An Altus partbook from a set originally of 6 volumes. Main layer in three sections (6-voice, 5-voice, and 4-voice works, respectively). Copied by one main scribe, with later additions by six additional hands. Probably copied in Augsburg. Once owned by Benedictine monastery of Sts. Ulrich and Afra, Augsburg (StaeMI).
D-Rp B. 223-233 [Altus]
Bischöfliche Zentralbibliothek, Regensburg, Germany
partbook: Second half of 16th century
| Archive | Bischöfliche Zentralbibliothek, Regensburg, Germany (D-Rp) |
|---|---|
| Shelfmark | B. 223-233 [Altus] |
| Image Availability | DIAMM does not have images of this source. |
| Surface | Paper |
| Numbering System | None / Unknown |
| Measurements | 141 x 211 mm |
| Other Identifiers |
|
| Relationships | |
| Provenance |
|
| Contents | Contains 179 compositions, 150 from 26 composers, 29 are anonymous. |
General Description
Binding
Original covers of black leather stamped with decorative designs and voice designations; remnants of green ribbon ties.
Watermark
(1) resembles Briquet #8135; (2) ox head with serpent and cross (not in Briquet); (3) resembles Briquet #1242
Notation
black void mensural
Ruling
Staff height 12
Foliation
No foliation or pagination
Foliation
Other numberings: Each section has original ink numbering of pieces. Some pieces in later addition also numbered
Decoration
A few red or black inked calligraphic initials in later additions; some rubrics in red.
Surface
paper
Census Catalogue of Music Description
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.
1 Sanctus, 17 Mass Proper sections, 2 canticles, 1 psalm/antiphon, 4 processional hymns, 9 office hymns, 3 Passions, 107 motets = 144 + 1 duplicate = 145
Asola-3, Barbion-1, Baston-1, Canis-2, Cantoni-1, C. Chastelain [Charles Chastellani]-1, Clemens non Papa-17, Clemens non Papa/(Crecquillon)-2, Clemens non Papa/(Manchicourt)-1, Clinio -2, Crecquillon-9, Crespel-1, Erbach-41, Gombert-3, C. Hollander-2, Lassus-7, J. Louys-1, Manchicourt-2, Phinot-1, Regnart-1, Richafort/(Lupus)-1, Vaet-3, Verdelot-1, N. Vicentino-1, Waelrant-4, Willaert-2, anon-33
4 paper partbooks of an original 6 (A-iii + 150 + i folios, T-xi + 148, B-iii + 143, S-iii + 47), 141 x 211. No foliation or pagination. Main layer in three sections (6-voice, 5-voice, and 4-voice works, respectively); each section has original ink numbering of pieces. Some pieces in later addition also numbered. Original covers of black leather stamped with decorative designs and voice designations; remnants of green ribbon ties. Original index at beginning of T book lists pieces in order of appearance (4-voice works also grouped alphabetically by first letter of text).
Copied by one main scribe, with later additions by six additional hands. Staff height 12. A few red or black inked calligraphic initials in later additions; some rubrics in red. Watermarks: (1) resembles Briquet #8135; (2) ox head with serpent and cross (not in Briquet); (3) resembles Briquet #1242.
Second half of 16th century, with additions in late 16th and early 17th century (date 1593 in later additions). Probably copied in Augsburg. Once owned by Benedictine monastery of Sts. Ulrich and Afra, Augsburg (StaeMI).
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Sets
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B. 223-233
Partbooks · 4 sources
‡ denotes primary source study
Lewis, Mary Stuart. 1979. Antonio Gardane and His Publications of Sacred Music, 1538-55. Brandeis University, Unpublished Ph.D. dissertation. Pages: 364-5, 478, 807. Notes: contents list (partial); concordances (partial).
Youens, Laura. 1978. Music for the Lutheran Mass in Leipzig, Universitätsbibliothek, MS. Thomaskirche 49/50. Indiana University, Unpublished Ph.D. dissertation. Pages: 769. Notes: contents list (partial); concordances (partial).
Staehelin, Martin. 1977. Die Messen Heinrich Isaacs. Publikationen der Schweizerischen Musikforschenden Gesellschaft Serie II, vol. 28/I-III. Bern and Stuttgart. Pages: I, 77. Notes: physical description; mention of MS; discussion.
Constant, John George. 1975. Renaissance Manuscripts of Polyphony at the Cathedral of Padua. University of Michigan, Unpublished Ph.D. dissertation. Pages: 75-6, 100-1. Notes: contents list (partial); concordances (partial).
Gottwald, Clytus. 1974. Die Musikhandschriften der Staats- und Stadtbibliothek Augsburg. Handschriftenkataloge der Staats- und Stadtbibliothek Augsburg, vol. I. Wiesbaden. Pages: 189. Notes: contents list (partial); concordances (partial).
Gottwald, Clytus. 1968. Die Musikhandschriften der Universitätsbibliothek München. Die Handschriften der Universitätsbibliothek München, vol. 2. Wiesbaden. Pages: 81, 104. Notes: contents list (partial); concordances (partial).
Böker-Heil, Norbert. 1967. Die Motetten von Philippe Verdelot. Frankfurt am Main. Pages: 308-10. Notes: contents list (partial); concordances (partial); incipits (partial).
Gottwald, Clytus. 1964. Codices Musici (Cod. Mus. Fol. I 1-71). . Die Handschriften der Württembergischen Landesbibliothek Stuttgart, vol. Reihe I, Band 1. Wiesbaden. Pages: 19-20. Notes: contents list (partial); concordances (partial).
Bruning, Elisens (editor). 1959-. Monumenta Musica Neerlandica. Amsterdam. Pages: IX/2, xii. Notes: contents list (partial); concordances (partial).
Brennecke, Wilfried. 1953. Die Handschrift A.R. 940/41 der Proske-Bibliothek zu Regensburg. Schriften des Landesinstituts für Musikforschung Kiel, vol. 1. Kassel and Basel. Pages: 33ff. Notes: contents list (partial); concordances (partial).
Kempers, Karel Philippus Bernet, and Chris J. Maas (editors). 1951-76. Jacobus Clemens non Papa: Opera Omnia. Corpus mensurabilis musicae, vol. 4. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: IX, iii-iv. Notes: contents list (partial); concordances (partial).
Schmidt-Görg, Joseph. 1938. Nicolas Gombert, Kapellmeister Kaiser Karls V.: Leben und Werk. Bonn. Pages: 363, 366-7. Notes: contents list (partial); concordances (partial).
Blume, Friedrich (editor). 1929-. Das Chorwerk. Berlin/Wolfenbüttel. Pages: XCIV, vii. Notes: contents list (partial); concordances (partial).
Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: XCVIII, 129. Notes: contents list (partial); concordances (partial).
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DIAMM, 2016
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Watermark Note; Notation Note; Ruling Note; Foliation Note; Foliation Note; Decoration Note; Surface Note
Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description