D-Usch 237 (d)

Münster Bibliothek, Ulm, Germany

partbook: c. 1530-40

Archive	Münster Bibliothek, Ulm, Germany (D-Usch)
Shelfmark	237 (d)
Image Availability	DIAMM does not have images of this source.
Surface	Paper
Numbering System	Foliation
Measurements	98 x 142 mm
Other Identifiers	CCM: UlmS 237
Relationships	Troianus, Albertus Calerus (owner) Lucio, Marco Albano (owner) Schermar, Egenolf and Anton von (owner) Lobereich, Hainrichus (mentioned in liminary text)
External Links	CMME online edition
Provenance	Bavaria, Germany
Contents	135 pieces from 50 composers

General Description

A Bassus partbook from a set of four volumes. Copied by nine scribes. Some pieces have text incipits only. Not all pieces are in all books; in particular there are several 3vv pieces (in D, T, B books only) and 2vv pieces (in D, B books only).

Of central German origin. Early (original?) owner may have been Hainrichus Lobereich, named on first folio of D book. Partbooks given to Marco Albano Lucio (or Rucio) by Albertus Calerus Troianus of Schweinfurt in 1551 (inscriptions at beginning of each partbook; see also StaeMI I, 73). Owned in late 16th and first half of 17th century by Egenolf and Anton von Schermar of Ulm; von Schermar collection later deposited in Münster Bibliothek, Ulm.

DIAMM, 2017

Binding

Original parchment covers

DIAMM, 2017

Notation

not indicated

DIAMM, 2017

Foliation

Original ink foliation in each book, with some errors; section of blank folios at end of each book not included by foliation

DIAMM, 2017

Decoration

Some inked calligraphic initials.

DIAMM, 2017

Index

Incomplete original index on ff. [ii-iii'] of T book lists motets only, in order of appearance (some motets not listed)

DIAMM, 2019

Surface

paper

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 Agnus, 3 Mass Ordinary sections, 2 hymns, 52 motets, 25 French secular pieces (2 without text), 17 Dutch secular pieces, 3 German secular pieces, 3 Italian secular pieces, 1 Latin secular piece, 2 textless pieces = 109

(Appenzeller/Josquin/Vinders)-1, (Arcadelt)-2, (Barbireau/Isaac/ Obrecht)-1, (Brumel)-1 + 1?, (Caen/Lupus/Richafort)-1, (Conseil)-1, (Courtois/Jacotin/Morales)-1, (C. Festa/Gombert)-1, (A. Févin)-1, (Ghiselin)-1, (Gombert)-8, (Gombert/Haugk/Mahu) -1, (Gombert/Mouton/Verdelot)-1, (Gombert/Sermisy)-1, (Hayne van Ghizeghem)-1, (Hellinck/Senfl/Verdelot)-1, (Hesdin/Roquellay)-1, (Isaac)-2, (Jacotin/Sermisy)-1, (Janequin/Ninot 1e Petit/ Willaert)-1, (Jaquet of Mantua)-2, (Jhan of Ferrara)-1, (Josquin) -13, (Josquin/La Rue)-1, (Josquin-anon)-1, (La Rue/Obrecht)-1, (Lafage)-1, (L'Archier)-1, (Lasson/Verdelot)-1, (Le Cocq)-1, (Lupi)-1, (Magdelain)-1, (Moulu)-1, (Piéton)-1, (Pipelare)-2, (Roellrin)-1, Samson-3, (Sermisy)-1, (Verdelot)-1, anon-44

4 paper partbooks (D-124 folios, A-130, T-124, B-125), 98 x 142. Original ink foliation in each book, with some errors; section of blank folios at end of each book not included by foliation. Original parchment covers. Incomplete original index on ff. [ii-iii'] of T book lists motets only, in order of appearance (some motets not listed). Copied by nine scribes. Some inked calligraphic initials. Some pieces have text incipits only.

Ca. 1530-40. Of central German origin. Early (original?) owner may have been Hainrichus Lobereich, named on first folio of D book. Partbooks given to Marco Albano Lucio (or Rucio) by Albertus Calerus Troianus of Schweinfurt in 1551 (inscriptions at beginning of each partbook; see also StaeMI I, 73). Owned in late 16th and first half of 17th century by Egenolf and Anton von Schermar of Ulm; von Schermar collection later deposited in Münster Bibliothek, Ulm.

Vol 4

Composers: Change "(Brumel)-l + 1? " to "(Brumel)-2."

