D-Mu MS 4° Art. 401 (4)

Universitätsbibliothek, München (Munich), Germany

printed partbook with MS additions: 1536-40

Archive Universitätsbibliothek, München (Munich), Germany (D-Mu)
Shelfmark MS 4° Art. 401 (4)
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System Foliation
Measurements 110 x 155 mm
Other Identifiers
  • CCM: MunU 401
  • olim (Former shelfmark): Cim. 44i
Copyists
External Links
Provenance
  • Augsburg? Austria
Contents 78 pieces from 30 composers
General Description

A Bassus partbook from a set originally of five volumes, each consisting of the prints RISM 1520/1, 1520/2, 1521/3, and 1521/5, with manuscript additions. Three repertorial sections: (1) 6-voice motets; (2) 5-voice works; (3) 4-voice motets. First two sections copied by a single scribe, who also copied the last piece in Pal.Lat.1976-1979, and 6 pieces in Vienna 18810 (RifMichel). C; third section copied by a different scribe. Of Austrian origin (GottUM); probably copied in Augsburg (Rifkin).

DIAMM, 2017
Binding

Original covers of brown leather over pasteboard, tooled in gold with ornamental designs and voice designations; remnants of clasps

DIAMM, 2017
Watermark

resembles Briquet #5932-3

DIAMM, 2017
Notation

not indicated

DIAMM, 2017
Foliation

Other numberings: (1) 6-voice motets, with original numbering of pieces, 1-26 (partes numbered separately); (2) 5-voice works, with original numbering of pieces, 37-95 (motet partes numbered separately); (3) 4-voice motets, with modern numbering, 1-38.

DIAMM, 2017
Foliation

Modern pencil foliation

DIAMM, 2017
Decoration

No initials or decoration.

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 Te Deum, 1 hymn, 71 motets = 73

Appenzeller [Benedictus]-1, Bauldeweyn-1, Bauldeweyn/(Stoltzer)-1, (Clemens non Papa)-1, (Conseil)-2, (Conseil/Lupi)-1, (Conseil/Lupus)-1, (Couillart)-1, Crecquillon-1, (Dulot)-1, (Gascongne)-1, Gombert-6, (Hellinck)-1, (Hesdin)-3, Jaquet of Mantua-2, Jaquet of Mantua/(Conseil)-1, Jaquet of Mantua/(Lupus)-1, (Jhan of Ferrara)-2, Josquin-9, Josquin/(Mouton)-1, Josquin/(Viardot)-1, Lebrun/(Moulu)-1, Mouton-1, (Mouton/Richafort)-1, (Penet)-1, (Piéton)-1, Richafort-2, Richafort/(Briant)-1, Richafort/(Caen/Lupus)-1, Richafort/(Lupus)-1, Senfl-12, (Sermisy)-1, Verdelot/(Josquin)-1, Willaert-3, anon-7

4 paper partbooks of an original 5, each consisting of the prints RISM 1520/1, 1520/2, 1521/3, and 1521/5, with manuscript additions (D-142 + i folios, AT-145 + i folios each, B-143 + i), 110 x 155. Modern pencil foliation. Blank staves only-D: ff. 22a-22h', 23, 119-134'; A: ff. 123'-136'; T: ff. 117-137'; B: ff. 115'-136'. Three repertoriai sections: (1) 6-voice motets, with original numbering of pieces, 1-26 (partes numbered separately); (2) 5-voice works, with original numbering of pieces, 37-95 (motet partes numbered separately); (3) 4-voice motets, with modern numbering, 1-38. Original covers of brown leather over pasteboard, tooled in gold with ornamental designs and voice designations; remnants of clasps. No index. First two sections copied by a single scribe; third section copied by a different scribe. No initials or decoration. Watermark resembles Briquet #5932-3.

1536-40 (GottUM); date 1530 on f. 55' of T book. Of Austrian origin (GottUM); probably copied in Augsburg (Rifkin).

