I-Bsp MS A.XXXVIII (A38)

Archivio Musicale di S Petronio, Bologna, Italy

manuscript of polyphony: 16th century: 1527

Archive Archivio Musicale di S Petronio, Bologna, Italy (I-Bsp)
Shelfmark MS A.XXXVIII (A38)
Image Availability DIAMM does not have images of this source.
Surface Mixed Paper and Parchment
Numbering System Foliation
Measurements 485 x 335 mm
Other Identifiers
  • RISM: I-Bsp XXXVIII
  • CCM: BolSP 38
  • olim (Former shelfmark): CC
Notations
  • black void mensural
Copyists
Relationships
External Links
Provenance
Contents 54 pieces from 10 composers
General Description

Copied by Giovanni Spataro (TirroRM). Copied in Bologna, for use at Church of San Petronio.

DIAMM, 2017
Binding

Original covers of yellow parchment recently replaced by modern covers; several folios from late 15th-century manuscript recovered from original covers at time of rebinding (see BolSP s.s.).

DIAMM, 2017
Watermark

No identifiable watermarks visible (TirroRM).

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Ruling

13 staves per page; staff height 18

DIAMM, 2017
Foliation

Original ink foliation, 1-29; 84-93; 114-131; 133-153, on upper right rectos (ff. 30-83, 94-113, and 132 now missing). Modern foliation, 1-82, on lower right rectos numbers all extant folios except parchment flyleaves.

DIAMM, 2017
Foliation

81 ff

DIAMM, 2017
Decoration

Small plain inked initials.

DIAMM, 2017
Index

Original index by Giovanni Spataro copied on margins of front parchment flyleaves, taken from 14th- or 15th-century antiphonary; pieces grouped alphabetically by first letter of text or title, with subgrouping under each letter by order of appearance (a few irregularities)

DIAMM, 2017
Surface

ii parchment + 29 + 1+10 + 1 + 18 + 1 + 21+1 paper + i parchment

DIAMM, 2017
RISM Description

RISM B/IV 5: XVIe s. 81 ff. Papier, 485 x 335 mm. Foliotation ancienne avec lacunes en haut des ff. 1-153 et foliotation moderne au bas des ff.: 1-81. La foliotation ancienne montre que les ff 30 à 84, 94 à 113, 132 mq. Les ff. 1 et 153v sont blancs. Dans la foliotation moderne, les ff. 30r-v, 41r-v, 60r-v, 81v sont blancs. Notation mesurée blanche. 13 portées par p. Sur 2 ff. de parchemin détachés, Table fragmentaire du ms. établie (par Spataro?) sur le ms. primitif.

Un des 5 mss. inscrits en 1527 par Spataro sur son testament en faveur de S. Petronio. 81 ff. subsistent sur les 153 du ms. original. D'après la Table, le ms contenait 12 messes, 11 parties de messes et 14 motets, parmi lesquels mq. (entièrement ou en partie) suivant l'ordre de la table:

Gloria cum horgano 46 [Missa] Sancti Nicolai 65

Gloria De Domenica 49 [Missa] De tous biens 73

Kyrie de Beata virgine 33 [Missa] De letanie 95

Kyrie De Domenica [Missa] De Ave Maria 99

Missa Mes pensés 33 [Missa] De f Deloth 108

[Missa] De psalite deo 39 Patrem De dominica 55

[Missa] De la bassadanza 58 Sanctus De beata virgine 32

Dépouillement fait sur la foliotation ancienne, suivie de la foliotation moderne lorsqu'elles diffèrent.

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of any of this content without permission may result in legal action.

Répertoire International des Sources Musicales
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

5 Masses, 1 Gloria-Credo pair, 1 Gloria, 4 Credos, 5 psalms, 10 motets = 26

(An additional 7 Masses, 2 Kyries, 1 Credo, and 1 Sanctus, listed in the index, are now missing)

(A. Févin)-1, (A. Févin/Mouton)-1, (Janequin)-1, (Josquin)-1, (La Rue)-1, (Lhéritier/Willaert)-1, (Mouton)-2, anon-18

ii + 78 paper folios of an original 153, 485 x 335. Ff. 30-83, 94-113, and 132 are missing. Original ink foliation; also a recent pencil foliation entered after some folios were lost. Original yellow parchment covers were replaced by new ones when the manuscripts was restored and rebound recently; some folios from a late 15th-century manuscript were recovered from these original covers (see BolSP s.s.). Original index at the beginning of the manuscript, on two loose parchment sheets from a 14th- or 15th-century antiphoner, lists all pieces, including those now missing. Copied by Giovanni Spataro.