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
iii v–vi v	[blank pages]	-	-
[blank pages] Appears on: iii v–vi v
1	Ut Phoebi radiis 25.10 - 1a pars (of 2): Ut Phoebi radiis soror obvia sidera	[Josquin]	Despres, Josquin (ca. 1450–1521)
Ut Phoebi radiis 25.10 - 1a pars (of 2): Ut Phoebi radiis soror obvia sidera Despres, Josquin (ca. 1450–1521) Appears on: 1 Genres: Motet Source Attribution: [Josquin] Voice: [no designation] Languages: Latin Voice Text: [Ut Phoebi radiis soror obvia sidera] 25.10 II: Latius [in numerum canit id quoque]
1	Ut Phoebi radiis 25.10 - 2a pars (of 2): Latius in numerum canit id quoque	-	Despres, Josquin (ca. 1450–1521)
Ut Phoebi radiis 25.10 - 2a pars (of 2): Latius in numerum canit id quoque Despres, Josquin (ca. 1450–1521) Appears on: 1 Genres: Motet
1v	Ave Maria ... virgo serena 23.6 - 1a pars (of 2): Ave Maria ... virgo serena	[Josquin]	Despres, Josquin (ca. 1450–1521)
Ave Maria ... virgo serena 23.6 - 1a pars (of 2): Ave Maria ... virgo serena Despres, Josquin (ca. 1450–1521) Appears on: 1v Genres: Ave Maria, Motet Source Attribution: [Josquin] Voice: [no designation] Languages: Latin Voice Text: Ave Maria gratia plena dominus tecum 23.6
2	Ave Maria ... virgo serena 23.6 - 2a pars (of 2): Ave vera virginitas	-	Despres, Josquin (ca. 1450–1521)
Ave Maria ... virgo serena 23.6 - 2a pars (of 2): Ave vera virginitas Despres, Josquin (ca. 1450–1521) Appears on: 2 Genres: Ave Maria, Motet
2v	Anima mea liquefacta est - 1a pars (of 2): Anima mea liquefacta est ut dilectus	[Ghiselin]	Ghiselin (Verbonnet), Johannes
Anima mea liquefacta est - 1a pars (of 2): Anima mea liquefacta est ut dilectus Ghiselin (Verbonnet), Johannes Appears on: 2v Genres: Motet Source Attribution: [Ghiselin] Voice: [no designation] Languages: Latin Voice Text: Anima mea liquefacta est ut dilectus
2v–3	Anima mea liquefacta est - 2a pars (of 2): Tulerunt pallium meum	-	Ghiselin (Verbonnet), Johannes
Anima mea liquefacta est - 2a pars (of 2): Tulerunt pallium meum Ghiselin (Verbonnet), Johannes Appears on: 2v–3 Genres: Motet
3v	Anima mea liquefacta est - 1a pars (of 3): Anima mea liquefacta est	-	Isaac, Heinrich (ca. 1450–1517)
Anima mea liquefacta est - 1a pars (of 3): Anima mea liquefacta est Isaac, Heinrich (ca. 1450–1517) Appears on: 3v Genres: Motet
4	Anima mea liquefacta est - 2a pars (of 3): Invenerunt me custodes civitatis	[Isaac]	Isaac, Heinrich (ca. 1450–1517)
Anima mea liquefacta est - 2a pars (of 3): Invenerunt me custodes civitatis Isaac, Heinrich (ca. 1450–1517) Appears on: 4 Genres: Motet Source Attribution: [Isaac] Voice: [no designation] Languages: Latin Voice Text: Anima mea [liquefacta est ut dilectus] II: Invenerunt [me custodes civitatis] III: [Filie Hierusalem nunciate dilecto]
4v	Anima mea liquefacta est - 3a pars (of 3): Filie Jerusalem nunciate dilecto	-	Isaac, Heinrich (ca. 1450–1517)
Anima mea liquefacta est - 3a pars (of 3): Filie Jerusalem nunciate dilecto Isaac, Heinrich (ca. 1450–1517) Appears on: 4v Genres: Motet
5–5v	Alma redemptoris mater / Ave regina caelorum 23.2 - 1a pars (of 2): Alma redemptoris mater / Ave regina caelorum	[Josquin]	Despres, Josquin (ca. 1450–1521)
Alma redemptoris mater / Ave regina caelorum 23.2 - 1a pars (of 2): Alma redemptoris mater / Ave regina caelorum Despres, Josquin (ca. 1450–1521) Appears on: 5–5v Genres: Alma redemptoris mater, BVM, Motet Source Attribution: [Josquin] Voice: [no designation] Languages: Latin Voice Text: Alma redemptoris mater/Ave regina celorum 23.2 II: [Tu que genuisti]/Gaude [virgo] gloriosa
5v–6	Alma redemptoris mater / Ave regina caelorum 23.2 - 2a pars (of 2): Tu que genuisti natura mirante / Gaude virgo gloriosa	-	Despres, Josquin (ca. 1450–1521)
Alma redemptoris mater / Ave regina caelorum 23.2 - 2a pars (of 2): Tu que genuisti natura mirante / Gaude virgo gloriosa Despres, Josquin (ca. 1450–1521) Appears on: 5v–6 Genres: Alma redemptoris mater, BVM, Motet
6–7	[untexted]	Anon.	-
[untexted] - Appears on: 6–7 Genres: textless Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
7v–8	Vultum tuum 25.14 - 2a pars (of 7): Sancta Dei genitrix virgo semper Maria	[Josquin]	Despres, Josquin (ca. 1450–1521)
Vultum tuum 25.14 - 2a pars (of 7): Sancta Dei genitrix virgo semper Maria Despres, Josquin (ca. 1450–1521) Appears on: 7v–8 Genres: Motet Source Attribution: [Josquin] Voice: [no designation] Languages: Latin Voice Text: Sancta dei genitrix virgo semper Maria 25.13 [Pars II of Vultum tuum deprecabuntur omnes]
8–8v	Vultum tuum 25.14 - 3a pars (of 7): O intemerata virgo que redemptorem	[Josquin]	Despres, Josquin (ca. 1450–1521)
Vultum tuum 25.14 - 3a pars (of 7): O intemerata virgo que redemptorem Despres, Josquin (ca. 1450–1521) Appears on: 8–8v Genres: Motet Source Attribution: [Josquin] Voice: [no designation] Languages: Latin Voice Text: [O i]ntemerata virgo que redemptorem seculi 25.14 [Pars III of Vultum tuum deprecabuntur omnes]
9–9v	Vultum tuum 25.14 - 4a pars (of 7): O Maria nullam tam gravem possimus	[Josquin]	Despres, Josquin (ca. 1450–1521)
Vultum tuum 25.14 - 4a pars (of 7): O Maria nullam tam gravem possimus Despres, Josquin (ca. 1450–1521) Appears on: 9–9v Genres: Motet Source Attribution: [Josquin] Voice: [no designation] Languages: Latin Voice Text: [O] Maria nullam tam gravem possimus 25.14 [Pars IV of Vultum tuum deprecabuntur omnes]
9v–10	Vultum tuum 25.14 - 5a pars (of 7): Mente tota tibi supplicamus ut sicut	[Josquin]	Despres, Josquin (ca. 1450–1521)
Vultum tuum 25.14 - 5a pars (of 7): Mente tota tibi supplicamus ut sicut Despres, Josquin (ca. 1450–1521) Appears on: 9v–10 Genres: Motet Source Attribution: [Josquin] Voice: [no designation] Languages: Latin Voice Text: [M]ente tota tibi supplicamus ut sicut 25.14 [Pars V of Vultum tuum deprecabuntur omnes]
10v	Vultum tuum 25.14 - 6a pars (of 7): Ora pro nobis virgo sine termino	[Josquin]	Despres, Josquin (ca. 1450–1521)
Vultum tuum 25.14 - 6a pars (of 7): Ora pro nobis virgo sine termino Despres, Josquin (ca. 1450–1521) Appears on: 10v Genres: Motet Source Attribution: [Josquin] Voice: [no designation] Languages: Latin Voice Text: [O]ra pro nobis [virgo] sine termino 25.14 [Pars VI of Vultum tuum deprecabuntur omnes]
10v–11	Missus est Gabriel angelus ad Mariam 20.6	[Josquin]	Despres, Josquin (ca. 1450–1521)
Missus est Gabriel angelus ad Mariam 20.6 Despres, Josquin (ca. 1450–1521) Appears on: 10v–11 Genres: Motet Source Attribution: [Josquin] Voice: [no designation] Languages: Latin Voice Text: [M]issus est Gabriel angelus ad Mariam 20.6
11–11v	Ecce tu pulchra es amica mea 14.6	[Josquin]	Despres, Josquin (ca. 1450–1521)
Ecce tu pulchra es amica mea 14.6 Despres, Josquin (ca. 1450–1521) Appears on: 11–11v Genres: Motet Source Attribution: [Josquin] Voice: [no designation] Languages: Latin Voice Text: [E]cce tu pulchra es amica mea 14.6
12	Le content est riche en ce monde	[Gombert/Sermisy]	Sermisy, Claudin de (ca. 1490–1562) (?) Gombert, Nicolas (ca. 1495–ca. 1560) (?)
Le content est riche en ce monde Sermisy, Claudin de (ca. 1490–1562) (?) Gombert, Nicolas (ca. 1495–ca. 1560) (?) Appears on: 12 Genres: Chanson Source Attribution: [Gombert/Sermisy] Voice: [no designation] Languages: French Voice Text: Le content [est riche en ce monde]
12v–13	Beatus vir - 1a pars (of 2): Beatus vir qui non abiit in consilio	[Sermisy]	Sermisy, Claudin de (ca. 1490–1562)
Beatus vir - 1a pars (of 2): Beatus vir qui non abiit in consilio Sermisy, Claudin de (ca. 1490–1562) Appears on: 12v–13 Genres: Motet Source Attribution: [Sermisy] Voice: [no designation] Languages: Latin Voice Text: Beatus vir qui non abiit [in consilio] II: Non sic impii non sic [sed tanquam]
13v–14	Beatus vir - 2a pars (of 2): Non sic impii non sic sed tanquam	-	Sermisy, Claudin de (ca. 1490–1562)
Beatus vir - 2a pars (of 2): Non sic impii non sic sed tanquam Sermisy, Claudin de (ca. 1490–1562) Appears on: 13v–14 Genres: Motet
14v	Mijn herz altijt heeft verlanghen	[La Rue/Obrecht]	Rue, Pierre de la (ca. 1452–1518) (?) Obrecht, Jacobus (ca. 1457–1505) (?)
Mijn herz altijt heeft verlanghen Rue, Pierre de la (ca. 1452–1518) (?) Obrecht, Jacobus (ca. 1457–1505) (?) Appears on: 14v Genres: Italian secular Source Attribution: [La Rue/Obrecht] Voice: [no designation] Languages: German Voice Text: Myn hertz [heeft altijt verlanghen]
15	Ein frölich wesen hab ich erlesen	[Barbireau/Isaac/Obrecht]	Isaac, Heinrich (ca. 1450–1517) (?) Obrecht, Jacobus (ca. 1457–1505) (?) Barbireau, Jacobus (1455–1491) (?)
Ein frölich wesen hab ich erlesen Isaac, Heinrich (ca. 1450–1517) (?) Obrecht, Jacobus (ca. 1457–1505) (?) Barbireau, Jacobus (1455–1491) (?) Appears on: 15 Genres: Song Source Attribution: [Barbireau/Isaac/Obrecht] Voice: [no designation] Languages: German Voice Text: Eyn vroelich wesen [myn oogskins saghen] [= Ein frölich wesen hab ich erlesen, Quen dites vous feres vous rien, Se une fois]
15–15v	Myn herz ys alle zyt verlangen	Anon.	Anonymous
Myn herz ys alle zyt verlangen Anonymous Appears on: 15–15v Genres: Doxology Source Attribution: Anon. Voice: [no designation] Languages: German Voice Text: Myn hertz ys alle zyt verlangen
15v–16	Adieu mes amours on m'atent	Anon.	Anonymous
Adieu mes amours on m'atent Anonymous Appears on: 15v–16 Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: [Adieu mes amours on m'atent]
16	De tous biens plaine est ma maîtresse	[Hayne van Ghizeghem]	Ghizeghem, Hayne van (ca. 1445–ca. 1497)
De tous biens plaine est ma maîtresse Ghizeghem, Hayne van (ca. 1445–ca. 1497) Appears on: 16 Genres: Chanson Source Attribution: [Hayne van Ghizeghem] Voice: [no designation] Languages: French Voice Text: De tous bien plain [est ma maistresse]
16–16v	V....	Anon.	Anonymous
V.... Anonymous Appears on: 16–16v Genres: Secular Source Attribution: Anon. Voice: [no designation] Languages: insufficient Voice Text: V.
16v–17	Vrucht en moet is gar dahin	[Roellrin]	Raulin / Roelkin (1443–1485)
Vrucht en moet is gar dahin Raulin / Roelkin (1443–1485) Appears on: 16v–17 Genres: Song Source Attribution: [Roellrin] Voice: [no designation] Languages: German Voice Text: [V]reud und moitt [= Vrucht en moet is gar dahin]
17	En .....	Anon.	Anonymous
En ..... Anonymous Appears on: 17 Genres: Secular Source Attribution: Anon. Voice: [no designation] Languages: insufficient Voice Text: En
17v	Ich hadd so schoene vrouwe	Sampson [= Samson]	Sampson
Ich hadd so schoene vrouwe Sampson Appears on: 17v Genres: Song Source Attribution: Sampson [= Samson] Voice: [no designation] Languages: German Voice Text: [I]ck hadd so schoene vrudwe
18	Myn synn synt myr entzuegen von einer junckfrawen [i]	Anon.	Anonymous
Myn synn synt myr entzuegen von einer junckfrawen [i] Anonymous Appears on: 18 Genres: Sacred Song Source Attribution: Anon. Voice: [no designation] Languages: Flemish Voice Text: Myn synn synt myr entzoegen van eyner junckfrawen
18v	Helas	Anon.	Anonymous