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1–2 Pater noster (2p. Ave Maria) 20.9 Iosquin
Appears on: 1–2
Genres: Ave Maria, Motet
Source Attribution: Iosquin
Voice: [no designation]
Languages: Latin
Voice Text: Pater noster qui es in caelis 20.9 II: Ave Maria gratia plena dominus tecum
2v–4v Ave Maria gratia plena ... virgo serena (2p. Ave vera humilitas sine viro) (M9) L.S. [= Senfl]
Appears on: 2v–4v
Genres: Ave Maria, Motet
Source Attribution: L.S. [= Senfl]
Voice: [no designation]
Languages: Latin
Voice Text: Ave Maria gratia plena dominus tecum II: Ave vera humilitas sine viro
5–6v Verbum caro factum est (2p. Plenum gratia; 3p. In principio erat verbum) (6vv, P74) L.S.
Appears on: 5–6v
Genres: Responsory
Source Attribution: L.S.
Voice: [no designation]
Languages: Latin
Voice Text: Verbum caro factum est et habitabit II: Plenum gratia et veritate III: In principio erat verbum et verbum
7 Alleluia. Mane nobiscum Domini (M2 - 4vv) L.S.
Appears on: 7
Genres: Alleluia, Motet
Source Attribution: L.S.
Voice: [no designation]
Languages: Latin
Voice Text: Alleluia. Mane nobiscum domine
7v–8 Veni sancte spiritus (6vv) [M119] L.S.
Appears on: 7v–8
Genres: Motet
Source Attribution: L.S.
Voice: [no designation]
Languages: Latin
Voice Text: Veni sancte spiritus reple tuorum corda
8v–11 Praeter rerum seriem 24.12 (2p. Virtus sancti spiritus) Iosquin
Appears on: 8v–11
Genres: Motet
Source Attribution: Iosquin
Voice: [no designation]
Languages: Latin
Voice Text: Preter rerum seriem parit deum 24.12 II: Virtus sancti spiritus opus illud
11v–12v O virgo prudentissima 24.9 (2p. Audi virgo puerpera) Iosquin
Appears on: 11v–12v
Genres: Motet
Source Attribution: Iosquin
Voice: [no designation]
Languages: Latin
Voice Text: O virgo prudentissima quam celo missus 24.10 II: Audi virgo puerpera et stella
12v–13 Haec dicit Dominus liberabo populum T: Circumdederunt me gemitus [= Nimphes nappés néridriades driades 30.6] Iosquin
Appears on: 12v–13
Genres: Chanson, Contrafactum, Motet
Source Attribution: Iosquin
Voice: [no designation]
Languages: Latin
Voice Text: Circundederunt me gemitus mortis dolores 30.6 [= Nymphes nappés néridriades driades, Videte omnes populi]
13–14v Benedicta es caelorum regina et mundi 23.13 (2p. Per illud ave prolatum; 3p. Nunc mater exora natum) Iosquin
Appears on: 13–14v
Genres: Motet
Source Attribution: Iosquin
Voice: [no designation]
Languages: Latin
Voice Text: Benedicta es celorum regina et mundi 23.13 II: Per illud ave prolatum III: Nunc mater dei exora natum
15–16v Ave nobilissima creatura 23.11 (2p. Tibi domina gloriosa) Iosquin
Appears on: 15–16v
Genres: Motet
Source Attribution: Iosquin
Voice: [no designation]
Languages: Latin
Voice Text: Ave nobillissima creatura humilima 23.11 II: Tibi domina gloriosa commendo
17–18 Stabat virgo juxta crucem videns pati (2p. Audit virgo haec dicentem natum) Noel Baulwin
Appears on: 17–18
Genres: Motet
Source Attribution: Noel Baulwin
Voice: [no designation]
Languages: Latin
Voice Text: Stabat virgo iuxta crucem videns pati II: Audit virgo hec dicentem natum
18–19v In illo tempore pastores loquebantur (2p. Et omnes qui audierant mirati sunt) Nico: Gompart [= Gombert]
Appears on: 18–19v
Genres: Motet
Source Attribution: Nico: Gompart [= Gombert]
Voice: [no designation]
Languages: Latin
Voice Text: In illo tempore pastores loquebantur II: Et omnes qui audierant mirati sunt
19v–20 Philippe qui videt me alleluia (6vv, M84) [Senfl]
Appears on: 19v–20
Genres: Alleluia, Motet
Source Attribution: [Senfl]
Voice: [no designation]
Languages: Latin
Voice Text: Philippe qui videt me alleluia
20rv In te Domine speravi non confundar (M49) L.S. [= Senfl]
Appears on: 20rv
Genres: Motet
Source Attribution: L.S. [= Senfl]
Voice: [no designation]
Languages: Latin
Voice Text: In te domine speravi non confundar
20v–21 Sancta Maria virgo virginum 25.6 Verdelott/[Josquin]
Appears on: 20v–21
Genres: Motet
Source Attribution: Verdelott/[Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: Sancta Maria [virgo virginum] 25.6
22v–24 Virgo salutiferi genitrix intacta 25.13 (2p. Tu potis es prime scelus; 3p. Nunc caeli regina tuis pro gentibus) Iosquin
Appears on: 22v–24
Genres: Motet
Source Attribution: Iosquin
Voice: [no designation]
Languages: Latin
Voice Text: Virgo salutiferi genitrix intacta 25.13 II: Tu potis es prime scelus III: Nunc celi regina tuis pro gentibus
24v–25v Missus est angelus Gabriel a Deo 20.7 (2p. Hic erit magnus et filius altissimi) Iosquin (Scribe first wrote "Muton," then crossed it out and added "Iosquin")/[Mouton]
Appears on: 24v–25v
Genres: Motet
Source Attribution: Iosquin (Scribe first wrote "Muton," then crossed it out and added "Iosquin")/[Mouton]
Voice: [no designation]
Languages: Latin
Voice Text: Missus est angelus Gabriel a deo 20.7 II: Hic erit magnus et filius altissimi