1512-27 (TirroRM). Copied and used at San Petronio in Bologna.

Vol 4

5 Masses (2 incomplete), 1 Gloria-Credo pair (incomplete), 1 Gloria (in-complete), 4 Credos (1 incomplete), 5 psalms, 10 motets (1 incomplete) = 26*

*Pieces listed in original index, but now missing: 7 Masses, 2 Kyries, 2 Glorias, 1 Credo, 1 Sanctus.

(Conseil/Lhéritier/Willaert)-1, (A. Févin)-1, (A. Févin/Mouton) -1, (Janequin)-1, (Josquin)-1, (La Rue)-1, (Mouton)-2, anon-18

ii parchment + 29 + 1+10 + 1 + 18 + 1 + 21+1 paper + i parchment folios, 485 x 335. Original ink foliation, 1-29; 84-93; 114-131; 133-153, on upper right rectos (ff. 30-83, 94-113, and 132 now missing). Modern foliation, 1-82, on lower right rectos numbers all extant folios except parchment flyleaves. Original covers of yellow parchment recently replaced by modern covers; several folios from late 15th-century manuscript recovered from original covers at time of rebinding (see BolSP s.s.).

Original index by Giovanni Spataro copied on margins of front parchment flyleaves, taken from 14th- or 15th-century antiphonary; pieces grouped alpha-betically by first letter of text or title, with subgrouping under each letter by order of appearance (a few irregularities). Copied by Giovanni Spataro (TirroRM); see general index for other manuscripts copied by the same scribe. Staff height 18. Small plain inked initials. No identifiable watermarks visible (TirroRM).

Ca. 1525 (TirroRM). Copied in Bologna, for use at Church of San Petronio.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1v–3 Salve regina - 1a pars (of 2): Salve regina mater misericordiae - Anonymous
Appears on: 1v–3
Genres: BVM, Motet, Salve Regina
Voice: [no designation]
Languages: Latin
Voice Text: Salve regina
General Note

[Le début du B mq.,ms. detruit)[2a p.]: Eya ergo

1v–3 Salve regina - 2a pars (of 2): Eya ergo - Anonymous
Appears on: 1v–3
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: [2a p.]: Eya ergo
3v–6 Salve regina - 1a pars (of 3): Salve regina mater misericordiae - Anonymous
Appears on: 3v–6
Genres: BVM, Motet, Salve Regina
Voice: [no designation]
Languages: Latin
Voice Text: Salve regina
General Note

.[2a p.]: Eya ergo … 4vx. [3a p.]: Et Jhesum … 5vx.

3v–6 Salve regina - 2a pars (of 3): Eya ergo - Anonymous
Appears on: 3v–6
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: .[2a p.]: Eya ergo …
General Note

[3a p.]: Et Jhesum … 5vx

3v–6 Salve regina - 3a pars (of 3): Et Jesum - Anonymous
Appears on: 3v–6
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: [3a p.]: Et Jhesum …
General Note

.[2a p.]: Eya ergo … 4vx. [3a p.]: Et Jhesum …

6v–8 Dixit Dominus - 1a pars (of 2): Dixit Dominus Domino meo - Anonymous
Appears on: 6v–8
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Dixit dominus domino meo …
General Note

[2a p.]: Dominus ad dextris tuis . . .

6v–8 Dixit Dominus - 2a pars (of 2): Dominus ad dextris tuis - Anonymous
Appears on: 6v–8
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: [2a p.]: Dominus ad dextris tuis . . .
8v–9 Ave regina caelorum - Anonymous
Appears on: 8v–9
Genres: BVM
Voice: [no designation]
Languages: Latin
Voice Text: Ave regina celorum
9v–10 Nobilis progenie nobilior fide [A. FÉVIN]*
Appears on: 9v–10
Genres: Motet
Source Attribution: [A. FÉVIN]*
Voice: [no designation]
Languages: Latin
Voice Text: Nobilis progenie nobilior fide …
Concordances

* GB-Cm 1760

Item Bibliography

Clinkscale, Edward Henry. 1965. The Complete Works of Antoine de Févin. New York University, Ph.D. dissertation.

