A-Wn Mus.Hs. 18745 [Discantus]

Österreichische Nationalbibliothek, Wien (Vienna), Austria

partbook: c. 1535

Archive Österreichische Nationalbibliothek, Wien (Vienna), Austria (A-Wn)
Shelfmark Mus.Hs. 18745 [Discantus]
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System Foliation
Measurements 180 x 220 mm
Other Identifiers
  • CCM: VienNB Mus. 18745
  • olim (Former shelfmark): A.N. 35.E.127
Notations
  • black void mensural
Copyists
Relationships
External Links
External Authorities
Provenance
  • Augsburg or Munich? Bavaria, Germany
Contents 76 pieces from 3 composers
General Description

A Discantus partbook from a set of four volumes. Copied by a single scribe, identified by Rifkin & Fallows as Bernard Rem, who also wrote MunU 328-31, VienNB Mus. 18810, and ZürZ 438. Probably copied in Augsburg or Munich (see BenteNW, StaeLW). Once owned by Fugger family of Augsburg (NowakM). Fugger library purchased by Emperor Ferdinand III and brought to Vienna in 1656.

DIAMM, 2017
Extent

Discantus - V + 80ff, Altus - V + 92ff, Tenor - V + 80ff, Bassus - V + 74ff.

DIAMM, 2022
Binding

Original covers of leather tooled with border design.

DIAMM, 2017
Watermark

resembles Briquet #12270 (NowakM).

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Foliation

Original ink foliation in each book excludes front flyleaves, but latter folios numbered I-V by modern hand

DIAMM, 2017
Decoration

No initials or decoration.

DIAMM, 2017
Index

Original index on ff. II-V of each book groups pieces by liturgical categories ('De Apostolis,' 'De Martyribus,' etc.); under each rubric, Proper sections listed first, followed by Ordinary sections.

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

7 Masses, 38 Mass Proper sections = 45

Isaac-42, (Isaac/Schach)-1, (Isaac/Senfl)-2

4 paper partbooks (D-v + 80 folios, A-v + 92, T-v + 80, B-v + 74), 180 x 220. Original ink foliation in each book excludes front flyleaves, but latter folios numbered I-V by modern hand. Original covers of leather tooled with border design. Original index on ff. II-V of each book groups pieces by liturgical categories ("De Apostolis," "De Martyribus," etc.); under each rubric, Proper sections listed first, followed by Ordinary sections. Copied by a single scribe, who also wrote MunU 328-31, VienNB Mus. 18810, and ZürZ 438. No initials or decoration. Watermark resembles Briquet #12270 (NowakM).

Ca. 1535 (BenteNW). Probably copied in Augsburg or Munich (see BenteNW, StaeLW). Once owned by Fugger family of Augsburg (NowakM). Fugger library purchased by Emperor Ferdinand III and brought to Vienna in 1656.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
II–V index - -

index

Appears on: II–V
V(v) blank ruled for index - -

blank ruled for index

Appears on: V(v)
1 [blank staves] - -

[blank staves]

Appears on: 1
1v–2 Mihi autem nimis Heinricus Isaac
Appears on: 1v–2
Genres: Introit
Source Attribution: Heinricus Isaac
2–3 Alleluia. Non vos me elegistis -
Appears on: 2–3
Genres: Alleluia
3–5 Clare sanctorum senatus [Commune apostolorum] -
Appears on: 3–5
Genres: Sequence
5–5v Vos qui secuti estis Sedebitis super sedes [Commune apostolorum] -
Appears on: 5–5v
Genres: Communion
6 [blank staves] - -

[blank staves]

Appears on: 6
6v–7v Sapientiam sanctorum Narrant populi [De martiribus] Henricus Ysaac (in Tenor)
Appears on: 6v–7v
Genres: Introit
Source Attribution: Henricus Ysaac (in Tenor)
7v–8v Alleluia. Gaudete justi in Domino [De martiribus] -
Appears on: 7v–8v
Genres: Alleluia
8v–10 O devote recolenda victorum certamina [Proprium de omnibus sanctis] -
Appears on: 8v–10
Genres: Sequence
10v–12v Agone triumphali militum [De martiribus] -
Appears on: 10v–12v
Genres: Motet
13–14 Qui seminant in lacrimis [De Martiribus et Apostolis] -
Appears on: 13–14
Genres: Tract
14–15 Justorum animae in manu [De martiribus] -
Appears on: 14–15
Genres: Communion
15v–16 [blank staves] - -

[blank staves]

