Click an entry to see more information about that item.
Folio / Pages | Composition / Item title | Source attribution | Composers (? Uncertain) |
---|---|---|---|
1–2v | index | - | - |
index
Appears on:
1–2v
|
|||
4–4v | Je n'ai deuil - 1a pars (of 2): Je n'ai deuil que de vous ne viegne | [A. AGRICOLA] | |
Appears on:
4–4v
Genres:
Chanson
Source Attribution:
[A. AGRICOLA]
Voice:
[no designation]
Languages:
French
Voice Text:
Je nay deuil que de vous ne viegne . . .
General NotePubl. cf. Bc 17 n° 64 |
|||
4v | Je n'ai deuil - 2a pars (of 2): Car Dieu voulut tant pour vous faire | - | |
Appears on:
4v
Genres:
Chanson
|
|||
5 | Baises moi ma doulce amie par amour je vous am prie 28.4 | [JOSQUIN DES PRES*] | |
Appears on:
5
Genres:
Chanson
Source Attribution:
[JOSQUIN DES PRES*]
Voice:
[no designation]
Languages:
French
Voice Text:
Basé moy [ma doulx amie] pour amor je vous am prie . . .
Item BibliographyHewitt, Helen Margaret (editor). 1967. Canti B numero cinquanta, Venice 1502. Monuments of Renaissance Music. Chicago. Smijers, Albert, Myroslaw Antonowycz, and Willem Elders (editors). 1925 - . Werken van Josquin des Prés: Wereldlijke Werken (1925); Missen (1931). Leipzig/ Amsterdam. Pages: I. |
|||
5v–6v | Une playsant filette au matin se leva | [L. COMPERE] | |
Appears on:
5v–6v
Genres:
Chanson
Source Attribution:
[L. COMPERE]
Voice:
[no designation]
Languages:
French
Voice Text:
Une playsant figlette au mattin se leva.....
Item Bibliography[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 15,V (avec facs. f. 2v-3 CT 95). |
|||
6v–7v | Joulis mariner passe moi sena | - | Anonymous |
Joulis mariner passe moi senaAnonymous
Appears on:
6v–7v
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Jouli mariner passe moy sena
|
|||
8–8v | Veci la danse barbari - L'autre jour | - | |
Appears on:
8–8v
Genres:
Secular
Voice:
[no designation]
Languages:
Italian
Voice Text:
Veci la danse barbari . . .
|
|||
8v–9 | Lourdault Lourdault garde que tu feras 28.23 | NINOT LE PETIT ou L. COMPÈRE* ou JOSQUIN**] | |
Appears on:
8v–9
Genres:
Chanson
Source Attribution:
NINOT LE PETIT ou L. COMPÈRE* ou JOSQUIN**]
Voice:
[no designation]
Languages:
French
Voice Text:
Lordault lordault garde que tu feras …
General Notet Publ. cf. Bc 17 n° 55 Concordances… *15022 »»CH-Bu F.X. l - 4 |
|||
9–10 | Vostre bargeronette mamiette | [L. COMPÈRE] | |
Appears on:
9–10
Genres:
Chanson
Source Attribution:
[L. COMPÈRE]
Voice:
[no designation]
Languages:
French
Voice Text:
Vostre bargeronette mamiette …
General NotePubl. cf. Bc 17 n° 60 |
|||
10–11 | Et levé vous o Guigliermette | [NINOT LE PETIT] | |
Appears on:
10–11
Genres:
Italian secular
Source Attribution:
[NINOT LE PETIT]
Voice:
[no designation]
Languages:
French
Voice Text:
Et levé vous o Guigliermette . . .