Helas Anonymous Appears on: 18v Genres: Secular Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: [H]ellas
18v–19	En non sachant ce qu'il lui fault	Anon.	Anonymous
En non sachant ce qu'il lui fault Anonymous Appears on: 18v–19 Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: [E]n non sachant [ce qu'il luy fault]
19–19v	Tant ravi suis	Anon.	Anonymous
Tant ravi suis Anonymous Appears on: 19–19v Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Tant ravi suis
19v–20	Je ris et si ay larme a l'oeil 28.18	[Josquin]	Despres, Josquin (ca. 1450–1521)
Je ris et si ay larme a l'oeil 28.18 Despres, Josquin (ca. 1450–1521) Appears on: 19v–20 Genres: Chanson Source Attribution: [Josquin] Voice: [no designation] Languages: French Voice Text: [J]e ris et sy ay la larme [= Je ris et si ay larme a loeil] 28.18
20	Het was eyn regulerer moench	Anon.	Anonymous
Het was eyn regulerer moench Anonymous Appears on: 20 Genres: Song Source Attribution: Anon. Voice: [no designation] Languages: German Voice Text: [H]et was eyn regulerer moench
20–20v	C'est donc par moy que je suis fortune	[Janequin/Ninot le Petit/Willaert]	Petit, Nino le (fl. c1500) (?) Janequin, Clement (ca. 1485–ca. 1558) (?) Willaert, Adrian (ca. 1490–1562) (?)
C'est donc par moy que je suis fortune Petit, Nino le (fl. c1500) (?) Janequin, Clement (ca. 1485–ca. 1558) (?) Willaert, Adrian (ca. 1490–1562) (?) Appears on: 20–20v Genres: Chanson Source Attribution: [Janequin/Ninot le Petit/Willaert] Voice: [no designation] Languages: French Voice Text: Cest don par moy [= C'est donc par moy que je suis fortune]
20v–21	Pensen en truren duchten en hopen	Anon.	Anonymous
Pensen en truren duchten en hopen Anonymous Appears on: 20v–21 Genres: Song Source Attribution: Anon. Voice: [no designation] Languages: German Voice Text: [P]ensen ende truren [duchten en hopen]
21–21v	Missa Quant j'ai au coeur: Benedictus	[Isaac]	Isaac, Heinrich (ca. 1450–1517)
Missa Quant j'ai au coeur: Benedictus Isaac, Heinrich (ca. 1450–1517) Appears on: 21–21v Genres: Mass Ordinary, Sanctus [& Benedictus], Troped Sanctus Source Attribution: [Isaac] Voice: [no designation] Languages: Latin Voice Text: Benedictus [from Missa Quant j'ay au cueur]
21v–22	Du bon du coeur ma chère dame	Anon.	Anonymous
Du bon du coeur ma chère dame Anonymous Appears on: 21v–22 Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Du bon de cueur [ma chère dame?]
22–22v	On [Tu] a mal dit de mon amy	[A. Févin]	Fevin, Antoine de (ca. 1470–ca. 1512)
On [Tu] a mal dit de mon amy Fevin, Antoine de (ca. 1470–ca. 1512) Appears on: 22–22v Genres: Chanson Source Attribution: [A. Févin] Voice: [no designation] Languages: French Voice Text: On a mal dit de mon amy
22v–23	Myn liefkins bruyn ooghen ende haren	[Pipelare]	Agricola, Alexander (ca. 1445–1506) (?) Pipelare, Mattheus (ca. 1450–ca. 1515)
Myn liefkins bruyn ooghen ende haren Agricola, Alexander (ca. 1445–1506) (?) Pipelare, Mattheus (ca. 1450–ca. 1515) Appears on: 22v–23 Genres: Song Source Attribution: [Pipelare] Voice: [no designation] Languages: Dutch Voice Text: Myn liefgyns bruyn oughen [ende haren]
23–23v	Ick loop ick draue	Anon.	Anonymous
Ick loop ick draue Anonymous Appears on: 23–23v Genres: Song Source Attribution: Anon. Voice: [no designation] Languages: German Voice Text: Ick loop ick draue
23v–24	Noch wyll van aventuyren	Anon.	Anonymous
Noch wyll van aventuyren Anonymous Appears on: 23v–24 Genres: Song Source Attribution: Anon. Voice: [no designation] Languages: German Voice Text: Noch wyll van aventuyren
24	Myn synn synt myr entzuegen von einer junckfrawen [ii]	Anon.	Anonymous
Myn synn synt myr entzuegen von einer junckfrawen [ii] Anonymous Appears on: 24 Genres: Sacred Song Source Attribution: Anon. Voice: [no designation] Languages: Flemish Voice Text: Myn synn synt myr entzuegen [von einer junckfrawen]
24v	Vrai dieu d'amours confortez moi vous m'avez mis	[Brumel]	Brumel, Antoine (ca. 1460–ca. 1513)
Vrai dieu d'amours confortez moi vous m'avez mis Brumel, Antoine (ca. 1460–ca. 1513) Appears on: 24v Genres: Chanson Source Attribution: [Brumel] Voice: [no designation] Languages: French Voice Text: Vra dieu damours [= Vray dieu d'amours confortez moy]
25	Als der Winter van hinnen scheid so kumpt	Anon.	Anonymous
Als der Winter van hinnen scheid so kumpt Anonymous Appears on: 25 Genres: Song Source Attribution: Anon. Voice: [no designation] Languages: German Voice Text: Als der wynter van hynnen scheyd so kumpt
25–25v	Het quam eyn schaferken uyt Saphoyen	Anon.	Anonymous
Het quam eyn schaferken uyt Saphoyen Anonymous Appears on: 25–25v Genres: Song Source Attribution: Anon. Voice: [no designation] Languages: German Voice Text: [H]et quam eyn schaferken uyt Saphoyen
25v	Ich seck adieu wy twe wy moeten scheiden	Anon.	Anonymous
Ich seck adieu wy twe wy moeten scheiden Anonymous Appears on: 25v Genres: Song Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Ich seck adieu [wy twe wy moeten scheiden]
26	Ich seck adieu wy twe wy moeten scheiden	Anon.	Anonymous
Ich seck adieu wy twe wy moeten scheiden Anonymous Appears on: 26 Genres: Song Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Ich seck adieu [wy twe wy moeten scheiden]
25v–26	Der Mai bringt uns die Blumen	Anon.	Anonymous
Der Mai bringt uns die Blumen Anonymous Appears on: 25v–26 Genres: Song Source Attribution: Anon. Voice: [no designation] Languages: German Voice Text: Der may brenckt uns de blomen
26–26v	Rich Gott wem sall ich clagen	Anon.	Anonymous
Rich Gott wem sall ich clagen Anonymous Appears on: 26–26v Genres: Sacred Song Source Attribution: Anon. Voice: [no designation] Languages: German Voice Text: Rich Got wem sall ich clagen
26v–27	Nu noch nummer me sal ick van ju scheyden	[Pipelare]	Pipelare, Mattheus (ca. 1450–ca. 1515)
Nu noch nummer me sal ick van ju scheyden Pipelare, Mattheus (ca. 1450–ca. 1515) Appears on: 26v–27 Genres: Song Source Attribution: [Pipelare] Voice: [no designation] Languages: German Voice Text: Nu noch nummer me sal ick van ju scheyden [= Ave castissima]
27	Faulte dargent c'est douleur non pareille	Anon.	Anonymous
Faulte dargent c'est douleur non pareille Anonymous Appears on: 27 Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Faulte dargent [c'est douleur non pareille]
27v–28v	Pater a nullo est factus nec creatus	[Samson]	Sampson
Pater a nullo est factus nec creatus Sampson Appears on: 27v–28v Genres: Motet Source Attribution: [Samson] Voice: [no designation] Languages: Latin Voice Text: Pater a nullo est factus nec creatus
28v–29	Noch lust	Anon.	Anonymous
Noch lust Anonymous Appears on: 28v–29 Genres: Song Source Attribution: Anon. Voice: [no designation] Languages: German Voice Text: Noch lust
29	Undas thespiadum qui gustavere beati floribus	Anon.	Anonymous
Undas thespiadum qui gustavere beati floribus Anonymous Appears on: 29 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Undas thespiadum qui gustavere beati floribus
29v–30v	Domini est terra 16.12 - 1a pars (of 2): Domini est terra et plenitudo eius	[Appenzeller/Josquin/Vinders]	Despres, Josquin (ca. 1450–1521) (?) Vinders, Jheronimus (fl. c1525-1526) Appenzeller, Benedictus (ca. 1480–ca. 1558) (?)
Domini est terra 16.12 - 1a pars (of 2): Domini est terra et plenitudo eius Despres, Josquin (ca. 1450–1521) (?) Vinders, Jheronimus (fl. c1525-1526) Appenzeller, Benedictus (ca. 1480–ca. 1558) (?) Appears on: 29v–30v Genres: Motet Source Attribution: [Appenzeller/Josquin/Vinders] Voice: [no designation] Languages: Latin Voice Text: Domini est terra et plenitudo eius 16.12 II: Hec est generatio querentium
30v–31v	Domini est terra 16.12 - 2a pars (of 2): Haec est generatio querentium	-	Vinders, Jheronimus (fl. c1525-1526) Appenzeller, Benedictus (ca. 1480–ca. 1558) (?) Despres, Josquin (ca. 1450–1521) (?)
Domini est terra 16.12 - 2a pars (of 2): Haec est generatio querentium Vinders, Jheronimus (fl. c1525-1526) Appenzeller, Benedictus (ca. 1480–ca. 1558) (?) Despres, Josquin (ca. 1450–1521) (?) Appears on: 30v–31v Genres: Motet
31v–32v	Quae est ista que processit sicut sol	[Lafage]	Fage, Jean de la
Quae est ista que processit sicut sol Fage, Jean de la Appears on: 31v–32v Genres: Motet Source Attribution: [Lafage] Voice: [no designation] Languages: Latin Voice Text: [Q]ue est ista que processit sicut sol
32v–33	Missa Beata Virgine = Missa Coronata 3.3: Gloria (excerpt: Cum sancto spiritu)	[Josquin/La Rue]	Despres, Josquin (ca. 1450–1521)
Missa Beata Virgine = Missa Coronata 3.3: Gloria (excerpt: Cum sancto spiritu) Despres, Josquin (ca. 1450–1521) Appears on: 32v–33 Genres: Gloria (et in terra pax), Mass Ordinary Source Attribution: [Josquin/La Rue] Voice: [no designation] Languages: Latin Voice Text: [C]um sancto spiritu [from Missa De beata Virgine] 3.3
33v–34	Homo quidam - 1a pars (of 2): Homo quidam fecit caenam magnam et misit	Anon.	Anonymous
Homo quidam - 1a pars (of 2): Homo quidam fecit caenam magnam et misit Anonymous Appears on: 33v–34 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [H]omo quidam fecit cenam magnam et misit II: Ite ergo ad exitus viarum
34c–35	Homo quidam - 2a pars (of 2): Ite ergo ad exitus viarum	-	Anonymous
Homo quidam - 2a pars (of 2): Ite ergo ad exitus viarum Anonymous Appears on: 34c–35 Genres: Motet
35	Cesse mon oeil de plus la regarder	[Pathie]	Pathie, Rogier (ca. 1510–ca. 1564)
Cesse mon oeil de plus la regarder Pathie, Rogier (ca. 1510–ca. 1564) Appears on: 35 Genres: Chanson Source Attribution: [Pathie] Voice: [no designation] Languages: French Voice Text: Cesse mon [oeil de plus la regarder]
35v–36	Venerantes	Anon.	Anonymous
Venerantes Anonymous Appears on: 35v–36 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Venerantes
36–36v	Pater noster qui es in caelis	Anon.	Anonymous
Pater noster qui es in caelis Anonymous Appears on: 36–36v Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [P]ater noster qui es in celis
37	Inclina Domine - 2a pars (of 3): Deduc me Domine in via tua et ingrediar	[Courtois/Jacotin/Morales]	Courtois, Jean (fl. 1530-1545) (?) Morales, Cristóbal de (ca. 1500–1553) (?) Jacotin, Jacques (1445–1529) (?)
Inclina Domine - 2a pars (of 3): Deduc me Domine in via tua et ingrediar Courtois, Jean (fl. 1530-1545) (?) Morales, Cristóbal de (ca. 1500–1553) (?) Jacotin, Jacques (1445–1529) (?) Appears on: 37 Genres: Motet Source Attribution: [Courtois/Jacotin/Morales] Voice: [no designation] Languages: Latin Voice Text: Deduc me domine [in via tua et ingrediar] [Pars II of Inclina domine aurem tuam]
37v	Sans liberte qu'un bon esprit	[Magdelain]	Magdelain
Sans liberte qu'un bon esprit Magdelain Appears on: 37v Genres: Chanson Source Attribution: [Magdelain] Voice: [no designation] Languages: French Voice Text: Sans liberte [qu'un bon esprit]
37v–38	Fleur de beaulte chef d'oeuvre de nature	[Conseil]	Conseil, Jean (ca. 1498–1534)
Fleur de beaulte chef d'oeuvre de nature Conseil, Jean (ca. 1498–1534) Appears on: 37v–38 Genres: Chanson Source Attribution: [Conseil] Voice: [no designation] Languages: French Voice Text: Fleur de beaulte [chef dvoeuvre de nature]
