfa (= Bartfeld = Bardejov). Brought to the National Library in Budapest in 1915.

DIAMM, 2023

Physical Description

Some folios missing, torn, or worn, but now covered with plastic.

DIAMM, 2017

Binding

Rebound in new cardboard covers (CCM) or possibly in half-leather (MurTVB).

DIAMM, 2023

Notation

not indicated

DIAMM, 2017

Date

c. 1550 (GomMB). MurTVB dates the ms after 1555, on the "incorrect assumption" (CC2) that the Isaac Choralis Constantinus pieces (part I) were copied from the Choralis print.

DIAMM, 2023

Foliation

Modern stamped foliation; new pencil foliation in A

DIAMM, 2017

Surface

paper

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

4 Masses, 1 Kyrie, 1 German Credo, 11 Mass Proper cycles, 3 Mass Proper sections, 4 Magnificats, 1 Passion, 7 hymns, 4 motets = 36

(Bruck)-1, (Finck)-2, Isaac-11, (Josquin)-1, (Obrecht/Longaval/Venture)-1, (Stoltzer)-2, anon-23

4 paper partbooks (D-50 folios, A-49, T-46, B-45), originally ca. 162 x 206. Some folios missing, torn, or worn, but now covered with plastic. Modern stamped foliation; new pencil foliation in A. Rebound in new cardboard covers. Copied by several scribes. Portions of this manuscript may have been copied from BudOS PI; BudOS 8, in turn, may have served as a source for BudOS 24 (MurIO).

Ca. 1550 (GomMB); after 1555 (MurTVB). From the Church of St. Aegidi in Bártfa (= Bartfeld = Bardejov). Brought to the National Library in Budapest in 1915.

Vol 4

Contents: 2 Masses, 1 Kyrie-Gloria pair, 1 Sanctus-Agnus pair, 2 Kyries, 1 Gloria, 1 Sanctus, 38 Mass Proper sections (most arranged in cycles), 4 Mag-nificats, 10 hymns, 1 Passion, 2 motets, 1 set of responses, 1 German sacred piece = 65

Composers: (Brück)-1, (Finck)-3, (Isaac)-28, (Isaac-anon)-1, (Josquin)-1, (Longaval/Obrecht/Venture)-1, (Rein)-1, (Stoltzer)-4, anon-25