Item BibliographyHaar, James (editor). 1964. Chanson and Madrigal, 1480-1530... a Conference at Isham Memorial Library, September 13-14 1961. Cambridge, Mass. Honegger, M, and G Dottin. 1963-. Chansons françaises. Chansons polyphoniques du XVIème siècle. Paris. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 87. |
|||
11–11v | Je suis amie du forrier | [L. COMPÈRE] | |
Appears on:
11–11v
Genres:
Chanson
Source Attribution:
[L. COMPÈRE]
Voice:
[no designation]
Languages:
French
Voice Text:
Je suis amie du forrier
Item BibliographyHewitt, Helen Margaret (editor). 1967. Canti B numero cinquanta, Venice 1502. Monuments of Renaissance Music. Chicago. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 15, V. |
|||
12–12v | Gentil galans de France chi alla guerra ales | - | Anonymous |
Appears on:
12–12v
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Gentil galans de France
|
|||
13–14 | Alons fere nus barbes | [L. COMPERE]* | |
Appears on:
13–14
Genres:
Chanson
Source Attribution:
[L. COMPERE]*
Voice:
[no designation]
Languages:
French
Voice Text:
Alon fere nous barbes …
Concordances*1501 Item Bibliography[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 15, V. Hewitt, Helen Margaret (editor). 1942. Harmonice Musices Odhecaton A. Studies and Documents. Cambridge, Massachusetts: Mediaeval Academy of America. |
|||
14–14v | Tant belle mi son pensade | - | |
Appears on:
14–14v
Genres:
Chanson
Voice:
[no designation]
Languages:
Italian
Voice Text:
Tambien mi son pensada . . .
General NotePubl. cf. Bc 17 n° 67Attrib. à Ghisehn par Pitoni (cf. Bibliographie AtlasTC) Item BibliographyAtlas, Allan W. 1976. The Cappella Giulia chansonnier. (Rome, Biblioteca Apostolica Vaticana, CG. XII-27). Musicological Studies. Brooklyn. |
|||
14v–15v | Tambur tambur tambor tamburelaridon | - | Anonymous |
Tambur tambur tambor tamburelaridonAnonymous
Appears on:
14v–15v
Genres:
Secular
Voice:
[no designation]
Languages:
Italian
Voice Text:
Tambur tambur tambor tamburelaridon . . .
|
|||
15v–16 | Volez ouir une sanson de chyons | [L. COMPÈRE] | |
Appears on:
15v–16
Genres:
Secular
Source Attribution:
[L. COMPÈRE]
Voice:
[no designation]
Languages:
French
Voice Text:
Volés oir une chanson de chons … [ = Veles mongetes]
Item BibliographyAtlas, Allan W. 1976. The Cappella Giulia chansonnier. (Rome, Biblioteca Apostolica Vaticana, CG. XII-27). Musicological Studies. Brooklyn. Pages: II. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 15, V. |
|||
16v–17 | Si je fet un chop apres | [J. JAPART]* | |
Appears on:
16v–17
Genres:
Chanson
Source Attribution:
[J. JAPART]*
Voice:
[no designation]
Languages:
French
Voice Text:
Si je vo [Ct et T: Si je fet] un chop apres …
General Note= Tambien mi son pensade*]Publ. cf. Bc 17 n° 71 Concordances*1501 |
|||
17–17v | Si je vous avoye pointe hellas | - | Anonymous |
Si je vous avoye pointe hellasAnonymous
Appears on:
17–17v
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Si je vous avoye pointe hellas . .
|
|||
18–19 | Ciascun me crie marie toi Marie | - | Anonymous |
Ciascun me crie marie toi MarieAnonymous
Appears on:
18–19
Genres:
Italian secular
Voice:
[no designation]
Languages:
Italian
Voice Text:
Ciascun me crie marie toy Marie . . .
|
|||
19v–20 | Fille vous have mal guarde / Ave sanctissima Maria | [H. ISAAC] | |
Appears on:
19v–20
Genres:
Contrafactum, Marian antiphon, Song
Source Attribution:
[H. ISAAC]
Voice:
[no designation]
Languages:
French
Voice Text:
Fille vous avés mal gardé le pan d'avant …
General NotePubl. cf. Bc 17 no 59 |
|||
20v–21 | Fortuna desperata / Vidi la forosetta / Voi m'avete / Fortuna mang'io biscotti | - | Anonymous |
Appears on:
20v–21
Genres:
Italian secular
Voice:
[no designation]
Languages:
Italian
Voice Text:
Fortuna disperata . . .