10v–12 Egregie Christi màrtir - 1a pars (of 2): Egregie Christi màrtir [or 'confessor'] Christophore [A. FÉVIN* ou J. MOUTON**]
Appears on: 10v–12
Genres: Motet
Source Attribution: [A. FÉVIN* ou J. MOUTON**]
Voice: [no designation]
Languages: Latin
Voice Text: Egregie Cristi confesor [sic] …
General Note

[B et T mq. en partie: bas du f. 11 déchiré] [2a p.]: Ecce enimfestus est . . .

Concordances

** A-Wn 15941 (mq. Sup.)

Item Bibliography

Clinkscale, Edward Henry. 1965. The Complete Works of Antoine de Févin. New York University, Ph.D. dissertation.

Shine, Josephine M. 1953. The Motets of Jean Mouton. New York University, Unpublished Ph.D. dissertation.

10v–12 Egregie Christi màrtir - 2a pars (of 2): Ecce enim festus est nobis hodie [A. FÉVIN* ou J. MOUTON**]
Appears on: 10v–12
Genres: Motet
Source Attribution: [A. FÉVIN* ou J. MOUTON**]
Voice: [no designation]
Languages: Latin
Voice Text: [2a p.]: Ecce enim festus est . .
General Note

[B et T mq. en partie: bas du f. 11 déchiré] [2a p.]: Ecce enimfestus est . . .

Concordances

** A-Wn 15941 (mq. Sup.)

Item Bibliography

Clinkscale, Edward Henry. 1965. The Complete Works of Antoine de Févin. New York University, Ph.D. dissertation.

Shine, Josephine M. 1953. The Motets of Jean Mouton. New York University, Unpublished Ph.D. dissertation.

12v–13 Laudate Dominum omnes gentes, laudate eum - Anonymous
Appears on: 12v–13
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Laudate dominum omnes gentes
Concordances

contrafactum of 'De profundis' at ff.21v-23 - and of the Credo IV toni at ff.123v-126

13v–16 Confitebor tibi Domine - 1a pars (of 3): Confitebor tibi Domine - Anonymous
Appears on: 13v–16
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Confitebor tibi domine …
General Note

[2a p.]: Memoriam fecit . . .[3a p.]: Redemptionem misit dominus . . .

13v–16 Confitebor tibi Domine - 2a pars (of 3): Memoriam fecit - Anonymous
Appears on: 13v–16
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: [2a p.]: Memoriam fecit . . .
General Note

[3a p.]: Redemptionem misit dominus . . .

13v–16 Confitebor tibi Domine - 3a pars (of 3): Redemptionem misit Dominus populo suo - Anonymous
Appears on: 13v–16
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: [3a p.]: Redemptionem misit dominus . . .
General Note

[2a p.]: Memoriam fecit . . .[3a p.]: Redemptionem misit dominus . . .

16v–19 Beatus vir - 1a pars (of 3): Beatus vir qui timet Dominum - Anonymous
Appears on: 16v–19
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Beatus vir qui timet dominum …
General Note

[2a p.]: In memoria eterna . . .[3a p.]: Peccator videbit . . .

16v–19 Beatus vir - 2a pars (of 3): In memoria eterna - Anonymous
Appears on: 16v–19
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: [2a p.]: In memoria eterna . . .
General Note

[3a p.]: Peccator videbit . . .

16v–19 Beatus vir - 3a pars (of 3): Peccator videbit - Anonymous
Appears on: 16v–19
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: [3a p.]: Peccator videbit . . .
General Note

[2a p.]: In memoria eterna . . .

19v–21 Queramus cum pastoribus - 1a pars (of 2): Queramus cum pastoribus verbum incarnatum [J. MOUTON]
Appears on: 19v–21
Genres: Motet
Source Attribution: [J. MOUTON]
Voice: [no designation]
Languages: Latin
Voice Text: Queramus cum pastoribus …
General Note

[2a p.]: Ubi pascas ubi eubes …

Item Bibliography

Shine, Josephine M. 1953. The Motets of Jean Mouton. New York University, Unpublished Ph.D. dissertation.

Smijers, Albert (editor). 1949. Van Ockeghem tot Sweelinck. 5 vols. Amsterdam: Vereniging voor Nederlandse Muziekgeschiedenis. Pages: VII.

Anglès, Higinio (editor). 1941-1971. Monumentos de la Mùsica Espanola.  Madrid (later Barcelona, later Rome). Pages: XV.