26–27 Lectio actuum apostolorum 19.10 - Dum complerentur in dies pentecostes (2p. Facta autem hac voce convenit) Iosquin/[Viardot]
Appears on: 26–27
Genres: Motet
Source Attribution: Iosquin/[Viardot]
Voice: [no designation]
Languages: Latin
Voice Text: Lectio actuum appostolorum in diebus 19.10 II: Facta autem hac voce convenit
27v–29 Stabat mater dolorosa iuxta crucem 25.9 (2p. Eya mater fons amoris me sentire) Iosquin
Appears on: 27v–29
Genres: Motet, Stabat Mater
Source Attribution: Iosquin
Voice: [no designation]
Languages: Latin
Voice Text: Stabat mater dolorosa iuxta crucem 25.9 II: Eya mater fons amoris me sentire
29–30 Verbum bonum et suave personemus 25.11 (2p. Ave solem genuisti ave prolem; 3p. Ave mater verbi summi ave mater) Iosquin
Appears on: 29–30
Genres: Motet
Source Attribution: Iosquin
Voice: [no designation]
Languages: Latin
Voice Text: Verbum bonum et suave personemus 25.11 II: Ave solem genuisti ave prolem III: Ave mater verbi summi ave mater
30–31v Pater noster qui es in caelis (2p. Ave Maria gratia plena Dominus tecum) Jaquet [of Mantua]
Appears on: 30–31v
Genres: Ave Maria, Motet, Pater noster
Source Attribution: Jaquet [of Mantua]
Voice: [no designation]
Languages: Latin
Voice Text: [P]ater noster qui es in celis II: Ave Maria gratia plena dominus tecum
32rv In die tribulationis meae renuit consolari Jaquet [of Mantua]/[Conseil]
Appears on: 32rv
Genres: Motet
Source Attribution: Jaquet [of Mantua]/[Conseil]
Voice: [no designation]
Languages: Latin
Voice Text: [I]n die tribulacionis mee renuit consolari
33–34 Dixit autem Dominus servo redde quod (2p. Serve nequam omne debitum dimisi) Jaquet [of Mantua]
Appears on: 33–34
Genres: Motet
Source Attribution: Jaquet [of Mantua]
Voice: [no designation]
Languages: Latin
Voice Text: [D]ixit autem dominus servo redde quod II: Serve nequam omne debitum dimisi
34v–35 Aspice Domine quia facta est desolata Jaquet [of Mantua]/[Lupus]
Appears on: 34v–35
Genres: Motet
Source Attribution: Jaquet [of Mantua]/[Lupus]
Voice: [no designation]
Languages: Latin
Voice Text: [A]spice domine quia facta est desolata
35v–36 Non turbetur cor vestrum ego vado ad patrem (2p. Ego rogabo patrem meum et alium) Richafort
Appears on: 35v–36
Genres: Motet
Source Attribution: Richafort
Voice: [no designation]
Languages: Latin
Voice Text: [N]on turbetur cor vestrum ego vado II: Ego rogabo patrem meum et alium
36v–37 Jam non dicam vos servos sed amicos meos (2p. Cum venerit ille spiritus veritatis) Richafort/[Lupus]
Appears on: 36v–37
Genres: Motet
Source Attribution: Richafort/[Lupus]
Voice: [no designation]
Languages: Latin
Voice Text: [I]am non dicam vos servos sed amicos II: Cum venerit ille spiritus veritatis
37v–38v Jerusalem luge et exue te vestibus (2p. Deduc quasi torrentem lachrimas) Richafort/[Caen/Lupus]
Appears on: 37v–38v
Genres: Motet
Source Attribution: Richafort/[Caen/Lupus]
Voice: [no designation]
Languages: Latin
Voice Text: [I]erusalem luge et exue te vestibus II: Deduc quasi torrentem lachrimas
39–40 Audi filia et vide et inclina aurem (2p. Specie tua et pulchritudine tua) Gombert
Appears on: 39–40
Genres: Motet
Source Attribution: Gombert
Voice: [no designation]
Languages: Latin
Voice Text: [A]udi filia et vide et inclina aurem II: Specie tua et pulchritudine tua
40v–41 Venite ad me omnes qui laboratis Gombert
Appears on: 40v–41
Genres: Motet
Source Attribution: Gombert
Voice: [no designation]
Languages: Latin
Voice Text: [V]enite ad me omnes qui laboratis
41v–42v In illo tempore dixit Jesus discipulis (2p. Cum venerit paraclitus quem ego) Richafort/[Briant]
Appears on: 41v–42v
Genres: Motet
Source Attribution: Richafort/[Briant]
Voice: [no designation]
Languages: Latin
Voice Text: [I]n illo tempore dixit Jesus discipulis II: Cum venerit paraclitus quem ego
42v–44 Ego sum qui sum et consilium meum (2p. Stetit Jesus in medio discipulorum) [Conseil]
Appears on: 42v–44
Genres: Motet
Source Attribution: [Conseil]
Voice: [no designation]
Languages: Latin
Voice Text: Ego sum qui sum et consilium meum non est II: Stetit Jesus in medio discipulorum
44v–46 Te Deum laudamus te Dominum confitemur (2p. Patrem immense majestatis veneramur; 3p. Te tamen quaesumus tuis famulis) [Jhan of Ferrara]
Appears on: 44v–46
Genres: Liturgical work, Te Deum
Source Attribution: [Jhan of Ferrara]
Voice: [no designation]
Languages: Latin
Voice Text: Te deum laudamus te dominum confitemur II: Patrem immense maiestatis veneramur III: Te ergo quesumus tuis famulis
47–49 Benedicam Dominum in omni tempore semper (2p. Venite filii audite me timorem; 3p. Oculi Domini super iustos et aures; 4p. Clamaverunt justi et Dominus exaudivit) Noel Baulduuin/[Stoltzer]
Appears on: 47–49
Genres: Motet
Source Attribution: Noel Baulduuin/[Stoltzer]
Voice: [no designation]
Languages: Latin
Voice Text: [B]enedicam dominum in omni tempore semper II: Venite filii audite me timore III: Oculi domini super iustos et aures IV: Clamaverunt iusti et dominus