General NoteCt: Vidi la forosetta in un boschetto . . .T: Vo m'avete svergogne niente . . . Item BibliographyWolf, Johannes. 1908-21. Werken van Jacob Obrecht: Missen. Amsterdam und Leipzig. |
|||
21v–22 | Donna di dentro dalla tua casa | [H. ISAAC] | |
Appears on:
21v–22
Genres:
Italian secular
Source Attribution:
[H. ISAAC]
Voice:
[no designation]
Languages:
Italian
Voice Text:
Donna di dentro dalla tua chasa .
General NoteCt: Dammene un poco di quella mazacrocha . . .T: Fortuna d'un gran tempo . . Item BibliographyBrown, Howard Mayer (editor). 1983. A Florentine Chansonnier from the time of Lorenzo the Magnificent. Monuments of Renaissance Music. Chicago and London. Feilerer, Karl Gustav (editor). 1962-65. Altklassische Polyphonie. Das Musikwerk. Eine Beispielsammlung zur Musikgeschichte. Köln. Pages: 22. Pannella, Liliana. 1958. L'incatenatura "Donna di dentro dalla tua casa" di H. Ysaac. Lares: Journal of the International Folk Music Council, 10ff. Smijers, Albert (editor). 1949. Van Ockeghem tot Sweelinck. 5 vols. Amsterdam: Vereniging voor Nederlandse Muziekgeschiedenis. Pages: VI. Blume, Friedrich, and Kurt Gude (editors). 1929-79. Das Chorwerk. Wolfenbüttel/Berlin. Pages: 43. Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 28 (XIV. Ambros, August Wilhelm. 1880-82. Geschichte der Musik. 2. Auflage. 5 vols. Leipzig. Pages: V. |
|||
22v–23 | Entre je suis en grand pensée 28.13 | [JOSQUIN DES PRÉS] | |
Appears on:
22v–23
Genres:
Chanson
Source Attribution:
[JOSQUIN DES PRÉS]
Voice:
[no designation]
Languages:
French
Voice Text:
Entré ye suis en gran penser. [ = Par vous je suis] [= In mijnen sinn*]
Item BibliographyNewton, Paul G. 1968. Florence, Biblioteca del Conservatorio di Musica Luigi Cherubini, Manuscript Baseai 2439: Critical Edition and Commentary. North Texas State University, Unpublished Ph.D. dissertation. Picker, Martin. 1965. The Chanson Albums of Marguerite of Austria. Berkeley and Los Angeles: University of California Press. Osthoff, Helmuth. 1962. Josquin Desprez. 2 vols. Tutzing. Pages: II. Smijers, Albert, Myroslaw Antonowycz, and Willem Elders (editors). 1925 - . Werken van Josquin des Prés: Wereldlijke Werken (1925); Missen (1931). Leipzig/ Amsterdam. Pages: II. |
|||
23–23v | Fors seulement l'attente que je meure | - | Anonymous |
Fors seulement l'attente que je meureAnonymous
Appears on:
23–23v
Genres:
Rondeau
Voice:
[no designation]
Languages:
French
Voice Text:
For sellement l'atante que je more . . .
General Notean incomplete 4vv setting based on Ockeghem's tenor. Item BibliographyHewitt, Helen Margaret. 1969. Fors seulement and the Cantus Firmus Technique of the Fifteenth Century. Essays in Musicology in Honor of Dragan Plamenac on His 70th Birthday, 91-126. Pittsburgh. Pages: 111. |
|||
24–24v | Il etait un bon homme qui venoit de Lyons | - | Anonymous |
Appears on:
24–24v
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
II estoit ung bon home qui venoet da Lion . . .
Item BibliographyShipp, Clifford Marion. 1960. A chansonnier of the dukes of Lorraine: The Paris manuscript Fonds Français 1597. North Texas State College, Ph.D. Dissertation. |
|||
25–25v | L'amour de moi si est enclosé | - | Anonymous |
L'amour de moi si est encloséAnonymous
Appears on:
25–25v
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
L'amor de moi il est enclose . . .
|
|||
25v–26 | Tant ravi suis | - | Anonymous |
Tant ravi suisAnonymous
Appears on:
25v–26
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
(Tant ravis suis)
General Noteuntexted |
|||
26–26v | Maire de Dieu tant caude soy | - | Anonymous |
Maire de Dieu tant caude soyAnonymous
Appears on:
26–26v
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Maire de die tant caude soy . . .