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
1v	Set of responses Amen. Et cum spiritu tuo	-	Anonymous
Set of responses Amen. Et cum spiritu tuo Anonymous Appears on: 1v Genres: Response General Note incomplete: Bassus lacks 1st page
1v	Set of responses Amen. Et cum spiritu tuo	-	Anonymous
Set of responses Amen. Et cum spiritu tuo Anonymous Appears on: 1v Genres: Response General Note incomplete: Bassus lacks 1st page
2–5	Missa Sine nomine (KGCSA)	-	Anonymous
Missa Sine nomine (KGCSA) Anonymous Appears on: 2–5 Genres: Mass Ordinary Concordances =Thomaskirche 49/50 (KG only)
5v–6v	Passio Domini secundum Matthaeum - 1a pars (of 3): Passio Domini nostri Jesu Christi secundum Mattheum	[Longueval/Obrecht/Venture]	Venture, Johannes a la (fl. c1500) (?) Obrecht, Jacobus (ca. 1457–1505) (?) Longueval, Antoine de (fl. 1498-1525)
Passio Domini secundum Matthaeum - 1a pars (of 3): Passio Domini nostri Jesu Christi secundum Mattheum Venture, Johannes a la (fl. c1500) (?) Obrecht, Jacobus (ca. 1457–1505) (?) Longueval, Antoine de (fl. 1498-1525) Appears on: 5v–6v Genres: Liturgical work, Motet, Passion Source Attribution: [Longueval/Obrecht/Venture]
6v–7v	Passio Domini secundum Matthaeum - 2a pars (of 3): Apprehendit ergo eum Pilatus	-	Longueval, Antoine de (fl. 1498-1525) Venture, Johannes a la (fl. c1500) (?) Obrecht, Jacobus (ca. 1457–1505) (?)
Passio Domini secundum Matthaeum - 2a pars (of 3): Apprehendit ergo eum Pilatus Longueval, Antoine de (fl. 1498-1525) Venture, Johannes a la (fl. c1500) (?) Obrecht, Jacobus (ca. 1457–1505) (?) Appears on: 6v–7v Genres: Passion
8–8v	Passio Domini secundum Matthaeum - 3a pars (of 3): Orabat autem Jesus pro crucifigentibus	-	Venture, Johannes a la (fl. c1500) (?) Obrecht, Jacobus (ca. 1457–1505) (?) Longueval, Antoine de (fl. 1498-1525)
Passio Domini secundum Matthaeum - 3a pars (of 3): Orabat autem Jesus pro crucifigentibus Venture, Johannes a la (fl. c1500) (?) Obrecht, Jacobus (ca. 1457–1505) (?) Longueval, Antoine de (fl. 1498-1525) Appears on: 8–8v Genres: Motet
9	Et valde mane - 1a pars (of 2): Et valde mane una sabbatorum veniunt	[Finck]	Finck, Heinrich
Et valde mane - 1a pars (of 2): Et valde mane una sabbatorum veniunt Finck, Heinrich Appears on: 9 Genres: Motet Source Attribution: [Finck]
9v	Et valde mane - 2a pars (of 2): Et ingressae mulieres non invenerunt	-	Finck, Heinrich
Et valde mane - 2a pars (of 2): Et ingressae mulieres non invenerunt Finck, Heinrich Appears on: 9v Genres: Motet
10–10v	Magnificat Quinti Toni: Et exultavit [K.282]	-	Anonymous
Magnificat Quinti Toni: Et exultavit [K.282] Anonymous Appears on: 10–10v Genres: BVM, Canticle, Magnificat
10v–11	Magnificat Sexti Toni: Et exultavit [K.329]	-	Anonymous
Magnificat Sexti Toni: Et exultavit [K.329] Anonymous Appears on: 10v–11 Genres: BVM, Canticle, Magnificat
11v–12	Magnificat octavi toni: Et exultavit [K.406]	-	Anonymous
Magnificat octavi toni: Et exultavit [K.406] Anonymous Appears on: 11v–12 Genres: BVM, Canticle, Magnificat
12–13	Magnificat Quinti Toni: Et exultavit [K.281]	-	Anonymous
Magnificat Quinti Toni: Et exultavit [K.281] Anonymous Appears on: 12–13 Genres: BVM, Canticle, Magnificat
13v	Benedicta sit Sancta trinitas Vs: Benedicamus Patrem et filium	[Rein]	Rein, Conrad (ca. 1475–1522)
Benedicta sit Sancta trinitas Vs: Benedicamus Patrem et filium Rein, Conrad (ca. 1475–1522) Appears on: 13v Genres: Motet Source Attribution: [Rein]
13v	Missa de Apostolis a4: Kyrie Magne Deus	[Isaac]	Isaac, Heinrich (ca. 1450–1517)
Missa de Apostolis a4: Kyrie Magne Deus Isaac, Heinrich (ca. 1450–1517) Appears on: 13v Genres: Mass Ordinary, Troped Kyrie Source Attribution: [Isaac]
14	Missa: Kyrie solemne	-	Anonymous
Missa: Kyrie solemne Anonymous Appears on: 14 Genres: Kyrie eleison, Mass Ordinary Concordances concordance: Kyrie 1/D/506 (no.59); KG Breslau I F 428 (f.133v-137)
14–15	Missa: Gloria [Gratias agimus tibi]	-	Anonymous
Missa: Gloria [Gratias agimus tibi] Anonymous Appears on: 14–15 Genres: Gloria (et in terra pax), Mass Ordinary Concordances concordance: Kyrie 1/D/506 (no.59); KG Breslau I F 428 (f.133v-137)
15	Alleluia. Benedictus es Domine Deus [Proprium de SS Trinitate]	[Isaac]	Isaac, Heinrich (ca. 1450–1517)
Alleluia. Benedictus es Domine Deus [Proprium de SS Trinitate] Isaac, Heinrich (ca. 1450–1517) Appears on: 15 Genres: Alleluia, Hymn Source Attribution: [Isaac]
15v–16	Benedicta semper sancta sit trinitas Pater filius sanctus spiritus tria sunt [Proprium de SS Trinitate]	[Isaac]	Isaac, Heinrich (ca. 1450–1517)
Benedicta semper sancta sit trinitas Pater filius sanctus spiritus tria sunt [Proprium de SS Trinitate] Isaac, Heinrich (ca. 1450–1517) Appears on: 15v–16 Genres: Sequence Source Attribution: [Isaac]
16v–17	Wir glauben auch an Jesum Christ, seinen Sohn (German Credo)	[Bruck]	Bruck, Arnold von (ca. 1500–1554)
Wir glauben auch an Jesum Christ, seinen Sohn (German Credo) Bruck, Arnold von (ca. 1500–1554) Appears on: 16v–17 Genres: Chorale, Credo (patrem omnipotentem), Motet Source Attribution: [Bruck] Concordances concordance: RISM 1544-21 (no.38)
17–17v	Missa: Sanctus	-	Anonymous
Missa: Sanctus Anonymous Appears on: 17–17v Genres: Mass Ordinary, Sanctus [& Benedictus]
17v	Missa: Agnus Dei	-	Anonymous
Missa: Agnus Dei Anonymous Appears on: 17v Genres: Agnus Dei, Mass Ordinary