19v–21 Queramus cum pastoribus - 2a pars (of 2): Ubi pascas ubi cubas [J. MOUTON]
Appears on: 19v–21
Genres: Motet
Source Attribution: [J. MOUTON]
Voice: [no designation]
Languages: Latin
Voice Text: [2a p.]: Ubi pascas ubi eubes …

Item Bibliography

Shine, Josephine M. 1953. The Motets of Jean Mouton. New York University, Unpublished Ph.D. dissertation.

Smijers, Albert (editor). 1949. Van Ockeghem tot Sweelinck. 5 vols. Amsterdam: Vereniging voor Nederlandse Muziekgeschiedenis. Pages: VII.

Anglès, Higinio (editor). 1941-1971. Monumentos de la Mùsica Espanola.  Madrid (later Barcelona, later Rome). Pages: XV.

21v–23 De profundis clamavi - 1a pars (of 2): De profundis clamavi ad te Domine - Anonymous
Appears on: 21v–23
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: De profundis clamavi ad te domine . . .
General Note

[2a p.]: A custodia matutina . . .

Concordances

contrafactum of 'Laudate Dominum' at ff.12v-13 - and of Credo IV toni at ff. 123v-126

21v–23 De profundis clamavi - 2a pars (of 2): A custodia Matutina usque ad noctem - Anonymous
Appears on: 21v–23
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: [2a p.]: A custodia matutina . . .
Concordances

contrafactum of 'Laudate Dominum' at ff.12v-13 - and of Credo IV toni at ff. 123v-126

23v–25 Missa de Beata vergine: Credo (Patrem Cardinal) [P. DE LA RUE]
Appears on: 23v–25
Genres: Credo (patrem omnipotentem), Mass Ordinary
Source Attribution: [P. DE LA RUE]
Voice: [no designation]
Languages: Latin
Voice Text: [Missa De Beata virgine
General Note

= Missa De domina. Credo] (Patrem Cardinal) Patrem . . .

Item Bibliography

Lenaerts, René Bernard (editor). 1960. Drie Missen van Pierre de La Rue. Monumenta Musicae Belgicae. <em>NederlandsePolyfonieuitspannseBronnen</em>MonumentaMusicaeBelgicaeVol.IX(1963). Berchem-Antwerpen. Pages: VIII.

25v–27 Beata Dei genitrix - 1a pars (of 2): Beata Dei genitrix virgo Maria [J. CONSEIL* ou J. LHÉRITIER** ou A. WILLAERT***]
Appears on: 25v–27
Genres: Motet
Source Attribution: [J. CONSEIL* ou J. LHÉRITIER** ou A. WILLAERT***]
Voice: [no designation]
Languages: Latin
Voice Text: Beata dei genitrix …
General Note

[2a p.]: Et beata que credidit …

Concordances

* 153910 ** D-brd-Rp 940 *** Willaert 1539

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 3, I.

25v–27 Beata Dei genitrix - 2a pars (of 2): Et beata quae credidit quoniam [J. CONSEIL* ou J. LHÉRITIER** ou A. WILLAERT***]
Appears on: 25v–27
Genres: Motet
Source Attribution: [J. CONSEIL* ou J. LHÉRITIER** ou A. WILLAERT***]
Voice: [no designation]
Languages: Latin
Voice Text: [2a p.]: Et beata que credidit …
Concordances

* 153910 ** D-brd-Rp 940 *** Willaert 1539

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 3, I.

27v–29 Ante Luciferum genitus - 1a pars (of 2): Ante Luciferum genitus - Anonymous
Appears on: 27v–29
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Ante Luciferum genitus . .
General Note

[2a p.]: Psalite deo nostro

27v–29 Ante Luciferum genitus - 2a pars (of 2): Psallite Deo nostro - Anonymous
Appears on: 27v–29
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: [2a p.]: Psalite deo nostro
29v Illuminare Jerusalem venit lux tua (2p. Interrogabat magos Herodes quod signum) J. MOUTON]
Appears on: 29v
Genres: Motet
Source Attribution: J. MOUTON]
Voice: [no designation]
Languages: Latin
Voice Text: Illuminare Jherusalem
General Note

Sup et T seul.

Item Bibliography

Shine, Josephine M. 1953. The Motets of Jean Mouton. New York University, Unpublished Ph.D. dissertation.