49–50 Antequam comedam suspiro (2p. Ecce non est auxilium mihi) Muton
Appears on: 49–50
Source Attribution: Muton
Voice: [no designation]
Languages: Latin
Voice Text: Antequam comedam suspiro et tanquam II: Ecce non est auxilium mihi
50–51 Corde et animo Christo canamus gloriam (2p. Laudemus ergo Dominum nostrum) Benedictus [Appenzeller]
Appears on: 50–51
Genres: Motet
Source Attribution: Benedictus [Appenzeller]
Voice: [no designation]
Languages: Latin
Voice Text: Corde et animo Cristo canamus gloriam II: Laudemus ergo dominum nostrum
51v–52v O crux splendidior - 1a pars (of 2): O crux splendidior cunctis astris mundi Adrianus [Willaert]
Appears on: 51v–52v
Genres: Motet
Source Attribution: Adrianus [Willaert]
Voice: [no designation]
Languages: Latin
Voice Text: O crux splendidior cunctis astris mundi II: Dulce lignum dulces clavos
51v–52v O crux splendidior - 2a pars (of 2): Dulce lignum dulces clavos -
Appears on: 51v–52v
Genres: Motet
52v–54 Ave maris stella Dei mater alma 2 Monstra te esse matrem sumat per te 3 Solve vincla reis profer lumen 5 Virgo singularis inter omnes mitis 7 Sit laus deo patri summo Christo Adrianus [Willaert]
Appears on: 52v–54
Genres: Ave maris stella, Hymn
Source Attribution: Adrianus [Willaert]
Voice: [no designation]
Languages: Latin
Voice Text: Ave maris stella dei mater alma II: Monstra te esse matrem sumat per te
54–55 Sancte Paule apostole predicator (2p. Saule Saule quid me persequeris) Jo. Lebrung/[Moulu]
Appears on: 54–55
Genres: Motet
Source Attribution: Jo. Lebrung/[Moulu]
Voice: [no designation]
Languages: Latin
Voice Text: Saule Saule quid me persequeris qui dixit II: Sancte Paule appostole predicator
55v–57 Omnes gentes plaudite manibus jubilate Deo (2p. Ascendit Deus in jubilo et Dominus) (M79) Ludo: Sennfl
Appears on: 55v–57
Genres: Motet
Source Attribution: Ludo: Sennfl
Voice: [no designation]
Languages: Latin
Voice Text: Omnes gentes plaudite manibus jubilate II: Ascendit deus in iubilo et dominus
57v–58v O sacrum convivium (2p. Mens impletur gratia et future) (M76) Ludo: Sennfl
Appears on: 57v–58v
Genres: Motet
Source Attribution: Ludo: Sennfl
Voice: [no designation]
Languages: Latin
Voice Text: O sacrum convivium in quo Cristus sumitur II: Mens impletur gratia et future
58v–59v Spes mea Domine a juventute mea (2p. In te confirmatus sum ex utero) Ludo. Sennfl
Appears on: 58v–59v
Genres: Motet
Source Attribution: Ludo. Sennfl
Voice: [no designation]
Languages: Latin
Voice Text: Spes mea domine a iuventute mea II: In te confirmatus sum ex utero
59v–60 Grates nunc omnes reddamus Domino Deo (2p. Huic oportet ut canamus cum angelis) (5vv) [Proprium in gallicantu] Ludo. Sennfl
Appears on: 59v–60
Genres: Motet
Source Attribution: Ludo. Sennfl
Voice: [no designation]
Languages: Latin
Voice Text: Grates nunc omnes reddamus domino deo II: Huic oportet ut canamus cum angelis
60 In te Domine speravi non confundar (M50) Ludovicus Sennfl
Appears on: 60
Genres: Motet
Source Attribution: Ludovicus Sennfl
Voice: [no designation]
Languages: Latin
Voice Text: [I]n te domine speravi non confundar
60v–61 Si enim credimus quod Jesus mortuus est (2p. Et sicut in Adam omnes moriuntur; 3p. Requiem aeternam dona eis Domine) Ludo. Sennfl
Appears on: 60v–61
Genres: Motet
Source Attribution: Ludo. Sennfl
Voice: [no designation]
Languages: Latin
Voice Text: Si enim credimus quod Jhesus mortuus est II: Et sicut in Adam omnes moriuntur III: Requiem eternam dona eis domine
61v–63 Homo erat in Jerusalem cui nomen erat (2p. Et cum inducerent puerum in templum) [Gombert]
Appears on: 61v–63
Genres: Motet
Source Attribution: [Gombert]
Voice: [no designation]
Languages: Latin
Voice Text: Homo erat in Hierusalem cui nomen erat II: Et cum inducerent puerum in templum
63–64 Benedictus Dominus Deus Israel trinus (2p. Honor virtus et potestas sit) [Conseil/Lupi]
Appears on: 63–64
Genres: Motet
Source Attribution: [Conseil/Lupi]
Voice: [no designation]
Languages: Latin
Voice Text: Benedictus dominus deus Israel trinus II: Honor virtus et potestas sit
64–65v Fuit homo missus a deo cui nomen (2p. Hic precursor et dilectus et lucerna) [Gombert]
Appears on: 64–65v
Genres: Motet
Source Attribution: [Gombert]
Voice: [no designation]
Languages: Latin
Voice Text: Fuit homo missus a deo cui nomen II: Hic precursor et dilectus et lucerna
65v–66v Laetetur omne saeculum in solemnitate (2p. Haec Maria fuit illa Domino gratissima) [Hellinck]
Appears on: 65v–66v
Genres: Motet
Source Attribution: [Hellinck]
Voice: [no designation]
Languages: Latin
Voice Text: Letetur omne seculum in solemnitate II: Hec Maria fuit illa domino gratissima
66v–68 Descendit angelus Domini ad Zachariam (2p. Ne timeas quoniam exaudita est) [Penet]
Appears on: 66v–68
Genres: Motet
Source Attribution: [Penet]