18–18v	De ventre matris meae vocavit me Dominus Vs: Bonum est confiteri Et psallere nomini [Proprium de S. Joanne Baptistae]	[Isaac]	Isaac, Heinrich (ca. 1450–1517)
De ventre matris meae vocavit me Dominus Vs: Bonum est confiteri Et psallere nomini [Proprium de S. Joanne Baptistae] Isaac, Heinrich (ca. 1450–1517) Appears on: 18–18v Genres: Introit Source Attribution: [Isaac]
18v–19	Alleluia. Inter natos mulierum non surrexit [Proprium de S. Joanne Baptistae]	[Isaac]	Isaac, Heinrich (ca. 1450–1517)
Alleluia. Inter natos mulierum non surrexit [Proprium de S. Joanne Baptistae] Isaac, Heinrich (ca. 1450–1517) Appears on: 18v–19 Genres: Alleluia, Motet Source Attribution: [Isaac]
19–19v	Psallite regi nostro psallite prudenter Nam psalterium est iocundum (= Laus tibi Christe)	[Isaac]	Isaac, Heinrich (ca. 1450–1517)
Psallite regi nostro psallite prudenter Nam psalterium est iocundum (= Laus tibi Christe) Isaac, Heinrich (ca. 1450–1517) Appears on: 19–19v Genres: Motet Source Attribution: [Isaac] General Note Incomplete in this book? Folios 20-21 are missing.
22	Alleluia. Haec est illa peccatrix (= Alleluia. Maria haec est illa)	[Isaac]	Isaac, Heinrich (ca. 1450–1517)
Alleluia. Haec est illa peccatrix (= Alleluia. Maria haec est illa) Isaac, Heinrich (ca. 1450–1517) Appears on: 22 Genres: Alleluia, Contrafactum, Motet Source Attribution: [Isaac]
22–25	Missa Pange lingua = Missa Venerabile sacramento 4.3	[Josquin]	Despres, Josquin (ca. 1450–1521)
Missa Pange lingua = Missa Venerabile sacramento 4.3 Despres, Josquin (ca. 1450–1521) Appears on: 22–25 Genres: Mass Ordinary Source Attribution: [Josquin]
25v	Puer natus est nobis Et filius datus est Vs: Cantate Domino Quia mirabilia fecit [Proprium de Nativitate Christi]	[Isaac]	Isaac, Heinrich (ca. 1450–1517)
Puer natus est nobis Et filius datus est Vs: Cantate Domino Quia mirabilia fecit [Proprium de Nativitate Christi] Isaac, Heinrich (ca. 1450–1517) Appears on: 25v Genres: Introit Source Attribution: [Isaac]
26	Alleluia. Dies sanctificatus illuxit nobis [Proprium de Nativitate Christi]	[Isaac]	Isaac, Heinrich (ca. 1450–1517)
Alleluia. Dies sanctificatus illuxit nobis [Proprium de Nativitate Christi] Isaac, Heinrich (ca. 1450–1517) Appears on: 26 Genres: Alleluia, Motet Source Attribution: [Isaac]
26v	Grates nunc omnes - 1a pars (of 2): Grates nunc omnes reddamus Domino Deo	[Finck]	Finck, Heinrich
Grates nunc omnes - 1a pars (of 2): Grates nunc omnes reddamus Domino Deo Finck, Heinrich Appears on: 26v Genres: Motet Source Attribution: [Finck]
26v–27	Grates nunc omnes - 2a pars (of 2): Huic oportet ut canamus cum angelis	-	Finck, Heinrich
Grates nunc omnes - 2a pars (of 2): Huic oportet ut canamus cum angelis Finck, Heinrich Appears on: 26v–27 Genres: Motet
27	Ecce advenit dominator Dominus et regnum Vs: Deus juditium tuum Et justitiam tuam filio regis [Proprium de Epiphania Domini]	[Isaac]	Isaac, Heinrich (ca. 1450–1517)
Ecce advenit dominator Dominus et regnum Vs: Deus juditium tuum Et justitiam tuam filio regis [Proprium de Epiphania Domini] Isaac, Heinrich (ca. 1450–1517) Appears on: 27 Genres: Introit Source Attribution: [Isaac]
27v	Alleluia. Vidimus stellam eius in oriente [Proprium de Epiphania Domini]	[Isaac]	Isaac, Heinrich (ca. 1450–1517)
Alleluia. Vidimus stellam eius in oriente [Proprium de Epiphania Domini] Isaac, Heinrich (ca. 1450–1517) Appears on: 27v Genres: Alleluia, Motet Source Attribution: [Isaac]
28–28v	Quae miris sunt modis ornata cunctisque (Festa Christi omnis Christianitas)	[Isaac]	Isaac, Heinrich (ca. 1450–1517)
Quae miris sunt modis ornata cunctisque (Festa Christi omnis Christianitas) Isaac, Heinrich (ca. 1450–1517) Appears on: 28–28v Genres: Motet Source Attribution: [Isaac]
29	Suscepimus Deus misericordiam tuam in medio Vs: Magnus Dominus In civitate Dei nostri [Proprium de Purificatione B. Mariae Virginis]	[Isaac]	Isaac, Heinrich (ca. 1450–1517)
Suscepimus Deus misericordiam tuam in medio Vs: Magnus Dominus In civitate Dei nostri [Proprium de Purificatione B. Mariae Virginis] Isaac, Heinrich (ca. 1450–1517) Appears on: 29 Genres: Introit Source Attribution: [Isaac]
29v–30	Laetabundus exultet fidelis chorus Regem regum intacte profudit thorus	[Isaac]	Isaac, Heinrich (ca. 1450–1517)
Laetabundus exultet fidelis chorus Regem regum intacte profudit thorus Isaac, Heinrich (ca. 1450–1517) Appears on: 29v–30 Genres: Sequence Source Attribution: [Isaac]
30v–31	Ave Maria gratia plena Dominus tecum Benedicta tu in mulieribus ... Quomodo inquit fiet istud ... Ideoque quod nascetur	[Isaac]	Isaac, Heinrich (ca. 1450–1517)
Ave Maria gratia plena Dominus tecum Benedicta tu in mulieribus ... Quomodo inquit fiet istud ... Ideoque quod nascetur Isaac, Heinrich (ca. 1450–1517) Appears on: 30v–31 Genres: Ave Maria, Motet Source Attribution: [Isaac]
31–31v	Rorate Caeli desuper et nubes pluant Vs: Caeli enarrant Et opera manuum eius [Proprium de Annuntiatione BVM]	[Isaac]	Isaac, Heinrich (ca. 1450–1517)
Rorate Caeli desuper et nubes pluant Vs: Caeli enarrant Et opera manuum eius [Proprium de Annuntiatione BVM] Isaac, Heinrich (ca. 1450–1517) Appears on: 31–31v Genres: Introit Source Attribution: [Isaac]
31v	Resurrexi Et adhuc tecum sum alleluia / Christ ist erstanden Vs: Domine probasti me Tu cognovisti [Proprium de resurrectione Domini]	[Isaac]	Isaac, Heinrich (ca. 1450–1517)