[82]–84 Gloria-Credo pair: Gloria - Anonymous
Appears on: [82]–84
Genres: Gloria (et in terra pax), Mass Ordinary
General Note

end of piece only (earlier folios missing) - Ct & Bassus only same music as the linked Credo

84v–86 Gloria-Credo pair: Patrem omnipotentem [Credo] - Anonymous
Appears on: 84v–86
Genres: Credo (patrem omnipotentem), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Patrem . . .
General Note

same music as the linked Gloria

86v–88 Missa de Domini Marci Antonii: Kyrie eleison - Anonymous
Appears on: 86v–88
Genres: Kyrie eleison, Mass Ordinary
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie . . .
General Note

A et B du Sanctus, le Benedictus et l'Agnus. Kyrie . . .

88v–90 Missa de Domini Marci Antonii: Gloria - Anonymous
Appears on: 88v–90
Genres: Gloria (et in terra pax), Mass Ordinary
90v–93 Missa de Domini Marci Antonii: Credo - Anonymous
Appears on: 90v–93
Genres: Credo (patrem omnipotentem), Mass Ordinary
93v Missa de Domini Marci Antonii: Sanctus - Anonymous
Appears on: 93v
Genres: Mass Ordinary, Sanctus [& Benedictus]
93v Missa de Domini Marci Antonii: Agnus Dei - Anonymous
Appears on: 93v
Genres: Agnus Dei, Mass Ordinary
114 Patrem omnipotentem [Credo] PH. VERDELOT?]*
Appears on: 114
Genres: Credo (patrem omnipotentem), Mass Ordinary
Source Attribution: PH. VERDELOT?]*
Voice: [no designation]
Languages: Latin
Voice Text: [Credo] … Et in spiritum sanctum dominum
General Note

End of Credo only (Altus & Bassus): index "Missa de f. de loth"

114v–116 Missa Fortuna desperata: Kyrie eleison - Anonymous
Appears on: 114v–116
Genres: Kyrie eleison, Mass Ordinary
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie . . .
General Note

Sans Benedictus, 1 seul Agnus dei.

116v–118 Missa Fortuna desperata: Gloria - Anonymous
Appears on: 116v–118
Genres: Gloria (et in terra pax), Mass Ordinary
118v–122 Missa Fortuna desperata: Credo - Anonymous
Appears on: 118v–122
Genres: Credo (patrem omnipotentem), Mass Ordinary
122v–123 Missa Fortuna desperata: Sanctus - Anonymous
Appears on: 122v–123
Genres: Mass Ordinary, Sanctus [& Benedictus]
122v–123 Missa Fortuna desperata: Agnus Dei - Anonymous
Appears on: 122v–123
Genres: Agnus Dei, Mass Ordinary
123v–126 Credo IV toni [contrafactum] - Anonymous
Appears on: 123v–126
Genres: Credo (patrem omnipotentem), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Patrem
Concordances

contrafactum of 'Laudate Dominum' at ff.12v-13 - and of 'De profundis' at ff.21v-23

126v–129 Patrem omnipotentem [Credo] - Anonymous
Appears on: 126v–129
Genres: Credo (patrem omnipotentem), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: [Credo] Patrem
General Note

Sup.: «In diapente remissa unius temporis pausa»

129v–131v Patrem omnipotentem [Credo] - Anonymous
Appears on: 129v–131v
Genres: Credo (patrem omnipotentem), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: . Patrem …
General Note

Mq. fin de l'A et du B

133–135 Missa Beata Virgine = Missa Coronata 3.3: Gloria [JOSQUIN DES PRÉS]
Appears on: 133–135
Genres: Gloria (et in terra pax), Mass Ordinary
Source Attribution: [JOSQUIN DES PRÉS]
Voice: [no designation]
Languages: Latin
Voice Text: Et in terra …
General Note

[Kyrie: +3+5+7+5] (Gloria Beata Virgine) Mq. début du Sup. et du TPubl. cf. Bsp XXXI n° 4

135v–137 Missa de Fusi: Kyrie eleison - Anonymous
Appears on: 135v–137
Genres: Kyrie eleison, Mass Ordinary
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie . . .
General Note

Sans Benedictus, 1 seul Agnus de

137v–140 Missa de Fusi: Gloria - Anonymous
Appears on: 137v–140
Genres: Gloria (et in terra pax), Mass Ordinary
140v–144 Missa de Fusi: Credo - Anonymous
Appears on: 140v–144
Genres: Credo (patrem omnipotentem), Mass Ordinary
144v–145 Missa de Fusi: Sanctus - Anonymous
Appears on: 144v–145
Genres: Mass Ordinary, Sanctus [& Benedictus]
145v–146 Missa de Fusi: Agnus Dei - Anonymous
Appears on: 145v–146
Genres: Agnus Dei, Mass Ordinary
146v–147 Missa La bataglia/La bataille: Kyrie eleison [C. JANEQUIN]*
Appears on: 146v–147
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: [C. JANEQUIN]*
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie . . .
General Note

Mq. Sanctus et Agnus dei.