|
|||
27–27v | L'autre jour me chevauchoie / L'autrier joiant et joli doi compaignon / Vilain, lieve sus o. | - | Anonymous |
L'autre jour me chevauchoie / L'autrier joiant et joli doi compaignon / Vilain, lieve sus o.Anonymous
Appears on:
27–27v
Genres:
Motet
Voice:
[no designation]
Languages:
French
Voice Text:
L'aultre jor je cievalcioie
General Note[Ct: Cavaucoie; T: Cevaucoye] |
|||
28 | Che fa la ramanzina | - | |
Appears on:
28
Genres:
Italian secular
Voice:
[no designation]
Languages:
Italian
Voice Text:
Che fa la ramanzina …
General NotePubl. cf. Bc 17 n° 57 ConcordancesNot the Compere version (nor the one in Seville 5-1-43) |
|||
28v–29 | Sustinuimus pacem Domine et ecce turbatio (cantus firmus: En l'ombre/Une mousse) | [H. ISAAC] | |
Appears on:
28v–29
Genres:
Motet
Source Attribution:
[H. ISAAC]
Voice:
[no designation]
Languages:
Latin
Voice Text:
Sustinuimus pacem domine et ecce turbatio
Item BibliographyAdler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 28, XIV. |
|||
29v–30 | O bone et dulcis Domine Jesu credo / Pater noster / Ave Maria 21.8 | [JOSQUIN DES PRÉS] | |
Appears on:
29v–30
Genres:
Ave Maria, BVM, Motet, Pater noster
Source Attribution:
[JOSQUIN DES PRÉS]
Voice:
[no designation]
Languages:
Latin
Voice Text:
O bone et dulcis domine Iesu credo/Pater noster/Ave Maria
Item BibliographySmijers, Albert, Myroslaw Antonowycz, and Willem Elders (editors). 1925-, 1926-. Werken van Josquin des Prés: Motetten. Leipzig/ Amsterdam. Pages: I. |
|||
30v–31 | Alma redemptoris mater / Ave regina caelorum 23.2 - 1a pars (of 2): Alma redemptoris mater / Ave regina caelorum | [JOSQUIN DES PRÉS] | |
Appears on:
30v–31
Genres:
Alma redemptoris mater, BVM, Motet
Source Attribution:
[JOSQUIN DES PRÉS]
Voice:
[no designation]
Languages:
Latin
Voice Text:
Alma redemptoris mater/Ave regina
General NoteCt et T: Ave regina celorum … Item BibliographySmijers, Albert, Myroslaw Antonowycz, and Willem Elders (editors). 1925-, 1926-. Werken van Josquin des Prés: Motetten. Leipzig/ Amsterdam. Pages: I. |
|||
31–31v | Alma redemptoris mater / Ave regina caelorum 23.2 - 2a pars (of 2): Tu que genuisti natura mirante / Gaude virgo gloriosa | - | |
Appears on:
31–31v
Genres:
Alma redemptoris mater, BVM, Motet
|
|||
32v–33 | E logeron nous seans hostesse | H. ISAAC] | |
Appears on:
32v–33
Genres:
Chanson
Source Attribution:
H. ISAAC]
Voice:
[no designation]
Languages:
French
Voice Text:
E logeron nous seans hostesse.
General NoteParoles complètes au T Publ. cf. Bc 17 n° 56 |
|||
33–33v | Une mosche de Bischaye 28.35 | [JOSQUIN DES PRÉS] | |
Appears on:
33–33v
Genres:
Chanson
Source Attribution:
[JOSQUIN DES PRÉS]
Voice:
[no designation]
Languages:
French
Voice Text:
Une(mosa) [de Biscaye]
General Note] Publ. cf. Bc 17 n° 69. Untexted (incipit: Une) |
|||
33v–34 | Vrai dieu quel payne esse que d'aymer = Quam diu che pena messe | [L. COMPÈRE* ou GASPAR VAN WEERBECKE ou M. PIPELARE**] | |
Appears on:
33v–34
Genres:
Chanson, Contrafactum, Motet
Source Attribution:
[L. COMPÈRE* ou GASPAR VAN WEERBECKE ou M. PIPELARE**]
Voice:
[no designation]
Languages:
French
Voice Text:
Vray dieu que pene m'esse . . .