Resurrexi Et adhuc tecum sum alleluia / Christ ist erstanden Vs: Domine probasti me Tu cognovisti [Proprium de resurrectione Domini] Isaac, Heinrich (ca. 1450–1517) Appears on: 31v Genres: Introit Source Attribution: [Isaac]
32	Missa Pascale a4 ad organum: Kyrie	[Isaac-anon.]	Isaac, Heinrich (ca. 1450–1517)
Missa Pascale a4 ad organum: Kyrie Isaac, Heinrich (ca. 1450–1517) Appears on: 32 Genres: Kyrie eleison, Mass Ordinary Source Attribution: [Isaac-anon.] General Note Kyrie I & Christe by Isaac; Kyrie II is not his (but Isaac's Kyrie II follows separately at f. 32)
32v	Gloria. Gratias agimus tibi propter	-	Galliculus, Johannes
Gloria. Gratias agimus tibi propter Galliculus, Johannes Appears on: 32v Genres: Gloria (et in terra pax), Mass Ordinary
33	Alleluia. Pascha nostrum immolatus est [Proper for Easter]	[Isaac]	Isaac, Heinrich (ca. 1450–1517) (?)
Alleluia. Pascha nostrum immolatus est [Proper for Easter] Isaac, Heinrich (ca. 1450–1517) (?) Appears on: 33 Genres: Alleluia Source Attribution: [Isaac]
33	Missa Pascale a4 ad organum: Kyrie	[Isaac]	Isaac, Heinrich (ca. 1450–1517)
Missa Pascale a4 ad organum: Kyrie Isaac, Heinrich (ca. 1450–1517) Appears on: 33 Genres: Kyrie eleison, Mass Ordinary Source Attribution: [Isaac] General Note Kyrie II only from Isaac's setting
33v	[Victimae paschali] Agnus redemit oves	-	Anonymous
[Victimae paschali] Agnus redemit oves Anonymous Appears on: 33v Genres: Hymn Concordances concordance: Dresden 1/D/506
33v–34	Missa Pascale a4 ad organum: Sanctus	[Isaac]	Isaac, Heinrich (ca. 1450–1517)
Missa Pascale a4 ad organum: Sanctus Isaac, Heinrich (ca. 1450–1517) Appears on: 33v–34 Genres: Mass Ordinary, Sanctus [& Benedictus] Source Attribution: [Isaac] General Note incomplete in Altus, not copied from Pleni onwards
34	Missa Pascale a4 ad organum: Agnus Dei	[Isaac]	Isaac, Heinrich (ca. 1450–1517)
Missa Pascale a4 ad organum: Agnus Dei Isaac, Heinrich (ca. 1450–1517) Appears on: 34 Genres: Agnus Dei, Mass Ordinary Source Attribution: [Isaac] General Note Agnus re-uses the music of the Benedictus & in this ms the text is simply copied beneath Benedictus. Music not copied in Altus.
34v	Viri Galilaei Quid admiramini aspicientes Vs: Omnes gentes plaudite Jubilate deo [Proprium de Ascensione Domini]	[Isaac]	Isaac, Heinrich (ca. 1450–1517)
Viri Galilaei Quid admiramini aspicientes Vs: Omnes gentes plaudite Jubilate deo [Proprium de Ascensione Domini] Isaac, Heinrich (ca. 1450–1517) Appears on: 34v Genres: Introit Source Attribution: [Isaac]
35	Alleluia. Dominus in Sina in sancto [Proprium de Ascensione Domini]	[Isaac]	Isaac, Heinrich (ca. 1450–1517)
Alleluia. Dominus in Sina in sancto [Proprium de Ascensione Domini] Isaac, Heinrich (ca. 1450–1517) Appears on: 35 Genres: Alleluia, Motet Source Attribution: [Isaac]
35v–36	Rex omnipotens die hodierna Mundo triumphale redempto potentia (= Sancte spiritus adsit nobis)	[Isaac]	Isaac, Heinrich (ca. 1450–1517)
Rex omnipotens die hodierna Mundo triumphale redempto potentia (= Sancte spiritus adsit nobis) Isaac, Heinrich (ca. 1450–1517) Appears on: 35v–36 Genres: Hymn Source Attribution: [Isaac] General Note this is not the correct Sequence for this set of propers; the same setting is repeated below in its proper liturgical position
36v	Spiritus Domini Replevit orbem terrarum Vs: Confirma hoc Deus A templo sancto [Proprium De Sancto Spiritu]	[Isaac]	Isaac, Heinrich (ca. 1450–1517)
Spiritus Domini Replevit orbem terrarum Vs: Confirma hoc Deus A templo sancto [Proprium De Sancto Spiritu] Isaac, Heinrich (ca. 1450–1517) Appears on: 36v Genres: Introit Source Attribution: [Isaac]
37	Alleluia. Veni sancte spiritus [Proprium De Sancto Spiritu]	[Isaac]	Isaac, Heinrich (ca. 1450–1517)
Alleluia. Veni sancte spiritus [Proprium De Sancto Spiritu] Isaac, Heinrich (ca. 1450–1517) Appears on: 37 Genres: Alleluia, Motet, Veni sancte spiritus Source Attribution: [Isaac]
37v	Rex omnipotens die hodierna Mundo triumphale redempto potentia (= Sancte spiritus adsit nobis)	[Isaac]	Isaac, Heinrich (ca. 1450–1517)
Rex omnipotens die hodierna Mundo triumphale redempto potentia (= Sancte spiritus adsit nobis) Isaac, Heinrich (ca. 1450–1517) Appears on: 37v Genres: Hymn Source Attribution: [Isaac] General Note the Sequence for this set of propers; repeated from above
38	Viderunt ingressus tuos Deus ingressus Vs: Illuxerunt coruscationes tuae orbi	-	Anonymous
Viderunt ingressus tuos Deus ingressus Vs: Illuxerunt coruscationes tuae orbi Anonymous Appears on: 38 Genres: Motet Concordances Appears only in Bartfa mss
38	Alleluia. Candor est lucis aeternae	-	Anonymous
Alleluia. Candor est lucis aeternae Anonymous Appears on: 38 Genres: Alleluia, Motet Concordances Appears only in Bartfa mss
38v	Adest dies celebris quo pacatus miseris Mentes ut alliciat infirmas	-	Anonymous
Adest dies celebris quo pacatus miseris Mentes ut alliciat infirmas Anonymous Appears on: 38v Genres: Motet Concordances Appears only in Bartfa mss
39	Viderunt omnes fines terrae salutare	-	Anonymous
Viderunt omnes fines terrae salutare Anonymous Appears on: 39 Genres: Motet General Note MurTVB omits this piece both here and in the copy in Bartfa 24
39v	Benedicite Domino omnes angeli Domino Vs: Benedic anima mea Et omnia quae intra	-	Anonymous