Concordances

* 15328

Item Bibliography

[No Author] 1900-. Suppl. aux Maîtres musiciens de la Renaissance française.  Paris: Henry Expert. Pages: 7.

147v–149 Missa La bataglia/La bataille: Gloria -
Appears on: 147v–149
Genres: Gloria (et in terra pax), Mass Ordinary
149v–152 Missa La bataglia/La bataille: Patrem omnipotentem [Credo] -
Appears on: 149v–152
Genres: Credo (patrem omnipotentem), Mass Ordinary
152v–153 Verbum caro factum est de virgine Maria - Anonymous
Appears on: 152v–153
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Verbum caro factum est …
Composer Compositions
Anonymous
Conseil, Jean (ca. 1498–1534)
Despres, Josquin (ca. 1450–1521)
Fevin, Antoine de (ca. 1470–ca. 1512)
Janequin, Clement (ca. 1485–ca. 1558)
Lheritier, Jean (ca. 1480–ca. 1551)
Mouton, Jean (ca. 1459–1522)
Rue, Pierre de la (ca. 1452–1518)
Verdelot, Philippe (ca. 1480–ca. 1532)
Willaert, Adrian (ca. 1490–1562)
Composition Composers (? Uncertain) Folios / Pages
Ante Luciferum genitus - 1a pars (of 2): Ante Luciferum genitus Anonymous 27v–29
Ante Luciferum genitus - 2a pars (of 2): Psallite Deo nostro Anonymous 27v–29
Ave regina caelorum Anonymous 8v–9
Beata Dei genitrix - 1a pars (of 2): Beata Dei genitrix virgo Maria 25v–27
Beata Dei genitrix - 2a pars (of 2): Et beata quae credidit quoniam 25v–27
Beatus vir - 1a pars (of 3): Beatus vir qui timet Dominum Anonymous 16v–19
Beatus vir - 2a pars (of 3): In memoria eterna Anonymous 16v–19
Beatus vir - 3a pars (of 3): Peccator videbit Anonymous 16v–19
Confitebor tibi Domine - 1a pars (of 3): Confitebor tibi Domine Anonymous 13v–16
Confitebor tibi Domine - 2a pars (of 3): Memoriam fecit Anonymous 13v–16
Confitebor tibi Domine - 3a pars (of 3): Redemptionem misit Dominus populo suo Anonymous 13v–16
Credo IV toni [contrafactum] Anonymous 123v–126
De profundis clamavi - 1a pars (of 2): De profundis clamavi ad te Domine Anonymous 21v–23
De profundis clamavi - 2a pars (of 2): A custodia Matutina usque ad noctem Anonymous 21v–23
Dixit Dominus - 1a pars (of 2): Dixit Dominus Domino meo Anonymous 6v–8
Dixit Dominus - 2a pars (of 2): Dominus ad dextris tuis Anonymous 6v–8
Egregie Christi màrtir - 1a pars (of 2): Egregie Christi màrtir [or 'confessor'] Christophore 10v–12
Egregie Christi màrtir - 2a pars (of 2): Ecce enim festus est nobis hodie 10v–12
Gloria-Credo pair: Gloria Anonymous [82]–84
Gloria-Credo pair: Patrem omnipotentem [Credo] Anonymous 84v–86
Illuminare Jerusalem venit lux tua (2p. Interrogabat magos Herodes quod signum) 29v
Laudate Dominum omnes gentes, laudate eum Anonymous 12v–13
Missa Beata Virgine = Missa Coronata 3.3: Gloria 133–135
Missa de Beata vergine: Credo (Patrem Cardinal) 23v–25
Missa de Domini Marci Antonii: Agnus Dei Anonymous 93v
Missa de Domini Marci Antonii: Credo Anonymous 90v–93
Missa de Domini Marci Antonii: Gloria Anonymous 88v–90
Missa de Domini Marci Antonii: Kyrie eleison Anonymous 86v–88
Missa de Domini Marci Antonii: Sanctus Anonymous 93v
Missa de Fusi: Agnus Dei Anonymous 145v–146
Missa de Fusi: Credo Anonymous 140v–144
Missa de Fusi: Gloria Anonymous 137v–140
Missa de Fusi: Kyrie eleison Anonymous 135v–137
Missa de Fusi: Sanctus Anonymous 144v–145
Missa Fortuna desperata: Agnus Dei Anonymous 122v–123
Missa Fortuna desperata: Credo Anonymous 118v–122
Missa Fortuna desperata: Gloria Anonymous 116v–118
Missa Fortuna desperata: Kyrie eleison Anonymous 114v–116
Missa Fortuna desperata: Sanctus Anonymous 122v–123
Missa La bataglia/La bataille: Gloria 147v–149
Missa La bataglia/La bataille: Kyrie eleison 146v–147
Missa La bataglia/La bataille: Patrem omnipotentem [Credo] 149v–152
Nobilis progenie nobilior fide 9v–10
Patrem omnipotentem [Credo] 114
Patrem omnipotentem [Credo] Anonymous 126v–129
Patrem omnipotentem [Credo] Anonymous 129v–131v
Queramus cum pastoribus - 1a pars (of 2): Queramus cum pastoribus verbum incarnatum 19v–21
Queramus cum pastoribus - 2a pars (of 2): Ubi pascas ubi cubas 19v–21
Salve regina - 1a pars (of 2): Salve regina mater misericordiae Anonymous 1v–3
Salve regina - 1a pars (of 3): Salve regina mater misericordiae Anonymous 3v–6
Salve regina - 2a pars (of 2): Eya ergo Anonymous 1v–3
Salve regina - 2a pars (of 3): Eya ergo Anonymous 3v–6
Salve regina - 3a pars (of 3): Et Jesum Anonymous 3v–6
Verbum caro factum est de virgine Maria Anonymous 152v–153