38v	[blank page]	-	-
[blank page] Appears on: 38v
39	Missa Sine nomine (4vv): Benedictus	[Brumel]	Brumel, Antoine (ca. 1460–ca. 1513)
Missa Sine nomine (4vv): Benedictus Brumel, Antoine (ca. 1460–ca. 1513) Appears on: 39 Genres: Mass Ordinary, Sanctus [& Benedictus] Source Attribution: [Brumel] Voice: [no designation] Languages: Latin Voice Text: Benedictus [from Missa Sine nomine]
39v	Missa Beata Virgine = Missa Coronata 3.3: Agnus Dei II	[Josquin]	Despres, Josquin (ca. 1450–1521)
Missa Beata Virgine = Missa Coronata 3.3: Agnus Dei II Despres, Josquin (ca. 1450–1521) Appears on: 39v Genres: Agnus Dei, Mass Ordinary Source Attribution: [Josquin] Voice: [no designation] Languages: Latin Voice Text: Agnus dei qui tollis [= Agnus II from Missa De beata Virgine] 3.3
40	A qui dirette sa pensé la fille [= Nunquid vixisti O pauper nunquam]	[Jacotin]	Jacotin, Jacques (1445–1529)
A qui dirette sa pensé la fille [= Nunquid vixisti O pauper nunquam] Jacotin, Jacques (1445–1529) Appears on: 40 Genres: Chanson Source Attribution: [Jacotin] Voice: [no designation] Languages: Latin Voice Text: A qui direlle sa pense [la fille] [= Nunquid vixisti O pauper nunquam]
40–40v	Sine nomine	Anon.	Anonymous
Sine nomine Anonymous Appears on: 40–40v Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Sine nomine
41	[blank page]	-	-
[blank page] Appears on: 41
41v–42	Au pres de vous secretement demeure	[Jacotin/Sermisy]	Sermisy, Claudin de (ca. 1490–1562)
Au pres de vous secretement demeure Sermisy, Claudin de (ca. 1490–1562) Appears on: 41v–42 Genres: Chanson Source Attribution: [Jacotin/Sermisy] Voice: [no designation] Languages: French Voice Text: A[u pres de vous secretement demeure]
42v	[blank page]	-	-
[blank page] Appears on: 42v
43	Au fort quand dieu plaira jaray bonne adventure	Anon.	Anonymous
Au fort quand dieu plaira jaray bonne adventure Anonymous Appears on: 43 Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Au fort quant dieu plaira
43v–44	Ambulans Jesus - 1a pars (of 2): Ambulans Jesus juxta mare Galileae	[Jhan of Ferrara]	Ferrara, Maistre Jhan of (ca. 1485–1538)
Ambulans Jesus - 1a pars (of 2): Ambulans Jesus juxta mare Galileae Ferrara, Maistre Jhan of (ca. 1485–1538) Appears on: 43v–44 Genres: Motet Source Attribution: [Jhan of Ferrara] Voice: [no designation] Languages: Latin Voice Text: Ambulans Jhesus iuxta mare Galilee vidit II: At illi continuo relictis retibus
44v–45	Ambulans Jesus - 2a pars (of 2): [At illi continuo] Relictis retibus	-	Ferrara, Maistre Jhan of (ca. 1485–1538)
Ambulans Jesus - 2a pars (of 2): [At illi continuo] Relictis retibus Ferrara, Maistre Jhan of (ca. 1485–1538) Appears on: 44v–45 Genres: Motet
45v–47	Jerusalem luge - 1a pars (of 2): Jerusalem luge et exue te vestibus jocunditatis	[Caen/Lupus/Richafort]	Hellinck, Lupus (ca. 1494–1541) (?) Richafort, Jean (ca. 1480–ca. 1550) (?) Caen, Arnold (?)
Jerusalem luge - 1a pars (of 2): Jerusalem luge et exue te vestibus jocunditatis Hellinck, Lupus (ca. 1494–1541) (?) Richafort, Jean (ca. 1480–ca. 1550) (?) Caen, Arnold (?) Appears on: 45v–47 Genres: Motet Source Attribution: [Caen/Lupus/Richafort] Voice: [no designation] Languages: Latin Voice Text: Iherusalem luge et exue te vestibus II: [D]educ quasi torrentem lachrimas
46v–48	Jerusalem luge - 2a pars (of 2): Deduc quasi torrentem lacrimas	-	Richafort, Jean (ca. 1480–ca. 1550) (?) Hellinck, Lupus (ca. 1494–1541) (?) Caen, Arnold (?)
Jerusalem luge - 2a pars (of 2): Deduc quasi torrentem lacrimas Richafort, Jean (ca. 1480–ca. 1550) (?) Hellinck, Lupus (ca. 1494–1541) (?) Caen, Arnold (?) Appears on: 46v–48 Genres: Motet
48v	Vexilla regis prodeunt fulget crucis 3 O crux ave spes unica hoc passionis	Anon.	Anonymous
Vexilla regis prodeunt fulget crucis 3 O crux ave spes unica hoc passionis Anonymous Appears on: 48v Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Vexilla regis prodeunt fulget crucis] 3 [O] crux ave spes unica [h]oc passionis General Note Canon "0 crux ave spes unica" 4-ex-1, only copied in this book. "The canon is written in four lines. All four voices begin at the four corners of the score at the same time. The 1st voice sings ut iacet from beginning to end; the 2nd voice begins at the end of the first line and reads from right to left like a Hebrew text; the 3rd voice begins at the start of the fourth line and reads from left to right, but rises one line up when changing lines. The 4th voice begins at the end and reads cancrizans to the beginning." (GottU)
49	Dulcis amica Dei rosa vernans atque decora	[Gombert]	Gombert, Nicolas (ca. 1495–ca. 1560)
Dulcis amica Dei rosa vernans atque decora Gombert, Nicolas (ca. 1495–ca. 1560) Appears on: 49 Genres: Motet Source Attribution: [Gombert] Voice: [no designation] Languages: Latin Voice Text: [D]ulcis amica dei rosa vernans atque decora
49–50v	Qui confidunt in Domino sicut mons Sion II: Benefac Domine bonis et rectis corde	Anon.	Anonymous
Qui confidunt in Domino sicut mons Sion II: Benefac Domine bonis et rectis corde Anonymous Appears on: 49–50v Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Q]ui confidunt in domino sicut mons Syon II: Benefac domine bonis et rectis corde
51–51v	Virtute magna - 1a pars (of 2): Virtute magna reddebant apostoli testimonium	[Lasson/Verdelot]	Verdelot, Philippe (ca. 1480–ca. 1532) (?) Lasson, Mathieu (?)
Virtute magna - 1a pars (of 2): Virtute magna reddebant apostoli testimonium Verdelot, Philippe (ca. 1480–ca. 1532) (?) Lasson, Mathieu (?) Appears on: 51–51v Genres: Motet Source Attribution: [Lasson/Verdelot] Voice: [no designation] Languages: Latin Voice Text: [V]irtute magna reddebant apostoli II: Repleti quidem spiritu sancto
51v–52	Virtute magna - 2a pars (of 2): Repleti sunt quidem spiritu sancto	-	Lasson, Mathieu (?) Verdelot, Philippe (ca. 1480–ca. 1532) (?)
Virtute magna - 2a pars (of 2): Repleti sunt quidem spiritu sancto Lasson, Mathieu (?) Verdelot, Philippe (ca. 1480–ca. 1532) (?) Appears on: 51v–52 Genres: Motet
52–52v	Operarius ebrosius non locum pletabitur	Anon.	Anonymous
Operarius ebrosius non locum pletabitur Anonymous Appears on: 52–52v Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [O]perarius ebrosius non locum pletabitur
52v–53v	Spem in alium nunquam habui praeter in te	[Jaquet of Mantua]	Mantua, Jacquet de (1483–1559)
Spem in alium nunquam habui praeter in te Mantua, Jacquet de (1483–1559) Appears on: 52v–53v Genres: Motet Source Attribution: [Jaquet of Mantua] Voice: [no designation] Languages: Latin Voice Text: [S]pem in alium nunquam habui preter in te
53v–54	Jubilate Deo - 1a pars (of 2): Jubilate Deo omnis terra servite Domino	[Gombert]	Gombert, Nicolas (ca. 1495–ca. 1560)
Jubilate Deo - 1a pars (of 2): Jubilate Deo omnis terra servite Domino Gombert, Nicolas (ca. 1495–ca. 1560) Appears on: 53v–54 Genres: Motet Source Attribution: [Gombert] Voice: [no designation] Languages: Latin Voice Text: [J]ubilate deo omnis terra servite domino II: Populus eius et oves pascue eius
54–54v	Jubilate Deo - 2a pars (of 2): Populus eius et oves pascue eius	-	Gombert, Nicolas (ca. 1495–ca. 1560)
Jubilate Deo - 2a pars (of 2): Populus eius et oves pascue eius Gombert, Nicolas (ca. 1495–ca. 1560) Appears on: 54–54v Genres: Motet
54v–55	Fac tibi mortales - 1a pars (of 2): Fac tibi mortales pareant Davidica radix	[Gombert]	Gombert, Nicolas (ca. 1495–ca. 1560)
Fac tibi mortales - 1a pars (of 2): Fac tibi mortales pareant Davidica radix Gombert, Nicolas (ca. 1495–ca. 1560) Appears on: 54v–55 Genres: Motet Source Attribution: [Gombert] Voice: [no designation] Languages: Latin Voice Text: [F]ac tibi mortales [pareant Davidica radix] II: O clemens geniti [faveas per secula]
55–55v	Fac tibi mortales - 2a pars (of 2): O clemens geniti faveas per saecula	-	Gombert, Nicolas (ca. 1495–ca. 1560)
Fac tibi mortales - 2a pars (of 2): O clemens geniti faveas per saecula Gombert, Nicolas (ca. 1495–ca. 1560) Appears on: 55–55v Genres: Motet
56–56v	Cur quisquam corradat opes jam resque	[Gombert/Haugk/Mahu]	Haugk, Virgilius (ca. 1490–1555) (?) Mahu, Stephan (?) Gombert, Nicolas (ca. 1495–ca. 1560) (?)
Cur quisquam corradat opes jam resque Haugk, Virgilius (ca. 1490–1555) (?) Mahu, Stephan (?) Gombert, Nicolas (ca. 1495–ca. 1560) (?) Appears on: 56–56v Genres: Motet Source Attribution: [Gombert/Haugk/Mahu] Voice: [no designation] Languages: Latin Voice Text: [C]ur quisquam corradat [opes jam resque]
56v–57	Unum cole Deum nec jures vana per ipsum (2p. Non sis occisor fur moechus testis)	[Jaquet of Mantua]	Mantua, Jacquet de (1483–1559)
Unum cole Deum nec jures vana per ipsum (2p. Non sis occisor fur moechus testis) Mantua, Jacquet de (1483–1559) Appears on: 56v–57 Genres: Motet Source Attribution: [Jaquet of Mantua] Voice: [no designation] Languages: Latin Voice Text: [U]num cole deum nec iures vana per ipsum II: Non sis occisor fur moechus [testis]
57–57v	Unum cole Deum - 2a pars (of 2): Non sis occisor fur moechus testis	-	Mantua, Jacquet de (1483–1559) (?) Berchem, Jacques (ca. 1505–1567) (?)
Unum cole Deum - 2a pars (of 2): Non sis occisor fur moechus testis Mantua, Jacquet de (1483–1559) (?) Berchem, Jacques (ca. 1505–1567) (?) Appears on: 57–57v Genres: Motet
57v–58	Qui seminant in lachrimis - 1a pars (of 2): Qui seminant in lachrimis in exsultatione	[Gombert]	Gombert, Nicolas (ca. 1495–ca. 1560)
Qui seminant in lachrimis - 1a pars (of 2): Qui seminant in lachrimis in exsultatione Gombert, Nicolas (ca. 1495–ca. 1560) Appears on: 57v–58 Genres: Motet Source Attribution: [Gombert] Voice: [no designation] Languages: Latin Voice Text: [Q]ui seminant in lachrimis [in exsultatione] II: [Qui parce seminant et parce metent]
58–58v	Qui seminant in lachrimis - 2a pars (of 2): Qui parce seminant et parce metent	-	Gombert, Nicolas (ca. 1495–ca. 1560)
Qui seminant in lachrimis - 2a pars (of 2): Qui parce seminant et parce metent Gombert, Nicolas (ca. 1495–ca. 1560) Appears on: 58–58v Genres: Motet
58v–59	Vulnerasti cor meum - 1a pars (of 2): Vulnerasti cor meum soror mea sponsa	[Moulu]	Moulu, Pierre (ca. 1484–ca. 1550)
Vulnerasti cor meum - 1a pars (of 2): Vulnerasti cor meum soror mea sponsa Moulu, Pierre (ca. 1484–ca. 1550) Appears on: 58v–59 Genres: Motet Source Attribution: [Moulu] Voice: [no designation] Languages: Latin Voice Text: [V]ulnerasti cor meum soror mea/Dulcis amica dei II: Et vox tua dulcis/Dulcis amica dei
59–59v	Vulnerasti cor meum - 2a pars (of 2): Et vox tua dulcis in auribus meis	-	Moulu, Pierre (ca. 1484–ca. 1550)
Vulnerasti cor meum - 2a pars (of 2): Et vox tua dulcis in auribus meis Moulu, Pierre (ca. 1484–ca. 1550) Appears on: 59–59v Genres: Motet
60–61	A solis occasum usque ad exortum est II: Huic caelum obsequi est paratum	Anon.	Anonymous