Benedicite Domino omnes angeli Domino Vs: Benedic anima mea Et omnia quae intra Anonymous Appears on: 39v Genres: Motet Concordances Appears only in Bartfa mss
39v–40	Alleluia. Concussum est mare et contremuit	-	Anonymous
Alleluia. Concussum est mare et contremuit Anonymous Appears on: 39v–40 Genres: Alleluia, Motet General Note incomplete: in (c), where the folio after f.36 is missing with the end of this piece & all of the next one
40–40v	Summi regis archangele Michael intende Te namque profitemur esse supernorum	[Stoltzer]	Stoltzer, Thomas (ca. 1480–1526)
Summi regis archangele Michael intende Te namque profitemur esse supernorum Stoltzer, Thomas (ca. 1480–1526) Appears on: 40–40v Genres: Motet Source Attribution: [Stoltzer] General Note page missing in (c )
41	Benedicta sit Sancta trinitas atque indivisa Vs: Benedicamus patrem Cum sancto spiritu [Proprium de SS Trinitate]	[Isaac]	Isaac, Heinrich (ca. 1450–1517)
Benedicta sit Sancta trinitas atque indivisa Vs: Benedicamus patrem Cum sancto spiritu [Proprium de SS Trinitate] Isaac, Heinrich (ca. 1450–1517) Appears on: 41 Genres: Introit Source Attribution: [Isaac]
41v	Per inifinita saecula saeculorum	[Isaac]	Isaac, Heinrich (ca. 1450–1517)
Per inifinita saecula saeculorum Isaac, Heinrich (ca. 1450–1517) Appears on: 41v Genres: Antiphon Source Attribution: [Isaac] Concordances concordance: RISM A/I I 89
41v–42	Veni creator spiritus mentes tuorum 2 Qui paraclitus diceris donum Dei 3 Tu septiformis munere dextre Dei 6 Da gaudiorum praemia da gratiarum	[Finck]	Finck, Heinrich
Veni creator spiritus mentes tuorum 2 Qui paraclitus diceris donum Dei 3 Tu septiformis munere dextre Dei 6 Da gaudiorum praemia da gratiarum Finck, Heinrich Appears on: 41v–42 Genres: Hymn, Veni creator spiritus Source Attribution: [Finck]
42	Alleluia. Virga Jesse floruit virgo Deum	-	Anonymous
Alleluia. Virga Jesse floruit virgo Deum Anonymous Appears on: 42 Genres: Alleluia, Motet
42v	Veni sancte spiritus reple tuorum corda	-	Anonymous
Veni sancte spiritus reple tuorum corda Anonymous Appears on: 42v Genres: Motet, Veni sancte spiritus Concordances Appears only in Bartfa mss
45	Veni creator spiritus mentes tuorum 2 Qui paracletus diceris donum Dei 4 Accende lumen sensibus infunde 6 Da gaudiorum praemia da gratiarum	-	Anonymous
Veni creator spiritus mentes tuorum 2 Qui paracletus diceris donum Dei 4 Accende lumen sensibus infunde 6 Da gaudiorum praemia da gratiarum Anonymous Appears on: 45 Genres: Italian secular Concordances unicum
[45]	O lux beata trinitas et principalis 2 Te mane laudum carmine te deprecamur	-	Anonymous
O lux beata trinitas et principalis 2 Te mane laudum carmine te deprecamur Anonymous Appears on: [45] Genres: Italian secular General Note not listed in MurTVB. Presumably present in all 4 books.
45v	Gaude mater pietatis in valle gementium 3 Quod vertices prophetarum praecolunt 5 Genitori genitoque laus et jubilatio	-	Anonymous
Gaude mater pietatis in valle gementium 3 Quod vertices prophetarum praecolunt 5 Genitori genitoque laus et jubilatio Anonymous Appears on: 45v Genres: Hymn
46–46v	Adsunt festa jubilaea in Mariae nunc 3 Haec paranympho dum credit sacrum 4 Confestim montes adiit Elisabeth 6 Clamat anus cum jubilo plena 8 Voti fit compos cum credit verbo 10 Soli deo sit gloria pro multiplici (= Anna regum progenies et sacerdotum)	[Stoltzer]	Stoltzer, Thomas (ca. 1480–1526)
Adsunt festa jubilaea in Mariae nunc 3 Haec paranympho dum credit sacrum 4 Confestim montes adiit Elisabeth 6 Clamat anus cum jubilo plena 8 Voti fit compos cum credit verbo 10 Soli deo sit gloria pro multiplici (= Anna regum progenies et sacerdotum) Stoltzer, Thomas (ca. 1480–1526) Appears on: 46–46v Genres: Contrafactum, Hymn Source Attribution: [Stoltzer]
47,48	Mirantur ergo saecula quod angelus 3 Gloria tibi domine qui natus es (= Anna regum progenies et sacerdotum)	[Stoltzer]	Stoltzer, Thomas (ca. 1480–1526)
Mirantur ergo saecula quod angelus 3 Gloria tibi domine qui natus es (= Anna regum progenies et sacerdotum) Stoltzer, Thomas (ca. 1480–1526) Appears on: 47,48 Genres: Contrafactum, Hymn Source Attribution: [Stoltzer]
47v	Festum nunc celebre magnaque gaudia 3 Qui scandens superos vincula vinxerat 5 Ut cum flammivoma nube reverteris	-	Anonymous
Festum nunc celebre magnaque gaudia 3 Qui scandens superos vincula vinxerat 5 Ut cum flammivoma nube reverteris Anonymous Appears on: 47v Genres: Hymn Concordances concordance: RISM 1542-12 (no.48)
48	Hanc honor iste victimam decebat 3 Fructi iacebunt inferi caput serpentis	-	Anonymous
Hanc honor iste victimam decebat 3 Fructi iacebunt inferi caput serpentis Anonymous Appears on: 48 Genres: Hymn Concordances Same music texted as 'Veni redemptor gentium' in BudOS P.6
48v	Vita sanctorum Deus angelorum 3 Pascha quo victor rediens ab imo	-	Anonymous
Vita sanctorum Deus angelorum 3 Pascha quo victor rediens ab imo Anonymous Appears on: 48v Genres: Italian secular General Note Only texted in (a)
49	Mittis in terram referans Olympum nuncium 3 Nuncians coram Dominum videri et quidem 5 Laudibus cives celebrant superni te	-	Anonymous
Mittis in terram referans Olympum nuncium 3 Nuncians coram Dominum videri et quidem 5 Laudibus cives celebrant superni te Anonymous Appears on: 49 Genres: Hymn Concordances Same music texted as 'Nuntius celso veniens' in RISM 1542-12 (no.78)