General NotePubl. cf. Bc 17 n° 65 Concordances*15043 ^CH-SGs 530 |
|||
34v–35v | Si oblitus fuero - 1a pars (of 2): Si oblitus fuero tui Jerusalem alleluia | [NINOT LE PETIT ou J. OBRECHT*] | |
Appears on:
34v–35v
Genres:
Motet
Source Attribution:
[NINOT LE PETIT ou J. OBRECHT*]
Voice:
[no designation]
Languages:
Latin
Voice Text:
Si oblitus fuero tui
Concordances*D-ddr-ABG 2 Item BibliographyShine, Josephine M. 1953. The Motets of Jean Mouton. New York University, Unpublished Ph.D. dissertation. Pages: (attrib. à Mouton). [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 87. Wolf, Johannes. 1908-21. Werken van Jacob Obrecht: Missen. Amsterdam und Leipzig. |
|||
36–37v | Si oblitus fuero - 2a pars (of 2): Decantabat populus laudes | - | |
Appears on:
36–37v
Genres:
Motet
|
|||
38–39v | In illo tempore - 1a pars (of 3): In illo tempore assumpsit Jesus Petrum | [NINOT LE PETIT] | |
Appears on:
38–39v
Genres:
Motet
Source Attribution:
[NINOT LE PETIT]
Voice:
[no designation]
Languages:
Latin
Voice Text:
In illo tempore assumpsit Iesus Petrum
Item Bibliography[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 87. |
|||
39v–40 | In illo tempore - 2a pars (of 3): Adhuc eo loquente | - | |
Appears on:
39v–40
Genres:
Motet
|
|||
40–40v | In illo tempore - 3a pars (of 3): Et tetigit eos divitiis eis | - | |
Appears on:
40–40v
Genres:
Motet
|
|||
41–41v | Palle palle palle | [H. ISAAC] | |
Appears on:
41–41v
Genres:
Italian secular
Source Attribution:
[H. ISAAC]
Voice:
[no designation]
Languages:
Italian
Voice Text:
Palle palle.
Item BibliographyDisertori, Benvenuto. 1964. Le Frottole per canto e liuto intabulate da Franciscus Bossinensis. Istituzioni e Monumenti dell'arte musicale italiana. Nuova serie. Milano. Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 28 (XIV). |
|||
41v–43 | Liber generationis Jesu Christi 19.13 - 1a pars (of 3): Liber generationis Jesu Christi | [JOSQUIN DES PRÉS] | |
Appears on:
41v–43
Genres:
Motet
Source Attribution:
[JOSQUIN DES PRÉS]
Voice:
[no designation]
Languages:
Latin
Voice Text:
Liber generationis Iesu Christi
General Note[2a p.]: SaL•mon autem genuit . .[Sup.tacet][3a p-]: Et post transmigrationem Babyl-lonis . _ _ JosquinMO Item BibliographySmijers, Albert, Myroslaw Antonowycz, and Willem Elders (editors). 1925-, 1926-. Werken van Josquin des Prés: Motetten. Leipzig/ Amsterdam. Pages: I. |
|||
43–44v | Liber generationis Jesu Christi 19.13 - 2a pars (of 3): Salomon autem genuit Roboam | - | |
Appears on:
43–44v
Genres:
Motet
|
|||
44v–46 | Liber generationis Jesu Christi 19.13 - 3a pars (of 3): Et post transmigracionem Babilonis | - | |
Appears on:
44v–46
Genres:
Motet
|
|||
46–47 | Tulerunt Dominum - 1a pars (of 2): Tulerunt Dominum meum et nescio ubi | [M. PESENTI]* | |
Appears on:
46–47
Genres:
Motet
Source Attribution:
[M. PESENTI]*
Voice:
[no designation]
Languages:
Latin
Voice Text:
Tulerunt dominum meum et nescio ubi
General Note[2a p.]: Reposita est hec spes mea … Concordances*15192 Item BibliographyDisertori, Benvenuto. 1954. La frottola nella storia della musica. Monumenta N.I., Cremona, Instituta et monumenta, Serie I. 9ff. |
|||
47 | Tulerunt Dominum - 2a pars (of 2): Reposita est haec spes mea | - | |
Appears on:
47
Genres:
Motet
|
|||