A solis occasum usque ad exortum est II: Huic caelum obsequi est paratum Anonymous Appears on: 60–61 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [A] solis occasum usque ad exortum est II: [H]uic celum obsequi est paratum
61–62	Precursor Domini venit de quo ipse testatur II: Hic est cuius propheta et plusquam	Anon.	Anonymous
Precursor Domini venit de quo ipse testatur II: Hic est cuius propheta et plusquam Anonymous Appears on: 61–62 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [P]recursor domini venit de quo ipse testatur II: [H]ic est cuius propheta et plusquam
62–62v	Vidi speciosam - 1a pars (of 2): Vidi speciosam sicut columbam ascendentem	[Lupi]	Lupi, Johannes (ca. 1506–1539)
Vidi speciosam - 1a pars (of 2): Vidi speciosam sicut columbam ascendentem Lupi, Johannes (ca. 1506–1539) Appears on: 62–62v Genres: Motet Source Attribution: [Lupi] Voice: [no designation] Languages: Latin Voice Text: [V]idi speciosam sicut columbam ascendentem II: Que est ista que processit quasi aurora
62v–63	Vidi speciosam - 2a pars (of 2): Quae est ista quae processit sicut	-	Lupi, Johannes (ca. 1506–1539)
Vidi speciosam - 2a pars (of 2): Quae est ista quae processit sicut Lupi, Johannes (ca. 1506–1539) Appears on: 62v–63 Genres: Motet
63v–64v	Vidi speciosam sicut columbam ascendentem II: Que est ista que ascendit per desertum	Anon.	Anonymous
Vidi speciosam sicut columbam ascendentem II: Que est ista que ascendit per desertum Anonymous Appears on: 63v–64v Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [V]idi speciosam sicut columbam ascendentem II: [Q]ue est ista que ascendit per desertum
65–65v	In te Domine speravi - 1a pars (of 2): In te Domine speravi	[Hellinck/Senfl/Verdelot]	Senfl, Ludwig (ca. 1486–ca. 1543) (?) Hellinck, Lupus (ca. 1494–1541) Verdelot, Philippe (ca. 1480–ca. 1532) (?)
In te Domine speravi - 1a pars (of 2): In te Domine speravi Senfl, Ludwig (ca. 1486–ca. 1543) (?) Hellinck, Lupus (ca. 1494–1541) Verdelot, Philippe (ca. 1480–ca. 1532) (?) Appears on: 65–65v Genres: Motet, Te Deum Source Attribution: [Hellinck/Senfl/Verdelot] Voice: [no designation] Languages: Latin Voice Text: [I]n te domine speravi non confundar II: [Q]uoniam fortitudo mea et refugium
65v–66	In te Domine speravi - 2a pars (of 2): Quoniam fortitudo mea ... Et propter nomen	-	Hellinck, Lupus (ca. 1494–1541) Verdelot, Philippe (ca. 1480–ca. 1532) (?) Senfl, Ludwig (ca. 1486–ca. 1543) (?)
In te Domine speravi - 2a pars (of 2): Quoniam fortitudo mea ... Et propter nomen Hellinck, Lupus (ca. 1494–1541) Verdelot, Philippe (ca. 1480–ca. 1532) (?) Senfl, Ludwig (ca. 1486–ca. 1543) (?) Appears on: 65v–66 Genres: Motet
66–66v	Surge Petre - 1a pars (of 2): Surge Petre et indue te vestimentis tuis	[Gombert/Mouton/Verdelot]	Moulu, Pierre (ca. 1484–ca. 1550) (?) Gombert, Nicolas (ca. 1495–ca. 1560) Mouton, Jean (ca. 1459–1522) (?) Verdelot, Philippe (ca. 1480–ca. 1532) (?)
Surge Petre - 1a pars (of 2): Surge Petre et indue te vestimentis tuis Moulu, Pierre (ca. 1484–ca. 1550) (?) Gombert, Nicolas (ca. 1495–ca. 1560) Mouton, Jean (ca. 1459–1522) (?) Verdelot, Philippe (ca. 1480–ca. 1532) (?) Appears on: 66–66v Genres: Motet Source Attribution: [Gombert/Mouton/Verdelot] Voice: [no designation] Languages: Latin Voice Text: [S]urge Petre et indue te vestimentis tuis II: [A]ngelus domini astitit et lumen
66v–67	Surge Petre - 2a pars (of 2): Angelus Domini astitit et lumen refulsit	-	Moulu, Pierre (ca. 1484–ca. 1550) (?) Gombert, Nicolas (ca. 1495–ca. 1560) Mouton, Jean (ca. 1459–1522) (?) Verdelot, Philippe (ca. 1480–ca. 1532) (?)
Surge Petre - 2a pars (of 2): Angelus Domini astitit et lumen refulsit Moulu, Pierre (ca. 1484–ca. 1550) (?) Gombert, Nicolas (ca. 1495–ca. 1560) Mouton, Jean (ca. 1459–1522) (?) Verdelot, Philippe (ca. 1480–ca. 1532) (?) Appears on: 66v–67 Genres: Motet
67–67v	Aspice Domine - 1a pars (of 2): Aspice Domine quia facta est desolata	[C. Festa/Gombert]	Festa, Costanzo (ca. 1485–1545) Gombert, Nicolas (ca. 1495–ca. 1560) (?)
Aspice Domine - 1a pars (of 2): Aspice Domine quia facta est desolata Festa, Costanzo (ca. 1485–1545) Gombert, Nicolas (ca. 1495–ca. 1560) (?) Appears on: 67–67v Genres: Motet Source Attribution: [C. Festa/Gombert] Voice: [no designation] Languages: Latin Voice Text: [A]spice domine quia facta est desolata II: [M]uro tuo inexpugnabili circumcinge
68–68v	Aspice Domine - 2a pars (of 2): Muro tuo inexpugnabili circumcinge	-	Festa, Costanzo (ca. 1485–1545) Gombert, Nicolas (ca. 1495–ca. 1560) (?)
Aspice Domine - 2a pars (of 2): Muro tuo inexpugnabili circumcinge Festa, Costanzo (ca. 1485–1545) Gombert, Nicolas (ca. 1495–ca. 1560) (?) Appears on: 68–68v Genres: Motet
68v–69v	Angelus Domini descendit de caelo	[Le Cocq]	Gallus, Joannes (?) Le Cocq, Gerard (?)
Angelus Domini descendit de caelo Gallus, Joannes (?) Le Cocq, Gerard (?) Appears on: 68v–69v Genres: Motet Source Attribution: [Le Cocq] Voice: [no designation] Languages: Latin Voice Text: [A]ngelus domini descendit de celo
69v–70	Elegi abiectus esse in domo Dei mei	Anon.	Anonymous
Elegi abiectus esse in domo Dei mei Anonymous Appears on: 69v–70 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [E]legi abiectus esse in domo dei mei
70–71	Domine pater et Deus vitae meae	[Gombert]	Gombert, Nicolas (ca. 1495–ca. 1560)
Domine pater et Deus vitae meae Gombert, Nicolas (ca. 1495–ca. 1560) Appears on: 70–71 Genres: Motet Source Attribution: [Gombert] Voice: [no designation] Languages: Latin Voice Text: [D]omine pater et deus vite meae
71–71v	Laudem dicite deo nostro omnes sancti	[Piéton]	Pieton, Loyset
Laudem dicite deo nostro omnes sancti Pieton, Loyset Appears on: 71–71v Genres: Motet Source Attribution: [Piéton] Voice: [no designation] Languages: Latin Voice Text: [L]audem dicite deo nostro omnes sancti
71v–72v	Ecce nunc tempus acceptabile ecce nunc dies II: In omnibus exhibeamus nosmet ipsos	Anon.	Anonymous
Ecce nunc tempus acceptabile ecce nunc dies II: In omnibus exhibeamus nosmet ipsos Anonymous Appears on: 71v–72v Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [E]cce nunc tempus acceptabile ecce nunc dies II: In omnibus exhibeamus nosmet ipsos
72v–73	Beata mater et innupta - 1a pars (of 4): Beata mater et innupta virgo gloriosa	[Gombert]	Gombert, Nicolas (ca. 1495–ca. 1560)
Beata mater et innupta - 1a pars (of 4): Beata mater et innupta virgo gloriosa Gombert, Nicolas (ca. 1495–ca. 1560) Appears on: 72v–73 Genres: Motet Source Attribution: [Gombert] Voice: [no designation] Languages: Latin Voice Text: [B]eata mater et innupta virgo gloriosa II: [I]n prole mater in partum virgo III: [S]ub tuum presidium confugimus sancta IV: [S]ub tuam protectionem confugimus ubi
73–73v	Beata mater et innupta - 2a pars (of 4): In prole mater in partum virgo	-	Gombert, Nicolas (ca. 1495–ca. 1560)
Beata mater et innupta - 2a pars (of 4): In prole mater in partum virgo Gombert, Nicolas (ca. 1495–ca. 1560) Appears on: 73–73v Genres: Motet
74	Beata mater et innupta - 3a pars (of 4): Sub tuum presidium confugimus sancta	-	Gombert, Nicolas (ca. 1495–ca. 1560)
Beata mater et innupta - 3a pars (of 4): Sub tuum presidium confugimus sancta Gombert, Nicolas (ca. 1495–ca. 1560) Appears on: 74 Genres: Motet
74v	Beata mater et innupta - 4a pars (of 4): Sub tuam protectionem confugimus ubi	-	Gombert, Nicolas (ca. 1495–ca. 1560)
Beata mater et innupta - 4a pars (of 4): Sub tuam protectionem confugimus ubi Gombert, Nicolas (ca. 1495–ca. 1560) Appears on: 74v Genres: Motet
74v–75	Hortus conclusus es Dei genitrix fons	[Gombert]	Gombert, Nicolas (ca. 1495–ca. 1560)
Hortus conclusus es Dei genitrix fons Gombert, Nicolas (ca. 1495–ca. 1560) Appears on: 74v–75 Genres: Motet Source Attribution: [Gombert] Voice: [no designation] Languages: Latin Voice Text: [H]ortus conclusus es dei genitrix fons
75v–77	Salve regina ... Vita dulcedo	Anon.	Gombert, Nicolas (ca. 1495–ca. 1560)
Salve regina ... Vita dulcedo Gombert, Nicolas (ca. 1495–ca. 1560) Appears on: 75v–77 Genres: Motet, Salve Regina Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Salve regina misericordie] [V]ita dulcedo II: Ad te suspiramus gementes et flentes III: Et Jhesum benedictum fructum ventris IV: O clemens O pia
77–78	Surgens Jesus Dominus noster stans in medio II: Surrexit Dominus de sepulchro	Anon.	Anonymous
Surgens Jesus Dominus noster stans in medio II: Surrexit Dominus de sepulchro Anonymous Appears on: 77–78 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [S]urgens Jhesus dominus noster stans in medio II: [S]urrexit dominus de sepulchro
78–78v	Mon petit coeur helas qui nuit et jour	[Gombert]	Gombert, Nicolas (ca. 1495–ca. 1560)
Mon petit coeur helas qui nuit et jour Gombert, Nicolas (ca. 1495–ca. 1560) Appears on: 78–78v Genres: Chanson Source Attribution: [Gombert] Voice: [no designation] Languages: French Voice Text: [M]on petit cueur helas [qui nuict et jour]
79–80	D'amour me plains et non de vous m'amie	[LvArchier]	Larchier, Jean
D'amour me plains et non de vous m'amie Larchier, Jean Appears on: 79–80 Genres: Chanson Source Attribution: [LvArchier] Voice: [no designation] Languages: French Voice Text: [D]amor me playn et non de vous mamie
80v–82	Vous.... [?Nous....]	Anon.	Anonymous
Vous.... [?Nous....] Anonymous Appears on: 80v–82 Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: insufficient Voice Text: [V?]ous
82v	Grace et vertu bonté beaulté noblesse	[Hesdin/Roquellay]	Hesdin, Nicolle des Celliers de (–1538) (?) Roquellay (?)
Grace et vertu bonté beaulté noblesse Hesdin, Nicolle des Celliers de (–1538) (?) Roquellay (?) Appears on: 82v Genres: Chanson Source Attribution: [Hesdin/Roquellay] Voice: [no designation] Languages: French Voice Text: Grace et vertu [bonté beaulté noblesse]
83–83v	Acoutrons nous	Anon.	Anonymous
Acoutrons nous Anonymous Appears on: 83–83v Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Acoutronnons
84–105v	[blank staves]	-	-
[blank staves] Appears on: 84–105v
107–107v	Si liet'e grata morte da gli occhi	[Verdelot]	Verdelot, Philippe (ca. 1480–ca. 1532)
Si liet'e grata morte da gli occhi Verdelot, Philippe (ca. 1480–ca. 1532) Appears on: 107–107v Genres: Italian secular Source Attribution: [Verdelot] Voice: [no designation] Languages: Italian Voice Text: Si liet'e grata morte [da gli occhi]
107v–108	Ragion' e ben ch' alcuna volta io canti	[Arcadelt]	Arcadelt, Jacques (ca. 1507–1568)
Ragion' e ben ch' alcuna volta io canti Arcadelt, Jacques (ca. 1507–1568) Appears on: 107v–108 Genres: Madrigal (Italian) Source Attribution: [Arcadelt] Voice: [no designation] Languages: Italian Voice Text: Ragion e ben ch'alcuna volta io canti
108–108v	Non ch'io non voglio mai altro pensiero	[Arcadelt]	Arcadelt, Jacques (ca. 1507–1568)
Non ch'io non voglio mai altro pensiero Arcadelt, Jacques (ca. 1507–1568) Appears on: 108–108v Genres: Madrigal (Italian) Source Attribution: [Arcadelt] Voice: [no designation] Languages: Italian Voice Text: Non ch'io non voglio [mai] altro pensier[o]
109–122v	[blank staves]	-	-
[blank staves] Appears on: 109–122v