Composer	Compositions
Anonymous	Adest dies celebris quo pacatus miseris Mentes ut alliciat infirmas – 38v Alleluia. Candor est lucis aeternae – 38 Alleluia. Concussum est mare et contremuit – 39v–40 Alleluia. Virga Jesse floruit virgo Deum – 42 Benedicite Domino omnes angeli Domino Vs: Benedic anima mea Et omnia quae intra – 39v Festum nunc celebre magnaque gaudia 3 Qui scandens superos vincula vinxerat 5 Ut cum flammivoma nube reverteris – 47v Gaude mater pietatis in valle gementium 3 Quod vertices prophetarum praecolunt 5 Genitori genitoque laus et jubilatio – 45v Hanc honor iste victimam decebat 3 Fructi iacebunt inferi caput serpentis – 48 Magnificat Quinti Toni: Et exultavit [K.281] – 12–13 Magnificat Quinti Toni: Et exultavit [K.282] – 10–10v Magnificat Sexti Toni: Et exultavit [K.329] – 10v–11 Magnificat octavi toni: Et exultavit [K.406] – 11v–12 Missa Sine nomine (KGCSA) – 2–5 Missa: Agnus Dei – 17v Missa: Gloria [Gratias agimus tibi] – 14–15 Missa: Kyrie solemne – 14 Missa: Sanctus – 17–17v Mittis in terram referans Olympum nuncium 3 Nuncians coram Dominum videri et quidem 5 Laudibus cives celebrant superni te – 49 O lux beata trinitas et principalis 2 Te mane laudum carmine te deprecamur – [45] Set of responses Amen. Et cum spiritu tuo – 1v Set of responses Amen. Et cum spiritu tuo – 1v Veni creator spiritus mentes tuorum 2 Qui paracletus diceris donum Dei 4 Accende lumen sensibus infunde 6 Da gaudiorum praemia da gratiarum – 45 Veni sancte spiritus reple tuorum corda – 42v Viderunt ingressus tuos Deus ingressus Vs: Illuxerunt coruscationes tuae orbi – 38 Viderunt omnes fines terrae salutare – 39 Vita sanctorum Deus angelorum 3 Pascha quo victor rediens ab imo – 48v [Victimae paschali] Agnus redemit oves – 33v
Bruck, Arnold von (ca. 1500–1554)	Wir glauben auch an Jesum Christ, seinen Sohn (German Credo) – 16v–17
Despres, Josquin (ca. 1450–1521)	Missa Pange lingua = Missa Venerabile sacramento 4.3 – 22–25
Finck, Heinrich	Et valde mane - 1a pars (of 2): Et valde mane una sabbatorum veniunt – 9 Et valde mane - 2a pars (of 2): Et ingressae mulieres non invenerunt – 9v Grates nunc omnes - 1a pars (of 2): Grates nunc omnes reddamus Domino Deo – 26v Grates nunc omnes - 2a pars (of 2): Huic oportet ut canamus cum angelis – 26v–27 Veni creator spiritus mentes tuorum 2 Qui paraclitus diceris donum Dei 3 Tu septiformis munere dextre Dei 6 Da gaudiorum praemia da gratiarum – 41v–42
Galliculus, Johannes	Gloria. Gratias agimus tibi propter – 32v
Isaac, Heinrich (ca. 1450–1517)	Alleluia. Benedictus es Domine Deus [Proprium de SS Trinitate] – 15 Alleluia. Dies sanctificatus illuxit nobis [Proprium de Nativitate Christi] – 26 Alleluia. Dominus in Sina in sancto [Proprium de Ascensione Domini] – 35 Alleluia. Haec est illa peccatrix (= Alleluia. Maria haec est illa) – 22 Alleluia. Inter natos mulierum non surrexit [Proprium de S. Joanne Baptistae] – 18v–19 (?) Alleluia. Pascha nostrum immolatus est [Proper for Easter] – 33 Alleluia. Veni sancte spiritus [Proprium De Sancto Spiritu] – 37 Alleluia. Vidimus stellam eius in oriente [Proprium de Epiphania Domini] – 27v Ave Maria gratia plena Dominus tecum Benedicta tu in mulieribus ... Quomodo inquit fiet istud ... Ideoque quod nascetur – 30v–31 Benedicta semper sancta sit trinitas Pater filius sanctus spiritus tria sunt [Proprium de SS Trinitate] – 15v–16 Benedicta sit Sancta trinitas atque indivisa Vs: Benedicamus patrem Cum sancto spiritu [Proprium de SS Trinitate] – 41 De ventre matris meae vocavit me Dominus Vs: Bonum est confiteri Et psallere nomini [Proprium de S. Joanne Baptistae] – 18–18v Ecce advenit dominator Dominus et regnum Vs: Deus juditium tuum Et justitiam tuam filio regis [Proprium de Epiphania Domini] – 27 Laetabundus exultet fidelis chorus Regem regum intacte profudit thorus – 29v–30 Missa Pascale a4 ad organum: Agnus Dei – 34 Missa Pascale a4 ad organum: Kyrie – 33 Missa Pascale a4 ad organum: Kyrie – 32 Missa Pascale a4 ad organum: Sanctus – 33v–34 Missa de Apostolis a4: Kyrie Magne Deus – 13v Per inifinita saecula saeculorum – 41v Psallite regi nostro psallite prudenter Nam psalterium est iocundum (= Laus tibi Christe) – 19–19v Puer natus est nobis Et filius datus est Vs: Cantate Domino Quia mirabilia fecit [Proprium de Nativitate Christi] – 25v Quae miris sunt modis ornata cunctisque (Festa Christi omnis Christianitas) – 28–28v Resurrexi Et adhuc tecum sum alleluia / Christ ist erstanden Vs: Domine probasti me Tu cognovisti [Proprium de resurrectione Domini] – 31v Rex omnipotens die hodierna Mundo triumphale redempto potentia (= Sancte spiritus adsit nobis) – 35v–36 Rex omnipotens die hodierna Mundo triumphale redempto potentia (= Sancte spiritus adsit nobis) – 37v Rorate Caeli desuper et nubes pluant Vs: Caeli enarrant Et opera manuum eius [Proprium de Annuntiatione BVM] – 31–31v Spiritus Domini Replevit orbem terrarum Vs: Confirma hoc Deus A templo sancto [Proprium De Sancto Spiritu] – 36v Suscepimus Deus misericordiam tuam in medio Vs: Magnus Dominus In civitate Dei nostri [Proprium de Purificatione B. Mariae Virginis] – 29 Viri Galilaei Quid admiramini aspicientes Vs: Omnes gentes plaudite Jubilate deo [Proprium de Ascensione Domini] – 34v
Longueval, Antoine de (fl. 1498-1525)	Passio Domini secundum Matthaeum - 1a pars (of 3): Passio Domini nostri Jesu Christi secundum Mattheum – 5v–6v Passio Domini secundum Matthaeum - 2a pars (of 3): Apprehendit ergo eum Pilatus – 6v–7v Passio Domini secundum Matthaeum - 3a pars (of 3): Orabat autem Jesus pro crucifigentibus – 8–8v
Obrecht, Jacobus (ca. 1457–1505)	(?) Passio Domini secundum Matthaeum - 1a pars (of 3): Passio Domini nostri Jesu Christi secundum Mattheum – 5v–6v (?) Passio Domini secundum Matthaeum - 2a pars (of 3): Apprehendit ergo eum Pilatus – 6v–7v (?) Passio Domini secundum Matthaeum - 3a pars (of 3): Orabat autem Jesus pro crucifigentibus – 8–8v
Rein, Conrad (ca. 1475–1522)	Benedicta sit Sancta trinitas Vs: Benedicamus Patrem et filium – 13v
Stoltzer, Thomas (ca. 1480–1526)	Adsunt festa jubilaea in Mariae nunc 3 Haec paranympho dum credit sacrum 4 Confestim montes adiit Elisabeth 6 Clamat anus cum jubilo plena 8 Voti fit compos cum credit verbo 10 Soli deo sit gloria pro multiplici (= Anna regum progenies et sacerdotum) – 46–46v Mirantur ergo saecula quod angelus 3 Gloria tibi domine qui natus es (= Anna regum progenies et sacerdotum) – 47,48 Summi regis archangele Michael intende Te namque profitemur esse supernorum – 40–40v
Venture, Johannes a la (fl. c1500)	(?) Passio Domini secundum Matthaeum - 1a pars (of 3): Passio Domini nostri Jesu Christi secundum Mattheum – 5v–6v (?) Passio Domini secundum Matthaeum - 2a pars (of 3): Apprehendit ergo eum Pilatus – 6v–7v (?) Passio Domini secundum Matthaeum - 3a pars (of 3): Orabat autem Jesus pro crucifigentibus – 8–8v