Appears on: 15v–16
16v–17 Laetabitur justus In Domino [Commune unius martyris] Henricus Ysaac
Appears on: 16v–17
Genres: Introit
Source Attribution: Henricus Ysaac
17–18 Alleluia. Justus ut palma [Commune unius martyris] -
Appears on: 17–18
Genres: Alleluia
18–20 Morte Christum imitatus -
Appears on: 18–20
Genres: Sequence
20v–22 Desiderium animae eius [De uno martire] -
Appears on: 20v–22
Genres: Tract
22–22v Qui mihi ministrat [Commune unius martyris] -
Appears on: 22–22v
Genres: Communion
23 [blank staves] - -

[blank staves]

Appears on: 23
23v–24v Protexisti me Deus a conventu [Commune unius martyris] Henricus Ysaac (in Tenor)
Appears on: 23v–24v
Genres: Introit
Source Attribution: Henricus Ysaac (in Tenor)
24v–25v Alleluia. Stabunt justi in magna [De martiribus] -
Appears on: 24v–25v
Genres: Alleluia
25v–27 Haec est sancta solemnitas [Commune unius martyris] -
Appears on: 25v–27
Genres: Motet
27v–28 Laetabitur justus In Domino [Commune unius martyris] -
Appears on: 27v–28
Genres: Communion
28v–29 [blank staves] - -

[blank staves]

Appears on: 28v–29
29v–30v Statuit ei Dominus [De confessoribus] Henricus Ysaac (in Tenor)
Appears on: 29v–30v
Genres: Introit
Source Attribution: Henricus Ysaac (in Tenor)
30v–31 Alleluia. Juravit Dominus et non [De confessoribus] -
Appears on: 30v–31
Genres: Alleluia
31–35 Ad laudes salvatoris [De confessoribus] -
Appears on: 31–35
Genres: Motet
35–37 Beatus vir qui timet [De confessoribus] -
Appears on: 35–37
Genres: Tract
37–37v Beatus servus quem cum venerit [De confessoribus] -
Appears on: 37–37v
Genres: Communion
38 [blank staves] - -

[blank staves]

Appears on: 38
38v–39v Gaudeamus omnes in Domino [De Virginibus] Henricus Ysaac (in Tenor)
Appears on: 38v–39v
Genres: Introit
Source Attribution: Henricus Ysaac (in Tenor)
39v–40v Loquebar de testimoniis tuis [De Virginibus] -
Appears on: 39v–40v
Genres: Introit
40v–41 Alleluia. Diffusa est gratia in labiis [De Virginibus] -
Appears on: 40v–41
Genres: Alleluia
41–43v Exultent filiae Sion -
Appears on: 41–43v
Genres: Sequence
43v–45v Audi filia et vide [De Virginibus] -
Appears on: 43v–45v
Genres: Tract
46–46v Simile est regnum caelorum [De Virginibus] -
Appears on: 46–46v
Genres: Communion
47 [blank staves] - -

[blank staves]

Appears on: 47
47v–48 Rorate caeli desuper [Proprium de veneratione BVM in adventu Domini] Henricus Ysaac (in Tenor)
Appears on: 47v–48
Genres: Introit
Source Attribution: Henricus Ysaac (in Tenor)
48v–49 Salve sancta parens enixa puerpera [Proprium de veneratione BVM] -
Appears on: 48v–49
Genres: Introit
49–49v Alleluia. Prophetae sancti predicaverunt [In adventu BVM] -
Appears on: 49–49v
Genres: Alleluia
49v–50v Alleluia. Post partum inviolata [Proprium in octavo Nativitate] -
Appears on: 49v–50v
Genres: Alleluia
50v–52 Fortem expediat pro nobis nuntium [Proprium de veneratione BVM in adventu Domini] -
Appears on: 50v–52
Genres: Sequence
52v–53v [Verbum bonum] Per quod ave salutata [Proprium de veneratione BVM] -
Appears on: 52v–53v
Genres: Sequence
53v–55 Audi filia [Commune de BVM] -
Appears on: 53v–55
Genres: Tract
55v–56 Beata viscera Mariae virginis [Proprium de veneratione BVM] -
Appears on: 55v–56
Genres: Communion
56v - - Anonymous

[Unknown Title]