Voice: [no designation]
Languages: Latin
Voice Text: Descendit angelus domini ad Zachariam II: Ne timeas quoniam exaudita est
68v–69 Sancta et immaculata - 1a pars (of 2): Sancta et immaculata virginitas [Willaert]
Appears on: 68v–69
Genres: Motet
Source Attribution: [Willaert]
Voice: [no designation]
Languages: Latin
Voice Text: Sancta et immaculata virginitas quibus II: Cum iocunditate conceptionem beatae
69–69v Sancta et immaculata - 2a pars (of 2): Cum jocunditate conceptionem beatae -
Appears on: 69–69v
Genres: Motet
69v–70v Ecce nos reliquimus omnia - 1a pars (of 2): Ecce nos reliquimus omnia [Jhan of Ferrara]
Appears on: 69v–70v
Genres: Motet
Source Attribution: [Jhan of Ferrara]
Voice: [no designation]
Languages: Latin
Voice Text: Ecce nos reliquimus omnia et secuti II: Et omnis qui reliquerit domum
70v–71 Ecce nos reliquimus omnia - 2a pars (of 2): Et omnis qui reliquerit domum -
Appears on: 70v–71
Genres: Motet
71v–73v Ascendit Christus super caelos et preparavit (2p. In qua gloriosa et felix mirantibus) Anon. Anonymous
Appears on: 71v–73v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Ascendit Christus super coelos et preparavit II: In qua gloriosa et felix mirantibus
74–75v Congregati sunt gentes in circuitu nostro (2p. Tu scis que cogitant in nos) Anon. Anonymous
Appears on: 74–75v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Congregate sunt gentes in circuitu nostro II: Tu scis que cogitant in nos
75v–76v Esto Domine plebi tuae sanctificator Anon. Anonymous
Appears on: 75v–76v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Esto domine plebi tuae sanctificator
77–79 Tristitia et anxietas occupaverunt interiora (2p. Sed tu Domine qui non derelinquis) [Clemens non Papa]
Appears on: 77–79
Genres: Motet
Source Attribution: [Clemens non Papa]
Voice: [no designation]
Languages: Latin
Voice Text: Tristicia et anxietas occupaverunt interiora II: Sed tu domine qui non derelinquis
79v–81 Domini est terra - 1a pars (of 2): Domini est terra et plenitudo eius [Sermisy]
Appears on: 79v–81
Genres: Motet
Source Attribution: [Sermisy]
Voice: [no designation]
Languages: Latin
Voice Text: Domini est terra et plenitudo eius II: Hec est generatio querentium dominum
79v–81 Domini est terra - 2a pars (of 2): Haec est generatio querentium Dominum -
Appears on: 79v–81
Genres: Motet
81v–83 Angelus Domini descendit de caelo [2p: Ecce precedet vos in Galileam] Anon. Anonymous
Appears on: 81v–83
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Angelus domini descendit de coelo II: Ecce precedet vos in Galileam
83–85 Christus resurgens de mortuis jam non (2p. Mortuus est enim propter delicta) [Mouton/Richafort]
Appears on: 83–85
Genres: Motet
Source Attribution: [Mouton/Richafort]
Voice: [no designation]
Languages: Latin
Voice Text: Cristus resurgens ex mortuis iam non II: Mortuus est enim propter delicta
85–86v Nativitas tua Dei genitrix virgo gaudium (2p. Felix nanquam es sacra virgo Maria) [Piéton]
Appears on: 85–86v
Genres: Motet
Source Attribution: [Piéton]
Voice: [no designation]
Languages: Latin
Voice Text: Nativitas tua dei genitrix virgo gaudium II: Foelix nanquam es sacra virgo Maria
87–89 Nigra sum sed formosa filia Jerusalem (2p. Ecce tu pulchra es amica mea) [Conseil/Lupus]
Appears on: 87–89
Genres: Motet
Source Attribution: [Conseil/Lupus]
Voice: [no designation]
Languages: Latin
Voice Text: Nigra sum sed formosa filia Hierusalem II: Ecce tu pulchra es amica mea
89v–91 Ave Maria gratia plena Dominus tecum (2p. Gaude virgo gloriosa gaude tellus) [Hesdin]
Appears on: 89v–91
Genres: Ave Maria, Motet
Source Attribution: [Hesdin]
Voice: [no designation]
Languages: Latin
Voice Text: Ave Maria gratia plena dominus tecum II: Gaude virgo gloriosa gaude tellus
91–93 Sancta et immaculata (1) - 1a pars (of 2): Sancta et immaculata virginitas -
Appears on: 91–93
Genres: Motet
91–93 Sancta et immaculata (1) - 2a pars (of 2): Benedicta tu in mulieribus [Gombert/Hesdin]
Appears on: 91–93
Genres: Motet
Source Attribution: [Gombert/Hesdin]
Voice: [no designation]
Languages: Latin
Voice Text: Sancta et immaculata virginitas quibus II: Benedicta tu in mulieribus
93–95 Veni in ortum meum soror mea sponsa 92p. In lectulo meo per noctes quaesivi) [Hesdin]
Appears on: 93–95
Genres: Motet
Source Attribution: [Hesdin]
Voice: [no designation]
Languages: Latin
Voice Text: Veni in ortum meum soror mea sponsa II: In lectulo meo per noctes quesivi
95v–96 Dulcis amica Dei rosa vernans stella Anon. Anonymous
Appears on: 95v–96
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Dulcis amica dei rosa vernans stella
96v–98 Surge propera amica mea columba mea (2p. Surge amica mea speciosa mea) Thomas Criquillon
Appears on: 96v–98
Genres: Motet
Source Attribution: Thomas Criquillon
Voice: [no designation]
Languages: Latin
Voice Text: Surge propera amica mea columba mea II: Surge amica mea speciosa mea