Composer	Compositions
Agricola, Alexander (ca. 1445–1506)	(?) Myn liefkins bruyn ooghen ende haren – 22v–23
Anonymous	A solis occasum usque ad exortum est II: Huic caelum obsequi est paratum – 60–61 Acoutrons nous – 83–83v Adieu mes amours on m'atent – 15v–16 Als der Winter van hinnen scheid so kumpt – 25 Au fort quand dieu plaira jaray bonne adventure – 43 Der Mai bringt uns die Blumen – 25v–26 Du bon du coeur ma chère dame – 21v–22 Ecce nunc tempus acceptabile ecce nunc dies II: In omnibus exhibeamus nosmet ipsos – 71v–72v Elegi abiectus esse in domo Dei mei – 69v–70 En ..... – 17 En non sachant ce qu'il lui fault – 18v–19 Faulte dargent c'est douleur non pareille – 27 Helas – 18v Het quam eyn schaferken uyt Saphoyen – 25–25v Het was eyn regulerer moench – 20 Homo quidam - 1a pars (of 2): Homo quidam fecit caenam magnam et misit – 33v–34 Homo quidam - 2a pars (of 2): Ite ergo ad exitus viarum – 34c–35 Ich seck adieu wy twe wy moeten scheiden – 26 Ich seck adieu wy twe wy moeten scheiden – 25v Ick loop ick draue – 23–23v Myn herz ys alle zyt verlangen – 15–15v Myn synn synt myr entzuegen von einer junckfrawen [i] – 18 Myn synn synt myr entzuegen von einer junckfrawen [ii] – 24 Noch lust – 28v–29 Noch wyll van aventuyren – 23v–24 Operarius ebrosius non locum pletabitur – 52–52v Pater noster qui es in caelis – 36–36v Pensen en truren duchten en hopen – 20v–21 Precursor Domini venit de quo ipse testatur II: Hic est cuius propheta et plusquam – 61–62 Qui confidunt in Domino sicut mons Sion II: Benefac Domine bonis et rectis corde – 49–50v Rich Gott wem sall ich clagen – 26–26v Sine nomine – 40–40v Surgens Jesus Dominus noster stans in medio II: Surrexit Dominus de sepulchro – 77–78 Tant ravi suis – 19–19v Undas thespiadum qui gustavere beati floribus – 29 V.... – 16–16v Venerantes – 35v–36 Vexilla regis prodeunt fulget crucis 3 O crux ave spes unica hoc passionis – 48v Vidi speciosam sicut columbam ascendentem II: Que est ista que ascendit per desertum – 63v–64v Vous.... [?Nous....] – 80v–82 [untexted] – 6–7 [No description] – 84–105v [No description] – 109–122v [No description] – 42v [No description] – 41 [No description] – iii v–vi v [No description] – 38v
Appenzeller, Benedictus (ca. 1480–ca. 1558)	(?) Domini est terra 16.12 - 1a pars (of 2): Domini est terra et plenitudo eius – 29v–30v (?) Domini est terra 16.12 - 2a pars (of 2): Haec est generatio querentium – 30v–31v
Arcadelt, Jacques (ca. 1507–1568)	Non ch'io non voglio mai altro pensiero – 108–108v Ragion' e ben ch' alcuna volta io canti – 107v–108
Barbireau, Jacobus (1455–1491)	(?) Ein frölich wesen hab ich erlesen – 15
Berchem, Jacques (ca. 1505–1567)	(?) Unum cole Deum - 2a pars (of 2): Non sis occisor fur moechus testis – 57–57v
Brumel, Antoine (ca. 1460–ca. 1513)	Missa Sine nomine (4vv): Benedictus – 39 Vrai dieu d'amours confortez moi vous m'avez mis – 24v
Caen, Arnold	(?) Jerusalem luge - 1a pars (of 2): Jerusalem luge et exue te vestibus jocunditatis – 45v–47 (?) Jerusalem luge - 2a pars (of 2): Deduc quasi torrentem lacrimas – 46v–48
Conseil, Jean (ca. 1498–1534)	Fleur de beaulte chef d'oeuvre de nature – 37v–38
Courtois, Jean (fl. 1530-1545)	(?) Inclina Domine - 2a pars (of 3): Deduc me Domine in via tua et ingrediar – 37
Despres, Josquin (ca. 1450–1521)	Alma redemptoris mater / Ave regina caelorum 23.2 - 1a pars (of 2): Alma redemptoris mater / Ave regina caelorum – 5–5v Alma redemptoris mater / Ave regina caelorum 23.2 - 2a pars (of 2): Tu que genuisti natura mirante / Gaude virgo gloriosa – 5v–6 Ave Maria ... virgo serena 23.6 - 1a pars (of 2): Ave Maria ... virgo serena – 1v Ave Maria ... virgo serena 23.6 - 2a pars (of 2): Ave vera virginitas – 2 (?) Domini est terra 16.12 - 1a pars (of 2): Domini est terra et plenitudo eius – 29v–30v (?) Domini est terra 16.12 - 2a pars (of 2): Haec est generatio querentium – 30v–31v Ecce tu pulchra es amica mea 14.6 – 11–11v Je ris et si ay larme a l'oeil 28.18 – 19v–20 Missa Beata Virgine = Missa Coronata 3.3: Agnus Dei II – 39v Missa Beata Virgine = Missa Coronata 3.3: Gloria (excerpt: Cum sancto spiritu) – 32v–33 Missus est Gabriel angelus ad Mariam 20.6 – 10v–11 Ut Phoebi radiis 25.10 - 1a pars (of 2): Ut Phoebi radiis soror obvia sidera – 1 Ut Phoebi radiis 25.10 - 2a pars (of 2): Latius in numerum canit id quoque – 1 Vultum tuum 25.14 - 2a pars (of 7): Sancta Dei genitrix virgo semper Maria – 7v–8 Vultum tuum 25.14 - 3a pars (of 7): O intemerata virgo que redemptorem – 8–8v Vultum tuum 25.14 - 4a pars (of 7): O Maria nullam tam gravem possimus – 9–9v Vultum tuum 25.14 - 5a pars (of 7): Mente tota tibi supplicamus ut sicut – 9v–10 Vultum tuum 25.14 - 6a pars (of 7): Ora pro nobis virgo sine termino – 10v
Fage, Jean de la	Quae est ista que processit sicut sol – 31v–32v
Ferrara, Maistre Jhan of (ca. 1485–1538)	Ambulans Jesus - 1a pars (of 2): Ambulans Jesus juxta mare Galileae – 43v–44 Ambulans Jesus - 2a pars (of 2): [At illi continuo] Relictis retibus – 44v–45
Festa, Costanzo (ca. 1485–1545)	Aspice Domine - 1a pars (of 2): Aspice Domine quia facta est desolata – 67–67v Aspice Domine - 2a pars (of 2): Muro tuo inexpugnabili circumcinge – 68–68v
Fevin, Antoine de (ca. 1470–ca. 1512)	On [Tu] a mal dit de mon amy – 22–22v
Gallus, Joannes	(?) Angelus Domini descendit de caelo – 68v–69v
Ghiselin (Verbonnet), Johannes	Anima mea liquefacta est - 1a pars (of 2): Anima mea liquefacta est ut dilectus – 2v Anima mea liquefacta est - 2a pars (of 2): Tulerunt pallium meum – 2v–3
Ghizeghem, Hayne van (ca. 1445–ca. 1497)	De tous biens plaine est ma maîtresse – 16
Gombert, Nicolas (ca. 1495–ca. 1560)	(?) Aspice Domine - 1a pars (of 2): Aspice Domine quia facta est desolata – 67–67v (?) Aspice Domine - 2a pars (of 2): Muro tuo inexpugnabili circumcinge – 68–68v Beata mater et innupta - 1a pars (of 4): Beata mater et innupta virgo gloriosa – 72v–73 Beata mater et innupta - 2a pars (of 4): In prole mater in partum virgo – 73–73v Beata mater et innupta - 3a pars (of 4): Sub tuum presidium confugimus sancta – 74 Beata mater et innupta - 4a pars (of 4): Sub tuam protectionem confugimus ubi – 74v (?) Cur quisquam corradat opes jam resque – 56–56v Domine pater et Deus vitae meae – 70–71 Dulcis amica Dei rosa vernans atque decora – 49 Fac tibi mortales - 1a pars (of 2): Fac tibi mortales pareant Davidica radix – 54v–55 Fac tibi mortales - 2a pars (of 2): O clemens geniti faveas per saecula – 55–55v Hortus conclusus es Dei genitrix fons – 74v–75 Jubilate Deo - 1a pars (of 2): Jubilate Deo omnis terra servite Domino – 53v–54 Jubilate Deo - 2a pars (of 2): Populus eius et oves pascue eius – 54–54v (?) Le content est riche en ce monde – 12 Mon petit coeur helas qui nuit et jour – 78–78v Qui seminant in lachrimis - 1a pars (of 2): Qui seminant in lachrimis in exsultatione – 57v–58 Qui seminant in lachrimis - 2a pars (of 2): Qui parce seminant et parce metent – 58–58v Salve regina ... Vita dulcedo – 75v–77 Surge Petre - 1a pars (of 2): Surge Petre et indue te vestimentis tuis – 66–66v Surge Petre - 2a pars (of 2): Angelus Domini astitit et lumen refulsit – 66v–67
Haugk, Virgilius (ca. 1490–1555)	(?) Cur quisquam corradat opes jam resque – 56–56v
Hellinck, Lupus (ca. 1494–1541)	In te Domine speravi - 1a pars (of 2): In te Domine speravi – 65–65v In te Domine speravi - 2a pars (of 2): Quoniam fortitudo mea ... Et propter nomen – 65v–66 (?) Jerusalem luge - 1a pars (of 2): Jerusalem luge et exue te vestibus jocunditatis – 45v–47 (?) Jerusalem luge - 2a pars (of 2): Deduc quasi torrentem lacrimas – 46v–48
Hesdin, Nicolle des Celliers de (–1538)	(?) Grace et vertu bonté beaulté noblesse – 82v
Isaac, Heinrich (ca. 1450–1517)	Anima mea liquefacta est - 1a pars (of 3): Anima mea liquefacta est – 3v Anima mea liquefacta est - 2a pars (of 3): Invenerunt me custodes civitatis – 4 Anima mea liquefacta est - 3a pars (of 3): Filie Jerusalem nunciate dilecto – 4v (?) Ein frölich wesen hab ich erlesen – 15 Missa Quant j'ai au coeur: Benedictus – 21–21v
Jacotin, Jacques (1445–1529)	A qui dirette sa pensé la fille [= Nunquid vixisti O pauper nunquam] – 40 (?) Inclina Domine - 2a pars (of 3): Deduc me Domine in via tua et ingrediar – 37
Janequin, Clement (ca. 1485–ca. 1558)	(?) C'est donc par moy que je suis fortune – 20–20v
Larchier, Jean	D'amour me plains et non de vous m'amie – 79–80
Lasson, Mathieu	(?) Virtute magna - 1a pars (of 2): Virtute magna reddebant apostoli testimonium – 51–51v (?) Virtute magna - 2a pars (of 2): Repleti sunt quidem spiritu sancto – 51v–52
Le Cocq, Gerard	(?) Angelus Domini descendit de caelo – 68v–69v
Lupi, Johannes (ca. 1506–1539)	Vidi speciosam - 1a pars (of 2): Vidi speciosam sicut columbam ascendentem – 62–62v Vidi speciosam - 2a pars (of 2): Quae est ista quae processit sicut – 62v–63
Magdelain	Sans liberte qu'un bon esprit – 37v
Mahu, Stephan	(?) Cur quisquam corradat opes jam resque – 56–56v
Mantua, Jacquet de (1483–1559)	Spem in alium nunquam habui praeter in te – 52v–53v (?) Unum cole Deum - 2a pars (of 2): Non sis occisor fur moechus testis – 57–57v Unum cole Deum nec jures vana per ipsum (2p. Non sis occisor fur moechus testis) – 56v–57
Morales, Cristóbal de (ca. 1500–1553)	(?) Inclina Domine - 2a pars (of 3): Deduc me Domine in via tua et ingrediar – 37
Moulu, Pierre (ca. 1484–ca. 1550)	(?) Surge Petre - 1a pars (of 2): Surge Petre et indue te vestimentis tuis – 66–66v (?) Surge Petre - 2a pars (of 2): Angelus Domini astitit et lumen refulsit – 66v–67 Vulnerasti cor meum - 1a pars (of 2): Vulnerasti cor meum soror mea sponsa – 58v–59 Vulnerasti cor meum - 2a pars (of 2): Et vox tua dulcis in auribus meis – 59–59v
Mouton, Jean (ca. 1459–1522)	(?) Surge Petre - 1a pars (of 2): Surge Petre et indue te vestimentis tuis – 66–66v (?) Surge Petre - 2a pars (of 2): Angelus Domini astitit et lumen refulsit – 66v–67
Obrecht, Jacobus (ca. 1457–1505)	(?) Ein frölich wesen hab ich erlesen – 15 (?) Mijn herz altijt heeft verlanghen – 14v
Pathie, Rogier (ca. 1510–ca. 1564)	Cesse mon oeil de plus la regarder – 35
Petit, Nino le (fl. c1500)	(?) C'est donc par moy que je suis fortune – 20–20v
Pieton, Loyset	Laudem dicite deo nostro omnes sancti – 71–71v
Pipelare, Mattheus (ca. 1450–ca. 1515)	Myn liefkins bruyn ooghen ende haren – 22v–23 Nu noch nummer me sal ick van ju scheyden – 26v–27
Raulin / Roelkin (1443–1485)	Vrucht en moet is gar dahin – 16v–17
Richafort, Jean (ca. 1480–ca. 1550)	(?) Jerusalem luge - 1a pars (of 2): Jerusalem luge et exue te vestibus jocunditatis – 45v–47 (?) Jerusalem luge - 2a pars (of 2): Deduc quasi torrentem lacrimas – 46v–48
Roquellay	(?) Grace et vertu bonté beaulté noblesse – 82v
Rue, Pierre de la (ca. 1452–1518)	(?) Mijn herz altijt heeft verlanghen – 14v
Sampson	Ich hadd so schoene vrouwe – 17v Pater a nullo est factus nec creatus – 27v–28v
Senfl, Ludwig (ca. 1486–ca. 1543)	(?) In te Domine speravi - 1a pars (of 2): In te Domine speravi – 65–65v (?) In te Domine speravi - 2a pars (of 2): Quoniam fortitudo mea ... Et propter nomen – 65v–66
Sermisy, Claudin de (ca. 1490–1562)	Au pres de vous secretement demeure – 41v–42 Beatus vir - 1a pars (of 2): Beatus vir qui non abiit in consilio – 12v–13 Beatus vir - 2a pars (of 2): Non sic impii non sic sed tanquam – 13v–14 (?) Le content est riche en ce monde – 12
Verdelot, Philippe (ca. 1480–ca. 1532)	(?) In te Domine speravi - 1a pars (of 2): In te Domine speravi – 65–65v (?) In te Domine speravi - 2a pars (of 2): Quoniam fortitudo mea ... Et propter nomen – 65v–66 Si liet'e grata morte da gli occhi – 107–107v (?) Surge Petre - 1a pars (of 2): Surge Petre et indue te vestimentis tuis – 66–66v (?) Surge Petre - 2a pars (of 2): Angelus Domini astitit et lumen refulsit – 66v–67 (?) Virtute magna - 1a pars (of 2): Virtute magna reddebant apostoli testimonium – 51–51v (?) Virtute magna - 2a pars (of 2): Repleti sunt quidem spiritu sancto – 51v–52
Vinders, Jheronimus (fl. c1525-1526)	Domini est terra 16.12 - 1a pars (of 2): Domini est terra et plenitudo eius – 29v–30v Domini est terra 16.12 - 2a pars (of 2): Haec est generatio querentium – 30v–31v
Willaert, Adrian (ca. 1490–1562)	(?) C'est donc par moy que je suis fortune – 20–20v