Appears on: 56v
57–57v Missa Pascale a4 ad organum: Kyrie Hennricus Ysaac (in Altus)
Appears on: 57–57v
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Hennricus Ysaac (in Altus)
57v–58 Missa Pascale a4 ad organum: Gloria -
Appears on: 57v–58
Genres: Gloria (et in terra pax), Mass Ordinary
58–58v Missa Pascale a4 ad organum: Sanctus -
Appears on: 58–58v
Genres: Mass Ordinary, Sanctus [& Benedictus]
58v–59 Missa Pascale a4 ad organum: Agnus Dei -
Appears on: 58v–59
Genres: Agnus Dei, Mass Ordinary
59v–60 Missa Dominicale quadragesimale (4vv): Kyrie Hennricus Ysaac
Appears on: 59v–60
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Hennricus Ysaac
60–61 Missa Dominicale quadragesimale (4vv): Sanctus -
Appears on: 60–61
Genres: Mass Ordinary, Sanctus [& Benedictus]
61–61v Missa Dominicale quadragesimale (4vv): Agnus Dei -
Appears on: 61–61v
Genres: Agnus Dei, Mass Ordinary
62–62v Missa Solemnis a4: Kyrie Henricus Ysaac (in Altus)
Appears on: 62–62v
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Henricus Ysaac (in Altus)
63–64v Missa Solemnis a4: Gloria -
Appears on: 63–64v
Genres: Gloria (et in terra pax), Mass Ordinary
64v–65v Missa Solemnis a4: Sanctus -
Appears on: 64v–65v
Genres: Mass Ordinary, Sanctus [& Benedictus]
65v–66 Missa Solemnis a4: Agnus Dei -
Appears on: 65v–66
Genres: Agnus Dei, Mass Ordinary
66–66v Missa de Beata Virgine a4: Kyrie Henricus Ysaac
Appears on: 66–66v
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Henricus Ysaac
66v–68 Missa de Beata Virgine a4: Et in terra pax [Gloria] [Tro] Spiritus et alme -
Appears on: 66v–68
Genres: Mass Ordinary, Troped Gloria
68–69 Missa de Beata Virgine a4: Sanctus -
Appears on: 68–69
Genres: Mass Ordinary, Sanctus [& Benedictus]
69–69v Missa de Beata Virgine a4: Agnus Dei -
Appears on: 69–69v
Genres: Agnus Dei, Mass Ordinary
69v–70 Missa de Apostolis a4: Kyrie Magne Deus Henricus Ysaac
Appears on: 69v–70
Genres: Mass Ordinary, Troped Kyrie
Source Attribution: Henricus Ysaac
70–71v Missa de Apostolis a4: Gloria -
Appears on: 70–71v
Genres: Gloria (et in terra pax), Mass Ordinary
72–72v Missa de Apostolis a4: Sanctus -
Appears on: 72–72v
Genres: Agnus Dei, Mass Ordinary
72v–73 Missa de Apostolis a4: Agnus Dei -
Appears on: 72v–73
Genres: Agnus Dei, Mass Ordinary
73–73v Missa de Martyribus a4: Kyrie Henricus Ysaac
Appears on: 73–73v
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Henricus Ysaac
74–75 Missa de Martyribus a4: Gloria -
Appears on: 74–75
Genres: Gloria (et in terra pax), Mass Ordinary
75–75v Missa de Martyribus a4: Sanctus -
Appears on: 75–75v
Genres: Mass Ordinary, Sanctus [& Benedictus]
75v Missa de Martyribus a4: Agnus Dei -
Appears on: 75v
Genres: Agnus Dei, Mass Ordinary
76–76v Missa de Confessoribus a4: Kyrie Hennricus Ysaac
Appears on: 76–76v
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Hennricus Ysaac
76v–77v Missa de Confessoribus a4: Gloria -
Appears on: 76v–77v
Genres: Gloria (et in terra pax), Mass Ordinary
77v–78v Missa de Confessoribus a4: Sanctus -
Appears on: 77v–78v
Genres: Mass Ordinary, Sanctus [& Benedictus]
78v–79 Missa de Confessoribus a4: Agnus Dei -
Appears on: 78v–79
Genres: Agnus Dei, Mass Ordinary
79v–80v [blank staves] - -

[blank staves]