47v–48 | Quis dabit pacem - 1a pars (of 2): Quis dabit pacem populo timenti | [H. ISAAC] | |
Appears on:
47v–48
Genres:
Motet
Source Attribution:
[H. ISAAC]
Voice:
[no designation]
Languages:
Latin
Voice Text:
Quis dabit pacem populo timenti
General Note[2a p.]: Quam tuas laudes Publ. cf. Bc 20 no 24 |
|||
48–49 | Quis dabit pacem - 2a pars (of 2): Quam tuas laudes | - | |
Appears on:
48–49
Genres:
Motet
|
|||
49v–50 | Tota pulchra es - 1a pars (of 2): Tota pulchra es amica mea et macula | [H. ISAAC] | |
Appears on:
49v–50
Genres:
Motet
Source Attribution:
[H. ISAAC]
Voice:
[no designation]
Languages:
Latin
Voice Text:
Tota pulchra es amica mea et macula
General Note[2a p.]: Flores apparuerunt … Item BibliographyBlume, Friedrich, and Kurt Gude (editors). 1929-79. Das Chorwerk. Wolfenbüttel/Berlin. Pages: 100. |
|||
50v–51 | Tota pulchra es - 2a pars (of 2): Flores apparuerunt vineae florentes | - | |
Appears on:
50v–51
Genres:
Motet
|
|||
51v | Quis dabit capiti - 1a pars (of 4): Quis dabit capiti meo aquam | [H. ISAAC] | |
Appears on:
51v
Genres:
Motet
Source Attribution:
[H. ISAAC]
Voice:
[no designation]
Languages:
Latin
Voice Text:
Quis dabit capiti meo aquam
General Note[Quis oculis = Missa salva nos. Osanna II] Item BibliographyRehm, Wolfgang (editor). 1957) & Vol. VI: Mehrstimmige Lamentationen aus der ersten Hälfte des 16. Jahrhunderts, Massenkeil, G (ed.) (1965) & Vol. VII-VIII. Heinrich Isaac Messen, Staehelin, Martin (ed.) (1970-1973. Die Chansons von Gilles Binchois (1400-1460). Musikalische Denkmäler. Pages: VIII (Missa Salva nos). [No Author] 1937. Mostra bibliografica di musica italiana dalle origini alla fine del secolo XVIII. Firenze: R. Biblioteca nazionale centrale Firenze. Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 28, XIV. |
|||
51v–52 | Quis dabit capiti - 2a pars (of 4): Sic turtur viduus solet | - | |
Appears on:
51v–52
Genres:
Motet
|
|||
52 | Quis dabit capiti - 3a pars (of 4): Laurus impetu fulminis | - | |
Appears on:
52
Genres:
Motet
|
|||
52v | Quis dabit capiti - 4a pars (of 4): Sub cuius patula coma | - | |
Appears on:
52v
Genres:
Kyrie eleison, Mass Ordinary, Motet
|
|||
53–54 | Je mi levay l'autre nuytée | [NINOT LE PETIT] | |
Appears on:
53–54
Genres:
Chanson
Source Attribution:
[NINOT LE PETIT]
Voice:
[no designation]
Languages:
French
Voice Text:
Je me leves l'aultre nuyt
General Noteuntexted Item Bibliography[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 87. |
|||
54v–55v | Pardonnez moi se je foloye verdin goie | [A. FEVIN] | |
Appears on:
54v–55v
Genres:
Song
Source Attribution:
[A. FEVIN]
Voice:
[no designation]
Languages:
French
Voice Text:
Pardonnés moy se je soloye …
Item BibliographySchuetze, George C, Jr. 1960-80. Collected works of Faugues, Transcription and introduction by G.C. Schuetze, jr. Collected works. Gesamtausgaben. New York. Pages: XI. |
|||
55v–57 | Vele ci vele la ma mere | [J. MOUTON] | |
Appears on:
55v–57
Genres:
Italian secular
Source Attribution:
[J. MOUTON]
Voice:
[no designation]
Languages:
French
Voice Text:
Vele ci vele la ma mere . . .-
|
|||
57–58 | Se j'ai perdu mon amy | - | Anonymous |
Se j'ai perdu mon amyAnonymous
Appears on:
57–58
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Se j'ay perdu mon amy . . .