Composition	Composers (? Uncertain)	Folios / Pages
[Victimae paschali] Agnus redemit oves	Anonymous	33v
Adest dies celebris quo pacatus miseris Mentes ut alliciat infirmas	Anonymous	38v
Adsunt festa jubilaea in Mariae nunc 3 Haec paranympho dum credit sacrum 4 Confestim montes adiit Elisabeth 6 Clamat anus cum jubilo plena 8 Voti fit compos cum credit verbo 10 Soli deo sit gloria pro multiplici (= Anna regum progenies et sacerdotum)	Stoltzer, Thomas (ca. 1480–1526)	46–46v
Alleluia. Benedictus es Domine Deus [Proprium de SS Trinitate]	Isaac, Heinrich (ca. 1450–1517)	15
Alleluia. Candor est lucis aeternae	Anonymous	38
Alleluia. Concussum est mare et contremuit	Anonymous	39v–40
Alleluia. Dies sanctificatus illuxit nobis [Proprium de Nativitate Christi]	Isaac, Heinrich (ca. 1450–1517)	26
Alleluia. Dominus in Sina in sancto [Proprium de Ascensione Domini]	Isaac, Heinrich (ca. 1450–1517)	35
Alleluia. Haec est illa peccatrix (= Alleluia. Maria haec est illa)	Isaac, Heinrich (ca. 1450–1517)	22
Alleluia. Inter natos mulierum non surrexit [Proprium de S. Joanne Baptistae]	Isaac, Heinrich (ca. 1450–1517)	18v–19
Alleluia. Pascha nostrum immolatus est [Proper for Easter]	Isaac, Heinrich (ca. 1450–1517) (?)	33
Alleluia. Veni sancte spiritus [Proprium De Sancto Spiritu]	Isaac, Heinrich (ca. 1450–1517)	37
Alleluia. Vidimus stellam eius in oriente [Proprium de Epiphania Domini]	Isaac, Heinrich (ca. 1450–1517)	27v
Alleluia. Virga Jesse floruit virgo Deum	Anonymous	42
Ave Maria gratia plena Dominus tecum Benedicta tu in mulieribus ... Quomodo inquit fiet istud ... Ideoque quod nascetur	Isaac, Heinrich (ca. 1450–1517)	30v–31
Benedicite Domino omnes angeli Domino Vs: Benedic anima mea Et omnia quae intra	Anonymous	39v
Benedicta semper sancta sit trinitas Pater filius sanctus spiritus tria sunt [Proprium de SS Trinitate]	Isaac, Heinrich (ca. 1450–1517)	15v–16
Benedicta sit Sancta trinitas atque indivisa Vs: Benedicamus patrem Cum sancto spiritu [Proprium de SS Trinitate]	Isaac, Heinrich (ca. 1450–1517)	41
Benedicta sit Sancta trinitas Vs: Benedicamus Patrem et filium	Rein, Conrad (ca. 1475–1522)	13v
De ventre matris meae vocavit me Dominus Vs: Bonum est confiteri Et psallere nomini [Proprium de S. Joanne Baptistae]	Isaac, Heinrich (ca. 1450–1517)	18–18v
Ecce advenit dominator Dominus et regnum Vs: Deus juditium tuum Et justitiam tuam filio regis [Proprium de Epiphania Domini]	Isaac, Heinrich (ca. 1450–1517)	27
Et valde mane - 1a pars (of 2): Et valde mane una sabbatorum veniunt	Finck, Heinrich	9
Et valde mane - 2a pars (of 2): Et ingressae mulieres non invenerunt	Finck, Heinrich	9v
Festum nunc celebre magnaque gaudia 3 Qui scandens superos vincula vinxerat 5 Ut cum flammivoma nube reverteris	Anonymous	47v
Gaude mater pietatis in valle gementium 3 Quod vertices prophetarum praecolunt 5 Genitori genitoque laus et jubilatio	Anonymous	45v
Gloria. Gratias agimus tibi propter	Galliculus, Johannes	32v
Grates nunc omnes - 1a pars (of 2): Grates nunc omnes reddamus Domino Deo	Finck, Heinrich	26v
Grates nunc omnes - 2a pars (of 2): Huic oportet ut canamus cum angelis	Finck, Heinrich	26v–27
Hanc honor iste victimam decebat 3 Fructi iacebunt inferi caput serpentis	Anonymous	48
Laetabundus exultet fidelis chorus Regem regum intacte profudit thorus	Isaac, Heinrich (ca. 1450–1517)	29v–30
Magnificat octavi toni: Et exultavit [K.406]	Anonymous	11v–12
Magnificat Quinti Toni: Et exultavit [K.281]	Anonymous	12–13
Magnificat Quinti Toni: Et exultavit [K.282]	Anonymous	10–10v
Magnificat Sexti Toni: Et exultavit [K.329]	Anonymous	10v–11
Mirantur ergo saecula quod angelus 3 Gloria tibi domine qui natus es (= Anna regum progenies et sacerdotum)	Stoltzer, Thomas (ca. 1480–1526)	47,48
Missa de Apostolis a4: Kyrie Magne Deus	Isaac, Heinrich (ca. 1450–1517)	13v
Missa Pange lingua = Missa Venerabile sacramento 4.3	Despres, Josquin (ca. 1450–1521)	22–25
Missa Pascale a4 ad organum: Agnus Dei	Isaac, Heinrich (ca. 1450–1517)	34
Missa Pascale a4 ad organum: Kyrie	Isaac, Heinrich (ca. 1450–1517)	32
Missa Pascale a4 ad organum: Kyrie	Isaac, Heinrich (ca. 1450–1517)	33
Missa Pascale a4 ad organum: Sanctus	Isaac, Heinrich (ca. 1450–1517)	33v–34
Missa Sine nomine (KGCSA)	Anonymous	2–5
Missa: Agnus Dei	Anonymous	17v
Missa: Gloria [Gratias agimus tibi]	Anonymous	14–15
Missa: Kyrie solemne	Anonymous	14
Missa: Sanctus	Anonymous	17–17v
Mittis in terram referans Olympum nuncium 3 Nuncians coram Dominum videri et quidem 5 Laudibus cives celebrant superni te	Anonymous	49
O lux beata trinitas et principalis 2 Te mane laudum carmine te deprecamur	Anonymous	[45]
Passio Domini secundum Matthaeum - 1a pars (of 3): Passio Domini nostri Jesu Christi secundum Mattheum	Venture, Johannes a la (fl. c1500) (?) Obrecht, Jacobus (ca. 1457–1505) (?) Longueval, Antoine de (fl. 1498-1525)	5v–6v
Passio Domini secundum Matthaeum - 2a pars (of 3): Apprehendit ergo eum Pilatus	Longueval, Antoine de (fl. 1498-1525) Venture, Johannes a la (fl. c1500) (?) Obrecht, Jacobus (ca. 1457–1505) (?)	6v–7v
Passio Domini secundum Matthaeum - 3a pars (of 3): Orabat autem Jesus pro crucifigentibus	Venture, Johannes a la (fl. c1500) (?) Obrecht, Jacobus (ca. 1457–1505) (?) Longueval, Antoine de (fl. 1498-1525)	8–8v
Per inifinita saecula saeculorum	Isaac, Heinrich (ca. 1450–1517)	41v
Psallite regi nostro psallite prudenter Nam psalterium est iocundum (= Laus tibi Christe)	Isaac, Heinrich (ca. 1450–1517)	19–19v
Puer natus est nobis Et filius datus est Vs: Cantate Domino Quia mirabilia fecit [Proprium de Nativitate Christi]	Isaac, Heinrich (ca. 1450–1517)	25v
Quae miris sunt modis ornata cunctisque (Festa Christi omnis Christianitas)	Isaac, Heinrich (ca. 1450–1517)	28–28v
Resurrexi Et adhuc tecum sum alleluia / Christ ist erstanden Vs: Domine probasti me Tu cognovisti [Proprium de resurrectione Domini]	Isaac, Heinrich (ca. 1450–1517)	31v
Rex omnipotens die hodierna Mundo triumphale redempto potentia (= Sancte spiritus adsit nobis)	Isaac, Heinrich (ca. 1450–1517)	35v–36
Rex omnipotens die hodierna Mundo triumphale redempto potentia (= Sancte spiritus adsit nobis)	Isaac, Heinrich (ca. 1450–1517)	37v
Rorate Caeli desuper et nubes pluant Vs: Caeli enarrant Et opera manuum eius [Proprium de Annuntiatione BVM]	Isaac, Heinrich (ca. 1450–1517)	31–31v
Set of responses Amen. Et cum spiritu tuo	Anonymous	1v
Set of responses Amen. Et cum spiritu tuo	Anonymous	1v
Spiritus Domini Replevit orbem terrarum Vs: Confirma hoc Deus A templo sancto [Proprium De Sancto Spiritu]	Isaac, Heinrich (ca. 1450–1517)	36v
Summi regis archangele Michael intende Te namque profitemur esse supernorum	Stoltzer, Thomas (ca. 1480–1526)	40–40v
Suscepimus Deus misericordiam tuam in medio Vs: Magnus Dominus In civitate Dei nostri [Proprium de Purificatione B. Mariae Virginis]	Isaac, Heinrich (ca. 1450–1517)	29
Veni creator spiritus mentes tuorum 2 Qui paracletus diceris donum Dei 4 Accende lumen sensibus infunde 6 Da gaudiorum praemia da gratiarum	Anonymous	45
Veni creator spiritus mentes tuorum 2 Qui paraclitus diceris donum Dei 3 Tu septiformis munere dextre Dei 6 Da gaudiorum praemia da gratiarum	Finck, Heinrich	41v–42
Veni sancte spiritus reple tuorum corda	Anonymous	42v
Viderunt ingressus tuos Deus ingressus Vs: Illuxerunt coruscationes tuae orbi	Anonymous	38
Viderunt omnes fines terrae salutare	Anonymous	39
Viri Galilaei Quid admiramini aspicientes Vs: Omnes gentes plaudite Jubilate deo [Proprium de Ascensione Domini]	Isaac, Heinrich (ca. 1450–1517)	34v
Vita sanctorum Deus angelorum 3 Pascha quo victor rediens ab imo	Anonymous	48v
Wir glauben auch an Jesum Christ, seinen Sohn (German Credo)	Bruck, Arnold von (ca. 1500–1554)	16v–17