Composition	Composers (? Uncertain)	Folios / Pages
[untexted]	-	6–7
A qui dirette sa pensé la fille [= Nunquid vixisti O pauper nunquam]	Jacotin, Jacques (1445–1529)	40
A solis occasum usque ad exortum est II: Huic caelum obsequi est paratum	Anonymous	60–61
Acoutrons nous	Anonymous	83–83v
Adieu mes amours on m'atent	Anonymous	15v–16
Alma redemptoris mater / Ave regina caelorum 23.2 - 1a pars (of 2): Alma redemptoris mater / Ave regina caelorum	Despres, Josquin (ca. 1450–1521)	5–5v
Alma redemptoris mater / Ave regina caelorum 23.2 - 2a pars (of 2): Tu que genuisti natura mirante / Gaude virgo gloriosa	Despres, Josquin (ca. 1450–1521)	5v–6
Als der Winter van hinnen scheid so kumpt	Anonymous	25
Ambulans Jesus - 1a pars (of 2): Ambulans Jesus juxta mare Galileae	Ferrara, Maistre Jhan of (ca. 1485–1538)	43v–44
Ambulans Jesus - 2a pars (of 2): [At illi continuo] Relictis retibus	Ferrara, Maistre Jhan of (ca. 1485–1538)	44v–45
Angelus Domini descendit de caelo	Gallus, Joannes (?) Le Cocq, Gerard (?)	68v–69v
Anima mea liquefacta est - 1a pars (of 2): Anima mea liquefacta est ut dilectus	Ghiselin (Verbonnet), Johannes	2v
Anima mea liquefacta est - 1a pars (of 3): Anima mea liquefacta est	Isaac, Heinrich (ca. 1450–1517)	3v
Anima mea liquefacta est - 2a pars (of 2): Tulerunt pallium meum	Ghiselin (Verbonnet), Johannes	2v–3
Anima mea liquefacta est - 2a pars (of 3): Invenerunt me custodes civitatis	Isaac, Heinrich (ca. 1450–1517)	4
Anima mea liquefacta est - 3a pars (of 3): Filie Jerusalem nunciate dilecto	Isaac, Heinrich (ca. 1450–1517)	4v
Aspice Domine - 1a pars (of 2): Aspice Domine quia facta est desolata	Festa, Costanzo (ca. 1485–1545) Gombert, Nicolas (ca. 1495–ca. 1560) (?)	67–67v
Aspice Domine - 2a pars (of 2): Muro tuo inexpugnabili circumcinge	Festa, Costanzo (ca. 1485–1545) Gombert, Nicolas (ca. 1495–ca. 1560) (?)	68–68v
Au fort quand dieu plaira jaray bonne adventure	Anonymous	43
Au pres de vous secretement demeure	Sermisy, Claudin de (ca. 1490–1562)	41v–42
Ave Maria ... virgo serena 23.6 - 1a pars (of 2): Ave Maria ... virgo serena	Despres, Josquin (ca. 1450–1521)	1v
Ave Maria ... virgo serena 23.6 - 2a pars (of 2): Ave vera virginitas	Despres, Josquin (ca. 1450–1521)	2
Beata mater et innupta - 1a pars (of 4): Beata mater et innupta virgo gloriosa	Gombert, Nicolas (ca. 1495–ca. 1560)	72v–73
Beata mater et innupta - 2a pars (of 4): In prole mater in partum virgo	Gombert, Nicolas (ca. 1495–ca. 1560)	73–73v
Beata mater et innupta - 3a pars (of 4): Sub tuum presidium confugimus sancta	Gombert, Nicolas (ca. 1495–ca. 1560)	74
Beata mater et innupta - 4a pars (of 4): Sub tuam protectionem confugimus ubi	Gombert, Nicolas (ca. 1495–ca. 1560)	74v
Beatus vir - 1a pars (of 2): Beatus vir qui non abiit in consilio	Sermisy, Claudin de (ca. 1490–1562)	12v–13
Beatus vir - 2a pars (of 2): Non sic impii non sic sed tanquam	Sermisy, Claudin de (ca. 1490–1562)	13v–14
C'est donc par moy que je suis fortune	Petit, Nino le (fl. c1500) (?) Janequin, Clement (ca. 1485–ca. 1558) (?) Willaert, Adrian (ca. 1490–1562) (?)	20–20v
Cesse mon oeil de plus la regarder	Pathie, Rogier (ca. 1510–ca. 1564)	35
Cur quisquam corradat opes jam resque	Haugk, Virgilius (ca. 1490–1555) (?) Mahu, Stephan (?) Gombert, Nicolas (ca. 1495–ca. 1560) (?)	56–56v
D'amour me plains et non de vous m'amie	Larchier, Jean	79–80
De tous biens plaine est ma maîtresse	Ghizeghem, Hayne van (ca. 1445–ca. 1497)	16
Der Mai bringt uns die Blumen	Anonymous	25v–26
Domine pater et Deus vitae meae	Gombert, Nicolas (ca. 1495–ca. 1560)	70–71
Domini est terra 16.12 - 1a pars (of 2): Domini est terra et plenitudo eius	Despres, Josquin (ca. 1450–1521) (?) Vinders, Jheronimus (fl. c1525-1526) Appenzeller, Benedictus (ca. 1480–ca. 1558) (?)	29v–30v
Domini est terra 16.12 - 2a pars (of 2): Haec est generatio querentium	Vinders, Jheronimus (fl. c1525-1526) Appenzeller, Benedictus (ca. 1480–ca. 1558) (?) Despres, Josquin (ca. 1450–1521) (?)	30v–31v
Du bon du coeur ma chère dame	Anonymous	21v–22
Dulcis amica Dei rosa vernans atque decora	Gombert, Nicolas (ca. 1495–ca. 1560)	49
Ecce nunc tempus acceptabile ecce nunc dies II: In omnibus exhibeamus nosmet ipsos	Anonymous	71v–72v
Ecce tu pulchra es amica mea 14.6	Despres, Josquin (ca. 1450–1521)	11–11v
Ein frölich wesen hab ich erlesen	Isaac, Heinrich (ca. 1450–1517) (?) Obrecht, Jacobus (ca. 1457–1505) (?) Barbireau, Jacobus (1455–1491) (?)	15
Elegi abiectus esse in domo Dei mei	Anonymous	69v–70
En .....	Anonymous	17
En non sachant ce qu'il lui fault	Anonymous	18v–19
Fac tibi mortales - 1a pars (of 2): Fac tibi mortales pareant Davidica radix	Gombert, Nicolas (ca. 1495–ca. 1560)	54v–55
Fac tibi mortales - 2a pars (of 2): O clemens geniti faveas per saecula	Gombert, Nicolas (ca. 1495–ca. 1560)	55–55v
Faulte dargent c'est douleur non pareille	Anonymous	27
Fleur de beaulte chef d'oeuvre de nature	Conseil, Jean (ca. 1498–1534)	37v–38
Grace et vertu bonté beaulté noblesse	Hesdin, Nicolle des Celliers de (–1538) (?) Roquellay (?)	82v
Helas	Anonymous	18v
Het quam eyn schaferken uyt Saphoyen	Anonymous	25–25v
Het was eyn regulerer moench	Anonymous	20
Homo quidam - 1a pars (of 2): Homo quidam fecit caenam magnam et misit	Anonymous	33v–34
Homo quidam - 2a pars (of 2): Ite ergo ad exitus viarum	Anonymous	34c–35
Hortus conclusus es Dei genitrix fons	Gombert, Nicolas (ca. 1495–ca. 1560)	74v–75
Ich hadd so schoene vrouwe	Sampson	17v
Ich seck adieu wy twe wy moeten scheiden	Anonymous	25v
Ich seck adieu wy twe wy moeten scheiden	Anonymous	26
Ick loop ick draue	Anonymous	23–23v
In te Domine speravi - 1a pars (of 2): In te Domine speravi	Senfl, Ludwig (ca. 1486–ca. 1543) (?) Hellinck, Lupus (ca. 1494–1541) Verdelot, Philippe (ca. 1480–ca. 1532) (?)	65–65v
In te Domine speravi - 2a pars (of 2): Quoniam fortitudo mea ... Et propter nomen	Hellinck, Lupus (ca. 1494–1541) Verdelot, Philippe (ca. 1480–ca. 1532) (?) Senfl, Ludwig (ca. 1486–ca. 1543) (?)	65v–66
Inclina Domine - 2a pars (of 3): Deduc me Domine in via tua et ingrediar	Courtois, Jean (fl. 1530-1545) (?) Morales, Cristóbal de (ca. 1500–1553) (?) Jacotin, Jacques (1445–1529) (?)	37
Je ris et si ay larme a l'oeil 28.18	Despres, Josquin (ca. 1450–1521)	19v–20
Jerusalem luge - 1a pars (of 2): Jerusalem luge et exue te vestibus jocunditatis	Hellinck, Lupus (ca. 1494–1541) (?) Richafort, Jean (ca. 1480–ca. 1550) (?) Caen, Arnold (?)	45v–47
Jerusalem luge - 2a pars (of 2): Deduc quasi torrentem lacrimas	Richafort, Jean (ca. 1480–ca. 1550) (?) Hellinck, Lupus (ca. 1494–1541) (?) Caen, Arnold (?)	46v–48
Jubilate Deo - 1a pars (of 2): Jubilate Deo omnis terra servite Domino	Gombert, Nicolas (ca. 1495–ca. 1560)	53v–54
Jubilate Deo - 2a pars (of 2): Populus eius et oves pascue eius	Gombert, Nicolas (ca. 1495–ca. 1560)	54–54v
Laudem dicite deo nostro omnes sancti	Pieton, Loyset	71–71v
Le content est riche en ce monde	Sermisy, Claudin de (ca. 1490–1562) (?) Gombert, Nicolas (ca. 1495–ca. 1560) (?)	12
Mijn herz altijt heeft verlanghen	Rue, Pierre de la (ca. 1452–1518) (?) Obrecht, Jacobus (ca. 1457–1505) (?)	14v
Missa Beata Virgine = Missa Coronata 3.3: Agnus Dei II	Despres, Josquin (ca. 1450–1521)	39v
Missa Beata Virgine = Missa Coronata 3.3: Gloria (excerpt: Cum sancto spiritu)	Despres, Josquin (ca. 1450–1521)	32v–33
Missa Quant j'ai au coeur: Benedictus	Isaac, Heinrich (ca. 1450–1517)	21–21v
Missa Sine nomine (4vv): Benedictus	Brumel, Antoine (ca. 1460–ca. 1513)	39
Missus est Gabriel angelus ad Mariam 20.6	Despres, Josquin (ca. 1450–1521)	10v–11
Mon petit coeur helas qui nuit et jour	Gombert, Nicolas (ca. 1495–ca. 1560)	78–78v
Myn herz ys alle zyt verlangen	Anonymous	15–15v
Myn liefkins bruyn ooghen ende haren	Agricola, Alexander (ca. 1445–1506) (?) Pipelare, Mattheus (ca. 1450–ca. 1515)	22v–23
Myn synn synt myr entzuegen von einer junckfrawen [i]	Anonymous	18
Myn synn synt myr entzuegen von einer junckfrawen [ii]	Anonymous	24
Noch lust	Anonymous	28v–29
Noch wyll van aventuyren	Anonymous	23v–24
Non ch'io non voglio mai altro pensiero	Arcadelt, Jacques (ca. 1507–1568)	108–108v
Nu noch nummer me sal ick van ju scheyden	Pipelare, Mattheus (ca. 1450–ca. 1515)	26v–27
On [Tu] a mal dit de mon amy	Fevin, Antoine de (ca. 1470–ca. 1512)	22–22v
Operarius ebrosius non locum pletabitur	Anonymous	52–52v
Pater a nullo est factus nec creatus	Sampson	27v–28v
Pater noster qui es in caelis	Anonymous	36–36v
Pensen en truren duchten en hopen	Anonymous	20v–21
Precursor Domini venit de quo ipse testatur II: Hic est cuius propheta et plusquam	Anonymous	61–62
Quae est ista que processit sicut sol	Fage, Jean de la	31v–32v
Qui confidunt in Domino sicut mons Sion II: Benefac Domine bonis et rectis corde	Anonymous	49–50v
Qui seminant in lachrimis - 1a pars (of 2): Qui seminant in lachrimis in exsultatione	Gombert, Nicolas (ca. 1495–ca. 1560)	57v–58
Qui seminant in lachrimis - 2a pars (of 2): Qui parce seminant et parce metent	Gombert, Nicolas (ca. 1495–ca. 1560)	58–58v
Ragion' e ben ch' alcuna volta io canti	Arcadelt, Jacques (ca. 1507–1568)	107v–108
Rich Gott wem sall ich clagen	Anonymous	26–26v
Salve regina ... Vita dulcedo	Gombert, Nicolas (ca. 1495–ca. 1560)	75v–77
Sans liberte qu'un bon esprit	Magdelain	37v
Si liet'e grata morte da gli occhi	Verdelot, Philippe (ca. 1480–ca. 1532)	107–107v
Sine nomine	Anonymous	40–40v
Spem in alium nunquam habui praeter in te	Mantua, Jacquet de (1483–1559)	52v–53v
Surge Petre - 1a pars (of 2): Surge Petre et indue te vestimentis tuis	Moulu, Pierre (ca. 1484–ca. 1550) (?) Gombert, Nicolas (ca. 1495–ca. 1560) Mouton, Jean (ca. 1459–1522) (?) Verdelot, Philippe (ca. 1480–ca. 1532) (?)	66–66v
Surge Petre - 2a pars (of 2): Angelus Domini astitit et lumen refulsit	Moulu, Pierre (ca. 1484–ca. 1550) (?) Gombert, Nicolas (ca. 1495–ca. 1560) Mouton, Jean (ca. 1459–1522) (?) Verdelot, Philippe (ca. 1480–ca. 1532) (?)	66v–67
Surgens Jesus Dominus noster stans in medio II: Surrexit Dominus de sepulchro	Anonymous	77–78
Tant ravi suis	Anonymous	19–19v
Undas thespiadum qui gustavere beati floribus	Anonymous	29
Unum cole Deum - 2a pars (of 2): Non sis occisor fur moechus testis	Mantua, Jacquet de (1483–1559) (?) Berchem, Jacques (ca. 1505–1567) (?)	57–57v
Unum cole Deum nec jures vana per ipsum (2p. Non sis occisor fur moechus testis)	Mantua, Jacquet de (1483–1559)	56v–57
Ut Phoebi radiis 25.10 - 1a pars (of 2): Ut Phoebi radiis soror obvia sidera	Despres, Josquin (ca. 1450–1521)	1
Ut Phoebi radiis 25.10 - 2a pars (of 2): Latius in numerum canit id quoque	Despres, Josquin (ca. 1450–1521)	1
V....	Anonymous	16–16v
Venerantes	Anonymous	35v–36
Vexilla regis prodeunt fulget crucis 3 O crux ave spes unica hoc passionis	Anonymous	48v
Vidi speciosam - 1a pars (of 2): Vidi speciosam sicut columbam ascendentem	Lupi, Johannes (ca. 1506–1539)	62–62v
Vidi speciosam - 2a pars (of 2): Quae est ista quae processit sicut	Lupi, Johannes (ca. 1506–1539)	62v–63
Vidi speciosam sicut columbam ascendentem II: Que est ista que ascendit per desertum	Anonymous	63v–64v
Virtute magna - 1a pars (of 2): Virtute magna reddebant apostoli testimonium	Verdelot, Philippe (ca. 1480–ca. 1532) (?) Lasson, Mathieu (?)	51–51v
Virtute magna - 2a pars (of 2): Repleti sunt quidem spiritu sancto	Lasson, Mathieu (?) Verdelot, Philippe (ca. 1480–ca. 1532) (?)	51v–52
Vous.... [?Nous....]	Anonymous	80v–82
Vrai dieu d'amours confortez moi vous m'avez mis	Brumel, Antoine (ca. 1460–ca. 1513)	24v
Vrucht en moet is gar dahin	Raulin / Roelkin (1443–1485)	16v–17
Vulnerasti cor meum - 1a pars (of 2): Vulnerasti cor meum soror mea sponsa	Moulu, Pierre (ca. 1484–ca. 1550)	58v–59
Vulnerasti cor meum - 2a pars (of 2): Et vox tua dulcis in auribus meis	Moulu, Pierre (ca. 1484–ca. 1550)	59–59v
Vultum tuum 25.14 - 2a pars (of 7): Sancta Dei genitrix virgo semper Maria	Despres, Josquin (ca. 1450–1521)	7v–8
Vultum tuum 25.14 - 3a pars (of 7): O intemerata virgo que redemptorem	Despres, Josquin (ca. 1450–1521)	8–8v
Vultum tuum 25.14 - 4a pars (of 7): O Maria nullam tam gravem possimus	Despres, Josquin (ca. 1450–1521)	9–9v
Vultum tuum 25.14 - 5a pars (of 7): Mente tota tibi supplicamus ut sicut	Despres, Josquin (ca. 1450–1521)	9v–10
Vultum tuum 25.14 - 6a pars (of 7): Ora pro nobis virgo sine termino	Despres, Josquin (ca. 1450–1521)	10v