Appears on: 79v–80v
Composer Compositions
Anonymous
Isaac, Heinrich (ca. 1450–1517)
Schachinger, Johann
Composition Composers (? Uncertain) Folios / Pages
[Verbum bonum] Per quod ave salutata [Proprium de veneratione BVM] 52v–53v
Ad laudes salvatoris [De confessoribus] 31–35
Agone triumphali militum [De martiribus] 10v–12v
Alleluia. Diffusa est gratia in labiis [De Virginibus] 40v–41
Alleluia. Gaudete justi in Domino [De martiribus] 7v–8v
Alleluia. Juravit Dominus et non [De confessoribus] 30v–31
Alleluia. Justus ut palma [Commune unius martyris] 17–18
Alleluia. Non vos me elegistis 2–3
Alleluia. Post partum inviolata [Proprium in octavo Nativitate] 49v–50v
Alleluia. Prophetae sancti predicaverunt [In adventu BVM] 49–49v
Alleluia. Stabunt justi in magna [De martiribus] 24v–25v
Audi filia [Commune de BVM] 53v–55
Audi filia et vide [De Virginibus] 43v–45v
Beata viscera Mariae virginis [Proprium de veneratione BVM] 55v–56
Beatus servus quem cum venerit [De confessoribus] 37–37v
Beatus vir qui timet [De confessoribus] 35–37
Clare sanctorum senatus [Commune apostolorum] 3–5
Desiderium animae eius [De uno martire] 20v–22
Exultent filiae Sion 41–43v
Fortem expediat pro nobis nuntium [Proprium de veneratione BVM in adventu Domini] 50v–52
Gaudeamus omnes in Domino [De Virginibus] 38v–39v
Haec est sancta solemnitas [Commune unius martyris] 25v–27
Justorum animae in manu [De martiribus] 14–15
Laetabitur justus In Domino [Commune unius martyris] 16v–17
Laetabitur justus In Domino [Commune unius martyris] 27v–28
Loquebar de testimoniis tuis [De Virginibus] 39v–40v
Mihi autem nimis 1v–2
Missa de Apostolis a4: Agnus Dei 72v–73
Missa de Apostolis a4: Gloria 70–71v
Missa de Apostolis a4: Kyrie Magne Deus 69v–70
Missa de Apostolis a4: Sanctus 72–72v
Missa de Beata Virgine a4: Agnus Dei 69–69v
Missa de Beata Virgine a4: Et in terra pax [Gloria] [Tro] Spiritus et alme 66v–68
Missa de Beata Virgine a4: Kyrie 66–66v
Missa de Beata Virgine a4: Sanctus 68–69
Missa de Confessoribus a4: Agnus Dei 78v–79
Missa de Confessoribus a4: Gloria 76v–77v
Missa de Confessoribus a4: Kyrie 76–76v
Missa de Confessoribus a4: Sanctus 77v–78v
Missa de Martyribus a4: Agnus Dei 75v
Missa de Martyribus a4: Gloria 74–75
Missa de Martyribus a4: Kyrie 73–73v
Missa de Martyribus a4: Sanctus 75–75v
Missa Dominicale quadragesimale (4vv): Agnus Dei 61–61v
Missa Dominicale quadragesimale (4vv): Kyrie 59v–60
Missa Dominicale quadragesimale (4vv): Sanctus 60–61
Missa Pascale a4 ad organum: Agnus Dei 58v–59
Missa Pascale a4 ad organum: Gloria 57v–58
Missa Pascale a4 ad organum: Kyrie 57–57v
Missa Pascale a4 ad organum: Sanctus 58–58v
Missa Solemnis a4: Agnus Dei 65v–66
Missa Solemnis a4: Gloria 63–64v
Missa Solemnis a4: Kyrie 62–62v
Missa Solemnis a4: Sanctus 64v–65v
Morte Christum imitatus 18–20
O devote recolenda victorum certamina [Proprium de omnibus sanctis] 8v–10
Protexisti me Deus a conventu [Commune unius martyris] 23v–24v
Qui mihi ministrat [Commune unius martyris] 22–22v
Qui seminant in lacrimis [De Martiribus et Apostolis] 13–14
Rorate caeli desuper [Proprium de veneratione BVM in adventu Domini] 47v–48
Salve sancta parens enixa puerpera [Proprium de veneratione BVM] 48v–49
Sapientiam sanctorum Narrant populi [De martiribus] 6v–7v
Simile est regnum caelorum [De Virginibus] 46–46v
Statuit ei Dominus [De confessoribus] 29v–30v
Vos qui secuti estis Sedebitis super sedes [Commune apostolorum] 5–5v

Set: Mus.Hs. 18745 Mus

Type: Partbooks

No images available

A-Wn Mus.Hs. 18745 [Altus]

No images available

A-Wn Mus.Hs. 18745 [Bassus]

No images available

A-Wn Mus.Hs. 18745 [Discantus]