98–101 Adjuro vos filiae Jerusalem per capreas (2p. Similis est dilectus meus; 3p. Capite nobis vulpes parvulas; 4p. Revertere similis esto dilecte mi) Anon. Anonymous
Appears on: 98–101
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Adiuro vos filie Hierusalem per capreas II: Similis est dilectus meus III: Capite nobis vulpes parvulas IV: Revertere similis esto dilecte mi
101v–103v In lectulo meo per noctes quaesivi (2p. Paululum cum pertransissem eos) Anon.
Appears on: 101v–103v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: In lectulo meo per noctes quesivi II: Paululum cum pertransissem eos
103v–105 Viri Galilei quid admiramini aspicientes (2p. Videntibus illis elevatus est ut nubes) [Couillart]
Appears on: 103v–105
Genres: Motet
Source Attribution: [Couillart]
Voice: [no designation]
Languages: Latin
Voice Text: Viri Galilei quid admiramini aspicientes II: Videntibus illis elevatus est
105v–107v Maria Magdalene et Maria Jacobi (2p. Dic nobis Maria quid vidisti in via) [Dulot]
Appears on: 105v–107v
Genres: Motet
Source Attribution: [Dulot]
Voice: [no designation]
Languages: Latin
Voice Text: Maria Magdalene et Maria Jacobi II: Dic nobis Maria quid vidisti in via
107v–109 Virgo sancta Catherina Greciae gemma [Gombert]
Appears on: 107v–109
Genres: Motet
Source Attribution: [Gombert]
Voice: [no designation]
Languages: Latin
Voice Text: Virgo sancta Catherina greciae gemma
109v–111 Dignare me laudare te virgo sacrata (2p. Cum jocunditate conceptionem beatae) [Gascongne]
Appears on: 109v–111
Genres: Motet
Source Attribution: [Gascongne]
Voice: [no designation]
Languages: Latin
Voice Text: Dignare me laudare te virgo sacrata II: Cum iocunditate conceptionem beate
111–112 Tempus est ut revertar ad eum qui me (2p. O rex gloriae Domine virtutum) [Conseil]
Appears on: 111–112
Genres: Motet
Source Attribution: [Conseil]
Voice: [no designation]
Languages: Latin
Voice Text: Tempus est ut revertar ad eum qui me II: O rex glorie domine virtutum
112v–115 Sufficiebat nobis paupertas nostra senectutis nostrae [Richafort]
Appears on: 112v–115
Genres: Motet
Source Attribution: [Richafort]
Voice: [no designation]
Languages: Latin
Voice Text: Sufficiebat nobis paupertas nostra
Composer Compositions
Anonymous
Bauldeweyn, Noel (ca. 1480–1529)
Berchem, Jacques (ca. 1505–1567)
Brumel, Antoine (ca. 1460–ca. 1513)
Caen, Arnold
Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Conseil, Jean (ca. 1498–1534)
Couillart
Crecquillon, Thomas (ca. 1505–ca. 1557)
Despres, Josquin (ca. 1450–1521)
Ducis, Benedictus
Dulot, Francois
Ferrara, Maistre Jhan of (ca. 1485–1538)
Gascongne, Mathieu (?Johannes) (fl. 1517-1518)
Gombert, Nicolas (ca. 1495–ca. 1560)
Hellinck, Lupus (ca. 1494–1541)
Hesdin, Nicolle des Celliers de (–1538)
Lupi, Johannes (ca. 1506–1539)
Mantua, Jacquet de (1483–1559)
Moulu, Pierre (ca. 1484–ca. 1550)
Mouton, Jean (ca. 1459–1522)
Penet, Hilaire (ca. 1501–)
Pieton, Loyset
Richafort, Jean (ca. 1480–ca. 1550)
Senfl, Ludwig (ca. 1486–ca. 1543)
Sermisy, Claudin de (ca. 1490–1562)
Stoltzer, Thomas (ca. 1480–1526)
Verdelot, Philippe (ca. 1480–ca. 1532)
Willaert, Adrian (ca. 1490–1562)
le Brun, Jean (fl. early 16th century)
Composition Composers (? Uncertain) Folios / Pages
Adjuro vos filiae Jerusalem per capreas (2p. Similis est dilectus meus; 3p. Capite nobis vulpes parvulas; 4p. Revertere similis esto dilecte mi) Anonymous 98–101
Alleluia. Mane nobiscum Domini (M2 - 4vv) 7
Angelus Domini descendit de caelo [2p: Ecce precedet vos in Galileam] Anonymous 81v–83
Antequam comedam suspiro (2p. Ecce non est auxilium mihi) 49–50
Ascendit Christus super caelos et preparavit (2p. In qua gloriosa et felix mirantibus) Anonymous 71v–73v
Aspice Domine quia facta est desolata 34v–35
Audi filia et vide et inclina aurem (2p. Specie tua et pulchritudine tua) 39–40
Ave Maria gratia plena ... virgo serena (2p. Ave vera humilitas sine viro) (M9) 2v–4v
Ave Maria gratia plena Dominus tecum (2p. Gaude virgo gloriosa gaude tellus) 89v–91
Ave maris stella Dei mater alma 2 Monstra te esse matrem sumat per te 3 Solve vincla reis profer lumen 5 Virgo singularis inter omnes mitis 7 Sit laus deo patri summo Christo 52v–54
Ave nobilissima creatura 23.11 (2p. Tibi domina gloriosa) 15–16v
Benedicam Dominum in omni tempore semper (2p. Venite filii audite me timorem; 3p. Oculi Domini super iustos et aures; 4p. Clamaverunt justi et Dominus exaudivit) 47–49
Benedicta es caelorum regina et mundi 23.13 (2p. Per illud ave prolatum; 3p. Nunc mater exora natum) 13–14v
Benedictus Dominus Deus Israel trinus (2p. Honor virtus et potestas sit) 63–64
Christus resurgens de mortuis jam non (2p. Mortuus est enim propter delicta) 83–85
Congregati sunt gentes in circuitu nostro (2p. Tu scis que cogitant in nos) Anonymous 74–75v
Corde et animo Christo canamus gloriam (2p. Laudemus ergo Dominum nostrum) 50–51