Set: 236 (a-d)

Type: Partbooks

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‡ denotes primary source study

Gottwald, Clytus. 1993. Katalog der Musikalien in der Schermar-Bibliothek Ulm. Veröffentlichungen der Stadtbibliothek Ulm. Wiesbaden: Harrassowitz Verlag.

Boorman, Stanley. 1983. Notational Spelling and Scribal Habit. Datierung und Filiation von Musikhandschriften der Josquin-Zeit, Wolfenbütteler Forschungen. Wiesbaden. Pages: 77,89-90, 107-9. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Jonas, Luise. 1983. Das Augsburger Liederbuch: Die Musikhandschrift 2° Codex 142a der Staats- und Stadtbibliothek Augsburg. Edition und Kommentar. Berliner Musikwissenschaftliche Arbeiten. Munich and Salzburg. Pages: II, 12,76-90. Notes: physical description (partial); contents list (partial); concordances (partial); mention of MS; discussion.

Perkins, Leeman L, and Howard Garey (editors). 1979. The Mellon Chansonnier. New Haven and London. Pages: II, 181,321-2. Notes: physical description; contents list (partial); concordances (partial).

Staehelin, Martin. 1977. Die Messen Heinrich Isaacs. Publikationen der Schweizerischen Musikforschenden Gesellschaft Serie II. Bern and Stuttgart. Pages: I,xli,32-4,73 III,78. Notes: physical description; contents list (partial); concordances (partial).

Atlas, Allan W. 1975-6. The Cappella Giulia Chansonnier (Rome, Biblioteca Apostolica Vaticana, C. G.XIII.27). Musicological Studies. Brooklyn. Pages: I,65ff, passim. Notes: contents list (partial); concordances (partial); discussion of the MS.

Whisler, Bruce Allen. 1974. Munich, Mus. Ms. 1516: A Critical Edition. University of Rochester, Unpublished Ph.D. dissertation. Pages: I,65-7,96,150-1,211,273,319-24. Notes: physical description (partial); contents list (partial); concordances (partial); mention of MS; discussion.

Smijers, Albert, Myroslaw Antonowycz, and Willem Elders (editors). 1969. Werken van Josquin des Prés: Supplement. Amsterdam. Pages: xvii. Notes: contents list (partial); concordances (partial).

Picker, Martin. 1960. The Chanson Albums of Marguerite of Austria: Manuscripts 228 and 11239 of the Bibliothèque Royale de Belgique, Bruxelles. University of California at Berkeley, Unpublished Ph.D. dissertation. Pages: I,372. Notes: physical description; contents list (partial); concordances (partial).

Jeppesen, Knud (editor). 1927. New York, 1965 (reprint, with new remarks by the editor). Der Kopenhagener Chansonnier: Das Manuskript Thott 291s der Königlichen Bibliothek Kopenhagen. Copenhagen and Leipzig. Copenhagen and Leipzig. Pages: lxxiii, lxxxi-lxxxii. Notes: physical description; contents list (partial); concordances (partial).

Smijers, Albert (editor). 1927-56. Werken van Josquin des Prez: Missen. Amsterdam. Pages: XVI.xlv-lx. Notes: contents list (partial); concordances (partial).

Smijers, Albert (editor). 1926-64. Werken van Josquin des Prez: Motetten. Amsterdam. Pages: I,xi, xiii III,x,xiii IV,viii,x VI,vi-viii. Notes: physical description (partial); contents list (partial); concordances (partial).

Smijers, Albert (editor). 1925-68. Werken van Josquin des Prez: Wereldlijke Werken. Amsterdam. Pages: I,xv. Notes: contents list (partial); concordances (partial).

Wolf, Johannes. 1913-9; Reprinted: Hildesheim, 1963. Handbuch der Notationskunde. Leipzig. Pages: I,463. Notes: physical description (partial).

Wolf, Johannes (editor). 1908-21. Reprint: Farnborough, England, 1968. Werken van Jacob Obrecht. Leipzig and Amsterdam,. Pages: XV/XVI,viii. Notes: physical description (partial); contents list (partial).

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Monday, 23 January, 2017

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description