denotes primary source study

Tirro, Frank P. 1986. Renaissance musical sources in the Archive of San Petronio in Bologna. Vol. I: G. Spataro's choirbooks.  American Institute of musicology. Pages: I, 18-9,41-6,69-72, passim. Notes: physical description; contents list; concordances; incipits; mention of MS; discussion.

Boorman, Stanley. 1981. Petrucci's Type-setters and the Process of Stemmatics. Formen und Probleme der Überlieferung mehrstimmiger Musik im Zeitalter Josquins Desprez, Wolfenbütteler Forschungen. 245-80. Munich. Pages: 247-8,258-9,272,278-9. Notes: contents list (partial); concordances (partial); transcriptions (partial); facsimile (partial); mention of MS; discussion.

Tirro, Frank P. 1980. La Stesura del Testo nei Manoscritti di Giovanni Spataro. Revista Italiana di Musicologia, 31-70. Notes: contents list (partial); transcriptions (partial); mention of MS; discussion.

Tirro, Frank P. 1974. Giovanni Spataro's Choirbooks in the Archive of San Petronio in Bologna. University of Chicago, Unpublished Ph.D. dissertation. Pages: 14-5,67-77,840-58, passim. Notes: physical description; contents list; concordances; incipits; transcription (partial); mention of MS; discussion.

Perkins, Leeman L (editor). 1969. Johannis Lhéritier: Opera Omnia. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: I, xli, liv. Notes: mention of MS; contents list (partial); concordances (partial).

Hamm, Charles E. 1968. Musiche del Quattrocento in S. Petronio. Revista Italiana di Musicologia, 215-32. Pages: 216-8. Notes: physical description; mention of MS; discussion.

Jeppesen, Knud. 1960. Die Italienische Orgelmusik am Anfang des Cinquecento.  Copenhagen. Pages: I,83-7. Notes: physical description; contents list (partial); mention of MS; discussion.

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 48,1, p. XLI.

Frati, Lodovico. 1917. Per la storia della musica in Bologna dal secolo XV al XVI. Rivista Musicale Italiana, 449-78. Pages: 464-7. Notes: physical description; contents list.

This form is used to make comments on a source. If you wish to notify us of a correction to the record, you should use the "Contribute a change" form instead.

No comments have been made.

Contributions to this record are recorded here. If you wish to contribute information or a correction to this record, use the "Contribute a Change" link. This will then be reviewed by DIAMM staff and, if accepted, your contribution will be acknowledged here.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

Répertoire Internationale des Sources Musicales

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description