No images available

A-Wn Mus.Hs. 18745 [Tenor]

denotes primary source study

Fallows, David. 2006. The Copyist Formerly Known as Lucas Wagenrieder – Bernhard Rem and his Circle. Die Münchner Hofkapelle des 16. Jahrhunderts im europäischen Kontext: Bericht über das internationale Symposion der Musikhistorischen Kommission der Bayerischen Akademie der Wissenschaften in Verbindung mit der Gesellschaft für Bayerische Musikgeschichte, München 02.–04. August 2004, Phil.-Hist. Klasse, Abhandlungen, Neue Folge. 212-223. Munich: Bayerische Akademie der Wissenschaften.

Rifkin, Joshua. 2005. Jean Michel and 'Lucas Wagenrieder' : some new findings. Tijdschrift van de Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis, 113-126.

Staehelin, Martin. 1981. Aus 'Lukas Wagenrieders' Werkstatt: ein unbekanntes Lieder-Manuskript des frühen 16. Jahrhunderts in Zürich. Formen und Probleme der Überlieferung mehrstimmiger Musik im Zeitalter Josquins Desprez, Wolfenbütteler Forschungen. 71-94. Munich. Pages: 75. Notes: mention of MS.

Staehelin, Martin. 1977. Die Messen Heinrich Isaacs. Publikationen der Schweizerischen Musikforschenden Gesellschaft Serie II.  Bern and Stuttgart. Pages: I, xliv, 36-9, 72, 76 III, 107-12, 189-90. Notes: physical description; contents list (partial); concordances (partial); mention of MS; discussion.

Lerner, Edward R (editor). 1974-. Henrici Isaac (ca. 1450-1517): Opera Omnia. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: IV, xiv-xvi, xxi-xxvii, 16-27. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Bente, Martin. 1968. Neue Wege der Quellenkritik und die Biographie Ludwig Senfls.  Wiesbaden. Pages: 110-44. Notes: physical description (partial); contents list (partial); concordances (partial); mention of MS; discussion.

Pätzig, Gerhard-Rudolf. 1964. Das Chorbuch Mus. ms. 40024 der Deutschen Staatsbibliothek Berlin: Eine wichtige Quelle zum Schaffen Isaacs aus der Hand Leonhard Pämingers. Festschrift Walter Gerstenberg zum 60. Geburtstag, 122-42. Wolfenbüttel and Zürich. Pages: 123, 128-37. Notes: contents list (partial); concordances (partial).

Just, Martin. 1960. Studien zu Heinrich Isaacs Motetten. Eberhard-Karls-Universität, Tübingen, Unpublished Ph.D. dissertation. Pages: I, 36 II, 28, 89-90. Notes: contents list (partial); incipits (partial); mention of MS; discussion.

Pätzig, Gerhard-Rudolf. 1956. Liturgische Grundlagen und handschriftliche Überlieferung von Heinrich Isaacs "Choralis Constantinus". Eberhard-Karls-Universität (Tübingen), Unpublished Ph.D. dissertation. Pages: I, 83ff II, 93ff, 213-4. Notes: physical description (partial); contents list; concordances; incipits (partial); mention of MS; discussion.

Schmitz, Arnold (editor). 1955-. Musikalische Denkmäler.  Mainz. Pages: VII, 92. Notes: physical description; contents list (partial); concordances (partial).

Nowak, Leopold. 1948. Die Musikhandschriften aus Fuggerschem Besitz in der Österreichischen Nationalbibliothek. Die Österreichische Nationalbibliothek. Festschrift herausgegeben zum 25 jährigen Dienstjubiläum des Generaldirektors Univ.-Prof. Dr. Josef Bick, edited by Leopold Nowak,  Vienna: H. Bauer-Verlag. Notes: physical description (partial); mention of MS; discussion.

Mantuani, Joseph. 1864-99 R 1965. Tabulae Codicum Manu Scriptorum in Bibliotheca Palatina Vindobonensi Asservatorum. 10 vols. Vienna: (1864-99) Graz: (1965 reprint). Pages: X, 193-6. Notes: physical description (partial); contents list.

This form is used to make comments on a source. If you wish to notify us of a correction to the record, you should use the "Contribute a change" form instead.

No comments have been made.

Contributions to this record are recorded here. If you wish to contribute information or a correction to this record, use the "Contribute a Change" link. This will then be reviewed by DIAMM staff and, if accepted, your contribution will be acknowledged here.

DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Watermark Note; Notation Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description