I-Bsp MS A.XXXXV (A45)

Archivio Musicale di S Petronio, Bologna, Italy

manuscript of polyphony: 16th century: 1558

Archive Archivio Musicale di S Petronio, Bologna, Italy (I-Bsp)
Shelfmark MS A.XXXXV (A45)
Image Availability DIAMM does not have images of this source.
Surface Paper
Numbering System Foliation
Measurements 460 x 320 mm
Other Identifiers
  • RISM: I-Bsp XXXXV
  • CCM: BolSP 45
Notations
  • black void mensural
Copyists
Relationships
Provenance
Contents Contains 95 compositions, 37 from 8 composers, 58 are anonymous.
General Description

Copied by two main scribes, one of whom was Giovanni Spataro (TirroRM). About ten additional scribal hands, several of which also appear in BolSP 30, BolSP 46, and BolSP 49; the scribe of ff. 45'-48, 49'-53, 109'-110 also wrote the second half of BolSP 30. Copied in Bologna, for use at Church of San Petronio.

DIAMM, 2017
Physical Description

Folios later trimmed, probably obliterating some attributions

DIAMM, 2017
Binding

Restored and rebound in modern cloth covers, replacing original parchment covers.

DIAMM, 2017
Watermark

Main watermark: three-peaked mountain (not in Briquet, but see Briquet #11924-5, #11660-1, and #11715 for general pattern).

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Ruling

13 staves per page; staff height c. 19.

DIAMM, 2017
Foliation

115 ff

DIAMM, 2017
Foliation

Original ink foliation, 1-116, on upper right rectos (ff. 12-15 now missing; '76' applied to two consecutive folios; '93' and '107' omitted).

DIAMM, 2017
Decoration

Small inked initials

DIAMM, 2017
Surface

paper

DIAMM, 2017
RISM Description

RISM B/IV 5: XVIe. s. 115 ff. Papier, 460 x 320 mm. Foliotation moderne: 1-17 et foliotation ancienne: 17-115. les ff. 12 à 15 mq.; les ff. 1, 65v, 66, 115v sont blancs; les ch. 93 et 107 omis dans la foliotation, le f. 76 chiffré 2 fois. Notation mesurée blanche. 13 portées par p. Ce ms., copié de plusieurs mains au début du XVIe s., figure dans un répertoire établi à S. Petronio en 1558. Il avait donc été copié avant cette date pour l'usage de cette église. On reconnaît la main de Spataro aux ff. lv-11, 16v-26, 59v-71, 76v-79, 106v-108 (Jeppesen).

Dans le dépouillement suivant, on a bloqué les différents versets d'un même hymne sous un même nom d'auteur. Pour les hymnes anonymes et dans le cas de divergences graves dans la musique, on a numéroté òis, ter.

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of any of this content without permission may result in legal action.

Répertoire International des Sources Musicales
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

3 Magnificats, 5 Canticles, 1 psalm, 42 hymns, 13 motets = 64

(Jaquet of Mantua)-2, (Lhéritier)-1, (Morales)-1, (Mouton)-1, (Spataro)-5, (Willaert)-12, anon-42

i + 110 + i paper folios of an original 115, 460 x 320. The margins have been trimmed, with possible loss of some composers' names. Original foliation; ff. 12-15 are missing. The manuscript has been restored and rebound in modern cloth covers. No index. About three-fourths of the manuscript was copied by Giovanni Spataro and one other scribe; as many as ten additional scribal hands also appear. Watermarks from Bologna or Reggio Emilia mills, resembling Briquet #11924-5, 11660-1, and 11715.

1527-41 (TirroRM). Copied and used at San Petronio in Bologna.