|
|||
58–59v | Paratum cor meum - 1a pars (of 3): Paratum cor meum Deus cantabo et psallam | [JOSQUIN DES PRÉS]* | |
Appears on:
58–59v
Genres:
Psalm motet
Source Attribution:
[JOSQUIN DES PRÉS]*
Voice:
[no designation]
Languages:
Latin
Voice Text:
Paratum cor meum deus cantabo et psallam
General Note[2a p.]: Salvumfac dextera tua … [Sup.tacet][3a p.]: In idumeam extendam . . Concordances*15399 Item BibliographySmijers, Albert, Myroslaw Antonowycz, and Willem Elders (editors). 1925-, 1926-. Werken van Josquin des Prés: Motetten. Leipzig/ Amsterdam. Pages: IV. |
|||
59v–61 | Paratum cor meum - 2a pars (of 3): Salvam fac dextera tua | - | |
Appears on:
59v–61
Genres:
Motet
|
|||
61–62v | Paratum cor meum - 3a pars (of 3): In idumeam extendam | - | |
Appears on:
61–62v
Genres:
Motet
|
|||
63–64 | Ecce tu pulchra es amica mea 14.6 | [JOSQUIN DES PRÉS] | |
Appears on:
63–64
Genres:
Motet
Source Attribution:
[JOSQUIN DES PRÉS]
Voice:
[no designation]
Languages:
Latin
Voice Text:
Ecce tu pulchra es amica mea
General NotePubl. cf. Bc 19 n° 63 |
|||
64–65v | Prophetarum maxime - 1a pars (of 2): Prophetarum maxime vatumque princeps | [H. ISAAC] | |
Appears on:
64–65v
Genres:
Motet
Source Attribution:
[H. ISAAC]
Voice:
[no designation]
Languages:
Latin
Voice Text:
Prophetarum maxime vatumque princeps
General Note. . .[2a p.]: Concede nobis tuas digne . . . |
|||
65v–66v | Prophetarum maxime - 2a pars (of 2): [Praesta nobis] Concede nobis tuas digne concinere laudes - Inter natos mulierum | - | |
Appears on:
65v–66v
Genres:
Motet
|
|||
67–67v | Misericordias Domini 18.4 - 1a pars (of 5): Misericordias Domini in aeternum cantabo | JOSQUIN DES PRÉS] | |
Appears on:
67–67v
Genres:
Motet
Source Attribution:
JOSQUIN DES PRÉS]
Voice:
[no designation]
Languages:
Latin
Voice Text:
Misericordias domini in aeternum cantabo
General Note[3a p.]: Quam bonus dominus . . .[4a p.]: Miserere nostri domine . . .[5a p.]: Fiat misericordia tua . . . Item BibliographySmijers, Albert, Myroslaw Antonowycz, and Willem Elders (editors). 1925-, 1926-. Werken van Josquin des Prés: Motetten. Leipzig/ Amsterdam. Pages: II. |
|||
68 | Misericordias Domini 18.4 - 2a pars (of 5): Quoniam Dominus suavis est | - | |
Appears on:
68
Genres:
Motet
|
|||
68v | Misericordias Domini 18.4 - 3a pars (of 5): Quam bonus Dominus | - | |
Appears on:
68v
Genres:
Motet
|
|||
69 | Misericordias Domini 18.4 - 4a pars (of 5): Miserere nostri Domine | - | |
Appears on:
69
Genres:
Motet
|
|||
69–69v | Misericordias Domini 18.4 - 5a pars (of 5): Fiat misericordia tua | - | |
Appears on:
69–69v
Genres:
Motet
|
|||
69v–70 | Quis dabit oculis - 1a pars (of 3): Quis dabit oculis nostris fontem lachrimarum | [J. MOUTON] | |
Appears on:
69v–70
Genres:
Motet
Source Attribution:
[J. MOUTON]
Voice:
[no designation]
Languages:
Latin
Voice Text:
Quis dabit oculis nostris fontem lachrimarum