Descendit angelus Domini ad Zachariam (2p. Ne timeas quoniam exaudita est) 66v–68
Dignare me laudare te virgo sacrata (2p. Cum jocunditate conceptionem beatae) 109v–111
Dixit autem Dominus servo redde quod (2p. Serve nequam omne debitum dimisi) 33–34
Domini est terra - 1a pars (of 2): Domini est terra et plenitudo eius 79v–81
Domini est terra - 2a pars (of 2): Haec est generatio querentium Dominum 79v–81
Dulcis amica Dei rosa vernans stella Anonymous 95v–96
Ecce nos reliquimus omnia - 1a pars (of 2): Ecce nos reliquimus omnia 69v–70v
Ecce nos reliquimus omnia - 2a pars (of 2): Et omnis qui reliquerit domum 70v–71
Ego sum qui sum et consilium meum (2p. Stetit Jesus in medio discipulorum) 42v–44
Esto Domine plebi tuae sanctificator Anonymous 75v–76v
Fuit homo missus a deo cui nomen (2p. Hic precursor et dilectus et lucerna) 64–65v
Grates nunc omnes reddamus Domino Deo (2p. Huic oportet ut canamus cum angelis) (5vv) [Proprium in gallicantu] 59v–60
Haec dicit Dominus liberabo populum T: Circumdederunt me gemitus [= Nimphes nappés néridriades driades 30.6] 12v–13
Homo erat in Jerusalem cui nomen erat (2p. Et cum inducerent puerum in templum) 61v–63
In die tribulationis meae renuit consolari 32rv
In illo tempore dixit Jesus discipulis (2p. Cum venerit paraclitus quem ego) 41v–42v
In illo tempore pastores loquebantur (2p. Et omnes qui audierant mirati sunt) 18–19v
In lectulo meo per noctes quaesivi (2p. Paululum cum pertransissem eos) 101v–103v
In te Domine speravi non confundar (M49) 20rv
In te Domine speravi non confundar (M50) 60
Jam non dicam vos servos sed amicos meos (2p. Cum venerit ille spiritus veritatis) 36v–37
Jerusalem luge et exue te vestibus (2p. Deduc quasi torrentem lachrimas) 37v–38v
Laetetur omne saeculum in solemnitate (2p. Haec Maria fuit illa Domino gratissima) 65v–66v
Lectio actuum apostolorum 19.10 - Dum complerentur in dies pentecostes (2p. Facta autem hac voce convenit) 26–27
Maria Magdalene et Maria Jacobi (2p. Dic nobis Maria quid vidisti in via) 105v–107v
Missus est angelus Gabriel a Deo 20.7 (2p. Hic erit magnus et filius altissimi) 24v–25v
Nativitas tua Dei genitrix virgo gaudium (2p. Felix nanquam es sacra virgo Maria) 85–86v
Nigra sum sed formosa filia Jerusalem (2p. Ecce tu pulchra es amica mea) 87–89
Non turbetur cor vestrum ego vado ad patrem (2p. Ego rogabo patrem meum et alium) 35v–36
O crux splendidior - 1a pars (of 2): O crux splendidior cunctis astris mundi 51v–52v
O crux splendidior - 2a pars (of 2): Dulce lignum dulces clavos 51v–52v
O sacrum convivium (2p. Mens impletur gratia et future) (M76) 57v–58v
O virgo prudentissima 24.9 (2p. Audi virgo puerpera) 11v–12v
Omnes gentes plaudite manibus jubilate Deo (2p. Ascendit Deus in jubilo et Dominus) (M79) 55v–57
Pater noster (2p. Ave Maria) 20.9 1–2
Pater noster qui es in caelis (2p. Ave Maria gratia plena Dominus tecum) 30–31v
Philippe qui videt me alleluia (6vv, M84) 19v–20
Praeter rerum seriem 24.12 (2p. Virtus sancti spiritus) 8v–11
Sancta et immaculata (1) - 1a pars (of 2): Sancta et immaculata virginitas 91–93
Sancta et immaculata (1) - 2a pars (of 2): Benedicta tu in mulieribus 91–93
Sancta et immaculata - 1a pars (of 2): Sancta et immaculata virginitas 68v–69
Sancta et immaculata - 2a pars (of 2): Cum jocunditate conceptionem beatae 69–69v
Sancta Maria virgo virginum 25.6 20v–21
Sancte Paule apostole predicator (2p. Saule Saule quid me persequeris) 54–55
Si enim credimus quod Jesus mortuus est (2p. Et sicut in Adam omnes moriuntur; 3p. Requiem aeternam dona eis Domine) 60v–61
Spes mea Domine a juventute mea (2p. In te confirmatus sum ex utero) 58v–59v
Stabat mater dolorosa iuxta crucem 25.9 (2p. Eya mater fons amoris me sentire) 27v–29
Stabat virgo juxta crucem videns pati (2p. Audit virgo haec dicentem natum) 17–18
Sufficiebat nobis paupertas nostra senectutis nostrae 112v–115
Surge propera amica mea columba mea (2p. Surge amica mea speciosa mea) 96v–98
Te Deum laudamus te Dominum confitemur (2p. Patrem immense majestatis veneramur; 3p. Te tamen quaesumus tuis famulis) 44v–46
Tempus est ut revertar ad eum qui me (2p. O rex gloriae Domine virtutum) 111–112
Tristitia et anxietas occupaverunt interiora (2p. Sed tu Domine qui non derelinquis) 77–79
Veni in ortum meum soror mea sponsa 92p. In lectulo meo per noctes quaesivi) 93–95
Veni sancte spiritus (6vv) [M119] 7v–8
Venite ad me omnes qui laboratis 40v–41
Verbum bonum et suave personemus 25.11 (2p. Ave solem genuisti ave prolem; 3p. Ave mater verbi summi ave mater) 29–30
Verbum caro factum est (2p. Plenum gratia; 3p. In principio erat verbum) (6vv, P74) 5–6v
Virgo salutiferi genitrix intacta 25.13 (2p. Tu potis es prime scelus; 3p. Nunc caeli regina tuis pro gentibus) 22v–24
Virgo sancta Catherina Greciae gemma 107v–109
Viri Galilei quid admiramini aspicientes (2p. Videntibus illis elevatus est ut nubes) 103v–105