Vol 4

3 Magnificats, 5 canticles, 1 psalm, 43 hymns, 13 motets (2 incomplete) = 65

(Jaquet of Mantua)-2, (Lhéritier/Verdelot)-1, (Morales)-1, (Mouton)-1, (Spataro)-5, (Willaert)-11, (Willaert-anon)-1, anon-43

i + 111 + i paper folios, 460 x 320. Folios later trimmed, probably obliter-ating some attributions. Original ink foliation, 1-116, on upper right rectos (ff. 12-15 now missing; "76" applied to two consecutive folios; "93" and "107" omitted). Restored and rebound in modern cloth covers, replacing original parchment covers. No index. Two main scribes, one of whom was Giovanni Spataro (TirroRM); see general index for other manuscripts copied by Spataro. About ten additional scribal hands, several of which also appear in BolSP 30, BolSP 46, and BolSP 49. Staff height ca. 19. Small inked initials. Main watermark: three-peaked mountain (not in Briquet, but see Briquet #11924-5, #11660-1, and #11715 for general pattern).

Ca. 1532-4 (TirroRM). Copied in Bologna, for use at Church of San Petronio.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
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denotes primary source study

Tirro, Frank P. 1986. Renaissance musical sources in the Archive of San Petronio in Bologna. Vol. I: G. Spataro's choirbooks.  American Institute of musicology. Pages: I, 14-5,22-39,59-62,72-80, passim. Notes: physical description; contents list; concordances; incipits; facsimile (partial); mention of MS; discussion.

Weiss, Susan Forscher. 1985. The Manuscript Bologna, Civico Museo Bibliografico Musicale, Codex Q 18 (olim 143): A Bolognese Instrumental Collection of the Early Cinquecento. University of Maryland, Unpublished Ph.D. dissertation. Pages: 74-5,423. Notes: physical description (partial); facsimile (partial); mention of MS; discussion.

Tirro, Frank P. 1980. La Stesura del Testo nei Manoscritti di Giovanni Spataro. Revista Italiana di Musicologia, 15: 31-70. Notes: contents list (partial); transcriptions (partial); mention of MS; discussion.

Lewis, Mary Stuart. 1979. Antonio Gardane and His Publications of Sacred Music, 1538-55. Brandeis University, Unpublished Ph.D. dissertation. Pages: 365,442,793. Notes: contents list (partial); concordances (partial).

Weidensaul, Jane Bennett. 1978. The Polyphonic Hymns of Adrian Willaert. Rutgers University, Unpublished Ph.D. dissertation. Pages: 76-89. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial).

Tirro, Frank P. 1974. Giovanni Spataro's Choirbooks in the Archive of San Petronio in Bologna. University of Chicago, Unpublished Ph.D. dissertation. Pages: 17-62,215-36,497-802,809-15,859-91, passim. Notes: physical description; contents list; concordances; incipits; transcription (partial); facsimile (partial); mention of MS; discussion.

Perkins, Leeman L (editor). 1969. Johannis Lhéritier: Opera Omnia. Corpus mensurabilis musicae, vol. 48.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: xli.lx. Notes: mention of MS; contents list (partial); concordances (partial).

Lowinsky, Edward E (editor). 1968. The Medici Codex of 1518: A Choirbook of Motets Dedicated to Lorenzo de' Medici, Duke of Urbino. Monuments of Renaissance Music, vol. III-V.  Chicago. Pages: III, 184-5. Notes: contents list (partial); concordances (partial).

Jeppesen, Knud (editor). 1962. Italia Sacra Musica, musiche corali italiane sconosciute della prima metà del Cinquecento. 3 vols. Copenhagen. Pages: I, xi, xviii, 113-23. Notes: contents list (partial); transcription (partial).

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 48, 1, p. XLI.

Jeppesen, Knud. 1941. Eine musiktheoretische Korrespondenz des früheren Cinquecento. Acta Musicologica, 13: 3-39. Pages: 30-4. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Frati, Lodovico. 1917. Per la storia della musica in Bologna dal secolo XV al XVI. Rivista Musicale Italiana, 24: 449-78. Pages: 467. Notes: mention of MS.

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

Répertoire Internationale des Sources Musicales

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description