General Note[2a p.]: Heu nobis domine . . .[3a p.]: Ergo eiulate pueri . . . Item BibliographyExpert, Henry. 1966-. Maîtres anciens de la musique française. Série des compositeurs et auteurs parisiens. Paris: L'Association des Amis d'Henry Expert et de la Musique Francaise Ancienne. Pages: V. Shine, Josephine M. 1953. The Motets of Jean Mouton. New York University, Unpublished Ph.D. dissertation. Casimiri, Raffaele (editor). 1930-1958. Vol. II: Constantius Festa, Sacrae cantiones. ed. Eduardo Dagnino. (1936) & Vol. III: Constantius Festa. Hymni per totum annum... transcr. Glen Haydon. (1958). Monumenta Polyphoniae Italicae. Rome. Pages: II. |
|||
70v–71 | Quis dabit oculis - 2a pars (of 3): Heu nobis Domine defecit Cesar | [J. MOUTON] | |
Appears on:
70v–71
Genres:
Motet
Source Attribution:
[J. MOUTON]
Voice:
[no designation]
Languages:
Latin
Voice Text:
Quis dabit oculis nostris fontem lachrimarum
General NoteQuis dabit oculis nostris fontem lachryma-rum . . .[2a p.]: Heu nobis domine . . .[ Item BibliographyExpert, Henry. 1966-. Maîtres anciens de la musique française. Série des compositeurs et auteurs parisiens. Paris: L'Association des Amis d'Henry Expert et de la Musique Francaise Ancienne. Pages: V. Shine, Josephine M. 1953. The Motets of Jean Mouton. New York University, Unpublished Ph.D. dissertation. Casimiri, Raffaele (editor). 1930-1958. Vol. II: Constantius Festa, Sacrae cantiones. ed. Eduardo Dagnino. (1936) & Vol. III: Constantius Festa. Hymni per totum annum... transcr. Glen Haydon. (1958). Monumenta Polyphoniae Italicae. Rome. Pages: II. |
|||
71–71v | Quis dabit oculis - 3a pars (of 3): Ergo ululate pueri plorate sacerdotes | - | |
Appears on:
71–71v
Genres:
Motet
|
|||
72–72v | Factum est silentium - 1a pars (of 2): Factum est silentium in caelo dum committeret | [J.MOUTON] | |
Appears on:
72–72v
Genres:
Motet
Source Attribution:
[J.MOUTON]
Voice:
[no designation]
Languages:
Latin
Voice Text:
Factum est silentium in caelo dum committeret
General Note[2a p.]: [Dum sacrum misterium] Publ. cf. Bc 142 n° 8 Item BibliographyShine, Josephine M. 1953. The Motets of Jean Mouton. New York University, Unpublished Ph.D. dissertation. |
|||
72v–73v | Factum est silentium - 2a pars (of 2): Dum sacrum misterium cernere Johannes | - | |
Appears on:
72v–73v
Genres:
Motet
General Noteuntexted |
|||
74–75 | Gaude Barbara beata - 1a pars (of 2): Gaude Barbara beata summe polens | [J. MOUTON | |
Appears on:
74–75
Genres:
Motet
Source Attribution:
[J. MOUTON
Voice:
[no designation]
Languages:
Latin
Voice Text:
Gaude Barbara beata
General NotePubi cf. CFm 59 n- 25 |
|||
75–76 | Gaude Barbara beata - 2a pars (of 2): Gaude quia meruisti impetrare | - | |
Appears on:
75–76
Genres:
Motet
|
|||
76v–77 | Missus est Gabriel angelus ad Mariam 20.6 | [JOSQUIN DES PRÉS] | |
Appears on:
76v–77
Genres:
Motet
Source Attribution:
[JOSQUIN DES PRÉS]
Voice:
[no designation]
Languages:
Latin
Voice Text:
Missus est Gabriel angelus
General Note.Publ. cf. Bc 142 n° 8 |
|||
77v–78 | Manus Domini fecerunt me | [A- DANGLON ou M. PESENTI |
Danglon, A.
(?)
|
Appears on:
77v–78
Genres:
Motet
Source Attribution:
[A- DANGLON ou M. PESENTI
Voice:
[no designation]
Languages:
Latin
Voice Text:
Manus Domini fecerunt me
General NotePubL cf- CMac D(F) °° 20 Concordances.*15216 |