Set: MS Bártfa 8 (a-d)

Type: Partbooks

No images available

No images available

No images available

No images available

‡ denotes primary source study

Burn, David J, Ruth I. DeFord, and Stefan Gasch (editors). 2021. Choralis Constantinus II. CMM. American Institute of Musicology.

Murányi, Robert Arpad. 1991. Thematisches Verzeichnis der Musiksammlung von Bartfeld (Bártfa). Bonn: Gudrun Schröder. Pages: XXIII, 35-40.

Brusniak, Friedhelm. 1980. Conrad Rein (ca. 1475-1522)-Schulmeister und Komponist. Neue Musikgeschichtliche Forschungen. Wiesbaden. Pages: 350. Notes: contents list (partial); concordances (partial); incipits (partial).

Murányi, Robert Arpad. 1975. Die Isaac-Offizien der Bartfelder Sammlung. Studia Musicologica, 315-45. Pages: 316ff. Notes: incipits (partial); mention of MS; discussion.

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts. Tutzing. Pages: 127. Notes: concordances (partial); incipits (partial).

Hoffmann-Erbrecht, Lothar. 1964. Thomas Stoltzer: Leben und Schaffen. Die Musik in Alten und Neuen Europa. Kassel. Pages: 166. Notes: mention of MS.

Seiffert, Max (editor). 1957-61. Denkmäler Deutscher Tonkunst. Leipzig, 1892-1931. Wiesbaden and Graz. Pages: LXV, 28. Notes: transcription (partial).

Pätzig, Gerhard-Rudolf. 1956. Liturgische Grundlagen und handschriftliche Überlieferung von Heinrich Isaacs "Choralis Constantinus". Eberhard-Karls-Universität (Tübingen), Unpublished Ph.D. dissertation. Pages: II, 192-3. Notes: mention of MS; contents list (partial).

Geering, Arnold (editor). 1935. Das Erbe Deutscher Musik. Leipzig, Kassel, Wolfenbüttel, and Wiesbaden. Pages: XXV, 77ff. Notes: concordances (partial).

Gombosi, Otto Johannes. 1932. Quellen aus dem 16.-17. Jh. zur Geschichte der Musikpflege in Bartfeld (Bártfa) und Oberungarn. Ungarische Jahrbücher, 331-40. Pages: 334. Notes: mention of MS.

Gombosi, Otto Johannes. 1929. Die Musikalien der Pfarr- kirche zu St. Aegidi in Bartfa. Festschrift für Johannes Wolf zu seinem Sechzigsten Geburtstage, Berlin. Pages: 41-2. Notes: mention of MS.

This form is used to make comments on a source. If you wish to notify us of a correction to the record, you should use the "Contribute a change" form instead.

No comments have been made.

Contributions to this record are recorded here. If you wish to contribute information or a correction to this record, use the "Contribute a Change" link. This will then be reviewed by DIAMM staff and, if accepted, your contribution will be acknowledged here.

DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Physical Description Note; Binding Note; Notation Note; Foliation Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

H-Bn MS Bártfa 8 (a)

Országos Széchényi Könyvtár (National Széchényi Library), Budapest, Hungary

partbook: c. 1550

General Description

Physical Description

Binding

Notation

Date

Foliation

Surface

Census Catalogue of Music Description

General Note

General Note

Concordances

Concordances

Concordances

Concordances

General Note

General Note

General Note

Concordances

General Note

General Note

General Note

General Note

Concordances

Concordances

Concordances

General Note

Concordances

General Note