Set: MS 4° Art. 401 (1-4)

Type: Partbooks

No images available

D-Mu MS 4° Art. 401 (1)

No images available

D-Mu MS 4° Art. 401 (2)

No images available

D-Mu MS 4° Art. 401 (3)

No images available

D-Mu MS 4° Art. 401 (4)

denotes primary source study

Hoffmann-Erbrecht, Lothar. 1976. Problems in the Interdependence of Josquin Sources. Josquin des Prez: Proceedings of the International Josquin Festival-Conference ... 21-25 June 1971, 285-93.  London, New York, and Toronto. Pages: 292-3. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Gottwald, Clytus. 1968. Die Musikhandschriften der Universitätsbibliothek München. Die Handschriften der Universitätsbibliothek München.  Wiesbaden. Pages: 101-11. Notes: physical description; contents list; concordances (partial).

Lowinsky, Edward E (editor). 1968. The Medici Codex of 1518: A Choirbook of Motets Dedicated to Lorenzo de' Medici, Duke of Urbino. Monuments of Renaissance Music.  Chicago. Pages: III, 118-9. Notes: physical description; contents list.

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts.  Tutzing. Pages: 151. Notes: physical description (partial); contents list (partial); concordances (partial); incipits (partial).

Crevel, M van. 1940. Adrianus Petit Coclico: Leben und Beziehungen eines nach Deutschland emigrierten Josquinschülers.  The Hague. Pages: 108-10. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

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Monday, 23 January, 2017

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

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